{"title":"DZOFILM Black Friday","description":"\u003cp\u003eDZOFILM and Thypoch cine lenses at Black Friday prices, now through December 3.\u003c\/p\u003e\u003cp\u003eNot sure which lenses fit your camera and your projects? Send us a message or visit our Vancouver store and we'll help you match the right set.\u003c\/p\u003e","products":[{"product_id":"dzofilm-full-frame-vespid-cine-prime-25mm-t2-1-lens-pl-mount","title":"DZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens (PL\/EF)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 25mm cine lens provides 25mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens uses a 25mm focal length and T2.1 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e25mm T2.1 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 25mm field of view and T2.1 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 25mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 25mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40784380428468,"sku":"DZO-V02521PL","price":970.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1604004490_1601842_191d836b-3899-4210-9bd5-221f8038f300.jpg?v=1633762864"},{"product_id":"dzofilm-vespid-cine-prime-35mm-pl","title":"DZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens (PL\/EF)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 35mm cine lens provides 35mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens uses a 35mm focal length and T2.1 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e35mm T2.1 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 35mm field of view and T2.1 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 35mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-50mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 35mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40784458940596,"sku":"DZO-V03521PL","price":970.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1604004490_1601843.jpg?v=1633763242"},{"product_id":"dzofilm-vespid-cine-prime-50mm-pl","title":"DZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens (PL\/EF)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 50mm cine lens provides 50mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens uses a 50mm focal length and T2.1 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e50mm T2.1 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 50mm field of view and T2.1 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 50mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 50mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40784504914100,"sku":"DZO-V05021PL","price":970.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1604004490_1601844.jpg?v=1633764091"},{"product_id":"dzofilm-vespid-cine-prime-75mm-pl","title":"DZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens (PL\/EF)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 75mm cine lens provides 75mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens uses a 75mm focal length and T2.1 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e75mm T2.1 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 75mm field of view and T2.1 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 75mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 75mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40784549544116,"sku":"DZO-V07521PL","price":970.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1604004490_1601845.jpg?v=1633764873"},{"product_id":"dzofilm-vespid-cine-prime-35mm-pl-macro","title":"DZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens (PL\/EF)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens is a 90mm T2.8 full-frame macro cinema prime with interchangeable PL and EF mounting, built for cinematographers who need repeatable manual lens control and the named 90mm field of view.\u003c\/strong\u003e Its close-focus operation and matched Vespid focus and iris gear placement for inserts, tabletop, product, beauty, and narrative detail work supports narrative, commercial, documentary, tabletop, studio, and rental work according to the lens family's optical role. Buyers comparing this cinema lens should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens sits in the DZOFILM Vespid family. DZOFILM identifies it as a 90mm T2.8 full-frame macro cinema prime with interchangeable PL and EF mounting. Key operating details include close-focus operation and matched Vespid focus and iris gear placement for inserts, tabletop, product, beauty, and narrative detail work. Before production, check sensor recording area, installed mount, rear clearance, flange setup, rods and lens support, matte box or filter fit, 0.8 MOD motor position, focus scale, working distance, and whether the selected focal range suits the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e90mm Cinema Optics\u003c\/h3\u003e\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens provides the named 90mm view with its 90mm T2.8 full-frame macro cinema prime.\u003c\/p\u003e\n\u003ch3\u003eMount and Sensor Planning\u003c\/h3\u003e\u003cp\u003eThe lens uses interchangeable PL and EF mounting; match the camera recording area, installed interface, rear clearance, flange distance, and support before the shoot.\u003c\/p\u003e\n\u003ch3\u003eManual Crew Operation\u003c\/h3\u003e\u003cp\u003eclose-focus operation and matched Vespid focus and iris gear placement for inserts, tabletop, product, beauty, and narrative detail work, supporting repeatable focus, zoom, iris, matte-box, and motor setup.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 90mm range when its framing coverage fits the production. Choose the adjacent family range for wider or longer reach, primes for faster single-focal-length operation, or another sensor and mount family when this coverage or interface does not fit.