{"title":"Cine Lenses","description":"\u003cp\u003e\u003cstrong\u003eCinema lenses from DZOFILM, SIRUI, Laowa, Thypoch, Tokina\u003c\/strong\u003e — PL\/EF\/E mount in stock in Vancouver. No duty, full Canadian warranty, free shipping over $199.\u003c\/p\u003e\n\u003cdetails\u003e\n\u003csummary\u003eAbout cinema lenses \u0026amp; buying guide\u003c\/summary\u003e\n\u003cp\u003eCine lenses are built for filmmakers, owner-operators, and production teams who need more than simple image capture. In real shooting environments, lens choice affects not only the look of the image, but also how smoothly the camera package works on set. This collection is designed for buyers comparing cinema lenses for commercial production, narrative work, branded content, documentary shooting, and other video workflows where repeatability, control, and system consistency matter.\u003c\/p\u003e\n\n\u003cp\u003eFor many buyers, the most important decision is not simply which focal length to buy first, but how the lens will fit into the rest of the production setup. Some users may be looking for a single cine lens to expand an existing kit, while others may need a more complete lens path built around matched mechanics, consistent housing, or a broader prime or zoom strategy. That makes this category less about browsing individual products in isolation and more about understanding how each lens choice supports the work you actually do.\u003c\/p\u003e\n\n\u003cp\u003eWhen evaluating cine lenses, it helps to compare them through practical production needs: whether you need consistent handling across multiple focal lengths, whether the project calls for prime or zoom flexibility, and whether the lens will be used in solo shooting, client work, studio production, or a more structured crew environment. This page is built to help buyers sort through those decisions more clearly and find lens options that make sense for the way they shoot.\u003c\/p\u003e\n\u003c\/details\u003e","products":[{"product_id":"dzofilm-pictor-20-55mm-and-50-125mm-t2-8-super35-zoom-lens-bundle-pl-mount-and-ef-mount-black","title":"DZOFILM Pictor 20-55mm and 50-125mm T2.8 Super35 Zoom Lens Bundle (PL Mount and EF Mount, Black)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm Pictor 20-55 50-125 cinema zoom lens bundle brings the named T2.8 Super 35 zoom ranges together with interchangeable ARRI PL and Canon EF mounting.\u003c\/strong\u003e The matched housings are intended for narrative, commercial, documentary, studio, and rental packages that need flexible coverage without changing operating style.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Pictor 20-55mm and 50-125mm T2.8 Super35 Zoom Lens Bundle combines 20-55, 50-125mm Pictor zoom ranges named in the current product identity. DZOFILM lists the Pictor family with constant T2.8 aperture, a 31.5mm Super 35 image circle, interchangeable PL and EF mounting, parfocal design, 95mm front outside diameter, M86 filter thread, 0.8 MOD gearing, 16 iris blades, 270-degree focus rotation, and 100-degree zoom rotation. The shared mechanics simplify matte-box, follow-focus, and lens-support changes across the bundle.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003eMatched T2.8 Zoom Coverage\u003c\/h3\u003e\u003cp\u003eThe 20-55, 50-125mm ranges provide complementary Super 35 framing with constant T2.8 maximum aperture.\u003c\/p\u003e\n\u003ch3\u003eInterchangeable PL and EF Mounts\u003c\/h3\u003e\u003cp\u003eThe family supports ARRI PL and Canon EF interfaces, allowing one lens package to serve more camera bodies when mount fit and back focus are checked.\u003c\/p\u003e\n\u003ch3\u003eParfocal Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eParfocal design, 95mm fronts, M86 threads, 0.8 MOD gears, 16-blade irises, and matched focus and zoom rotations suit repeatable crew operation.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this Pictor bundle when 20-55, 50-125mm coverage, constant T2.8 speed, and matched manual zoom mechanics matter. Choose a smaller bundle if one range will remain unused, a Tango kit for longer zoom reach and optional servo integration, or prime lenses when maximum aperture and compact single-focal-length handling are the priority.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-tango-18-90mm-65-280mm-s35-lens-bundle-pl-ef\"\u003eDZOFilm Tango zoom bundle\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pictor-zoom-3-lens-bundle-pl-ef-black\"\u003eanother Pictor bundle\u003c\/a\u003e. Check Super 35 sensor mode, installed PL or EF mount, rear clearance, back focus, lens support, 95mm matte-box fit, M86 filters, and 0.8 MOD motor or follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis bundle is for cinematographers, rental houses, film schools, production companies, and owner-operators building a matched manual Super 35 cinema-zoom package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose fewer zooms when the production only needs one range, full-frame zooms for a larger sensor mode, autofocus glass for solo event coverage, or faster primes for lower-light and shallower-depth work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Pictor 20-55mm T2.8 Super 35 zoom lens\u003c\/li\u003e\n\u003cli\u003eDZOFilm Pictor 50-125mm T2.8 Super 35 zoom lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eIncluded zoom ranges: 20-55, 50-125mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.8\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: interchangeable ARRI PL and Canon EF\u003c\/li\u003e\n\u003cli\u003eDesign: parfocal\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eIris blades: 16\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003cli\u003eZoom rotation: 100 degrees\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDo Pictor zooms maintain focus while zooming?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Pictor 20-55mm and 50-125mm T2.8 Super35 Zoom Lens Bundle: The family uses a parfocal optical design, allowing focus to remain stable through the zoom range when the lens and camera are set up correctly.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich sensor format does this bundle cover?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Pictor 20-55mm and 50-125mm T2.8 Super35 Zoom Lens Bundle: Pictor uses a 31.5mm image circle for Super 35 production. Check the camera recording area before using a larger sensor mode.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan the lenses be used on both PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Pictor 20-55mm and 50-125mm T2.8 Super35 Zoom Lens Bundle: The product identity includes interchangeable ARRI PL and Canon EF mounting. Check the installed interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo the lenses share cinema accessory dimensions?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Pictor 20-55mm and 50-125mm T2.8 Super35 Zoom Lens Bundle: The family uses 95mm front outside diameters, M86 filter threads, and 0.8 MOD gears to simplify matte-box and follow-focus changes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this Pictor bundle in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Pictor 20-55mm and 50-125mm T2.8 Super35 Zoom Lens Bundle: Filmgear Canada offers this bundle with Canada-wide shipping and Vancouver-based help for range, mount, and support selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Pictor 20-55mm and 50-125mm T2.8 Super35 Zoom Lens Bundle (PL Mount and EF Mount, Black) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40491344003252,"sku":"DZO-7220001B\/2B-BUNDLE","price":4165.87,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/dzofilm-cine-lens-dzofilm-pictor-20-55mm-and-50-125mm-t2-8-super35-zoom-lens-bundle-pl-mount-and-ef-mount-black-30236972384436.jpg?v=1633115889"},{"product_id":"dzofilm-pictor-20-to-55mm-t2-8-super35-parfocal-zoom-lens-pl-mount-and-ef-mount-black","title":"DZOFilm Pictor 20-55mm T2.8 Super35 Parfocal Zoom Lens (PL Mount and EF Mount, Black)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe DZOFilm Pictor 20-55mm is a Super35 cine zoom built for narrative and documentary shooting where you want a real wide-to-normal range on one lens. Parfocal design keeps focus locked while zooming, and the lens ships with interchangeable PL and EF mounts.\u003c\/p\u003e\u003ch2\u003eKey features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eSuper35 image circle\u003c\/li\u003e\n\u003cli\u003eConstant T2.8 across the zoom range\u003c\/li\u003e\n\u003cli\u003eParfocal: focus holds while zooming\u003c\/li\u003e\n\u003cli\u003eUser-swappable PL and EF mounts\u003c\/li\u003e\n\u003cli\u003eGeared focus, zoom, and iris rings\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40496902045876,"sku":"DZO-7220002B","price":2082.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/dzofilm-cine-lens-dzofilm-pictor-20-to-55mm-t2-8-super35-parfocal-zoom-lens-pl-mount-and-ef-mount-black-30238572019892.jpg?v=1633311974"},{"product_id":"dzofilm-pictor-50-to-125mm-t2-8-super35-parfocal-zoom-lens-pl-mount-and-ef-mount-black","title":"DZOFILM Pictor 50-125mm T2.8 Super35 Parfocal Zoom Lens (PL Mount and EF Mount, Black)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe DZOFilm Pictor 50-125mm is the tele companion to the 20-55mm, covering normal through short telephoto on Super35. It's parfocal at a constant T2.8 and ships with swappable PL and EF mounts for use across cine and EF-mount cameras.\u003c\/p\u003e\u003ch2\u003eKey features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eSuper35 image circle\u003c\/li\u003e\n\u003cli\u003eConstant T2.8 across the zoom range\u003c\/li\u003e\n\u003cli\u003eParfocal: focus holds while zooming\u003c\/li\u003e\n\u003cli\u003eUser-swappable PL and EF mounts\u003c\/li\u003e\n\u003cli\u003eGeared focus, zoom, and iris rings\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40497208590516,"sku":"DZO-7220001B","price":2082.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/dzofilm-cine-lens-dzofilm-pictor-50-to-125mm-t2-8-super35-parfocal-zoom-lens-pl-mount-and-ef-mount-black-30238634606772.jpg?v=1633312030"},{"product_id":"dzofilm-full-frame-vespid-cine-prime-25mm-t2-1-lens-pl-mount","title":"DZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens (PL\/EF)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 25mm cine lens provides 25mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens uses a 25mm focal length and T2.1 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e25mm T2.1 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 25mm field of view and T2.1 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 25mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 25mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40784380428468,"sku":"DZO-V02521PL","price":1109.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1604004490_1601842_191d836b-3899-4210-9bd5-221f8038f300.jpg?v=1633762864"},{"product_id":"dzofilm-vespid-cine-prime-35mm-pl","title":"DZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens (PL\/EF)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 35mm cine lens provides 35mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens uses a 35mm focal length and T2.1 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e35mm T2.1 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 35mm field of view and T2.1 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 35mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-50mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 35mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40784458940596,"sku":"DZO-V03521PL","price":1109.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1604004490_1601843.jpg?v=1633763242"},{"product_id":"dzofilm-vespid-cine-prime-50mm-pl","title":"DZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens (PL\/EF)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 50mm cine lens provides 50mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens uses a 50mm focal length and T2.1 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e50mm T2.1 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 50mm field of view and T2.1 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 50mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 50mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40784504914100,"sku":"DZO-V05021PL","price":1109.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1604004490_1601844.jpg?v=1633764091"},{"product_id":"dzofilm-vespid-cine-prime-75mm-pl","title":"DZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens (PL\/EF)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 75mm cine lens provides 75mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens uses a 75mm focal length and T2.1 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e75mm T2.1 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 75mm field of view and T2.1 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 75mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 75mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40784549544116,"sku":"DZO-V07521PL","price":1109.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1604004490_1601845.jpg?v=1633764873"},{"product_id":"dzofilm-vespid-cine-prime-35mm-pl-macro","title":"DZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens (PL\/EF)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens is a 90mm T2.8 full-frame macro cinema prime with interchangeable PL and EF mounting, built for cinematographers who need repeatable manual lens control and the named 90mm field of view.\u003c\/strong\u003e Its close-focus operation and matched Vespid focus and iris gear placement for inserts, tabletop, product, beauty, and narrative detail work supports narrative, commercial, documentary, tabletop, studio, and rental work according to the lens family's optical role. Buyers comparing this cinema lens should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens sits in the DZOFILM Vespid family. DZOFILM identifies it as a 90mm T2.8 full-frame macro cinema prime with interchangeable PL and EF mounting. Key operating details include close-focus operation and matched Vespid focus and iris gear placement for inserts, tabletop, product, beauty, and narrative detail work. Before production, check sensor recording area, installed mount, rear clearance, flange setup, rods and lens support, matte box or filter fit, 0.8 MOD motor position, focus scale, working distance, and whether the selected focal range suits the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e90mm Cinema Optics\u003c\/h3\u003e\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens provides the named 90mm view with its 90mm T2.8 full-frame macro cinema prime.\u003c\/p\u003e\n\u003ch3\u003eMount and Sensor Planning\u003c\/h3\u003e\u003cp\u003eThe lens uses interchangeable PL and EF mounting; match the camera recording area, installed interface, rear clearance, flange distance, and support before the shoot.\u003c\/p\u003e\n\u003ch3\u003eManual Crew Operation\u003c\/h3\u003e\u003cp\u003eclose-focus operation and matched Vespid focus and iris gear placement for inserts, tabletop, product, beauty, and narrative detail work, supporting repeatable focus, zoom, iris, matte-box, and motor setup.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 90mm range when its framing coverage fits the production. Choose the adjacent family range for wider or longer reach, primes for faster single-focal-length operation, or another sensor and mount family when this coverage or interface does not fit.\u003c\/p\u003e\n\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, camera assistants, rental houses, studios, film schools, production companies, and owner-operators building a manual full-frame cinema package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different focal range when camera position or framing demands it, another mount or sensor family when compatibility changes, autofocus glass for solo event work, or a lighter lens when handheld balance and support time are the main constraints.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens\u003c\/li\u003e\n\u003cli\u003einterchangeable PL and EF mounting as named in the product title\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 90mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.8\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame\u003c\/li\u003e\n\u003cli\u003eMounts: PL and EF\u003c\/li\u003e\n\u003cli\u003eType: macro cinema prime\u003c\/li\u003e\n\u003cli\u003eOperation: manual geared focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format and role does this 90mm lens serve?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens (PL\/EF): It is a 90mm T2.8 full-frame macro cinema prime. Match the active camera recording area to the family's stated image coverage before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich mount and mechanical checks matter?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens (PL\/EF): This configuration uses interchangeable PL and EF mounting. Check the installed interface, rear clearance, flange setup, rods, lens support, matte box, filters, and 0.8 MOD motor positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should this focal range be chosen?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens (PL\/EF): The 90mm range determines framing, working distance, perspective, and how often the camera or lens must move. Compare it with adjacent ranges around the planned shot list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the lens suit a crewed cinema workflow?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens (PL\/EF): Yes. close-focus operation and matched Vespid focus and iris gear placement for inserts, tabletop, product, beauty, and narrative detail work. Camera assistants should still map focus, zoom, iris, support, motor, and case positions before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFILM lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens (PL\/EF): Filmgear Canada offers Canada-wide shipping and Vancouver-based help for focal range, sensor coverage, mount, support, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40784603414708,"sku":"DZO-VM9021PL","price":1248.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1604004490_1601846.jpg?v=1633765858"},{"product_id":"dzofilm-vespid-cine-prime-100mm-pl","title":"DZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens (PL\/EF)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 100mm cine lens provides 100mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens uses a 100mm focal length and T2.1 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e100mm T2.1 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 100mm field of view and T2.1 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 100mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 100mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40784631726260,"sku":"DZO-V10021PL","price":1109.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1604004490_1601847.jpg?v=1633767066"},{"product_id":"dzofilm-vespid-cine-prime-125mm-pl","title":"DZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens (PL\/EF)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 125mm cine lens provides 125mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens uses a 125mm focal length and T2.1 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e125mm T2.1 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 125mm field of view and T2.1 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 125mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 125mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40784739958964,"sku":"DZO-V12521PL","price":1109.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1604004490_1601848.jpg?v=1633769027"},{"product_id":"dzofilm-pictor-zoom-3-lens-bundle-pl-ef-black","title":"DZOFilm Pictor T2.8 Super35 Zoom 3-Lens Bundle 14-30\/20-55\/50-125 (PL \u0026 EF Mount)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm Pictor 14-30 20-55 50-125 cinema zoom lens bundle brings the named T2.8 Super 35 zoom ranges together with interchangeable ARRI PL and Canon EF mounting.\u003c\/strong\u003e The matched housings are intended for narrative, commercial, documentary, studio, and rental packages that need flexible coverage without changing operating style.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm Pictor T2.8 Super35 Zoom 3-Lens Bundle 14-30\/20-55\/50-125 combines 14-30, 20-55, 50-125mm Pictor zoom ranges named in the current product identity. DZOFILM lists the Pictor family with constant T2.8 aperture, a 31.5mm Super 35 image circle, interchangeable PL and EF mounting, parfocal design, 95mm front outside diameter, M86 filter thread, 0.8 MOD gearing, 16 iris blades, 270-degree focus rotation, and 100-degree zoom rotation. The shared mechanics simplify matte-box, follow-focus, and lens-support changes across the bundle.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003eMatched T2.8 Zoom Coverage\u003c\/h3\u003e\u003cp\u003eThe 14-30, 20-55, 50-125mm ranges provide complementary Super 35 framing with constant T2.8 maximum aperture.\u003c\/p\u003e\n\u003ch3\u003eInterchangeable PL and EF Mounts\u003c\/h3\u003e\u003cp\u003eThe family supports ARRI PL and Canon EF interfaces, allowing one lens package to serve more camera bodies when mount fit and back focus are checked.\u003c\/p\u003e\n\u003ch3\u003eParfocal Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eParfocal design, 95mm fronts, M86 threads, 0.8 MOD gears, 16-blade irises, and matched focus and zoom rotations suit repeatable crew operation.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this Pictor bundle when 14-30, 20-55, 50-125mm coverage, constant T2.8 speed, and matched manual zoom mechanics matter. Choose a smaller bundle if one range will remain unused, a Tango kit for longer zoom reach and optional servo integration, or prime lenses when maximum aperture and compact single-focal-length handling are the priority.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-tango-18-90mm-65-280mm-s35-lens-bundle-pl-ef\"\u003eDZOFilm Tango zoom bundle\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pictor-super35-zoom-3-lens-kit-pl-ef-black\"\u003eanother Pictor bundle\u003c\/a\u003e. Check Super 35 sensor mode, installed PL or EF mount, rear clearance, back focus, lens support, 95mm matte-box fit, M86 filters, and 0.8 MOD motor or follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis bundle is for cinematographers, rental houses, film schools, production companies, and owner-operators building a matched manual Super 35 cinema-zoom package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose fewer zooms when the production only needs one range, full-frame zooms for a larger sensor mode, autofocus glass for solo event coverage, or faster primes for lower-light and shallower-depth work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Pictor 14-30mm T2.8 Super 35 zoom lens\u003c\/li\u003e\n\u003cli\u003eDZOFilm Pictor 20-55mm T2.8 Super 35 zoom lens\u003c\/li\u003e\n\u003cli\u003eDZOFilm Pictor 50-125mm T2.8 Super 35 zoom lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eIncluded zoom ranges: 14-30, 20-55, 50-125mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.8\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: interchangeable ARRI PL and Canon EF\u003c\/li\u003e\n\u003cli\u003eDesign: parfocal\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eIris blades: 16\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003cli\u003eZoom rotation: 100 degrees\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDo Pictor zooms maintain focus while zooming?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor T2.8 Super35 Zoom 3-Lens Bundle 14-30\/20-55\/50-125: The family uses a parfocal optical design, allowing focus to remain stable through the zoom range when the lens and camera are set up correctly.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich sensor format does this bundle cover?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor T2.8 Super35 Zoom 3-Lens Bundle 14-30\/20-55\/50-125: Pictor uses a 31.5mm image circle for Super 35 production. Check the camera recording area before using a larger sensor mode.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan the lenses be used on both PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor T2.8 Super35 Zoom 3-Lens Bundle 14-30\/20-55\/50-125: The product identity includes interchangeable ARRI PL and Canon EF mounting. Check the installed interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo the lenses share cinema accessory dimensions?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor T2.8 Super35 Zoom 3-Lens Bundle 14-30\/20-55\/50-125: The family uses 95mm front outside diameters, M86 filter threads, and 0.8 MOD gears to simplify matte-box and follow-focus changes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this Pictor bundle in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor T2.8 Super35 Zoom 3-Lens Bundle 14-30\/20-55\/50-125: Filmgear Canada offers this bundle with Canada-wide shipping and Vancouver-based help for range, mount, and support selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Pictor T2.8 Super35 Zoom 3-Lens Bundle 14-30\/20-55\/50-125 (PL \u0026amp; EF Mount) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43071755321603,"sku":"DZO-7220001B\/2B\/3B-KIT","price":5836.98,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1650757676_1701859.jpg?v=1658518116"},{"product_id":"dzofilm-pictor-14-30mm-t2-8-super35-parfocal-zoom-lens-pl-ef","title":"DZOFilm Pictor 14-30mm T2.8 Super35 Parfocal Zoom Lens (PL and EF Mounts)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm Pictor 14-30mm T2.8 Super35 Parfocal Zoom Lens is a constant T2.8 Super 35 parfocal cinema zoom with interchangeable PL and EF mounting, built for cinematographers who need repeatable manual lens control and the named 14-30mm field of view.\u003c\/strong\u003e Its 31.5mm image circle, 95mm front, M86 thread, 16-blade iris, 270-degree focus, 100-degree zoom, and 0.8 MOD gears supports narrative, commercial, documentary, tabletop, studio, and rental work according to the lens family's optical role. Buyers comparing this cinema lens should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm Pictor 14-30mm T2.8 Super35 Parfocal Zoom Lens sits in the DZOFILM Pictor family. DZOFILM identifies it as a constant T2.8 Super 35 parfocal cinema zoom with interchangeable PL and EF mounting. Key operating details include 31.5mm image circle, 95mm front, M86 thread, 16-blade iris, 270-degree focus, 100-degree zoom, and 0.8 MOD gears. Before production, check sensor recording area, installed mount, rear clearance, flange setup, rods and lens support, matte box or filter fit, 0.8 MOD motor position, focus scale, working distance, and whether the selected focal range suits the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e14-30mm Cinema Optics\u003c\/h3\u003e\u003cp\u003eDZOFilm Pictor 14-30mm T2.8 Super35 Parfocal Zoom Lens provides the named 14-30mm view with its constant T2.8 Super 35 parfocal cinema zoom.\u003c\/p\u003e\n\u003ch3\u003eMount and Sensor Planning\u003c\/h3\u003e\u003cp\u003eThe lens uses interchangeable PL and EF mounting; match the camera recording area, installed interface, rear clearance, flange distance, and support before the shoot.\u003c\/p\u003e\n\u003ch3\u003eManual Crew Operation\u003c\/h3\u003e\u003cp\u003e31.5mm image circle, 95mm front, M86 thread, 16-blade iris, 270-degree focus, 100-degree zoom, and 0.8 MOD gears, supporting repeatable focus, zoom, iris, matte-box, and motor setup.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 14-30mm range when its framing coverage fits the production. Choose the adjacent family range for wider or longer reach, primes for faster single-focal-length operation, or another sensor and mount family when this coverage or interface does not fit.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pictor-12-25-super35-zoom-pl-ef-black\"\u003eDZOFilm Pictor 12-25mm T2.8 Super35 Parfocal Zoom Lens (PL\/EF, Black)\u003c\/a\u003e. Check camera sensor mode, interchangeable PL and EF mounting, rear clearance, flange setup, lens support, matte box, filters, 0.8 MOD motors, focus scale, working distance, and case dimensions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, camera assistants, rental houses, studios, film schools, production companies, and owner-operators building a manual Super 35 cinema package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different focal range when camera position or framing demands it, another mount or sensor family when compatibility changes, autofocus glass for solo event work, or a lighter lens when handheld balance and support time are the main constraints.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Pictor 14-30mm T2.8 Super35 Parfocal Zoom Lens\u003c\/li\u003e\n\u003cli\u003einterchangeable PL and EF mounting as named in the product title\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal range: 14-30mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.8\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: PL and EF\u003c\/li\u003e\n\u003cli\u003eDesign: parfocal\u003c\/li\u003e\n\u003cli\u003eFront diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format and role does this 14-30mm lens serve?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor 14-30mm T2.8 Super35 Parfocal Zoom Lens (PL and EF Mounts): It is a constant T2.8 Super 35 parfocal cinema zoom. Match the active camera recording area to the family's stated image coverage before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich mount and mechanical checks matter?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor 14-30mm T2.8 Super35 Parfocal Zoom Lens (PL and EF Mounts): This configuration uses interchangeable PL and EF mounting. Check the installed interface, rear clearance, flange setup, rods, lens support, matte box, filters, and 0.8 MOD motor positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should this focal range be chosen?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor 14-30mm T2.8 Super35 Parfocal Zoom Lens (PL and EF Mounts): The 14-30mm range determines framing, working distance, perspective, and how often the camera or lens must move. Compare it with adjacent ranges around the planned shot list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the lens suit a crewed cinema workflow?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor 14-30mm T2.8 Super35 Parfocal Zoom Lens (PL and EF Mounts): Yes. 31.5mm image circle, 95mm front, M86 thread, 16-blade iris, 270-degree focus, 100-degree zoom, and 0.8 MOD gears. Camera assistants should still map focus, zoom, iris, support, motor, and case positions before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFILM lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor 14-30mm T2.8 Super35 Parfocal Zoom Lens (PL and EF Mounts): Filmgear Canada offers Canada-wide shipping and Vancouver-based help for focal range, sensor coverage, mount, support, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Pictor 14-30mm T2.8 Super35 Parfocal Zoom Lens (PL and EF Mounts) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43071898353923,"sku":"DZO-7220003B","price":2361.98,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1655203840_1701861.jpg?v=1658523231"},{"product_id":"dzofilm-catta-ace-ff-35-80-70-135mm-t2-9-zoom-lens-bundle-black","title":"DZOFilm CATTA Ace FF Zoom 35-80 \u0026 70-135mm T2.9 Lens Kit (PL\/EF, Black)","description":"\u003cp\u003e\u003cstrong\u003eThe DZOFilm Catta Ace 2-lens zoom kit combines 35-80mm and 70-135mm T2.9 full-frame cinema zooms with matched colour, mechanics, and parfocal operation.\u003c\/strong\u003e Available from Filmgear Canada for Canadian cinema, commercial, documentary, rental, education, and owner-operator productions.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe included focal ranges cover 35-80mm plus 70-135mm while retaining a constant T2.9 maximum aperture and cinema-style manual focus, iris, and zoom control. DZOFILM designs the Catta family for parfocal operation so focus remains stable during a properly adjusted zoom move. The lenses share an 80mm front outside diameter, 0.8 MOD gears, 270-degree focus rotation, and 77mm filter threads. This current configuration uses interchangeable PL and EF mount configuration shown in the listing; camera fit, back focus, lens support, and full-frame sensor coverage should be checked before production.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e35-80mm and 70-135mm T2.9 Zooms\u003c\/h3\u003e\n\u003cp\u003eThe kit supplies the 35-80mm and 70-135mm focal ranges at a constant T2.9 maximum aperture.\u003c\/p\u003e\n\u003ch3\u003eParfocal Full-Frame Design\u003c\/h3\u003e\n\u003cp\u003eCatta zooms are designed to retain focus through the zoom range after correct back-focus setup and provide full-frame coverage in the listed family.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\n\u003cp\u003eThe lenses share manual geared controls, an 80mm front outside diameter, and consistent operation for faster changes within the kit.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this pairing when 35-80mm and 70-135mm covers the focal lengths used on the production. The complete three-lens package reduces gaps, while a two-lens kit saves case space and cost when the missing range is already covered by primes or another zoom.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e. Check the exact mount, sensor format, lens support, matte box, follow-focus position, and camera clearance before the shoot.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis 2-lens Catta Ace kit is for documentary, commercial, narrative, event, education, and rental teams that prefer zoom coverage with matched handling.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different two-lens pairing when another focal range matters more, the complete three-lens set when gaps are unacceptable, or smaller stills zooms when autofocus and minimum rig weight take priority.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Catta Ace 35-80mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003cli\u003eDZOFilm Catta Ace 70-135mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLens count: 2\u003c\/li\u003e\n\u003cli\u003eFocal ranges: 35-80mm, 70-135mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.9\u003c\/li\u003e\n\u003cli\u003eMount configuration: interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003cli\u003eFocus: manual, 270-degree rotation\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: 77mm\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Catta Ace 2-lens zoom kit designed to do?\u003c\/strong\u003e\u003cbr\u003eDZOFilm CATTA Ace FF Zoom 35-80 \u0026amp; 70-135mm T2.9 Lens Kit (PL\/EF, Black) is designed for the exact cinema-lens or adapter role described on this page. Its value comes from matching the exact product configuration to the camera, lens, light, filter holder, or support equipment already in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do I check compatibility before ordering Catta Ace 2-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eFor DZOFilm CATTA Ace FF Zoom 35-80 \u0026amp; 70-135mm T2.9 Lens Kit (PL\/EF, Black), compare the mount, physical size, optical format, connector, payload, or accessory standard shown on this page with the corresponding specification on your existing equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with Catta Ace 2-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eDZOFilm CATTA Ace FF Zoom 35-80 \u0026amp; 70-135mm T2.9 Lens Kit (PL\/EF, Black) includes DZOFilm Catta Ace 35-80mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing, DZOFilm Catta Ace 70-135mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing. Optional accessories, alternate mounts, cameras, lenses, lights, and support equipment are separate unless they are named in the selected Shopify variant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of Catta Ace 2-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eChoose choose a different two-lens pairing when another focal range matters more, the complete three-lens set when gaps are unacceptable, or smaller stills zooms when autofocus and minimum rig weight take priority instead of DZOFilm CATTA Ace FF Zoom 35-80 \u0026amp; 70-135mm T2.9 Lens Kit (PL\/EF, Black) when that option better matches your required format, size, mount, focal range, payload, or level of kit completeness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy Catta Ace 2-lens zoom kit in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm CATTA Ace FF Zoom 35-80 \u0026amp; 70-135mm T2.9 Lens Kit (PL\/EF, Black) is available from Filmgear Canada with Canada-wide shipping and Vancouver-based assistance. Check the selected variant and the surrounding equipment requirements before placing the order.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm CATTA Ace FF Zoom 35-80 \u0026amp; 70-135mm T2.9 Lens Kit (PL\/EF, Black) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Review the selected mount, size, filter, or kit configuration before ordering so the product matches the rest of your production package.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43071958483203,"sku":"DZO-FFCATTAA-BLK","price":3889.94,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1645487242_IMG_1699751.jpg?v=1681510841"},{"product_id":"dzofilm-catta-ace-ff-cine-complete-bundle-pl-ef-black","title":"DZOFilm Catta Ace FF Zoom 18-35\/35-80\/70-135mm T2.9 3-Lens Kit (PL\/EF, Black)","description":"\u003cp\u003e\u003cstrong\u003eThe DZOFilm Catta Ace 3-lens zoom kit combines 18-35mm and 35-80mm and 70-135mm T2.9 full-frame cinema zooms with matched colour, mechanics, and parfocal operation.\u003c\/strong\u003e Available from Filmgear Canada for Canadian cinema, commercial, documentary, rental, education, and owner-operator productions.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe included focal ranges cover 18-35mm plus 35-80mm plus 70-135mm while retaining a constant T2.9 maximum aperture and cinema-style manual focus, iris, and zoom control. DZOFILM designs the Catta family for parfocal operation so focus remains stable during a properly adjusted zoom move. The lenses share an 80mm front outside diameter, 0.8 MOD gears, 270-degree focus rotation, and 77mm filter threads. This current configuration uses interchangeable PL and EF mount configuration shown in the listing; camera fit, back focus, lens support, and full-frame sensor coverage should be checked before production.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e18-35mm and 35-80mm and 70-135mm T2.9 Zooms\u003c\/h3\u003e\n\u003cp\u003eThe kit supplies the 18-35mm and 35-80mm and 70-135mm focal ranges at a constant T2.9 maximum aperture.\u003c\/p\u003e\n\u003ch3\u003eParfocal Full-Frame Design\u003c\/h3\u003e\n\u003cp\u003eCatta zooms are designed to retain focus through the zoom range after correct back-focus setup and provide full-frame coverage in the listed family.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\n\u003cp\u003eThe lenses share manual geared controls, an 80mm front outside diameter, and consistent operation for faster changes within the kit.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this pairing when 18-35mm and 35-80mm and 70-135mm covers the focal lengths used on the production. The complete three-lens package reduces gaps, while a two-lens kit saves case space and cost when the missing range is already covered by primes or another zoom.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e. Check the exact mount, sensor format, lens support, matte box, follow-focus position, and camera clearance before the shoot.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis 3-lens Catta Ace kit is for documentary, commercial, narrative, event, education, and rental teams that prefer zoom coverage with matched handling.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different two-lens pairing when another focal range matters more, the complete three-lens set when gaps are unacceptable, or smaller stills zooms when autofocus and minimum rig weight take priority.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Catta Ace 18-35mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003cli\u003eDZOFilm Catta Ace 35-80mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003cli\u003eDZOFilm Catta Ace 70-135mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLens count: 3\u003c\/li\u003e\n\u003cli\u003eFocal ranges: 18-35mm, 35-80mm, 70-135mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.9\u003c\/li\u003e\n\u003cli\u003eMount configuration: interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003cli\u003eFocus: manual, 270-degree rotation\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: 77mm\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Catta Ace 3-lens zoom kit designed to do?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35\/35-80\/70-135mm T2.9 3-Lens Kit (PL\/EF, Black) is designed for the exact cinema-lens or adapter role described on this page. Its value comes from matching the exact product configuration to the camera, lens, light, filter holder, or support equipment already in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do I check compatibility before ordering Catta Ace 3-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eFor DZOFilm Catta Ace FF Zoom 18-35\/35-80\/70-135mm T2.9 3-Lens Kit (PL\/EF, Black), compare the mount, physical size, optical format, connector, payload, or accessory standard shown on this page with the corresponding specification on your existing equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with Catta Ace 3-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35\/35-80\/70-135mm T2.9 3-Lens Kit (PL\/EF, Black) includes DZOFilm Catta Ace 18-35mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing, DZOFilm Catta Ace 35-80mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing, DZOFilm Catta Ace 70-135mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing. Optional accessories, alternate mounts, cameras, lenses, lights, and support equipment are separate unless they are named in the selected Shopify variant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of Catta Ace 3-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eChoose choose a different two-lens pairing when another focal range matters more, the complete three-lens set when gaps are unacceptable, or smaller stills zooms when autofocus and minimum rig weight take priority instead of DZOFilm Catta Ace FF Zoom 18-35\/35-80\/70-135mm T2.9 3-Lens Kit (PL\/EF, Black) when that option better matches your required format, size, mount, focal range, payload, or level of kit completeness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy Catta Ace 3-lens zoom kit in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35\/35-80\/70-135mm T2.9 3-Lens Kit (PL\/EF, Black) is available from Filmgear Canada with Canada-wide shipping and Vancouver-based assistance. Check the selected variant and the surrounding equipment requirements before placing the order.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Catta Ace FF Zoom 18-35\/35-80\/70-135mm T2.9 3-Lens Kit (PL\/EF, Black) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Review the selected mount, size, filter, or kit configuration before ordering so the product matches the rest of your production package.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43738034962691,"sku":"DZO-FFCattaA3-BUNDLE","price":6947.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1673595964_1745340.jpg?v=1676330421"},{"product_id":"dzofilm-pictor-12-25-super35-zoom-pl-ef-black","title":"DZOFilm Pictor 12-25mm T2.8 Super35 Parfocal Zoom Lens (PL\/EF, Black)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm Pictor 12-25mm T2.8 Super35 Parfocal Zoom Lens is a constant T2.8 Super 35 parfocal cinema zoom with interchangeable PL and EF mounting, built for cinematographers who need repeatable manual lens control and the named 12-25mm field of view.\u003c\/strong\u003e Its 31.5mm image circle, 95mm front, M86 thread, 16-blade iris, 270-degree focus, 100-degree zoom, and 0.8 MOD gears supports narrative, commercial, documentary, tabletop, studio, and rental work according to the lens family's optical role. Buyers comparing this cinema lens should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm Pictor 12-25mm T2.8 Super35 Parfocal Zoom Lens sits in the DZOFILM Pictor family. DZOFILM identifies it as a constant T2.8 Super 35 parfocal cinema zoom with interchangeable PL and EF mounting. Key operating details include 31.5mm image circle, 95mm front, M86 thread, 16-blade iris, 270-degree focus, 100-degree zoom, and 0.8 MOD gears. Before production, check sensor recording area, installed mount, rear clearance, flange setup, rods and lens support, matte box or filter fit, 0.8 MOD motor position, focus scale, working distance, and whether the selected focal range suits the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e12-25mm Cinema Optics\u003c\/h3\u003e\u003cp\u003eDZOFilm Pictor 12-25mm T2.8 Super35 Parfocal Zoom Lens provides the named 12-25mm view with its constant T2.8 Super 35 parfocal cinema zoom.\u003c\/p\u003e\n\u003ch3\u003eMount and Sensor Planning\u003c\/h3\u003e\u003cp\u003eThe lens uses interchangeable PL and EF mounting; match the camera recording area, installed interface, rear clearance, flange distance, and support before the shoot.\u003c\/p\u003e\n\u003ch3\u003eManual Crew Operation\u003c\/h3\u003e\u003cp\u003e31.5mm image circle, 95mm front, M86 thread, 16-blade iris, 270-degree focus, 100-degree zoom, and 0.8 MOD gears, supporting repeatable focus, zoom, iris, matte-box, and motor setup.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 12-25mm range when its framing coverage fits the production. Choose the adjacent family range for wider or longer reach, primes for faster single-focal-length operation, or another sensor and mount family when this coverage or interface does not fit.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pictor-14-30mm-t2-8-super35-parfocal-zoom-lens-pl-ef\"\u003eDZOFilm Pictor 14-30mm T2.8 Super35 Parfocal Zoom Lens (PL and EF Mounts)\u003c\/a\u003e. Check camera sensor mode, interchangeable PL and EF mounting, rear clearance, flange setup, lens support, matte box, filters, 0.8 MOD motors, focus scale, working distance, and case dimensions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, camera assistants, rental houses, studios, film schools, production companies, and owner-operators building a manual Super 35 cinema package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different focal range when camera position or framing demands it, another mount or sensor family when compatibility changes, autofocus glass for solo event work, or a lighter lens when handheld balance and support time are the main constraints.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Pictor 12-25mm T2.8 Super35 Parfocal Zoom Lens\u003c\/li\u003e\n\u003cli\u003einterchangeable PL and EF mounting as named in the product title\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal range: 12-25mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.8\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: PL and EF\u003c\/li\u003e\n\u003cli\u003eDesign: parfocal\u003c\/li\u003e\n\u003cli\u003eFront diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format and role does this 12-25mm lens serve?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor 12-25mm T2.8 Super35 Parfocal Zoom Lens (PL\/EF, Black): It is a constant T2.8 Super 35 parfocal cinema zoom. Match the active camera recording area to the family's stated image coverage before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich mount and mechanical checks matter?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor 12-25mm T2.8 Super35 Parfocal Zoom Lens (PL\/EF, Black): This configuration uses interchangeable PL and EF mounting. Check the installed interface, rear clearance, flange setup, rods, lens support, matte box, filters, and 0.8 MOD motor positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should this focal range be chosen?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor 12-25mm T2.8 Super35 Parfocal Zoom Lens (PL\/EF, Black): The 12-25mm range determines framing, working distance, perspective, and how often the camera or lens must move. Compare it with adjacent ranges around the planned shot list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the lens suit a crewed cinema workflow?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor 12-25mm T2.8 Super35 Parfocal Zoom Lens (PL\/EF, Black): Yes. 31.5mm image circle, 95mm front, M86 thread, 16-blade iris, 270-degree focus, 100-degree zoom, and 0.8 MOD gears. Camera assistants should still map focus, zoom, iris, support, motor, and case positions before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFILM lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor 12-25mm T2.8 Super35 Parfocal Zoom Lens (PL\/EF, Black): Filmgear Canada offers Canada-wide shipping and Vancouver-based help for focal range, sensor coverage, mount, support, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Pictor 12-25mm T2.8 Super35 Parfocal Zoom Lens (PL\/EF, Black) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43750509510915,"sku":"DZO-7220004B","price":2360.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1676533546_1751652.jpg?v=1676679897"},{"product_id":"dzofilm-vespid-21mm-pl-ef","title":"DZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens (PL\/EF)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 21mm cine lens provides 21mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens uses a 21mm focal length and T2.1 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e21mm T2.1 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 21mm field of view and T2.1 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 21mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 21mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43750528352515,"sku":"DZO-V02121PL","price":1109.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1658133953_1717552.jpg?v=1676680567"},{"product_id":"dzofilm-vespid-40mm-pl-ef","title":"DZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens (PL\/EF)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 40mm cine lens provides 40mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens uses a 40mm focal length and T2.1 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e40mm T2.1 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 40mm field of view and T2.1 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 40mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 40mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43750545293571,"sku":"DZO-V04021PL","price":1099.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1658133953_1717553.jpg?v=1676681015"},{"product_id":"dzofilm-vespid-16mm-pl-ef","title":"DZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens (PL\/EF)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 16mm cine lens provides 16mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens uses a 16mm focal length and T2.8 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e16mm T2.8 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 16mm field of view and T2.8 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 16mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 16mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.8\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43750557090051,"sku":"DZO-V01628PL","price":1387.