\u003c\/p\u003e\n\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, camera assistants, rental houses, studios, film schools, production companies, and owner-operators building a manual full-frame cinema package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different focal range when camera position or framing demands it, another mount or sensor family when compatibility changes, autofocus glass for solo event work, or a lighter lens when handheld balance and support time are the main constraints.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens\u003c\/li\u003e\n\u003cli\u003einterchangeable PL and EF mounting as named in the product title\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 90mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.8\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame\u003c\/li\u003e\n\u003cli\u003eMounts: PL and EF\u003c\/li\u003e\n\u003cli\u003eType: macro cinema prime\u003c\/li\u003e\n\u003cli\u003eOperation: manual geared focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format and role does this 90mm lens serve?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens (PL\/EF): It is a 90mm T2.8 full-frame macro cinema prime. Match the active camera recording area to the family's stated image coverage before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich mount and mechanical checks matter?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens (PL\/EF): This configuration uses interchangeable PL and EF mounting. Check the installed interface, rear clearance, flange setup, rods, lens support, matte box, filters, and 0.8 MOD motor positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should this focal range be chosen?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens (PL\/EF): The 90mm range determines framing, working distance, perspective, and how often the camera or lens must move. Compare it with adjacent ranges around the planned shot list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the lens suit a crewed cinema workflow?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens (PL\/EF): Yes. close-focus operation and matched Vespid focus and iris gear placement for inserts, tabletop, product, beauty, and narrative detail work. Camera assistants should still map focus, zoom, iris, support, motor, and case positions before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFILM lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens (PL\/EF): Filmgear Canada offers Canada-wide shipping and Vancouver-based help for focal range, sensor coverage, mount, support, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40784603414708,"sku":"DZO-VM9021PL","price":970.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1604004490_1601846.jpg?v=1633765858"},{"product_id":"dzofilm-vespid-cine-prime-100mm-pl","title":"DZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens (PL\/EF)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 100mm cine lens provides 100mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens uses a 100mm focal length and T2.1 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e100mm T2.1 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 100mm field of view and T2.1 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 100mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 100mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40784631726260,"sku":"DZO-V10021PL","price":970.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1604004490_1601847.jpg?v=1633767066"},{"product_id":"dzofilm-vespid-cine-prime-125mm-pl","title":"DZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens (PL\/EF)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 125mm cine lens provides 125mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens uses a 125mm focal length and T2.1 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e125mm T2.1 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 125mm field of view and T2.1 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 125mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 125mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40784739958964,"sku":"DZO-V12521PL","price":970.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1604004490_1601848.jpg?v=1633769027"},{"product_id":"dzofilm-catta-ace-ff-cine-complete-bundle-pl-ef-black","title":"DZOFilm Catta Ace FF Zoom 18-35\/35-80\/70-135mm T2.9 3-Lens Kit (PL\/EF, Black)","description":"\u003cp\u003e\u003cstrong\u003eThe DZOFilm Catta Ace 3-lens zoom kit combines 18-35mm and 35-80mm and 70-135mm T2.9 full-frame cinema zooms with matched colour, mechanics, and parfocal operation.\u003c\/strong\u003e Available from Filmgear Canada for Canadian cinema, commercial, documentary, rental, education, and owner-operator productions.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe included focal ranges cover 18-35mm plus 35-80mm plus 70-135mm while retaining a constant T2.9 maximum aperture and cinema-style manual focus, iris, and zoom control. DZOFILM designs the Catta family for parfocal operation so focus remains stable during a properly adjusted zoom move. The lenses share an 80mm front outside diameter, 0.8 MOD gears, 270-degree focus rotation, and 77mm filter threads. This current configuration uses interchangeable PL and EF mount configuration shown in the listing; camera fit, back focus, lens support, and full-frame sensor coverage should be checked before production.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e18-35mm and 35-80mm and 70-135mm T2.9 Zooms\u003c\/h3\u003e\n\u003cp\u003eThe kit supplies the 18-35mm and 35-80mm and 70-135mm focal ranges at a constant T2.9 maximum aperture.\u003c\/p\u003e\n\u003ch3\u003eParfocal Full-Frame Design\u003c\/h3\u003e\n\u003cp\u003eCatta zooms are designed to retain focus through the zoom range after correct back-focus setup and provide full-frame coverage in the listed family.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\n\u003cp\u003eThe lenses share manual geared controls, an 80mm front outside diameter, and consistent operation for faster changes within the kit.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this pairing when 18-35mm and 35-80mm and 70-135mm covers the focal lengths used on the production. The complete three-lens package reduces gaps, while a two-lens kit saves case space and cost when the missing range is already covered by primes or another zoom.