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1655217367_1679955_70c08402-60db-4e65-a1a4-d70c16ba0858.jpg?v=1676681366"},{"product_id":"dzofilm-catta-ace-70-135mm-t2-9-cine-zoom-lens-pl-ef-black","title":"DZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens (PL\/EF, Black)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens is a T2.9-T22 full-frame parfocal cinema zoom with ARRI PL and Canon EF mounting named in this package, built for cinematographers who need repeatable manual lens control and the named 70-135mm field of view.\u003c\/strong\u003e Its 270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears supports narrative, commercial, documentary, tabletop, studio, and rental work according to the lens family's optical role. Buyers comparing this cinema lens should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens sits in the DZOFILM Catta Ace family. DZOFILM identifies it as a T2.9-T22 full-frame parfocal cinema zoom with ARRI PL and Canon EF mounting named in this package. Key operating details include 270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears. Before production, check sensor recording area, installed mount, rear clearance, flange setup, rods and lens support, matte box or filter fit, 0.8 MOD motor position, focus scale, working distance, and whether the selected focal range suits the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e70-135mm Cinema Optics\u003c\/h3\u003e\u003cp\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens provides the named 70-135mm view with its T2.9-T22 full-frame parfocal cinema zoom.\u003c\/p\u003e\n\u003ch3\u003eMount and Sensor Planning\u003c\/h3\u003e\u003cp\u003eThe lens uses ARRI PL and Canon EF mounting named in this package; match the camera recording area, installed interface, rear clearance, flange distance, and support before the shoot.\u003c\/p\u003e\n\u003ch3\u003eManual Crew Operation\u003c\/h3\u003e\u003cp\u003e270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears, supporting repeatable focus, zoom, iris, matte-box, and motor setup.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 70-135mm range when its framing coverage fits the production. Choose the adjacent family range for wider or longer reach, primes for faster single-focal-length operation, or another sensor and mount family when this coverage or interface does not fit.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-catta-ace-ff-18-35mm-t2-9-cine-zoom-lens-pl-ef-black\"\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens (PL\/EF, Black)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-catta-ace-35-80mm-t2-9-cine-zoom-lens-pl-ef-black\"\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens (PL\/EF, Black)\u003c\/a\u003e. Check camera sensor mode, ARRI PL and Canon EF mounting named in this package, rear clearance, flange setup, lens support, matte box, filters, 0.8 MOD motors, focus scale, working distance, and case dimensions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, camera assistants, rental houses, studios, film schools, production companies, and owner-operators building a manual full-frame cinema package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different focal range when camera position or framing demands it, another mount or sensor family when compatibility changes, autofocus glass for solo event work, or a lighter lens when handheld balance and support time are the main constraints.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mounting named in this package as named in the product title\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal range: 70-135mm\u003c\/li\u003e\n\u003cli\u003eAperture: T2.9-T22\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame\u003c\/li\u003e\n\u003cli\u003eMount package: PL and EF\u003c\/li\u003e\n\u003cli\u003eDesign: parfocal\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003cli\u003eZoom rotation: 100 degrees\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format and role does this 70-135mm lens serve?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens (PL\/EF, Black): It is a T2.9-T22 full-frame parfocal cinema zoom. Match the active camera recording area to the family's stated image coverage before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich mount and mechanical checks matter?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens (PL\/EF, Black): This configuration uses ARRI PL and Canon EF mounting named in this package. Check the installed interface, rear clearance, flange setup, rods, lens support, matte box, filters, and 0.8 MOD motor positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should this focal range be chosen?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens (PL\/EF, Black): The 70-135mm range determines framing, working distance, perspective, and how often the camera or lens must move. Compare it with adjacent ranges around the planned shot list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the lens suit a crewed cinema workflow?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens (PL\/EF, Black): Yes. 270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears. Camera assistants should still map focus, zoom, iris, support, motor, and case positions before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFILM lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens (PL\/EF, Black): Filmgear Canada offers Canada-wide shipping and Vancouver-based help for focal range, sensor coverage, mount, support, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens (PL\/EF, Black) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767695016195,"sku":"DZO-FFA70135-BLK","price":2499.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1645487238_1691717.jpg?v=1677190518"},{"product_id":"dzofilm-catta-ace-35-80mm-t2-9-cine-zoom-lens-pl-ef-black","title":"DZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens (PL\/EF, Black)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens is a T2.9-T22 full-frame parfocal cinema zoom with ARRI PL and Canon EF mounting named in this package, built for cinematographers who need repeatable manual lens control and the named 35-80mm field of view.\u003c\/strong\u003e Its 270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears supports narrative, commercial, documentary, tabletop, studio, and rental work according to the lens family's optical role. Buyers comparing this cinema lens should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens sits in the DZOFILM Catta Ace family. DZOFILM identifies it as a T2.9-T22 full-frame parfocal cinema zoom with ARRI PL and Canon EF mounting named in this package. Key operating details include 270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears. Before production, check sensor recording area, installed mount, rear clearance, flange setup, rods and lens support, matte box or filter fit, 0.8 MOD motor position, focus scale, working distance, and whether the selected focal range suits the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e35-80mm Cinema Optics\u003c\/h3\u003e\u003cp\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens provides the named 35-80mm view with its T2.9-T22 full-frame parfocal cinema zoom.\u003c\/p\u003e\n\u003ch3\u003eMount and Sensor Planning\u003c\/h3\u003e\u003cp\u003eThe lens uses ARRI PL and Canon EF mounting named in this package; match the camera recording area, installed interface, rear clearance, flange distance, and support before the shoot.\u003c\/p\u003e\n\u003ch3\u003eManual Crew Operation\u003c\/h3\u003e\u003cp\u003e270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears, supporting repeatable focus, zoom, iris, matte-box, and motor setup.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 35-80mm range when its framing coverage fits the production. Choose the adjacent family range for wider or longer reach, primes for faster single-focal-length operation, or another sensor and mount family when this coverage or interface does not fit.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-catta-ace-ff-18-35mm-t2-9-cine-zoom-lens-pl-ef-black\"\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens (PL\/EF, Black)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-catta-ace-70-135mm-t2-9-cine-zoom-lens-pl-ef-black\"\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens (PL\/EF, Black)\u003c\/a\u003e. Check camera sensor mode, ARRI PL and Canon EF mounting named in this package, rear clearance, flange setup, lens support, matte box, filters, 0.8 MOD motors, focus scale, working distance, and case dimensions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, camera assistants, rental houses, studios, film schools, production companies, and owner-operators building a manual full-frame cinema package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different focal range when camera position or framing demands it, another mount or sensor family when compatibility changes, autofocus glass for solo event work, or a lighter lens when handheld balance and support time are the main constraints.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mounting named in this package as named in the product title\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal range: 35-80mm\u003c\/li\u003e\n\u003cli\u003eAperture: T2.9-T22\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame\u003c\/li\u003e\n\u003cli\u003eMount package: PL and EF\u003c\/li\u003e\n\u003cli\u003eDesign: parfocal\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003cli\u003eZoom rotation: 100 degrees\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format and role does this 35-80mm lens serve?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens (PL\/EF, Black): It is a T2.9-T22 full-frame parfocal cinema zoom. Match the active camera recording area to the family's stated image coverage before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich mount and mechanical checks matter?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens (PL\/EF, Black): This configuration uses ARRI PL and Canon EF mounting named in this package. Check the installed interface, rear clearance, flange setup, rods, lens support, matte box, filters, and 0.8 MOD motor positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should this focal range be chosen?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens (PL\/EF, Black): The 35-80mm range determines framing, working distance, perspective, and how often the camera or lens must move. Compare it with adjacent ranges around the planned shot list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the lens suit a crewed cinema workflow?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens (PL\/EF, Black): Yes. 270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears. Camera assistants should still map focus, zoom, iris, support, motor, and case positions before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFILM lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens (PL\/EF, Black): Filmgear Canada offers Canada-wide shipping and Vancouver-based help for focal range, sensor coverage, mount, support, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens (PL\/EF, Black) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767701700867,"sku":"DZO-FFA3580-BLK","price":2499.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1645487238_1691716.jpg?v=1677190752"},{"product_id":"dzofilm-catta-ace-ff-18-35mm-t2-9-cine-zoom-lens-pl-ef-black","title":"DZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens (PL\/EF, Black)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens is a T2.9-T22 full-frame parfocal cinema zoom with ARRI PL and Canon EF mounting named in this package, built for cinematographers who need repeatable manual lens control and the named 18-35mm field of view.\u003c\/strong\u003e Its 270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears supports narrative, commercial, documentary, tabletop, studio, and rental work according to the lens family's optical role. Buyers comparing this cinema lens should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens sits in the DZOFILM Catta Ace family. DZOFILM identifies it as a T2.9-T22 full-frame parfocal cinema zoom with ARRI PL and Canon EF mounting named in this package. Key operating details include 270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears. Before production, check sensor recording area, installed mount, rear clearance, flange setup, rods and lens support, matte box or filter fit, 0.8 MOD motor position, focus scale, working distance, and whether the selected focal range suits the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e18-35mm Cinema Optics\u003c\/h3\u003e\u003cp\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens provides the named 18-35mm view with its T2.9-T22 full-frame parfocal cinema zoom.\u003c\/p\u003e\n\u003ch3\u003eMount and Sensor Planning\u003c\/h3\u003e\u003cp\u003eThe lens uses ARRI PL and Canon EF mounting named in this package; match the camera recording area, installed interface, rear clearance, flange distance, and support before the shoot.\u003c\/p\u003e\n\u003ch3\u003eManual Crew Operation\u003c\/h3\u003e\u003cp\u003e270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears, supporting repeatable focus, zoom, iris, matte-box, and motor setup.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 18-35mm range when its framing coverage fits the production. Choose the adjacent family range for wider or longer reach, primes for faster single-focal-length operation, or another sensor and mount family when this coverage or interface does not fit.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-catta-ace-35-80mm-t2-9-cine-zoom-lens-pl-ef-black\"\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens (PL\/EF, Black)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-catta-ace-70-135mm-t2-9-cine-zoom-lens-pl-ef-black\"\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens (PL\/EF, Black)\u003c\/a\u003e. Check camera sensor mode, ARRI PL and Canon EF mounting named in this package, rear clearance, flange setup, lens support, matte box, filters, 0.8 MOD motors, focus scale, working distance, and case dimensions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, camera assistants, rental houses, studios, film schools, production companies, and owner-operators building a manual full-frame cinema package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different focal range when camera position or framing demands it, another mount or sensor family when compatibility changes, autofocus glass for solo event work, or a lighter lens when handheld balance and support time are the main constraints.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mounting named in this package as named in the product title\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal range: 18-35mm\u003c\/li\u003e\n\u003cli\u003eAperture: T2.9-T22\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame\u003c\/li\u003e\n\u003cli\u003eMount package: PL and EF\u003c\/li\u003e\n\u003cli\u003eDesign: parfocal\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003cli\u003eZoom rotation: 100 degrees\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format and role does this 18-35mm lens serve?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens (PL\/EF, Black): It is a T2.9-T22 full-frame parfocal cinema zoom. Match the active camera recording area to the family's stated image coverage before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich mount and mechanical checks matter?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens (PL\/EF, Black): This configuration uses ARRI PL and Canon EF mounting named in this package. Check the installed interface, rear clearance, flange setup, rods, lens support, matte box, filters, and 0.8 MOD motor positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should this focal range be chosen?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens (PL\/EF, Black): The 18-35mm range determines framing, working distance, perspective, and how often the camera or lens must move. Compare it with adjacent ranges around the planned shot list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the lens suit a crewed cinema workflow?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens (PL\/EF, Black): Yes. 270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears. Camera assistants should still map focus, zoom, iris, support, motor, and case positions before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFILM lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens (PL\/EF, Black): Filmgear Canada offers Canada-wide shipping and Vancouver-based help for focal range, sensor coverage, mount, support, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens (PL\/EF, Black) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767705927939,"sku":"DZO-FFA1835-BLK","price":3194.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1673595964_1745337.jpg?v=1677190879"},{"product_id":"dzofilm-catta-ace-ff-18-35-70-135mm-t2-9-cine-2-lens-bundle-pl-ef-black","title":"DZOFilm Catta Ace FF Zoom 18-35\/70-135mm T2.9 2-Lens Kit (PL\/EF, Black)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eThe DZOFilm Catta Ace 2-lens zoom kit combines 18-35mm and 70-135mm T2.9 full-frame cinema zooms with matched colour, mechanics, and parfocal operation.\u003c\/strong\u003e Available from Filmgear Canada for Canadian cinema, commercial, documentary, rental, education, and owner-operator productions.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe included focal ranges cover 18-35mm plus 70-135mm while retaining a constant T2.9 maximum aperture and cinema-style manual focus, iris, and zoom control. DZOFILM designs the Catta family for parfocal operation so focus remains stable during a properly adjusted zoom move. The lenses share an 80mm front outside diameter, 0.8 MOD gears, 270-degree focus rotation, and 77mm filter threads. This current configuration uses interchangeable PL and EF mount configuration shown in the listing; camera fit, back focus, lens support, and full-frame sensor coverage should be checked before production.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e18-35mm and 70-135mm T2.9 Zooms\u003c\/h3\u003e\n\u003cp\u003eThe kit supplies the 18-35mm and 70-135mm focal ranges at a constant T2.9 maximum aperture.\u003c\/p\u003e\n\u003ch3\u003eParfocal Full-Frame Design\u003c\/h3\u003e\n\u003cp\u003eCatta zooms are designed to retain focus through the zoom range after correct back-focus setup and provide full-frame coverage in the listed family.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\n\u003cp\u003eThe lenses share manual geared controls, an 80mm front outside diameter, and consistent operation for faster changes within the kit.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this pairing when 18-35mm and 70-135mm covers the focal lengths used on the production. The complete three-lens package reduces gaps, while a two-lens kit saves case space and cost when the missing range is already covered by primes or another zoom.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e. Check the exact mount, sensor format, lens support, matte box, follow-focus position, and camera clearance before the shoot.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis 2-lens Catta Ace kit is for documentary, commercial, narrative, event, education, and rental teams that prefer zoom coverage with matched handling.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different two-lens pairing when another focal range matters more, the complete three-lens set when gaps are unacceptable, or smaller stills zooms when autofocus and minimum rig weight take priority.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Catta Ace 18-35mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003cli\u003eDZOFilm Catta Ace 70-135mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLens count: 2\u003c\/li\u003e\n\u003cli\u003eFocal ranges: 18-35mm, 70-135mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.9\u003c\/li\u003e\n\u003cli\u003eMount configuration: interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003cli\u003eFocus: manual, 270-degree rotation\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: 77mm\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Catta Ace 2-lens zoom kit designed to do?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35\/70-135mm T2.9 2-Lens Kit (PL\/EF, Black) is designed for the exact cinema-lens or adapter role described on this page. Its value comes from matching the exact product configuration to the camera, lens, light, filter holder, or support equipment already in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do I check compatibility before ordering Catta Ace 2-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eFor DZOFilm Catta Ace FF Zoom 18-35\/70-135mm T2.9 2-Lens Kit (PL\/EF, Black), compare the mount, physical size, optical format, connector, payload, or accessory standard shown on this page with the corresponding specification on your existing equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with Catta Ace 2-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35\/70-135mm T2.9 2-Lens Kit (PL\/EF, Black) includes DZOFilm Catta Ace 18-35mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing, DZOFilm Catta Ace 70-135mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing. Optional accessories, alternate mounts, cameras, lenses, lights, and support equipment are separate unless they are named in the selected Shopify variant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of Catta Ace 2-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eChoose choose a different two-lens pairing when another focal range matters more, the complete three-lens set when gaps are unacceptable, or smaller stills zooms when autofocus and minimum rig weight take priority instead of DZOFilm Catta Ace FF Zoom 18-35\/70-135mm T2.9 2-Lens Kit (PL\/EF, Black) when that option better matches your required format, size, mount, focal range, payload, or level of kit completeness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy Catta Ace 2-lens zoom kit in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35\/70-135mm T2.9 2-Lens Kit (PL\/EF, Black) is available from Filmgear Canada with Canada-wide shipping and Vancouver-based assistance. Check the selected variant and the surrounding equipment requirements before placing the order.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Catta Ace FF Zoom 18-35\/70-135mm T2.9 2-Lens Kit (PL\/EF, Black) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Review the selected mount, size, filter, or kit configuration before ordering so the product matches the rest of your production package.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767714349315,"sku":"DZO-FFCattaA2-BUNDLE","price":4723.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1673595964_1745339.jpg?v=1677191097"},{"product_id":"dzofilm-catta-ace-ff-18-35-35-80mm-t2-9-cine-2-lens-bundle-pl-ef-black","title":"DZOFilm Catta Ace FF Zoom 18-35\/35-80mm T2.9 2-Lens Kit (PL\/EF, Black)","description":"\u003cp\u003e\u003cstrong\u003eThe DZOFilm Catta Ace 2-lens zoom kit combines 18-35mm and 35-80mm T2.9 full-frame cinema zooms with matched colour, mechanics, and parfocal operation.\u003c\/strong\u003e Available from Filmgear Canada for Canadian cinema, commercial, documentary, rental, education, and owner-operator productions.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe included focal ranges cover 18-35mm plus 35-80mm while retaining a constant T2.9 maximum aperture and cinema-style manual focus, iris, and zoom control. DZOFILM designs the Catta family for parfocal operation so focus remains stable during a properly adjusted zoom move. The lenses share an 80mm front outside diameter, 0.8 MOD gears, 270-degree focus rotation, and 77mm filter threads. This current configuration uses interchangeable PL and EF mount configuration shown in the listing; camera fit, back focus, lens support, and full-frame sensor coverage should be checked before production.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e18-35mm and 35-80mm T2.9 Zooms\u003c\/h3\u003e\n\u003cp\u003eThe kit supplies the 18-35mm and 35-80mm focal ranges at a constant T2.9 maximum aperture.\u003c\/p\u003e\n\u003ch3\u003eParfocal Full-Frame Design\u003c\/h3\u003e\n\u003cp\u003eCatta zooms are designed to retain focus through the zoom range after correct back-focus setup and provide full-frame coverage in the listed family.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\n\u003cp\u003eThe lenses share manual geared controls, an 80mm front outside diameter, and consistent operation for faster changes within the kit.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this pairing when 18-35mm and 35-80mm covers the focal lengths used on the production. The complete three-lens package reduces gaps, while a two-lens kit saves case space and cost when the missing range is already covered by primes or another zoom.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e. Check the exact mount, sensor format, lens support, matte box, follow-focus position, and camera clearance before the shoot.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis 2-lens Catta Ace kit is for documentary, commercial, narrative, event, education, and rental teams that prefer zoom coverage with matched handling.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different two-lens pairing when another focal range matters more, the complete three-lens set when gaps are unacceptable, or smaller stills zooms when autofocus and minimum rig weight take priority.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Catta Ace 18-35mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003cli\u003eDZOFilm Catta Ace 35-80mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLens count: 2\u003c\/li\u003e\n\u003cli\u003eFocal ranges: 18-35mm, 35-80mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.9\u003c\/li\u003e\n\u003cli\u003eMount configuration: interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003cli\u003eFocus: manual, 270-degree rotation\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: 77mm\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Catta Ace 2-lens zoom kit designed to do?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35\/35-80mm T2.9 2-Lens Kit (PL\/EF, Black) is designed for the exact cinema-lens or adapter role described on this page. Its value comes from matching the exact product configuration to the camera, lens, light, filter holder, or support equipment already in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do I check compatibility before ordering Catta Ace 2-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eFor DZOFilm Catta Ace FF Zoom 18-35\/35-80mm T2.9 2-Lens Kit (PL\/EF, Black), compare the mount, physical size, optical format, connector, payload, or accessory standard shown on this page with the corresponding specification on your existing equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with Catta Ace 2-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35\/35-80mm T2.9 2-Lens Kit (PL\/EF, Black) includes DZOFilm Catta Ace 18-35mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing, DZOFilm Catta Ace 35-80mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing. Optional accessories, alternate mounts, cameras, lenses, lights, and support equipment are separate unless they are named in the selected Shopify variant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of Catta Ace 2-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eChoose choose a different two-lens pairing when another focal range matters more, the complete three-lens set when gaps are unacceptable, or smaller stills zooms when autofocus and minimum rig weight take priority instead of DZOFilm Catta Ace FF Zoom 18-35\/35-80mm T2.9 2-Lens Kit (PL\/EF, Black) when that option better matches your required format, size, mount, focal range, payload, or level of kit completeness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy Catta Ace 2-lens zoom kit in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35\/35-80mm T2.9 2-Lens Kit (PL\/EF, Black) is available from Filmgear Canada with Canada-wide shipping and Vancouver-based assistance. Check the selected variant and the surrounding equipment requirements before placing the order.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Catta Ace FF Zoom 18-35\/35-80mm T2.9 2-Lens Kit (PL\/EF, Black) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Review the selected mount, size, filter, or kit configuration before ordering so the product matches the rest of your production package.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767722246403,"sku":"DZO-FFCattaA1-BUNDLE","price":4723.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1673595964_1745338.jpg?v=1677191344"},{"product_id":"dzofilm-linglung-20-70mm-t2-9-mft-parfocal-cine-lens","title":"DZOFilm LingLung 20-70mm T2.9 MFT Parfocal Cine Lens","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm LingLung 20-70mm T2.9 MFT Parfocal Cine Lens is a T2.9 Micro Four Thirds parfocal cinema zoom with native MFT mount, built for cinematographers who need repeatable manual lens control and the named 20-70mm field of view.\u003c\/strong\u003e Its cine focus, iris, and zoom gears in a compact two-range family supports narrative, commercial, documentary, tabletop, studio, and rental work according to the lens family's optical role. Buyers comparing this cinema lens should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm LingLung 20-70mm T2.9 MFT Parfocal Cine Lens sits in the DZOFILM Linglung family. DZOFILM identifies it as a T2.9 Micro Four Thirds parfocal cinema zoom with native MFT mount. Key operating details include cine focus, iris, and zoom gears in a compact two-range family. Before production, check sensor recording area, installed mount, rear clearance, flange setup, rods and lens support, matte box or filter fit, 0.8 MOD motor position, focus scale, working distance, and whether the selected focal range suits the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e20-70mm Cinema Optics\u003c\/h3\u003e\u003cp\u003eDZOFilm LingLung 20-70mm T2.9 MFT Parfocal Cine Lens provides the named 20-70mm view with its T2.9 Micro Four Thirds parfocal cinema zoom.\u003c\/p\u003e\n\u003ch3\u003eMount and Sensor Planning\u003c\/h3\u003e\u003cp\u003eThe lens uses native MFT mount; match the camera recording area, installed interface, rear clearance, flange distance, and support before the shoot.\u003c\/p\u003e\n\u003ch3\u003eManual Crew Operation\u003c\/h3\u003e\u003cp\u003ecine focus, iris, and zoom gears in a compact two-range family, supporting repeatable focus, zoom, iris, matte-box, and motor setup.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 20-70mm range when its framing coverage fits the production. Choose the adjacent family range for wider or longer reach, primes for faster single-focal-length operation, or another sensor and mount family when this coverage or interface does not fit.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-linglung-10-24mm-t2-9-mft-parfocal-cine-lens\"\u003eDZOFilm LingLung 10-24mm T2.9 MFT Parfocal Cine Lens\u003c\/a\u003e. Check camera sensor mode, native MFT mount, rear clearance, flange setup, lens support, matte box, filters, 0.8 MOD motors, focus scale, working distance, and case dimensions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, camera assistants, rental houses, studios, film schools, production companies, and owner-operators building a manual MFT cinema package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different focal range when camera position or framing demands it, another mount or sensor family when compatibility changes, autofocus glass for solo event work, or a lighter lens when handheld balance and support time are the main constraints.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm LingLung 20-70mm T2.9 MFT Parfocal Cine Lens\u003c\/li\u003e\n\u003cli\u003enative MFT mount as named in the product title\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal range: 20-70mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.9\u003c\/li\u003e\n\u003cli\u003eFormat: Micro Four Thirds\u003c\/li\u003e\n\u003cli\u003eMount: MFT\u003c\/li\u003e\n\u003cli\u003eDesign: parfocal\u003c\/li\u003e\n\u003cli\u003eOperation: manual geared focus, iris, and zoom\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format and role does this 20-70mm lens serve?\u003c\/strong\u003e\u003cbr\u003eDZOFilm LingLung 20-70mm T2.9 MFT Parfocal Cine Lens: It is a T2.9 Micro Four Thirds parfocal cinema zoom. Match the active camera recording area to the family's stated image coverage before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich mount and mechanical checks matter?\u003c\/strong\u003e\u003cbr\u003eDZOFilm LingLung 20-70mm T2.9 MFT Parfocal Cine Lens: This configuration uses native MFT mount. Check the installed interface, rear clearance, flange setup, rods, lens support, matte box, filters, and 0.8 MOD motor positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should this focal range be chosen?\u003c\/strong\u003e\u003cbr\u003eDZOFilm LingLung 20-70mm T2.9 MFT Parfocal Cine Lens: The 20-70mm range determines framing, working distance, perspective, and how often the camera or lens must move. Compare it with adjacent ranges around the planned shot list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the lens suit a crewed cinema workflow?\u003c\/strong\u003e\u003cbr\u003eDZOFilm LingLung 20-70mm T2.9 MFT Parfocal Cine Lens: Yes. cine focus, iris, and zoom gears in a compact two-range family. Camera assistants should still map focus, zoom, iris, support, motor, and case positions before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFILM lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm LingLung 20-70mm T2.9 MFT Parfocal Cine Lens: Filmgear Canada offers Canada-wide shipping and Vancouver-based help for focal range, sensor coverage, mount, support, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm LingLung 20-70mm T2.9 MFT Parfocal Cine Lens from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767785750787,"sku":"","price":1975.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/DZOFilmLinglunf2070_1.jpg?v=1677193544"},{"product_id":"dzofilm-linglung-10-24mm-t2-9-mft-parfocal-cine-lens","title":"DZOFilm LingLung 10-24mm T2.9 MFT Parfocal Cine Lens","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm LingLung 10-24mm T2.9 MFT Parfocal Cine Lens is a T2.9 Micro Four Thirds parfocal cinema zoom with native MFT mount, built for cinematographers who need repeatable manual lens control and the named 10-24mm field of view.\u003c\/strong\u003e Its cine focus, iris, and zoom gears in a compact two-range family supports narrative, commercial, documentary, tabletop, studio, and rental work according to the lens family's optical role. Buyers comparing this cinema lens should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm LingLung 10-24mm T2.9 MFT Parfocal Cine Lens sits in the DZOFILM Linglung family. DZOFILM identifies it as a T2.9 Micro Four Thirds parfocal cinema zoom with native MFT mount. Key operating details include cine focus, iris, and zoom gears in a compact two-range family. Before production, check sensor recording area, installed mount, rear clearance, flange setup, rods and lens support, matte box or filter fit, 0.8 MOD motor position, focus scale, working distance, and whether the selected focal range suits the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e10-24mm Cinema Optics\u003c\/h3\u003e\u003cp\u003eDZOFilm LingLung 10-24mm T2.9 MFT Parfocal Cine Lens provides the named 10-24mm view with its T2.9 Micro Four Thirds parfocal cinema zoom.\u003c\/p\u003e\n\u003ch3\u003eMount and Sensor Planning\u003c\/h3\u003e\u003cp\u003eThe lens uses native MFT mount; match the camera recording area, installed interface, rear clearance, flange distance, and support before the shoot.\u003c\/p\u003e\n\u003ch3\u003eManual Crew Operation\u003c\/h3\u003e\u003cp\u003ecine focus, iris, and zoom gears in a compact two-range family, supporting repeatable focus, zoom, iris, matte-box, and motor setup.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 10-24mm range when its framing coverage fits the production. Choose the adjacent family range for wider or longer reach, primes for faster single-focal-length operation, or another sensor and mount family when this coverage or interface does not fit.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-linglung-20-70mm-t2-9-mft-parfocal-cine-lens\"\u003eDZOFilm LingLung 20-70mm T2.9 MFT Parfocal Cine Lens\u003c\/a\u003e. Check camera sensor mode, native MFT mount, rear clearance, flange setup, lens support, matte box, filters, 0.8 MOD motors, focus scale, working distance, and case dimensions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, camera assistants, rental houses, studios, film schools, production companies, and owner-operators building a manual MFT cinema package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different focal range when camera position or framing demands it, another mount or sensor family when compatibility changes, autofocus glass for solo event work, or a lighter lens when handheld balance and support time are the main constraints.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm LingLung 10-24mm T2.9 MFT Parfocal Cine Lens\u003c\/li\u003e\n\u003cli\u003enative MFT mount as named in the product title\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal range: 10-24mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.9\u003c\/li\u003e\n\u003cli\u003eFormat: Micro Four Thirds\u003c\/li\u003e\n\u003cli\u003eMount: MFT\u003c\/li\u003e\n\u003cli\u003eDesign: parfocal\u003c\/li\u003e\n\u003cli\u003eOperation: manual geared focus, iris, and zoom\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format and role does this 10-24mm lens serve?\u003c\/strong\u003e\u003cbr\u003eDZOFilm LingLung 10-24mm T2.9 MFT Parfocal Cine Lens: It is a T2.9 Micro Four Thirds parfocal cinema zoom. Match the active camera recording area to the family's stated image coverage before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich mount and mechanical checks matter?\u003c\/strong\u003e\u003cbr\u003eDZOFilm LingLung 10-24mm T2.9 MFT Parfocal Cine Lens: This configuration uses native MFT mount. Check the installed interface, rear clearance, flange setup, rods, lens support, matte box, filters, and 0.8 MOD motor positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should this focal range be chosen?\u003c\/strong\u003e\u003cbr\u003eDZOFilm LingLung 10-24mm T2.9 MFT Parfocal Cine Lens: The 10-24mm range determines framing, working distance, perspective, and how often the camera or lens must move. Compare it with adjacent ranges around the planned shot list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the lens suit a crewed cinema workflow?\u003c\/strong\u003e\u003cbr\u003eDZOFilm LingLung 10-24mm T2.9 MFT Parfocal Cine Lens: Yes. cine focus, iris, and zoom gears in a compact two-range family. Camera assistants should still map focus, zoom, iris, support, motor, and case positions before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFILM lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm LingLung 10-24mm T2.9 MFT Parfocal Cine Lens: Filmgear Canada offers Canada-wide shipping and Vancouver-based help for focal range, sensor coverage, mount, support, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm LingLung 10-24mm T2.9 MFT Parfocal Cine Lens from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767798661379,"sku":"","price":1975.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/DZOFilmLinglunf1024.jpg?v=1677194279"},{"product_id":"dzofilm-linglung-10-24mm-20-70mm-t2-9-mft-parfocal-cine-lens-bundle","title":"DZOFilm LingLung 10-24mm \u0026 20-70mm T2.9 MFT Parfocal Cine Lens Bundle","description":"\u003cp\u003e\u003cstrong\u003eThe DZOFilm LingLung 10-24 20-70mm MFT lens kit combines two T2.9 parfocal cinema zooms for wide through medium-telephoto coverage on Micro Four Thirds cameras.\u003c\/strong\u003e Available from Filmgear Canada for Canadian cinema, commercial, documentary, rental, education, and owner-operator productions.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe 10-24mm and 20-70mm ranges overlap for flexible lens changes and together cover a broad field of view on the 21.6mm MFT image circle. Both lenses use manual 270-degree focus rotation, 100-degree zoom rotation, 0.8 MOD gearing, 80mm front outside diameter, and a 12-blade iris. The 10-24mm focuses to 0.61m and the 20-70mm to 0.79m. Their parfocal design is intended to maintain focus through a correctly adjusted zoom move.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e10-24mm and 20-70mm T2.9 Coverage\u003c\/h3\u003e\n\u003cp\u003eThe two zooms cover wide through medium-telephoto framing with an overlap from 20mm to 24mm for flexible lens changes.\u003c\/p\u003e\n\u003ch3\u003eParfocal MFT Design\u003c\/h3\u003e\n\u003cp\u003eDZOFILM designs LingLung to retain focus during zooming after correct back-focus adjustment on the Micro Four Thirds camera.\u003c\/p\u003e\n\u003ch3\u003eMatched Manual Cinema Controls\u003c\/h3\u003e\n\u003cp\u003eBoth lenses use 0.8 MOD gears, 270-degree focus rotation, 100-degree zoom rotation, and an 80mm front outside diameter.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose the two-lens bundle for broad MFT zoom coverage. Buy only the 10-24mm when the work stays wide, only the 20-70mm for standard and tighter framing, or a larger-format lens family when the camera sensor exceeds the MFT image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e. Check the exact mount, sensor format, lens support, matte box, follow-focus position, and camera clearance before the shoot.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis bundle suits documentary, education, studio, live-event, compact cinema, and owner-operator MFT kits that need matched parfocal zoom coverage.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a single LingLung zoom when only one range is needed, or a full-frame cinema zoom family when the lens must cover a larger sensor.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm LingLung 10-24mm T2.9 MFT parfocal cinema zoom\u003c\/li\u003e\n\u003cli\u003eDZOFilm LingLung 20-70mm T2.9 MFT parfocal cinema zoom\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLens count: two\u003c\/li\u003e\n\u003cli\u003eFocal ranges: 10-24mm and 20-70mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.9\u003c\/li\u003e\n\u003cli\u003eMount and image circle: MFT, 21.6mm\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003cli\u003eZoom rotation: 100 degrees\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is LingLung 10-24 20-70mm MFT lens kit designed to do?\u003c\/strong\u003e\u003cbr\u003eDZOFilm LingLung 10-24mm \u0026amp; 20-70mm T2.9 MFT Parfocal Cine Lens Bundle is designed for the exact cinema-lens or adapter role described on this page. Its value comes from matching the exact product configuration to the camera, lens, light, filter holder, or support equipment already in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do I check compatibility before ordering LingLung 10-24 20-70mm MFT lens kit?\u003c\/strong\u003e\u003cbr\u003eFor DZOFilm LingLung 10-24mm \u0026amp; 20-70mm T2.9 MFT Parfocal Cine Lens Bundle, compare the mount, physical size, optical format, connector, payload, or accessory standard shown on this page with the corresponding specification on your existing equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with LingLung 10-24 20-70mm MFT lens kit?\u003c\/strong\u003e\u003cbr\u003eDZOFilm LingLung 10-24mm \u0026amp; 20-70mm T2.9 MFT Parfocal Cine Lens Bundle includes DZOFilm LingLung 10-24mm T2.9 MFT parfocal cinema zoom, DZOFilm LingLung 20-70mm T2.9 MFT parfocal cinema zoom. Optional accessories, alternate mounts, cameras, lenses, lights, and support equipment are separate unless they are named in the selected Shopify variant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of LingLung 10-24 20-70mm MFT lens kit?\u003c\/strong\u003e\u003cbr\u003eChoose choose a single linglung zoom when only one range is needed, or a full-frame cinema zoom family when the lens must cover a larger sensor instead of DZOFilm LingLung 10-24mm \u0026amp; 20-70mm T2.9 MFT Parfocal Cine Lens Bundle when that option better matches your required format, size, mount, focal range, payload, or level of kit completeness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy LingLung 10-24 20-70mm MFT lens kit in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm LingLung 10-24mm \u0026amp; 20-70mm T2.9 MFT Parfocal Cine Lens Bundle is available from Filmgear Canada with Canada-wide shipping and Vancouver-based assistance. Check the selected variant and the surrounding equipment requirements before placing the order.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm LingLung 10-24mm \u0026amp; 20-70mm T2.9 MFT Parfocal Cine Lens Bundle from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Review the selected mount, size, filter, or kit configuration before ordering so the product matches the rest of your production package.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767801676035,"sku":"","price":4139.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1569511343_1507681.jpg?v=1677194572"},{"product_id":"dzofilm-32mm-gnosis-macro-prime-lens-lpl-pl-ef-feet","title":"DZOFilm 32mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026 EF Mounts, Feet)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens is a T2.8 Vista Vision and full-frame macro cinema prime with LPL housing with PL and EF options, built for cinematographers who need repeatable manual lens control and the named 32mm field of view.\u003c\/strong\u003e Its 0.167m close focus and 1.0x magnification supports narrative, commercial, documentary, tabletop, studio, and rental work according to the lens family's optical role. Buyers comparing this cinema lens should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens sits in the DZOFILM Gnosis family. DZOFILM identifies it as a T2.8 Vista Vision and full-frame macro cinema prime with LPL housing with PL and EF options. Key operating details include 0.167m close focus and 1.0x magnification. Before production, check sensor recording area, installed mount, rear clearance, flange setup, rods and lens support, matte box or filter fit, 0.8 MOD motor position, focus scale, working distance, and whether the selected focal range suits the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e32mm Cinema Optics\u003c\/h3\u003e\u003cp\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens provides the named 32mm view with its T2.8 Vista Vision and full-frame macro cinema prime.\u003c\/p\u003e\n\u003ch3\u003eMount and Sensor Planning\u003c\/h3\u003e\u003cp\u003eThe lens uses LPL housing with PL and EF options; match the camera recording area, installed interface, rear clearance, flange distance, and support before the shoot.\u003c\/p\u003e\n\u003ch3\u003eManual Crew Operation\u003c\/h3\u003e\u003cp\u003e0.167m close focus and 1.0x magnification, supporting repeatable focus, zoom, iris, matte-box, and motor setup.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 32mm Gnosis for its perspective, working distance, and macro magnification. Choose 32mm for more environment, 65mm for a middle perspective, 90mm for more subject clearance, or a standard prime when macro reproduction is unnecessary.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-65mm-gnosis-macro-prime-lens-lpl-pl-ef-feet\"\u003eDZOFilm 65mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-90mm-gnosis-macro-prime-lens-lpl-pl-ef-feet\"\u003eDZOFilm 90mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet)\u003c\/a\u003e. Check camera sensor mode, LPL housing with PL and EF options, rear clearance, flange setup, lens support, matte box, filters, 0.8 MOD motors, focus scale, working distance, and case dimensions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, camera assistants, rental houses, studios, film schools, production companies, and owner-operators building a manual full-frame cinema package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different focal range when camera position or framing demands it, another mount or sensor family when compatibility changes, autofocus glass for solo event work, or a lighter lens when handheld balance and support time are the main constraints.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens\u003c\/li\u003e\n\u003cli\u003eLPL housing with PL and EF options as named in the product title\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 32mm\u003c\/li\u003e\n\u003cli\u003eAperture: T2.8-T22\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.167m\u003c\/li\u003e\n\u003cli\u003eMagnification: 1.0x\u003c\/li\u003e\n\u003cli\u003eWeight: approximately 1,460g\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format and role does this 32mm lens serve?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): It is a T2.8 Vista Vision and full-frame macro cinema prime. Match the active camera recording area to the family's stated image coverage before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich mount and mechanical checks matter?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): This configuration uses LPL housing with PL and EF options. Check the installed interface, rear clearance, flange setup, rods, lens support, matte box, filters, and 0.8 MOD motor positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should this focal range be chosen?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): The 32mm range determines framing, working distance, perspective, and how often the camera or lens must move. Compare it with adjacent ranges around the planned shot list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the lens suit a crewed cinema workflow?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): Yes. 0.167m close focus and 1.0x magnification. Camera assistants should still map focus, zoom, iris, support, motor, and case positions before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFILM lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): Filmgear Canada offers Canada-wide shipping and Vancouver-based help for focal range, sensor coverage, mount, support, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm 32mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767829430531,"sku":"DZO-G3228LPLI","price":6252.94,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1658911675_1719044.jpg?v=1677196406"},{"product_id":"dzofilm-65mm-gnosis-macro-prime-lens-lpl-pl-ef-feet","title":"DZOFilm 65mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026 EF Mounts, Feet)","description":"\u003cp\u003e\u003cstrong\u003eThe DZOFilm Gnosis 65mm macro lens is a T2.8 Vista Vision and full-frame cinema prime with 1.33x magnification, LPL housing, PL and EF mount options, and a feet focus scale.\u003c\/strong\u003e Its combination of macro reproduction, 65mm perspective, and manual cinema mechanics is designed for tabletop, food, beauty, inserts, product work, nature details, and controlled narrative close-ups.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eDZOFILM specifies a 46.5mm image circle, T2.8 to T22 range, 0.237m close focus measured from the sensor plane, and 1.33x maximum magnification for the 65mm Gnosis. The lens uses a 300-degree manual focus rotation, 114mm front outside diameter, M105 filter thread, 16-blade iris, 0.8 MOD gears, and an aluminum-alloy housing. At approximately 1,447.5g, it needs an appropriate mount, rods, lens support, matte box, focus control, and carefully planned working distance for precise macro shots.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003e65mm T2.8 with 1.33x Magnification\u003c\/h3\u003e\u003cp\u003eThe 65mm combines T2.8 speed with 1.33x macro reproduction for detailed product, insert, texture, and beauty imagery.\u003c\/p\u003e\u003ch3\u003e46.5mm VV and Full-Frame Coverage\u003c\/h3\u003e\u003cp\u003eThe 46.5mm image circle supports Vista Vision and full-frame cinema-camera recording areas when the selected camera mode fits within that circle.\u003c\/p\u003e\u003ch3\u003eMatched Professional Mechanics\u003c\/h3\u003e\u003cp\u003eA 114mm front, M105 thread, 300-degree focus throw, 16-blade iris, 0.8 MOD gears, and PL\/EF\/LPL mount options support repeatable cinema operation.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose the Gnosis 65mm when a natural short-telephoto perspective, 1.33x magnification, and practical subject clearance fit the shot. Choose the 32mm for a wider context and 1x magnification, the 90mm for more working distance and 1.5x magnification, or a standard prime when infinity-to-close coverage matters more than macro reproduction.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-32mm-gnosis-macro-prime-lens-lpl-pl-ef-feet\"\u003eDZOFilm Gnosis 32mm Macro\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-90mm-gnosis-macro-prime-lens-lpl-pl-ef-feet\"\u003eDZOFilm Gnosis 90mm Macro\u003c\/a\u003e. Check the installed LPL, PL, or EF interface, rear clearance, 46.5mm image-circle mode, rods and lens support, 114mm matte box, M105 filters, 0.8 MOD motors, focus travel, lighting clearance, and exact working distance.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eThis lens is for tabletop and product cinematographers, food and beauty teams, rental houses, commercial studios, effects units, and narrative crews that need more than life-size close-detail capture with matched cinema mechanics.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose a wider Gnosis for more environment, the 90mm for greater subject clearance and higher magnification, a probe lens for access into confined spaces, or a standard prime when macro reproduction and dedicated support are unnecessary.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eDZOFilm Gnosis 65mm T2.8 Macro Prime Lens with feet scale\u003c\/li\u003e\n\u003cli\u003eLPL housing with PL and EF mount options named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eFocal length: 65mm\u003c\/li\u003e\n\u003cli\u003eAperture: T2.8 to T22\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.237m \/ 9.36in from sensor plane\u003c\/li\u003e\n\u003cli\u003eMaximum magnification: 1.33x\u003c\/li\u003e\n\u003cli\u003eMount options: LPL, PL, and EF\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 300 degrees\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 114mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M105\u003c\/li\u003e\n\u003cli\u003eIris blades: 16\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eWeight: approximately 1,447.5g\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eWhat magnification does the Gnosis 65mm provide?\u003c\/strong\u003e\u003cbr\u003eThe DZOFilm Gnosis 65mm macro lens reaches 1.33x maximum magnification, allowing subjects to be recorded larger than life on the sensor.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow close does the Gnosis 65mm focus?\u003c\/strong\u003e\u003cbr\u003eDZOFILM lists 0.237m or 9.36in from the sensor plane, so practical lens-to-subject clearance must be planned with the complete rig.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDoes the Gnosis 65mm cover full-frame sensors?\u003c\/strong\u003e\u003cbr\u003eThe lens has a 46.5mm image circle for Vista Vision and full-frame cinema use. Check the active recording area of the selected camera mode.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhich mount and support checks matter?\u003c\/strong\u003e\u003cbr\u003eMatch the LPL, PL, or EF interface, rear clearance, rods, lens support, 114mm matte box, M105 filters, 0.8 MOD motors, and working distance before the shoot.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere can I buy the Gnosis 65mm in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada supplies the DZOFilm Gnosis 65mm macro lens with Canada-wide shipping and Vancouver-based support for mount, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eBuy DZOFilm 65mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact configuration, mount, power, control, support, and accessory plan before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767832117507,"sku":"DZO-G6528LPLI","price":6252.94,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1658911675_1719045.jpg?v=1677196586"},{"product_id":"dzofilm-90mm-gnosis-macro-prime-lens-lpl-pl-ef-feet","title":"DZOFilm 90mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026 EF Mounts, Feet)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm 90mm T2.8 Gnosis Macro Prime Lens is a T2.8 Vista Vision and full-frame macro cinema prime with LPL housing with PL and EF options, built for cinematographers who need repeatable manual lens control and the named 90mm field of view.\u003c\/strong\u003e Its 0.258m close focus and 1.5x magnification supports narrative, commercial, documentary, tabletop, studio, and rental work according to the lens family's optical role. Buyers comparing this cinema lens should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm 90mm T2.8 Gnosis Macro Prime Lens sits in the DZOFILM Gnosis family. DZOFILM identifies it as a T2.8 Vista Vision and full-frame macro cinema prime with LPL housing with PL and EF options. Key operating details include 0.258m close focus and 1.5x magnification. Before production, check sensor recording area, installed mount, rear clearance, flange setup, rods and lens support, matte box or filter fit, 0.8 MOD motor position, focus scale, working distance, and whether the selected focal range suits the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e90mm Cinema Optics\u003c\/h3\u003e\u003cp\u003eDZOFilm 90mm T2.8 Gnosis Macro Prime Lens provides the named 90mm view with its T2.8 Vista Vision and full-frame macro cinema prime.\u003c\/p\u003e\n\u003ch3\u003eMount and Sensor Planning\u003c\/h3\u003e\u003cp\u003eThe lens uses LPL housing with PL and EF options; match the camera recording area, installed interface, rear clearance, flange distance, and support before the shoot.\u003c\/p\u003e\n\u003ch3\u003eManual Crew Operation\u003c\/h3\u003e\u003cp\u003e0.258m close focus and 1.5x magnification, supporting repeatable focus, zoom, iris, matte-box, and motor setup.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 90mm Gnosis for its perspective, working distance, and macro magnification. Choose 32mm for more environment, 65mm for a middle perspective, 90mm for more subject clearance, or a standard prime when macro reproduction is unnecessary.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-32mm-gnosis-macro-prime-lens-lpl-pl-ef-feet\"\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-65mm-gnosis-macro-prime-lens-lpl-pl-ef-feet\"\u003eDZOFilm 65mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet)\u003c\/a\u003e. Check camera sensor mode, LPL housing with PL and EF options, rear clearance, flange setup, lens support, matte box, filters, 0.8 MOD motors, focus scale, working distance, and case dimensions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, camera assistants, rental houses, studios, film schools, production companies, and owner-operators building a manual full-frame cinema package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different focal range when camera position or framing demands it, another mount or sensor family when compatibility changes, autofocus glass for solo event work, or a lighter lens when handheld balance and support time are the main constraints.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm 90mm T2.8 Gnosis Macro Prime Lens\u003c\/li\u003e\n\u003cli\u003eLPL housing with PL and EF options as named in the product title\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 90mm\u003c\/li\u003e\n\u003cli\u003eAperture: T2.8-T22\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.258m\u003c\/li\u003e\n\u003cli\u003eMagnification: 1.5x\u003c\/li\u003e\n\u003cli\u003eWeight: approximately 1,280.5g\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format and role does this 90mm lens serve?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 90mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): It is a T2.8 Vista Vision and full-frame macro cinema prime. Match the active camera recording area to the family's stated image coverage before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich mount and mechanical checks matter?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 90mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): This configuration uses LPL housing with PL and EF options. Check the installed interface, rear clearance, flange setup, rods, lens support, matte box, filters, and 0.8 MOD motor positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should this focal range be chosen?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 90mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): The 90mm range determines framing, working distance, perspective, and how often the camera or lens must move. Compare it with adjacent ranges around the planned shot list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the lens suit a crewed cinema workflow?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 90mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): Yes. 0.258m close focus and 1.5x magnification. Camera assistants should still map focus, zoom, iris, support, motor, and case positions before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFILM lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 90mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): Filmgear Canada offers Canada-wide shipping and Vancouver-based help for focal range, sensor coverage, mount, support, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm 90mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767837196547,"sku":"DZO-G9028LPLI","price":6252.94,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1658911675_1719046.jpg?v=1677197016"},{"product_id":"dzofilm-32-65-90-gnosis-macro-prime-3-lens-kit-lpl-pl-ef","title":"DZOFilm 32, 65, 90mm T2.8 Gnosis Macro Prime 3-Lens Kit (LPL with PL \u0026 EF Mounts)","description":"\u003cp\u003e\u003cstrong\u003eThe DZOFilm Gnosis 32 65 90mm macro lens kit combines three T2.8 full-frame and Vista Vision cinema macro primes for wide, normal, and telephoto close-up coverage.\u003c\/strong\u003e Available from Filmgear Canada for Canadian cinema, commercial, documentary, rental, education, and owner-operator productions.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe 32mm, 65mm, and 90mm focal lengths let a production change perspective and working distance while retaining the Gnosis family look and cinema mechanics. The current product identity names LPL with PL and EF mount options and focus markings in feet. A three-lens macro package is useful for product, food, beauty, tabletop, texture, and insert work where a single focal length cannot provide every camera distance or background relationship. Check the exact selected mount package and lens support before use.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e32mm, 65mm, and 90mm T2.8 Macros\u003c\/h3\u003e\n\u003cp\u003eThe three included focal lengths provide different working distances and perspective choices within one full-frame macro family.\u003c\/p\u003e\n\u003ch3\u003eFull-Frame and Vista Vision Coverage\u003c\/h3\u003e\n\u003cp\u003eDZOFILM lists the Gnosis Macro family for VV and full-frame cinema-camera formats.\u003c\/p\u003e\n\u003ch3\u003eLPL with PL and EF Options\u003c\/h3\u003e\n\u003cp\u003eThe current kit identity specifies LPL together with PL and EF mount options, all marked in feet for this configuration.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose the three-lens set when the production needs several macro perspectives. A single 65mm or 90mm is smaller and less expensive when one working distance covers the job, while a probe lens is better for very narrow spaces or extended close-focus movement.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e. Check the exact mount, sensor format, lens support, matte box, follow-focus position, and camera clearance before the shoot.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis kit suits tabletop, food, product, beauty, commercial, visual-effects, nature-detail, and rental productions needing several macro focal lengths.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose one Gnosis focal length when the job has a fixed working distance, or a probe lens when the camera needs a much smaller front diameter and deep movement through confined sets.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Gnosis 32mm T2.8 macro prime\u003c\/li\u003e\n\u003cli\u003eDZOFilm Gnosis 65mm T2.8 macro prime\u003c\/li\u003e\n\u003cli\u003eDZOFilm Gnosis 90mm T2.8 macro prime\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLens count: three\u003c\/li\u003e\n\u003cli\u003eFocal lengths: 32mm, 65mm, and 90mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.8\u003c\/li\u003e\n\u003cli\u003eCoverage: full-frame and Vista Vision family\u003c\/li\u003e\n\u003cli\u003eMount configuration named: LPL with PL and EF options\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Gnosis 32 65 90mm macro lens kit designed to do?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 32, 65, 90mm T2.8 Gnosis Macro Prime 3-Lens Kit (LPL with PL \u0026amp; EF Mounts) is designed for the exact cinema-lens or adapter role described on this page. Its value comes from matching the exact product configuration to the camera, lens, light, filter holder, or support equipment already in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do I check compatibility before ordering Gnosis 32 65 90mm macro lens kit?\u003c\/strong\u003e\u003cbr\u003eFor DZOFilm 32, 65, 90mm T2.8 Gnosis Macro Prime 3-Lens Kit (LPL with PL \u0026amp; EF Mounts), compare the mount, physical size, optical format, connector, payload, or accessory standard shown on this page with the corresponding specification on your existing equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with Gnosis 32 65 90mm macro lens kit?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 32, 65, 90mm T2.8 Gnosis Macro Prime 3-Lens Kit (LPL with PL \u0026amp; EF Mounts) includes DZOFilm Gnosis 32mm T2.8 macro prime, DZOFilm Gnosis 65mm T2.8 macro prime, DZOFilm Gnosis 90mm T2.8 macro prime. Optional accessories, alternate mounts, cameras, lenses, lights, and support equipment are separate unless they are named in the selected Shopify variant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of Gnosis 32 65 90mm macro lens kit?\u003c\/strong\u003e\u003cbr\u003eChoose choose one gnosis focal length when the job has a fixed working distance, or a probe lens when the camera needs a much smaller front diameter and deep movement through confined sets instead of DZOFilm 32, 65, 90mm T2.8 Gnosis Macro Prime 3-Lens Kit (LPL with PL \u0026amp; EF Mounts) when that option better matches your required format, size, mount, focal range, payload, or level of kit completeness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy Gnosis 32 65 90mm macro lens kit in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 32, 65, 90mm T2.8 Gnosis Macro Prime 3-Lens Kit (LPL with PL \u0026amp; EF Mounts) is available from Filmgear Canada with Canada-wide shipping and Vancouver-based assistance. Check the selected variant and the surrounding equipment requirements before placing the order.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm 32, 65, 90mm T2.8 Gnosis Macro Prime 3-Lens Kit (LPL with PL \u0026amp; EF Mounts) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Review the selected mount, size, filter, or kit configuration before ordering so the product matches the rest of your production package.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767839260931,"sku":"DZO-G28K3LPLI","price":16677.94,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1658911675_1719047.jpg?v=1677197190"},{"product_id":"dzofilm-pictor-super35-zoom-3-lens-kit-pl-ef-black","title":"DZOFilm Pictor T2.8 Super35 Zoom 3-Lens Kit 12-25\/20-55\/50-125mm (PL \u0026 EF Mount, Black)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm Pictor 12-25 20-55 50-125 cinema zoom lens bundle brings the named T2.8 Super 35 zoom ranges together with interchangeable ARRI PL and Canon EF mounting.\u003c\/strong\u003e The matched housings are intended for narrative, commercial, documentary, studio, and rental packages that need flexible coverage without changing operating style.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm Pictor T2.8 Super35 Zoom 3-Lens Kit 12-25\/20-55\/50-125mm combines 12-25, 20-55, 50-125mm Pictor zoom ranges named in the current product identity. DZOFILM lists the Pictor family with constant T2.8 aperture, a 31.5mm Super 35 image circle, interchangeable PL and EF mounting, parfocal design, 95mm front outside diameter, M86 filter thread, 0.8 MOD gearing, 16 iris blades, 270-degree focus rotation, and 100-degree zoom rotation. The shared mechanics simplify matte-box, follow-focus, and lens-support changes across the bundle.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003eMatched T2.8 Zoom Coverage\u003c\/h3\u003e\u003cp\u003eThe 12-25, 20-55, 50-125mm ranges provide complementary Super 35 framing with constant T2.8 maximum aperture.\u003c\/p\u003e\n\u003ch3\u003eInterchangeable PL and EF Mounts\u003c\/h3\u003e\u003cp\u003eThe family supports ARRI PL and Canon EF interfaces, allowing one lens package to serve more camera bodies when mount fit and back focus are checked.\u003c\/p\u003e\n\u003ch3\u003eParfocal Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eParfocal design, 95mm fronts, M86 threads, 0.8 MOD gears, 16-blade irises, and matched focus and zoom rotations suit repeatable crew operation.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this Pictor bundle when 12-25, 20-55, 50-125mm coverage, constant T2.8 speed, and matched manual zoom mechanics matter. Choose a smaller bundle if one range will remain unused, a Tango kit for longer zoom reach and optional servo integration, or prime lenses when maximum aperture and compact single-focal-length handling are the priority.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-tango-18-90mm-65-280mm-s35-lens-bundle-pl-ef\"\u003eDZOFilm Tango zoom bundle\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pictor-zoom-3-lens-bundle-pl-ef-black\"\u003eanother Pictor bundle\u003c\/a\u003e. Check Super 35 sensor mode, installed PL or EF mount, rear clearance, back focus, lens support, 95mm matte-box fit, M86 filters, and 0.8 MOD motor or follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis bundle is for cinematographers, rental houses, film schools, production companies, and owner-operators building a matched manual Super 35 cinema-zoom package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose fewer zooms when the production only needs one range, full-frame zooms for a larger sensor mode, autofocus glass for solo event coverage, or faster primes for lower-light and shallower-depth work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Pictor 12-25mm T2.8 Super 35 zoom lens\u003c\/li\u003e\n\u003cli\u003eDZOFilm Pictor 20-55mm T2.8 Super 35 zoom lens\u003c\/li\u003e\n\u003cli\u003eDZOFilm Pictor 50-125mm T2.8 Super 35 zoom lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eIncluded zoom ranges: 12-25, 20-55, 50-125mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.8\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: interchangeable ARRI PL and Canon EF\u003c\/li\u003e\n\u003cli\u003eDesign: parfocal\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eIris blades: 16\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003cli\u003eZoom rotation: 100 degrees\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDo Pictor zooms maintain focus while zooming?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor T2.8 Super35 Zoom 3-Lens Kit 12-25\/20-55\/50-125mm: The family uses a parfocal optical design, allowing focus to remain stable through the zoom range when the lens and camera are set up correctly.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich sensor format does this bundle cover?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor T2.8 Super35 Zoom 3-Lens Kit 12-25\/20-55\/50-125mm: Pictor uses a 31.5mm image circle for Super 35 production. Check the camera recording area before using a larger sensor mode.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan the lenses be used on both PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor T2.8 Super35 Zoom 3-Lens Kit 12-25\/20-55\/50-125mm: The product identity includes interchangeable ARRI PL and Canon EF mounting. Check the installed interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo the lenses share cinema accessory dimensions?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor T2.8 Super35 Zoom 3-Lens Kit 12-25\/20-55\/50-125mm: The family uses 95mm front outside diameters, M86 filter threads, and 0.8 MOD gears to simplify matte-box and follow-focus changes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this Pictor bundle in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor T2.8 Super35 Zoom 3-Lens Kit 12-25\/20-55\/50-125mm: Filmgear Canada offers this bundle with Canada-wide shipping and Vancouver-based help for range, mount, and support selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Pictor T2.8 Super35 Zoom 3-Lens Kit 12-25\/20-55\/50-125mm (PL \u0026amp; EF Mount, Black) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43803057520899,"sku":"DZO-7220001B\/2B\/4B -KIT","price":5878.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1676533546_1751654.jpg?v=1678477190"},{"product_id":"dzofilm-tango-18-90mm-65-280mm-s35-lens-bundle-pl-ef","title":"DZOFilm Tango 18-90mm T2.9 \u0026 65-280mm T2.9-4 S35 Zoom Lens Bundle (ARRI PL \u0026 Canon EF)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm Tango 18-90mm 65-280mm cinema zoom bundle combines two parfocal Super 35 zooms with ARRI PL and Canon EF mounting for wide-to-telephoto production coverage.\u003c\/strong\u003e The matched pair is built for narrative, commercial, documentary, studio, wildlife, sports, and rental workflows that need long zoom reach and consistent manual operation.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm Tango 18-90mm T2.9 \u0026amp; 65-280mm T2.9-4 S35 Zoom Lens Bundle pairs the Tango 18-90mm T2.9 with the 65-280mm T2.9-4. DZOFILM lists a 31.5mm Super 35 image circle, parfocal design, interchangeable PL and EF mounts, 16-blade iris, 114mm front outside diameter, M105 filter thread, 0.8 MOD gears, 270-degree focus rotation, and 100-degree zoom rotation. An optional MOVCAM servo can support powered focus, iris, and zoom control when the correct accessories and power arrangement are used.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e18-90mm and 65-280mm Coverage\u003c\/h3\u003e\u003cp\u003eThe two-lens package spans wide, normal, portrait, and long-telephoto Super 35 framing with matched Tango handling.\u003c\/p\u003e\n\u003ch3\u003eParfocal Super 35 Design\u003c\/h3\u003e\u003cp\u003eThe lenses are designed to retain focus during a zoom and cover a 31.5mm Super 35 image circle.\u003c\/p\u003e\n\u003ch3\u003eOptional Servo Workflow\u003c\/h3\u003e\u003cp\u003eThe Tango housing can work with the optional MOVCAM servo for powered focus, iris, and zoom operation in compatible builds.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose the Tango bundle when a broad 18-280mm combined range, parfocal operation, and optional servo support matter. Choose Pictor for smaller T2.8 zoom ranges and 95mm fronts, a single Tango when only one range is needed, or full-frame zooms when the recording area exceeds Super 35 coverage.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pictor-zoom-3-lens-bundle-pl-ef-black\"\u003eDZOFilm Pictor three-lens bundle\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pictor-20-55mm-and-50-125mm-t2-8-super35-zoom-lens-bundle-pl-mount-and-ef-mount-black\"\u003eDZOFilm Pictor two-lens bundle\u003c\/a\u003e. Check Super 35 sensor mode, installed PL or EF mount, rear clearance, back focus, lens support, 114mm matte-box fit, M105 filters, 0.8 MOD drive position, and servo power requirements.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis bundle is for production companies, rental houses, cinematographers, sports and wildlife crews, documentary teams, and studio operators who need wide-to-long Super 35 zoom coverage.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose one lens when the second range will not be used, lighter zooms for gimbals and small rigs, full-frame glass for larger recording modes, or autofocus lenses for single-operator event work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Tango 18-90mm T2.9 Super 35 zoom lens\u003c\/li\u003e\n\u003cli\u003eDZOFilm Tango 65-280mm T2.9-4 Super 35 zoom lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eZoom ranges: 18-90mm and 65-280mm\u003c\/li\u003e\n\u003cli\u003eMaximum apertures: T2.9 and T2.9-4\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF\u003c\/li\u003e\n\u003cli\u003eDesign: parfocal\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 114mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M105\u003c\/li\u003e\n\u003cli\u003eIris blades: 16\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003cli\u003eZoom rotation: 100 degrees\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOptional control: MOVCAM servo\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDo the Tango lenses maintain focus while zooming?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Tango 18-90mm T2.9 \u0026amp; 65-280mm T2.9-4 S35 Zoom Lens Bundle: The family uses a parfocal design, so focus is intended to remain stable through the zoom range when lens setup and back focus are correct.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format does the Tango bundle cover?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Tango 18-90mm T2.9 \u0026amp; 65-280mm T2.9-4 S35 Zoom Lens Bundle: Both lenses use a 31.5mm image circle for Super 35. Check the active recording area before choosing a larger sensor mode.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan this bundle work on PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Tango 18-90mm T2.9 \u0026amp; 65-280mm T2.9-4 S35 Zoom Lens Bundle: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, support, and back focus for each camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan the Tango zooms use motorized control?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Tango 18-90mm T2.9 \u0026amp; 65-280mm T2.9-4 S35 Zoom Lens Bundle: An optional MOVCAM servo is designed for powered focus, iris, and zoom control when the compatible control and power package is fitted.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy the Tango bundle in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Tango 18-90mm T2.9 \u0026amp; 65-280mm T2.9-4 S35 Zoom Lens Bundle: Filmgear Canada offers the pair with Canada-wide shipping and Vancouver-based help for mount, support, matte-box, and servo planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Tango 18-90mm T2.9 \u0026amp; 65-280mm T2.9-4 S35 Zoom Lens Bundle (ARRI PL \u0026amp; Canon EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44270431961347,"sku":"DZO-T189029I\/ DZO-T6528029I","price":20153.98,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1693988166_1784931.jpg?v=1696960259"},{"product_id":"dzofilm-tango-18-90mm-s35-zoom-lens","title":"DZOFilm Tango 18-90mm T2.9 S35 Zoom Lens","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm Tango 18-90mm T2.9 S35 Zoom Lens is a constant T2.9 Super 35 parfocal cinema zoom with interchangeable PL, EF, and Sony E mounting, built for cinematographers who need repeatable manual lens control and the named 18-90mm field of view.\u003c\/strong\u003e Its geared manual focus, zoom, and iris operation for wide-to-telephoto production packages supports narrative, commercial, documentary, tabletop, studio, and rental work according to the lens family's optical role. Buyers comparing this cinema lens should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm Tango 18-90mm T2.9 S35 Zoom Lens sits in the DZOFILM Tango family. DZOFILM identifies it as a constant T2.9 Super 35 parfocal cinema zoom with interchangeable PL, EF, and Sony E mounting. Key operating details include geared manual focus, zoom, and iris operation for wide-to-telephoto production packages. Before production, check sensor recording area, installed mount, rear clearance, flange setup, rods and lens support, matte box or filter fit, 0.8 MOD motor position, focus scale, working distance, and whether the selected focal range suits the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e18-90mm Cinema Optics\u003c\/h3\u003e\u003cp\u003eDZOFilm Tango 18-90mm T2.9 S35 Zoom Lens provides the named 18-90mm view with its constant T2.9 Super 35 parfocal cinema zoom.\u003c\/p\u003e\n\u003ch3\u003eMount and Sensor Planning\u003c\/h3\u003e\u003cp\u003eThe lens uses interchangeable PL, EF, and Sony E mounting; match the camera recording area, installed interface, rear clearance, flange distance, and support before the shoot.\u003c\/p\u003e\n\u003ch3\u003eManual Crew Operation\u003c\/h3\u003e\u003cp\u003egeared manual focus, zoom, and iris operation for wide-to-telephoto production packages, supporting repeatable focus, zoom, iris, matte-box, and motor setup.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 18-90mm range when its framing coverage fits the production. Choose the adjacent family range for wider or longer reach, primes for faster single-focal-length operation, or another sensor and mount family when this coverage or interface does not fit.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-tango-65-280mm-s35-zoom-lens\"\u003eDZOFilm Tango 65-280mm T2.9 S35 Zoom Lens\u003c\/a\u003e. Check camera sensor mode, interchangeable PL, EF, and Sony E mounting, rear clearance, flange setup, lens support, matte box, filters, 0.8 MOD motors, focus scale, working distance, and case dimensions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, camera assistants, rental houses, studios, film schools, production companies, and owner-operators building a manual Super 35 cinema package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different focal range when camera position or framing demands it, another mount or sensor family when compatibility changes, autofocus glass for solo event work, or a lighter lens when handheld balance and support time are the main constraints.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Tango 18-90mm T2.9 S35 Zoom Lens\u003c\/li\u003e\n\u003cli\u003einterchangeable PL, EF, and Sony E mounting as named in the product title\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal range: 18-90mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.9\u003c\/li\u003e\n\u003cli\u003eFormat: Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: PL, EF, and Sony E\u003c\/li\u003e\n\u003cli\u003eDesign: parfocal\u003c\/li\u003e\n\u003cli\u003eOperation: manual geared focus, zoom, and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format and role does this 18-90mm lens serve?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Tango 18-90mm T2.9 S35 Zoom Lens: It is a constant T2.9 Super 35 parfocal cinema zoom. Match the active camera recording area to the family's stated image coverage before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich mount and mechanical checks matter?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Tango 18-90mm T2.9 S35 Zoom Lens: This configuration uses interchangeable PL, EF, and Sony E mounting. Check the installed interface, rear clearance, flange setup, rods, lens support, matte box, filters, and 0.8 MOD motor positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should this focal range be chosen?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Tango 18-90mm T2.9 S35 Zoom Lens: The 18-90mm range determines framing, working distance, perspective, and how often the camera or lens must move. Compare it with adjacent ranges around the planned shot list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the lens suit a crewed cinema workflow?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Tango 18-90mm T2.9 S35 Zoom Lens: Yes. geared manual focus, zoom, and iris operation for wide-to-telephoto production packages. Camera assistants should still map focus, zoom, iris, support, motor, and case positions before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFILM lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Tango 18-90mm T2.9 S35 Zoom Lens: Filmgear Canada offers Canada-wide shipping and Vancouver-based help for focal range, sensor coverage, mount, support, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Tango 18-90mm T2.9 S35 Zoom Lens from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44333887619331,"sku":"DZO-T189029I","price":10839.94,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1693988166_1784930.jpg?v=1698447126"},{"product_id":"dzofilm-tango-65-280mm-s35-zoom-lens","title":"DZOFilm Tango 65-280mm T2.9 S35 Zoom Lens","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm Tango 65-280mm T2.9 S35 Zoom Lens is a constant T2.9 Super 35 parfocal cinema zoom with interchangeable PL, EF, and Sony E mounting, built for cinematographers who need repeatable manual lens control and the named 65-280mm field of view.\u003c\/strong\u003e Its geared manual focus, zoom, and iris operation for wide-to-telephoto production packages supports narrative, commercial, documentary, tabletop, studio, and rental work according to the lens family's optical role. Buyers comparing this cinema lens should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm Tango 65-280mm T2.9 S35 Zoom Lens sits in the DZOFILM Tango family. DZOFILM identifies it as a constant T2.9 Super 35 parfocal cinema zoom with interchangeable PL, EF, and Sony E mounting. Key operating details include geared manual focus, zoom, and iris operation for wide-to-telephoto production packages. Before production, check sensor recording area, installed mount, rear clearance, flange setup, rods and lens support, matte box or filter fit, 0.8 MOD motor position, focus scale, working distance, and whether the selected focal range suits the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e65-280mm Cinema Optics\u003c\/h3\u003e\u003cp\u003eDZOFilm Tango 65-280mm T2.9 S35 Zoom Lens provides the named 65-280mm view with its constant T2.9 Super 35 parfocal cinema zoom.\u003c\/p\u003e\n\u003ch3\u003eMount and Sensor Planning\u003c\/h3\u003e\u003cp\u003eThe lens uses interchangeable PL, EF, and Sony E mounting; match the camera recording area, installed interface, rear clearance, flange distance, and support before the shoot.\u003c\/p\u003e\n\u003ch3\u003eManual Crew Operation\u003c\/h3\u003e\u003cp\u003egeared manual focus, zoom, and iris operation for wide-to-telephoto production packages, supporting repeatable focus, zoom, iris, matte-box, and motor setup.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 65-280mm range when its framing coverage fits the production. Choose the adjacent family range for wider or longer reach, primes for faster single-focal-length operation, or another sensor and mount family when this coverage or interface does not fit.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-tango-18-90mm-s35-zoom-lens\"\u003eDZOFilm Tango 18-90mm T2.9 S35 Zoom Lens\u003c\/a\u003e. Check camera sensor mode, interchangeable PL, EF, and Sony E mounting, rear clearance, flange setup, lens support, matte box, filters, 0.8 MOD motors, focus scale, working distance, and case dimensions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, camera assistants, rental houses, studios, film schools, production companies, and owner-operators building a manual Super 35 cinema package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different focal range when camera position or framing demands it, another mount or sensor family when compatibility changes, autofocus glass for solo event work, or a lighter lens when handheld balance and support time are the main constraints.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Tango 65-280mm T2.9 S35 Zoom Lens\u003c\/li\u003e\n\u003cli\u003einterchangeable PL, EF, and Sony E mounting as named in the product title\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal range: 65-280mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.9\u003c\/li\u003e\n\u003cli\u003eFormat: Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: PL, EF, and Sony E\u003c\/li\u003e\n\u003cli\u003eDesign: parfocal\u003c\/li\u003e\n\u003cli\u003eOperation: manual geared focus, zoom, and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format and role does this 65-280mm lens serve?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Tango 65-280mm T2.9 S35 Zoom Lens: It is a constant T2.9 Super 35 parfocal cinema zoom. Match the active camera recording area to the family's stated image coverage before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich mount and mechanical checks matter?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Tango 65-280mm T2.9 S35 Zoom Lens: This configuration uses interchangeable PL, EF, and Sony E mounting. Check the installed interface, rear clearance, flange setup, rods, lens support, matte box, filters, and 0.8 MOD motor positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should this focal range be chosen?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Tango 65-280mm T2.9 S35 Zoom Lens: The 65-280mm range determines framing, working distance, perspective, and how often the camera or lens must move. Compare it with adjacent ranges around the planned shot list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the lens suit a crewed cinema workflow?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Tango 65-280mm T2.9 S35 Zoom Lens: Yes. geared manual focus, zoom, and iris operation for wide-to-telephoto production packages. Camera assistants should still map focus, zoom, iris, support, motor, and case positions before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFILM lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Tango 65-280mm T2.9 S35 Zoom Lens: Filmgear Canada offers Canada-wide shipping and Vancouver-based help for focal range, sensor coverage, mount, support, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Tango 65-280mm T2.9 S35 Zoom Lens from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44333887684867,"sku":"DZO-T6528029I","price":13619.94,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1693988166_1784934.jpg?v=1698447499"},{"product_id":"dzofilm-pavo-2x-anamorphic-6-lens-set-neutral-pl-ef-feet","title":"DZOFilm PAVO 2x Anamorphic 6-Lens Set (Neutral Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 6 lens set combines a 2x squeeze, neutral coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e This 6-Lens Set package keeps multiple focal lengths together for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This neutral configuration provides a neutral flare treatment that follows the colour of the illumination more closely. The included focal lengths are named in the product title and share the same family mechanics for faster lens changes.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e6 Matched 2x Anamorphic Lenses\u003c\/h3\u003e\u003cp\u003eThe named 6-Lens Set combination covers multiple framing needs while maintaining PAVO handling and flare character.\u003c\/p\u003e\n\u003ch3\u003eNeutral Flare Character\u003c\/h3\u003e\u003cp\u003eNeutral coating provides a neutral flare treatment that follows the colour of the illumination more closely across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this neutral PAVO package when 2x Super 35 anamorphic capture and neutral flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-2x-anamorphic-6-lens-set-blue-pl-ef-feet\"\u003ematching blue-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis set is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with neutral flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eIncluded focal lengths: 6-Lens Set\u003c\/li\u003e\n\u003cli\u003eMaximum apertures: as named for the included focal lengths\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Neutral\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO set designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the neutral coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set: It keeps flare colour closer to the illumination, while the blue version adds a more pronounced blue horizontal streak treatment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 2x Anamorphic 6-Lens Set (Neutral Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44333892632835,"sku":"DZO-PA6PLIN","price":20847.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1695214533_1787191.jpg?v=1698448211"},{"product_id":"sirui-night-walker-s35-3-lens-set-sony-e-black","title":"SIRUI Night Walker T1.2 S35 Cine 24\/35\/55mm 3-Lens Set (Sony E-Mount, Black)","description":"\u003cp\u003eThe SIRUI Night Walker 3-lens set covers a working narrative range of 24mm, 35mm, and 55mm at a fast T1.2. The wide aperture is the point of the line. The lenses stay usable in low-light and available-light situations where slower cine primes need extra fixtures. Super 35 image circle, Sony E mount, black housing.\u003c\/p\u003e\u003ch2\u003eKey features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eThree Night Walker cine primes: 24, 35, 55mm\u003c\/li\u003e\n\u003cli\u003eT1.2 maximum aperture across the set\u003c\/li\u003e\n\u003cli\u003eSuper 35 image circle\u003c\/li\u003e\n\u003cli\u003eSony E-mount, black colourway\u003c\/li\u003e\n\u003cli\u003eGeared focus and iris rings for follow focus\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"Sirui","offers":[{"title":"Default Title","offer_id":44377371934979,"sku":"#MS-3SEB","price":1055.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/05_bd518d6a-f814-4194-9c90-cd58fa71d105.jpg?v=1733180894"},{"product_id":"sirui-night-walker-24mm-s35-sony-e-black","title":"SIRUI Night Walker 24mm T1.2 S35 Cine Lens (Sony E-Mount, Black)","description":"\u003cp\u003eThe 24mm in SIRUI's Night Walker T1.2 series of Super35 cine primes, in Sony E mount, black finish. T1.2 is the point of the line: it buys you a stop or more over most affordable cine glass, which is what makes available-light night exteriors and dim interiors workable without dragging in more lighting.\u003c\/p\u003e\u003cp\u003eCine-style housing with geared focus and iris rings, so it drops into a follow focus without adapters. Super35 coverage, so check your camera's sensor mode if you normally shoot full frame.\u003c\/p\u003e\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping. Ask our Vancouver showroom if you want to compare it against the rest of the Night Walker set before committing to a mount.\u003c\/p\u003e","brand":"Sirui","offers":[{"title":"Default Title","offer_id":44377373442307,"sku":"#MS24E-B","price":415.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1691754930_1779896.jpg?v=1699392254"},{"product_id":"sirui-night-walker-35mm-s35-sony-e-black","title":"SIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black)","description":"\u003cp\u003e\u003cstrong\u003eSIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black) is a 35mm T1.2 manual-focus S35 cinema lens in Sony E mount for narrative, commercial, documentary, music-video, portrait, and independent film production.\u003c\/strong\u003e Available in Canada from Filmgear Canada, Vancouver's cinema-lens and professional camera-optics specialist.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThis production optics is selected for the exact model and production role named in the listing. SIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black) combines fast T1.2 transmission with manual cinema controls for low-light work and controlled focus pulls on APS-C \/ S35 cameras. The Night Walker family uses matched gear positions, a uniform 67mm filter thread, a 270-degree focus throw, and colour-matched optics to simplify lens changes. The 35mm focal length determines framing, perspective, working distance, and focus demand; test the Sony E camera's sensor crop, mount clearance, matte box, filter, follow focus, lens support, gimbal balance, and minimum-focus needs before the shoot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003e35mm T1.2 S35 Optics\u003c\/h3\u003e\u003cp\u003eFast T1.2 transmission supports low-light scenes and shallow depth of field on APS-C \/ Super 35 cameras.\u003c\/p\u003e\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 270-degree focus throw, geared rings, uniform 67mm filters, and aligned gear positions support follow-focus use and faster lens changes.\u003c\/p\u003e\u003ch3\u003eSony E-Mount Black Finish\u003c\/h3\u003e\u003cp\u003eThis exact listing is the black Sony E-mount 35mm member of the Night Walker family.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose 35mm for the framing and working distance it provides within the Night Walker set. Choose 16mm for wide scenes, 35mm for a natural perspective, 55mm for closer portraits, or 75mm for tighter compression; use full-frame lenses when S35 coverage is not enough.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/sirui-night-walker-16mm-s35-cine-lens-sony-e-black\"\u003eSIRUI Night Walker 16mm T1.2 S35 Cine Lens (Sony E-mount, Black)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/sirui-night-walker-35mm-s35-sony-e-black\"\u003eSIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black)\u003c\/a\u003e. Sony E-mount APS-C \/ Super 35 cameras, 67mm filters, follow-focus motors, matte boxes, lens supports, and gimbals matched to the lens dimensions and weight.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eFor cinematographers, camera operators, owner-operators, rental houses, film schools, commercial crews, and independent productions choosing a specific optical format and focal length.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose a full-frame cinema lens for full-frame coverage, another focal length for different framing, a slower lightweight lens for travel, or autofocus glass when continuous subject tracking is more important than manual cinema control.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\u003cli\u003eSIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black)\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eModel \/ SKU: #MS35E-B\u003c\/li\u003e\n\u003cli\u003eNamed configuration: 35mm\u003c\/li\u003e\n\u003cli\u003eNamed configuration: T1.2\u003c\/li\u003e\n\u003cli\u003eFormat coverage: APS-C \/ Super 35\u003c\/li\u003e\n\u003cli\u003eAperture: T1.2 to T16\u003c\/li\u003e\n\u003cli\u003eFilter thread: 67mm\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eWhat is the SIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black) designed to do?\u003c\/strong\u003e\u003cbr\u003eSIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black) is designed as a 35mm T1.2 manual-focus S35 cinema lens in Sony E mount. The Night Walker family covers APS-C \/ S35, opens to T1.2, uses a 67mm filter thread, and provides a 270-degree focus throw.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat should I match before ordering the SIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black)?\u003c\/strong\u003e\u003cbr\u003eMatch the exact model, mechanical or electronic interface, dimensions, load, signal, power, and surrounding equipment that apply to SIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black). This listing is the black Sony E-mount 35mm model.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow should the SIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black) be prepared for a production day?\u003c\/strong\u003e\u003cbr\u003eInspect the product, its mounting or connection points, required accessories, clearance, cable or load routing, and a safe backup plan before using SIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black) on a job.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of the SIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black)?\u003c\/strong\u003e\u003cbr\u003eChoose another model when its size, capacity, focal length, mount, connector, output, payload, or working format better matches the specific production package than SIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere can I buy the SIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black) in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada supplies SIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black) with Canada-wide shipping and Vancouver-based assistance for model selection, system fit, accessories, and production planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eBuy SIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for fit, configuration, and production workflow planning.\u003c\/p\u003e","brand":"Sirui","offers":[{"title":"Default Title","offer_id":44377378062595,"sku":"#MS35E-B","price":440.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1691755235_1779904.jpg?v=1699392528"},{"product_id":"sirui-night-walker-55mm-s35-sony-e-black","title":"SIRUI Night Walker 55mm T1.2 S35 Cine Lens (Sony E-Mount, Black)","description":"\u003cp\u003e\u003cstrong\u003eSIRUI Night Walker 55mm T1.2 S35 Cine Lens (Sony E-Mount, Black) is a 55mm T1.2 manual-focus S35 cinema lens in Sony E mount for narrative, commercial, documentary, music-video, portrait, and independent film production.\u003c\/strong\u003e Available in Canada from Filmgear Canada, Vancouver's cinema-lens and professional camera-optics specialist.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThis production optics is selected for the exact model and production role named in the listing. SIRUI Night Walker 55mm T1.2 S35 Cine Lens (Sony E-Mount, Black) combines fast T1.2 transmission with manual cinema controls for low-light work and controlled focus pulls on APS-C \/ S35 cameras. The Night Walker family uses matched gear positions, a uniform 67mm filter thread, a 270-degree focus throw, and colour-matched optics to simplify lens changes. The 55mm focal length determines framing, perspective, working distance, and focus demand; test the Sony E camera's sensor crop, mount clearance, matte box, filter, follow focus, lens support, gimbal balance, and minimum-focus needs before the shoot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003e55mm T1.2 S35 Optics\u003c\/h3\u003e\u003cp\u003eFast T1.2 transmission supports low-light scenes and shallow depth of field on APS-C \/ Super 35 cameras.\u003c\/p\u003e\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 270-degree focus throw, geared rings, uniform 67mm filters, and aligned gear positions support follow-focus use and faster lens changes.\u003c\/p\u003e\u003ch3\u003eSony E-Mount Black Finish\u003c\/h3\u003e\u003cp\u003eThis exact listing is the black Sony E-mount 55mm member of the Night Walker family.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose 55mm for the framing and working distance it provides within the Night Walker set. Choose 16mm for wide scenes, 35mm for a natural perspective, 55mm for closer portraits, or 75mm for tighter compression; use full-frame lenses when S35 coverage is not enough.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/sirui-night-walker-16mm-s35-cine-lens-sony-e-black\"\u003eSIRUI Night Walker 16mm T1.2 S35 Cine Lens (Sony E-mount, Black)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/sirui-night-walker-35mm-s35-sony-e-black\"\u003eSIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black)\u003c\/a\u003e. Sony E-mount APS-C \/ Super 35 cameras, 67mm filters, follow-focus motors, matte boxes, lens supports, and gimbals matched to the lens dimensions and weight.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eFor cinematographers, camera operators, owner-operators, rental houses, film schools, commercial crews, and independent productions choosing a specific optical format and focal length.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose a full-frame cinema lens for full-frame coverage, another focal length for different framing, a slower lightweight lens for travel, or autofocus glass when continuous subject tracking is more important than manual cinema control.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\u003cli\u003eSIRUI Night Walker 55mm T1.2 S35 Cine Lens (Sony E-Mount, Black)\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eModel \/ SKU: #MS55E-B\u003c\/li\u003e\n\u003cli\u003eNamed configuration: 55mm\u003c\/li\u003e\n\u003cli\u003eNamed configuration: T1.2\u003c\/li\u003e\n\u003cli\u003eFormat coverage: APS-C \/ Super 35\u003c\/li\u003e\n\u003cli\u003eAperture: T1.2 to T16\u003c\/li\u003e\n\u003cli\u003eFilter thread: 67mm\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eWhat is the SIRUI Night Walker 55mm T1.2 S35 Cine Lens (Sony E-Mount, Black) designed to do?\u003c\/strong\u003e\u003cbr\u003eSIRUI Night Walker 55mm T1.2 S35 Cine Lens (Sony E-Mount, Black) is designed as a 55mm T1.2 manual-focus S35 cinema lens in Sony E mount. The Night Walker family covers APS-C \/ S35, opens to T1.2, uses a 67mm filter thread, and provides a 270-degree focus throw.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat should I match before ordering the SIRUI Night Walker 55mm T1.2 S35 Cine Lens (Sony E-Mount, Black)?\u003c\/strong\u003e\u003cbr\u003eMatch the exact model, mechanical or electronic interface, dimensions, load, signal, power, and surrounding equipment that apply to SIRUI Night Walker 55mm T1.2 S35 Cine Lens (Sony E-Mount, Black). This listing is the black Sony E-mount 55mm model.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow should the SIRUI Night Walker 55mm T1.2 S35 Cine Lens (Sony E-Mount, Black) be prepared for a production day?\u003c\/strong\u003e\u003cbr\u003eInspect the product, its mounting or connection points, required accessories, clearance, cable or load routing, and a safe backup plan before using SIRUI Night Walker 55mm T1.2 S35 Cine Lens (Sony E-Mount, Black) on a job.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of the SIRUI Night Walker 55mm T1.2 S35 Cine Lens (Sony E-Mount, Black)?\u003c\/strong\u003e\u003cbr\u003eChoose another model when its size, capacity, focal length, mount, connector, output, payload, or working format better matches the specific production package than SIRUI Night Walker 55mm T1.2 S35 Cine Lens (Sony E-Mount, Black).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere can I buy the SIRUI Night Walker 55mm T1.2 S35 Cine Lens (Sony E-Mount, Black) in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada supplies SIRUI Night Walker 55mm T1.2 S35 Cine Lens (Sony E-Mount, Black) with Canada-wide shipping and Vancouver-based assistance for model selection, system fit, accessories, and production planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eBuy SIRUI Night Walker 55mm T1.2 S35 Cine Lens (Sony E-Mount, Black) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for fit, configuration, and production workflow planning.\u003c\/p\u003e","brand":"Sirui","offers":[{"title":"Default Title","offer_id":44377384386819,"sku":"#MS55E-B","price":445.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1691755235_1779920.jpg?v=1699392824"},{"product_id":"sirui-venus-ff-anamorphic-5-lens-kit-35-50-75-100-150-sony-e","title":"SIRUI Venus T2.9 1.6x Full-Frame Anamorphic 5-Lens Kit (35\/50\/75\/100\/150mm, Sony E)","description":"\u003cp\u003e\u003cstrong\u003eSIRUI Venus T2.9 1.6x Full-Frame Anamorphic 5-Lens Kit (35\/50\/75\/100\/150mm, Sony E) is a five-lens T2.9 1.6x full-frame anamorphic cinema lens package in Sony E mount for narrative, commercial, documentary, music-video, portrait, and independent film production.\u003c\/strong\u003e Available in Canada from Filmgear Canada, Vancouver's cinema-lens and professional camera-optics specialist.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThis production optics is selected for the exact model and production role named in the listing. SIRUI Venus T2.9 1.6x Full-Frame Anamorphic 5-Lens Kit (35\/50\/75\/100\/150mm, Sony E) creates a 1.6x anamorphic image with widescreen framing, oval bokeh, and horizontal blue flares on full-frame Sony E-mount cameras. The Venus series uses T2.9 maximum aperture, 82mm filters, geared focus and iris rings, and matched mechanics across 35, 50, 75, 100, and 150mm focal lengths. Plan de-squeeze monitoring, final aspect ratio, sensor mode, stabilization, close focus, focus pull, matte box, filters, support, gimbal clearance, and the different field of view delivered by the complete set.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003e1.6x Full-Frame Anamorphic Image\u003c\/h3\u003e\u003cp\u003eCreates widescreen framing, oval bokeh, and horizontal blue flare character across a full-frame image circle.\u003c\/p\u003e\u003ch3\u003eT2.9 Matched Cinema Set\u003c\/h3\u003e\u003cp\u003eShared gear positions, 82mm filters, colour tone, and anamorphic character support efficient changes across the Venus focal-length family.\u003c\/p\u003e\u003ch3\u003eFive Focal Lengths\u003c\/h3\u003e\u003cp\u003eThe package covers 35, 50, 75, 100, and 150mm for wide through telephoto anamorphic scenes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose the five-lens set for consistent coverage from 35 through 150mm. Choose a wider Venus focal length for environment, a longer one for compression and close portraits, or a spherical lens when anamorphic de-squeeze and flare character are not wanted.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/sirui-night-walker-16mm-s35-cine-lens-sony-e-black\"\u003eSIRUI Night Walker 16mm T1.2 S35 Cine Lens (Sony E-mount, Black)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/sirui-night-walker-35mm-s35-sony-e-black\"\u003eSIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black)\u003c\/a\u003e. Sony E-mount full-frame cameras with 1.6x de-squeeze monitoring, 82mm filters, follow focus, matte box, lens support, stabilization, and post-production framing matched to anamorphic capture.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eFor cinematographers, camera operators, owner-operators, rental houses, film schools, commercial crews, and independent productions choosing a specific optical format and focal length.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose spherical lenses for a conventional aspect ratio and neutral flare, another Venus focal length for different perspective, or a smaller squeeze when the monitoring and post workflow cannot support 1.6x anamorphic capture.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eSIRUI Venus 35mm T2.9 1.6x lens\u003c\/li\u003e\n\u003cli\u003eSIRUI Venus 50mm T2.9 1.6x lens\u003c\/li\u003e\n\u003cli\u003eSIRUI Venus 75mm T2.9 1.6x lens\u003c\/li\u003e\n\u003cli\u003eSIRUI Venus 100mm T2.9 1.6x lens\u003c\/li\u003e\n\u003cli\u003eSIRUI Venus 150mm T2.9 1.6x lens\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eModel \/ SKU: #VENUS 1.6 X 5 SET - E\u003c\/li\u003e\n\u003cli\u003eNamed configuration: 150mm\u003c\/li\u003e\n\u003cli\u003eNamed configuration: T2.9\u003c\/li\u003e\n\u003cli\u003eFormat coverage: full frame\u003c\/li\u003e\n\u003cli\u003eAnamorphic squeeze: 1.6x\u003c\/li\u003e\n\u003cli\u003eFilter thread: 82mm\u003c\/li\u003e\n\u003cli\u003eMount: Sony E\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eWhat is the SIRUI Venus T2.9 1.6x Full-Frame Anamorphic 5-Lens Kit (35\/50\/75\/100\/150mm, Sony E) designed to do?\u003c\/strong\u003e\u003cbr\u003eSIRUI Venus T2.9 1.6x Full-Frame Anamorphic 5-Lens Kit (35\/50\/75\/100\/150mm, Sony E) is designed as a five-lens T2.9 1.6x full-frame anamorphic cinema lens package in Sony E mount. The Venus family covers full frame with a 1.6x squeeze, T2.9 maximum aperture, 82mm filter threads, geared focus and iris rings, and matched mechanics across the set.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat should I match before ordering the SIRUI Venus T2.9 1.6x Full-Frame Anamorphic 5-Lens Kit (35\/50\/75\/100\/150mm, Sony E)?\u003c\/strong\u003e\u003cbr\u003eMatch the exact model, mechanical or electronic interface, dimensions, load, signal, power, and surrounding equipment that apply to SIRUI Venus T2.9 1.6x Full-Frame Anamorphic 5-Lens Kit (35\/50\/75\/100\/150mm, Sony E). The kit contains 35, 50, 75, 100, and 150mm Sony E-mount lenses.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow should the #VENUS 1.6 X 5 SET - E be prepared for a production day?\u003c\/strong\u003e\u003cbr\u003eInspect the product, its mounting or connection points, required accessories, clearance, cable or load routing, and a safe backup plan before using SIRUI Venus T2.9 1.6x Full-Frame Anamorphic 5-Lens Kit (35\/50\/75\/100\/150mm, Sony E) on a job.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhen should I choose another option instead of the #VENUS 1.6 X 5 SET - E?\u003c\/strong\u003e\u003cbr\u003eChoose another model when its size, capacity, focal length, mount, connector, output, payload, or working format better matches the specific production package than SIRUI Venus T2.9 1.6x Full-Frame Anamorphic 5-Lens Kit (35\/50\/75\/100\/150mm, Sony E).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere can I buy the SIRUI Venus T2.9 1.6x Full-Frame Anamorphic 5-Lens Kit (35\/50\/75\/100\/150mm, Sony E) in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada supplies SIRUI Venus T2.9 1.6x Full-Frame Anamorphic 5-Lens Kit (35\/50\/75\/100\/150mm, Sony E) with Canada-wide shipping and Vancouver-based assistance for model selection, system fit, accessories, and production planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eBuy SIRUI Venus T2.9 1.6x Full-Frame Anamorphic 5-Lens Kit (35\/50\/75\/100\/150mm, Sony E) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for fit, configuration, and production workflow planning.\u003c\/p\u003e","brand":"Sirui","offers":[{"title":"Default Title","offer_id":44377407848707,"sku":"#VENUS 1.6 X 5 SET - E","price":8299.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1693243808_1779940.jpg?v=1699393471"},{"product_id":"sirui-venus-35mm-anamorphic-sony-e","title":"SIRUI Venus 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)","description":"\u003cp\u003e\u003cstrong\u003eSIRUI Venus 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) is a 35mm T2.9 1.6x full-frame anamorphic cinema lens package in Sony E mount for narrative, commercial, documentary, music-video, portrait, and independent film production.\u003c\/strong\u003e Available in Canada from Filmgear Canada, Vancouver's cinema-lens and professional camera-optics specialist.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThis production optics is selected for the exact model and production role named in the listing. SIRUI Venus 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) creates a 1.6x anamorphic image with widescreen framing, oval bokeh, and horizontal blue flares on full-frame Sony E-mount cameras. The Venus series uses T2.9 maximum aperture, 82mm filters, geared focus and iris rings, and matched mechanics across 35, 50, 75, 100, and 150mm focal lengths. Plan de-squeeze monitoring, final aspect ratio, sensor mode, stabilization, close focus, focus pull, matte box, filters, support, gimbal clearance, and the different field of view delivered by the 35mm lens.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003e1.6x Full-Frame Anamorphic Image\u003c\/h3\u003e\u003cp\u003eCreates widescreen framing, oval bokeh, and horizontal blue flare character across a full-frame image circle.\u003c\/p\u003e\u003ch3\u003eT2.9 Matched Cinema Set\u003c\/h3\u003e\u003cp\u003eShared gear positions, 82mm filters, colour tone, and anamorphic character support efficient changes across the Venus focal-length family.\u003c\/p\u003e\u003ch3\u003e35mm Perspective\u003c\/h3\u003e\u003cp\u003eThe 35mm focal length sets the framing, subject distance, compression, and focus demands within the matched series.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose the 35mm when its perspective and working distance fit the scene. Choose a wider Venus focal length for environment, a longer one for compression and close portraits, or a spherical lens when anamorphic de-squeeze and flare character are not wanted.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/sirui-night-walker-16mm-s35-cine-lens-sony-e-black\"\u003eSIRUI Night Walker 16mm T1.2 S35 Cine Lens (Sony E-mount, Black)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/sirui-night-walker-35mm-s35-sony-e-black\"\u003eSIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black)\u003c\/a\u003e. Sony E-mount full-frame cameras with 1.6x de-squeeze monitoring, 82mm filters, follow focus, matte box, lens support, stabilization, and post-production framing matched to anamorphic capture.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eFor cinematographers, camera operators, owner-operators, rental houses, film schools, commercial crews, and independent productions choosing a specific optical format and focal length.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose spherical lenses for a conventional aspect ratio and neutral flare, another Venus focal length for different perspective, or a smaller squeeze when the monitoring and post workflow cannot support 1.6x anamorphic capture.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\u003cli\u003eSIRUI Venus 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eModel \/ SKU: #VENUS E35\u003c\/li\u003e\n\u003cli\u003eNamed configuration: 35mm\u003c\/li\u003e\n\u003cli\u003eNamed configuration: T2.9\u003c\/li\u003e\n\u003cli\u003eFormat coverage: full frame\u003c\/li\u003e\n\u003cli\u003eAnamorphic squeeze: 1.6x\u003c\/li\u003e\n\u003cli\u003eFilter thread: 82mm\u003c\/li\u003e\n\u003cli\u003eMount: Sony E\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eWhat is the SIRUI Venus 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) designed to do?\u003c\/strong\u003e\u003cbr\u003eSIRUI Venus 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) is designed as a 35mm T2.9 1.6x full-frame anamorphic cinema lens package in Sony E mount. The Venus family covers full frame with a 1.6x squeeze, T2.9 maximum aperture, 82mm filter threads, geared focus and iris rings, and matched mechanics across the set.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat should I match before ordering the SIRUI Venus 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)?\u003c\/strong\u003e\u003cbr\u003eMatch the exact model, mechanical or electronic interface, dimensions, load, signal, power, and surrounding equipment that apply to SIRUI Venus 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E). This listing is the 35mm Sony E-mount lens.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow should the SIRUI Venus 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) be prepared for a production day?\u003c\/strong\u003e\u003cbr\u003eInspect the product, its mounting or connection points, required accessories, clearance, cable or load routing, and a safe backup plan before using SIRUI Venus 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) on a job.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of the SIRUI Venus 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)?\u003c\/strong\u003e\u003cbr\u003eChoose another model when its size, capacity, focal length, mount, connector, output, payload, or working format better matches the specific production package than SIRUI Venus 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere can I buy the SIRUI Venus 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada supplies SIRUI Venus 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) with Canada-wide shipping and Vancouver-based assistance for model selection, system fit, accessories, and production planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eBuy SIRUI Venus 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for fit, configuration, and production workflow planning.\u003c\/p\u003e","brand":"Sirui","offers":[{"title":"Default Title","offer_id":44377410371843,"sku":"#VENUS E35","price":2079.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1667406331_1731398.jpg?v=1699393652"},{"product_id":"sirui-venus-50mm-ffx-anamorphic-sony-e","title":"SIRUI Venus 50mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)","description":"\u003cp\u003e\u003cstrong\u003eSIRUI Venus 50mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) is a 50mm T2.9 1.6x full-frame anamorphic cinema lens package in Sony E mount for narrative, commercial, documentary, music-video, portrait, and independent film production.\u003c\/strong\u003e Available in Canada from Filmgear Canada, Vancouver's cinema-lens and professional camera-optics specialist.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThis production optics is selected for the exact model and production role named in the listing. SIRUI Venus 50mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) creates a 1.6x anamorphic image with widescreen framing, oval bokeh, and horizontal blue flares on full-frame Sony E-mount cameras. The Venus series uses T2.9 maximum aperture, 82mm filters, geared focus and iris rings, and matched mechanics across 35, 50, 75, 100, and 150mm focal lengths. Plan de-squeeze monitoring, final aspect ratio, sensor mode, stabilization, close focus, focus pull, matte box, filters, support, gimbal clearance, and the different field of view delivered by the 50mm lens.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003e1.6x Full-Frame Anamorphic Image\u003c\/h3\u003e\u003cp\u003eCreates widescreen framing, oval bokeh, and horizontal blue flare character across a full-frame image circle.\u003c\/p\u003e\u003ch3\u003eT2.9 Matched Cinema Set\u003c\/h3\u003e\u003cp\u003eShared gear positions, 82mm filters, colour tone, and anamorphic character support efficient changes across the Venus focal-length family.\u003c\/p\u003e\u003ch3\u003e50mm Perspective\u003c\/h3\u003e\u003cp\u003eThe 50mm focal length sets the framing, subject distance, compression, and focus demands within the matched series.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose the 50mm when its perspective and working distance fit the scene. Choose a wider Venus focal length for environment, a longer one for compression and close portraits, or a spherical lens when anamorphic de-squeeze and flare character are not wanted.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/sirui-night-walker-16mm-s35-cine-lens-sony-e-black\"\u003eSIRUI Night Walker 16mm T1.2 S35 Cine Lens (Sony E-mount, Black)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/sirui-night-walker-35mm-s35-sony-e-black\"\u003eSIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black)\u003c\/a\u003e. Sony E-mount full-frame cameras with 1.6x de-squeeze monitoring, 82mm filters, follow focus, matte box, lens support, stabilization, and post-production framing matched to anamorphic capture.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eFor cinematographers, camera operators, owner-operators, rental houses, film schools, commercial crews, and independent productions choosing a specific optical format and focal length.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose spherical lenses for a conventional aspect ratio and neutral flare, another Venus focal length for different perspective, or a smaller squeeze when the monitoring and post workflow cannot support 1.6x anamorphic capture.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\u003cli\u003eSIRUI Venus 50mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eModel \/ SKU: #FFEK6-E\u003c\/li\u003e\n\u003cli\u003eNamed configuration: 50mm\u003c\/li\u003e\n\u003cli\u003eNamed configuration: T2.9\u003c\/li\u003e\n\u003cli\u003eFormat coverage: full frame\u003c\/li\u003e\n\u003cli\u003eAnamorphic squeeze: 1.6x\u003c\/li\u003e\n\u003cli\u003eFilter thread: 82mm\u003c\/li\u003e\n\u003cli\u003eMount: Sony E\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eWhat is the SIRUI Venus 50mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) designed to do?\u003c\/strong\u003e\u003cbr\u003eSIRUI Venus 50mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) is designed as a 50mm T2.9 1.6x full-frame anamorphic cinema lens package in Sony E mount. The Venus family covers full frame with a 1.6x squeeze, T2.9 maximum aperture, 82mm filter threads, geared focus and iris rings, and matched mechanics across the set.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat should I match before ordering the SIRUI Venus 50mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)?\u003c\/strong\u003e\u003cbr\u003eMatch the exact model, mechanical or electronic interface, dimensions, load, signal, power, and surrounding equipment that apply to SIRUI Venus 50mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E). This listing is the 50mm Sony E-mount lens.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow should the SIRUI Venus 50mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) be prepared for a production day?\u003c\/strong\u003e\u003cbr\u003eInspect the product, its mounting or connection points, required accessories, clearance, cable or load routing, and a safe backup plan before using SIRUI Venus 50mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) on a job.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of the SIRUI Venus 50mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)?\u003c\/strong\u003e\u003cbr\u003eChoose another model when its size, capacity, focal length, mount, connector, output, payload, or working format better matches the specific production package than SIRUI Venus 50mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere can I buy the SIRUI Venus 50mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada supplies SIRUI Venus 50mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) with Canada-wide shipping and Vancouver-based assistance for model selection, system fit, accessories, and production planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eBuy SIRUI Venus 50mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for fit, configuration, and production workflow planning.\u003c\/p\u003e","brand":"Sirui","offers":[{"title":"Default Title","offer_id":44377420628227,"sku":"#FFEK6-E","price":2079.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1637678709_1669757.jpg?v=1699394016"},{"product_id":"sirui-venus-75mm-full-frame-anamorphic-lens-sony-e","title":"SIRUI Venus 75mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)","description":"\u003cp\u003e\u003cstrong\u003eSIRUI Venus 75mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) is a 75mm T2.9 1.6x full-frame anamorphic cinema lens package in Sony E mount for narrative, commercial, documentary, music-video, portrait, and independent film production.\u003c\/strong\u003e Available in Canada from Filmgear Canada, Vancouver's cinema-lens and professional camera-optics specialist.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThis production optics is selected for the exact model and production role named in the listing. SIRUI Venus 75mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) creates a 1.6x anamorphic image with widescreen framing, oval bokeh, and horizontal blue flares on full-frame Sony E-mount cameras. The Venus series uses T2.9 maximum aperture, 82mm filters, geared focus and iris rings, and matched mechanics across 35, 50, 75, 100, and 150mm focal lengths. Plan de-squeeze monitoring, final aspect ratio, sensor mode, stabilization, close focus, focus pull, matte box, filters, support, gimbal clearance, and the different field of view delivered by the 75mm lens.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003e1.6x Full-Frame Anamorphic Image\u003c\/h3\u003e\u003cp\u003eCreates widescreen framing, oval bokeh, and horizontal blue flare character across a full-frame image circle.\u003c\/p\u003e\u003ch3\u003eT2.9 Matched Cinema Set\u003c\/h3\u003e\u003cp\u003eShared gear positions, 82mm filters, colour tone, and anamorphic character support efficient changes across the Venus focal-length family.\u003c\/p\u003e\u003ch3\u003e75mm Perspective\u003c\/h3\u003e\u003cp\u003eThe 75mm focal length sets the framing, subject distance, compression, and focus demands within the matched series.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose the 75mm when its perspective and working distance fit the scene. Choose a wider Venus focal length for environment, a longer one for compression and close portraits, or a spherical lens when anamorphic de-squeeze and flare character are not wanted.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/sirui-night-walker-16mm-s35-cine-lens-sony-e-black\"\u003eSIRUI Night Walker 16mm T1.2 S35 Cine Lens (Sony E-mount, Black)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/sirui-night-walker-35mm-s35-sony-e-black\"\u003eSIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black)\u003c\/a\u003e. Sony E-mount full-frame cameras with 1.6x de-squeeze monitoring, 82mm filters, follow focus, matte box, lens support, stabilization, and post-production framing matched to anamorphic capture.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eFor cinematographers, camera operators, owner-operators, rental houses, film schools, commercial crews, and independent productions choosing a specific optical format and focal length.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose spherical lenses for a conventional aspect ratio and neutral flare, another Venus focal length for different perspective, or a smaller squeeze when the monitoring and post workflow cannot support 1.6x anamorphic capture.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\u003cli\u003eSIRUI Venus 75mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eNamed configuration: 75mm\u003c\/li\u003e\n\u003cli\u003eNamed configuration: T2.9\u003c\/li\u003e\n\u003cli\u003eFormat coverage: full frame\u003c\/li\u003e\n\u003cli\u003eAnamorphic squeeze: 1.6x\u003c\/li\u003e\n\u003cli\u003eFilter thread: 82mm\u003c\/li\u003e\n\u003cli\u003eMount: Sony E\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eWhat is the SIRUI Venus 75mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) designed to do?\u003c\/strong\u003e\u003cbr\u003eSIRUI Venus 75mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) is designed as a 75mm T2.9 1.6x full-frame anamorphic cinema lens package in Sony E mount. The Venus family covers full frame with a 1.6x squeeze, T2.9 maximum aperture, 82mm filter threads, geared focus and iris rings, and matched mechanics across the set.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat should I match before ordering the SIRUI Venus 75mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)?\u003c\/strong\u003e\u003cbr\u003eMatch the exact model, mechanical or electronic interface, dimensions, load, signal, power, and surrounding equipment that apply to SIRUI Venus 75mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E). This listing is the 75mm Sony E-mount lens.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow should the SIRUI Venus 75mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) be prepared for a production day?\u003c\/strong\u003e\u003cbr\u003eInspect the product, its mounting or connection points, required accessories, clearance, cable or load routing, and a safe backup plan before using SIRUI Venus 75mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) on a job.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of the SIRUI Venus 75mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)?\u003c\/strong\u003e\u003cbr\u003eChoose another model when its size, capacity, focal length, mount, connector, output, payload, or working format better matches the specific production package than SIRUI Venus 75mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere can I buy the SIRUI Venus 75mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada supplies SIRUI Venus 75mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) with Canada-wide shipping and Vancouver-based assistance for model selection, system fit, accessories, and production planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eBuy SIRUI Venus 75mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for fit, configuration, and production workflow planning.\u003c\/p\u003e","brand":"Sirui","offers":[{"title":"Default Title","offer_id":44377433997571,"sku":null,"price":2079.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1650912363_IMG_1738365.jpg?v=1699394282"},{"product_id":"sirui-100mm-ff-anamorphic-e-mount","title":"SIRUI Venus 100mm T2.9 1.6x Full-Frame Anamorphic Lens (E-Mount)","description":"\u003cp\u003e\u003cstrong\u003eSIRUI Venus 100mm T2.9 1.6x Full-Frame Anamorphic Lens (E-Mount) is a 100mm T2.9 1.6x full-frame anamorphic cinema lens package in Sony E mount for narrative, commercial, documentary, music-video, portrait, and independent film production.\u003c\/strong\u003e Available in Canada from Filmgear Canada, Vancouver's cinema-lens and professional camera-optics specialist.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThis production optics is selected for the exact model and production role named in the listing. SIRUI Venus 100mm T2.9 1.6x Full-Frame Anamorphic Lens (E-Mount) creates a 1.6x anamorphic image with widescreen framing, oval bokeh, and horizontal blue flares on full-frame Sony E-mount cameras. The Venus series uses T2.9 maximum aperture, 82mm filters, geared focus and iris rings, and matched mechanics across 35, 50, 75, 100, and 150mm focal lengths. Plan de-squeeze monitoring, final aspect ratio, sensor mode, stabilization, close focus, focus pull, matte box, filters, support, gimbal clearance, and the different field of view delivered by the 100mm lens.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003e1.6x Full-Frame Anamorphic Image\u003c\/h3\u003e\u003cp\u003eCreates widescreen framing, oval bokeh, and horizontal blue flare character across a full-frame image circle.\u003c\/p\u003e\u003ch3\u003eT2.9 Matched Cinema Set\u003c\/h3\u003e\u003cp\u003eShared gear positions, 82mm filters, colour tone, and anamorphic character support efficient changes across the Venus focal-length family.\u003c\/p\u003e\u003ch3\u003e100mm Perspective\u003c\/h3\u003e\u003cp\u003eThe 100mm focal length sets the framing, subject distance, compression, and focus demands within the matched series.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose the 100mm when its perspective and working distance fit the scene. Choose a wider Venus focal length for environment, a longer one for compression and close portraits, or a spherical lens when anamorphic de-squeeze and flare character are not wanted.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/sirui-night-walker-16mm-s35-cine-lens-sony-e-black\"\u003eSIRUI Night Walker 16mm T1.2 S35 Cine Lens (Sony E-mount, Black)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/sirui-night-walker-35mm-s35-sony-e-black\"\u003eSIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black)\u003c\/a\u003e. Sony E-mount full-frame cameras with 1.6x de-squeeze monitoring, 82mm filters, follow focus, matte box, lens support, stabilization, and post-production framing matched to anamorphic capture.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eFor cinematographers, camera operators, owner-operators, rental houses, film schools, commercial crews, and independent productions choosing a specific optical format and focal length.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose spherical lenses for a conventional aspect ratio and neutral flare, another Venus focal length for different perspective, or a smaller squeeze when the monitoring and post workflow cannot support 1.6x anamorphic capture.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\u003cli\u003eSIRUI Venus 100mm T2.9 1.6x Full-Frame Anamorphic Lens (E-Mount)\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eNamed configuration: 100mm\u003c\/li\u003e\n\u003cli\u003eNamed configuration: T2.9\u003c\/li\u003e\n\u003cli\u003eFormat coverage: full frame\u003c\/li\u003e\n\u003cli\u003eAnamorphic squeeze: 1.6x\u003c\/li\u003e\n\u003cli\u003eFilter thread: 82mm\u003c\/li\u003e\n\u003cli\u003eMount: Sony E\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eWhat is the SIRUI Venus 100mm T2.9 1.6x Full-Frame Anamorphic Lens (E-Mount) designed to do?\u003c\/strong\u003e\u003cbr\u003eSIRUI Venus 100mm T2.9 1.6x Full-Frame Anamorphic Lens (E-Mount) is designed as a 100mm T2.9 1.6x full-frame anamorphic cinema lens package in Sony E mount. The Venus family covers full frame with a 1.6x squeeze, T2.9 maximum aperture, 82mm filter threads, geared focus and iris rings, and matched mechanics across the set.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat should I match before ordering the SIRUI Venus 100mm T2.9 1.6x Full-Frame Anamorphic Lens (E-Mount)?\u003c\/strong\u003e\u003cbr\u003eMatch the exact model, mechanical or electronic interface, dimensions, load, signal, power, and surrounding equipment that apply to SIRUI Venus 100mm T2.9 1.6x Full-Frame Anamorphic Lens (E-Mount). This listing is the 100mm Sony E-mount lens.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow should the SIRUI Venus 100mm T2.9 1.6x Full-Frame Anamorphic Lens (E-Mount) be prepared for a production day?\u003c\/strong\u003e\u003cbr\u003eInspect the product, its mounting or connection points, required accessories, clearance, cable or load routing, and a safe backup plan before using SIRUI Venus 100mm T2.9 1.6x Full-Frame Anamorphic Lens (E-Mount) on a job.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of the SIRUI Venus 100mm T2.9 1.6x Full-Frame Anamorphic Lens (E-Mount)?\u003c\/strong\u003e\u003cbr\u003eChoose another model when its size, capacity, focal length, mount, connector, output, payload, or working format better matches the specific production package than SIRUI Venus 100mm T2.9 1.6x Full-Frame Anamorphic Lens (E-Mount).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere can I buy the SIRUI Venus 100mm T2.9 1.6x Full-Frame Anamorphic Lens (E-Mount) in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada supplies SIRUI Venus 100mm T2.9 1.6x Full-Frame Anamorphic Lens (E-Mount) with Canada-wide shipping and Vancouver-based assistance for model selection, system fit, accessories, and production planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eBuy SIRUI Venus 100mm T2.9 1.6x Full-Frame Anamorphic Lens (E-Mount) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for fit, configuration, and production workflow planning.\u003c\/p\u003e","brand":"Sirui","offers":[{"title":"Default Title","offer_id":44377439535363,"sku":null,"price":2079.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1668426969_1734132.jpg?v=1699394437"},{"product_id":"sirui-150mm-ff-anamorphic-sony-e","title":"SIRUI Venus 150mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)","description":"\u003cp\u003e\u003cstrong\u003eSIRUI Venus 150mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) is a 150mm T2.9 1.6x full-frame anamorphic cinema lens package in Sony E mount for narrative, commercial, documentary, music-video, portrait, and independent film production.\u003c\/strong\u003e Available in Canada from Filmgear Canada, Vancouver's cinema-lens and professional camera-optics specialist.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThis production optics is selected for the exact model and production role named in the listing. SIRUI Venus 150mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) creates a 1.6x anamorphic image with widescreen framing, oval bokeh, and horizontal blue flares on full-frame Sony E-mount cameras. The Venus series uses T2.9 maximum aperture, 82mm filters, geared focus and iris rings, and matched mechanics across 35, 50, 75, 100, and 150mm focal lengths. Plan de-squeeze monitoring, final aspect ratio, sensor mode, stabilization, close focus, focus pull, matte box, filters, support, gimbal clearance, and the different field of view delivered by the 150mm lens.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003e1.6x Full-Frame Anamorphic Image\u003c\/h3\u003e\u003cp\u003eCreates widescreen framing, oval bokeh, and horizontal blue flare character across a full-frame image circle.\u003c\/p\u003e\u003ch3\u003eT2.9 Matched Cinema Set\u003c\/h3\u003e\u003cp\u003eShared gear positions, 82mm filters, colour tone, and anamorphic character support efficient changes across the Venus focal-length family.\u003c\/p\u003e\u003ch3\u003e150mm Perspective\u003c\/h3\u003e\u003cp\u003eThe 150mm focal length sets the framing, subject distance, compression, and focus demands within the matched series.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose the 150mm when its perspective and working distance fit the scene. Choose a wider Venus focal length for environment, a longer one for compression and close portraits, or a spherical lens when anamorphic de-squeeze and flare character are not wanted.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/sirui-night-walker-16mm-s35-cine-lens-sony-e-black\"\u003eSIRUI Night Walker 16mm T1.2 S35 Cine Lens (Sony E-mount, Black)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/sirui-night-walker-35mm-s35-sony-e-black\"\u003eSIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black)\u003c\/a\u003e. Sony E-mount full-frame cameras with 1.6x de-squeeze monitoring, 82mm filters, follow focus, matte box, lens support, stabilization, and post-production framing matched to anamorphic capture.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eFor cinematographers, camera operators, owner-operators, rental houses, film schools, commercial crews, and independent productions choosing a specific optical format and focal length.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose spherical lenses for a conventional aspect ratio and neutral flare, another Venus focal length for different perspective, or a smaller squeeze when the monitoring and post workflow cannot support 1.6x anamorphic capture.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\u003cli\u003eSIRUI Venus 150mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eNamed configuration: 150mm\u003c\/li\u003e\n\u003cli\u003eNamed configuration: T2.9\u003c\/li\u003e\n\u003cli\u003eFormat coverage: full frame\u003c\/li\u003e\n\u003cli\u003eAnamorphic squeeze: 1.6x\u003c\/li\u003e\n\u003cli\u003eFilter thread: 82mm\u003c\/li\u003e\n\u003cli\u003eMount: Sony E\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eWhat is the SIRUI Venus 150mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) designed to do?\u003c\/strong\u003e\u003cbr\u003eSIRUI Venus 150mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) is designed as a 150mm T2.9 1.6x full-frame anamorphic cinema lens package in Sony E mount. The Venus family covers full frame with a 1.6x squeeze, T2.9 maximum aperture, 82mm filter threads, geared focus and iris rings, and matched mechanics across the set.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat should I match before ordering the SIRUI Venus 150mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)?\u003c\/strong\u003e\u003cbr\u003eMatch the exact model, mechanical or electronic interface, dimensions, load, signal, power, and surrounding equipment that apply to SIRUI Venus 150mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E). This listing is the 150mm Sony E-mount lens.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow should the SIRUI Venus 150mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) be prepared for a production day?\u003c\/strong\u003e\u003cbr\u003eInspect the product, its mounting or connection points, required accessories, clearance, cable or load routing, and a safe backup plan before using SIRUI Venus 150mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) on a job.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of the SIRUI Venus 150mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)?\u003c\/strong\u003e\u003cbr\u003eChoose another model when its size, capacity, focal length, mount, connector, output, payload, or working format better matches the specific production package than SIRUI Venus 150mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere can I buy the SIRUI Venus 150mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada supplies SIRUI Venus 150mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) with Canada-wide shipping and Vancouver-based assistance for model selection, system fit, accessories, and production planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eBuy SIRUI Venus 150mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for fit, configuration, and production workflow planning.\u003c\/p\u003e","brand":"Sirui","offers":[{"title":"Default Title","offer_id":44377444417795,"sku":null,"price":2079.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1692035310_IMG_2062245.jpg?v=1699394561"},{"product_id":"dzofilm-pavo-2x-anamorphic-6-lens-set-blue-pl-ef-feet","title":"DZOFilm PAVO 2x Anamorphic 6-Lens Set (Blue Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 6 lens set combines a 2x squeeze, blue coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e This 6-Lens Set package keeps multiple focal lengths together for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This blue configuration provides a classic blue horizontal flare treatment. The included focal lengths are named in the product title and share the same family mechanics for faster lens changes.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e6 Matched 2x Anamorphic Lenses\u003c\/h3\u003e\u003cp\u003eThe named 6-Lens Set combination covers multiple framing needs while maintaining PAVO handling and flare character.\u003c\/p\u003e\n\u003ch3\u003eBlue Flare Character\u003c\/h3\u003e\u003cp\u003eBlue coating provides a classic blue horizontal flare treatment across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this blue PAVO package when 2x Super 35 anamorphic capture and blue flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-2x-anamorphic-6-lens-set-neutral-pl-ef-feet\"\u003ematching neutral-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis set is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with blue flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eIncluded focal lengths: 6-Lens Set\u003c\/li\u003e\n\u003cli\u003eMaximum apertures: as named for the included focal lengths\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Blue\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO set designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the blue coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set: It is intended for blue horizontal streaks when bright highlights enter the frame, while the neutral version keeps flare colour closer to the illumination.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 2x Anamorphic 6-Lens Set (Blue Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44418493317379,"sku":"DZO-PA6PLIB","price":20847.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1695214533_1787191_1b01b9df-f572-4d05-b3a5-633773fc87b6.jpg?v=1700523568"},{"product_id":"dzofilm-pavo-2x-anamorphic-28-40-75-lens-set-blue-pl-ef-feet","title":"DZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set (Blue Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 3 lens set combines a 2x squeeze, blue coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e This 28\/40\/75mm T2.1 3-Lens Set package keeps multiple focal lengths together for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This blue configuration provides a classic blue horizontal flare treatment. The included focal lengths are named in the product title and share the same family mechanics for faster lens changes.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e3 Matched 2x Anamorphic Lenses\u003c\/h3\u003e\u003cp\u003eThe named 28\/40\/75mm T2.1 3-Lens Set combination covers multiple framing needs while maintaining PAVO handling and flare character.\u003c\/p\u003e\n\u003ch3\u003eBlue Flare Character\u003c\/h3\u003e\u003cp\u003eBlue coating provides a classic blue horizontal flare treatment across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this blue PAVO package when 2x Super 35 anamorphic capture and blue flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-28-40-75-3-lens-set-neutral-pl-ef-feet\"\u003ematching neutral-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis set is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with blue flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eIncluded focal lengths: 28\/40\/75mm T2.1 3-Lens Set\u003c\/li\u003e\n\u003cli\u003eMaximum apertures: as named for the included focal lengths\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Blue\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO set designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the blue coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set: It is intended for blue horizontal streaks when bright highlights enter the frame, while the neutral version keeps flare colour closer to the illumination.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set (Blue Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44418500526339,"sku":"DZO-PAA3PLIB","price":12507.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1694774815_1787194.jpg?v=1700524598"},{"product_id":"dzofilm-pavo-2x-anamorphic-32-55-100-lens-set-blue-pl-ef-feet","title":"DZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026 100mm T2.4 3-Lens Set (Blue Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 3 lens set combines a 2x squeeze, blue coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e This 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set package keeps multiple focal lengths together for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This blue configuration provides a classic blue horizontal flare treatment. The included focal lengths are named in the product title and share the same family mechanics for faster lens changes.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e3 Matched 2x Anamorphic Lenses\u003c\/h3\u003e\u003cp\u003eThe named 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set combination covers multiple framing needs while maintaining PAVO handling and flare character.\u003c\/p\u003e\n\u003ch3\u003eBlue Flare Character\u003c\/h3\u003e\u003cp\u003eBlue coating provides a classic blue horizontal flare treatment across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this blue PAVO package when 2x Super 35 anamorphic capture and blue flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-3-lens-set-neutral-pl-ef-feet\"\u003ematching neutral-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis set is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with blue flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eIncluded focal lengths: 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set\u003c\/li\u003e\n\u003cli\u003eMaximum apertures: as named for the included focal lengths\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Blue\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO set designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the blue coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set: It is intended for blue horizontal streaks when bright highlights enter the frame, while the neutral version keeps flare colour closer to the illumination.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set (Blue Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44418504753411,"sku":"DZO-PAB3PLIB","price":12507.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1695214533_1787196.jpg?v=1700524924"},{"product_id":"dzofilm-pavo-28mm-2x-anamorphic-prime-lens-blue-pl-ef-feet","title":"DZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens (Blue Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 28mm anamorphic lens combines a 2x squeeze, blue coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e The 28mm focal length adds a distinct field of view for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This blue configuration provides a classic blue horizontal flare treatment. The 28mm lens is listed at T2.1, giving crews a matched option at this focal length.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e28mm T2.1 2x Anamorphic\u003c\/h3\u003e\u003cp\u003eThe 28mm focal length combines T2.1 speed with a true 2x squeeze for Super 35 acquisition.\u003c\/p\u003e\n\u003ch3\u003eBlue Flare Character\u003c\/h3\u003e\u003cp\u003eBlue coating provides a classic blue horizontal flare treatment across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this blue PAVO 28mm when 2x Super 35 anamorphic capture and blue flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-28mm-2x-anamorphic-neutral-pl-ef-feet\"\u003ematching neutral-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with blue flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 28mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Blue\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO 28mm designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the blue coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens: It is intended for blue horizontal streaks when bright highlights enter the frame, while the neutral version keeps flare colour closer to the illumination.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens (Blue Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44418505081091,"sku":"DZO-PA2821PLIB","price":4723.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1694774815_1787182.jpg?v=1700525188"},{"product_id":"dzofilm-pavo-32mm-anamorphic-blue-pl-ef-feet","title":"DZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens (Blue Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 32mm anamorphic lens combines a 2x squeeze, blue coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e The 32mm focal length adds a distinct field of view for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This blue configuration provides a classic blue horizontal flare treatment. The 32mm lens is listed at T2.1, giving crews a matched option at this focal length.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e32mm T2.1 2x Anamorphic\u003c\/h3\u003e\u003cp\u003eThe 32mm focal length combines T2.1 speed with a true 2x squeeze for Super 35 acquisition.\u003c\/p\u003e\n\u003ch3\u003eBlue Flare Character\u003c\/h3\u003e\u003cp\u003eBlue coating provides a classic blue horizontal flare treatment across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this blue PAVO 32mm when 2x Super 35 anamorphic capture and blue flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-32mm-2x-anamorphic-neutral-pl-ef-feet\"\u003ematching neutral-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with blue flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 32mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Blue\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO 32mm designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the blue coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens: It is intended for blue horizontal streaks when bright highlights enter the frame, while the neutral version keeps flare colour closer to the illumination.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens (Blue Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44418505801987,"sku":"DZO-PA3221PLIB","price":4723.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1694775378_IMG_2081865_1e86c35a-b858-4923-8491-04b299add959.jpg?v=1700525469"}],"url":"https:\/\/filmgearcanada.com\/collections\/cine-lenses.oembed?page=16","provider":"Filmgear Canada","version":"1.0","type":"link"}