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e. Check the exact mount, sensor format, lens support, matte box, follow-focus position, and camera clearance before the shoot.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis 3-lens Catta Ace kit is for documentary, commercial, narrative, event, education, and rental teams that prefer zoom coverage with matched handling.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different two-lens pairing when another focal range matters more, the complete three-lens set when gaps are unacceptable, or smaller stills zooms when autofocus and minimum rig weight take priority.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Catta Ace 18-35mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003cli\u003eDZOFilm Catta Ace 35-80mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003cli\u003eDZOFilm Catta Ace 70-135mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLens count: 3\u003c\/li\u003e\n\u003cli\u003eFocal ranges: 18-35mm, 35-80mm, 70-135mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.9\u003c\/li\u003e\n\u003cli\u003eMount configuration: interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003cli\u003eFocus: manual, 270-degree rotation\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: 77mm\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Catta Ace 3-lens zoom kit designed to do?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35\/35-80\/70-135mm T2.9 3-Lens Kit (PL\/EF, Black) is designed for the exact cinema-lens or adapter role described on this page. Its value comes from matching the exact product configuration to the camera, lens, light, filter holder, or support equipment already in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do I check compatibility before ordering Catta Ace 3-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eFor DZOFilm Catta Ace FF Zoom 18-35\/35-80\/70-135mm T2.9 3-Lens Kit (PL\/EF, Black), compare the mount, physical size, optical format, connector, payload, or accessory standard shown on this page with the corresponding specification on your existing equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with Catta Ace 3-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35\/35-80\/70-135mm T2.9 3-Lens Kit (PL\/EF, Black) includes DZOFilm Catta Ace 18-35mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing, DZOFilm Catta Ace 35-80mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing, DZOFilm Catta Ace 70-135mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing. Optional accessories, alternate mounts, cameras, lenses, lights, and support equipment are separate unless they are named in the selected Shopify variant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of Catta Ace 3-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eChoose choose a different two-lens pairing when another focal range matters more, the complete three-lens set when gaps are unacceptable, or smaller stills zooms when autofocus and minimum rig weight take priority instead of DZOFilm Catta Ace FF Zoom 18-35\/35-80\/70-135mm T2.9 3-Lens Kit (PL\/EF, Black) when that option better matches your required format, size, mount, focal range, payload, or level of kit completeness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy Catta Ace 3-lens zoom kit in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35\/35-80\/70-135mm T2.9 3-Lens Kit (PL\/EF, Black) is available from Filmgear Canada with Canada-wide shipping and Vancouver-based assistance. Check the selected variant and the surrounding equipment requirements before placing the order.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Catta Ace FF Zoom 18-35\/35-80\/70-135mm T2.9 3-Lens Kit (PL\/EF, Black) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Review the selected mount, size, filter, or kit configuration before ordering so the product matches the rest of your production package.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43738034962691,"sku":"DZO-FFCattaA3-BUNDLE","price":5974.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1673595964_1745340.jpg?v=1676330421"},{"product_id":"dzofilm-vespid-21mm-pl-ef","title":"DZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens (PL\/EF)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 21mm cine lens provides 21mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens uses a 21mm focal length and T2.1 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e21mm T2.1 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 21mm field of view and T2.1 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 21mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 21mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43750528352515,"sku":"DZO-V02121PL","price":970.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1658133953_1717552.jpg?v=1676680567"},{"product_id":"dzofilm-vespid-40mm-pl-ef","title":"DZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens (PL\/EF)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 40mm cine lens provides 40mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens uses a 40mm focal length and T2.1 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e40mm T2.1 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 40mm field of view and T2.1 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 40mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 40mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43750545293571,"sku":"DZO-V04021PL","price":961.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1658133953_1717553.jpg?v=1676681015"},{"product_id":"dzofilm-vespid-16mm-pl-ef","title":"DZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens (PL\/EF)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 16mm cine lens provides 16mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens uses a 16mm focal length and T2.8 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e16mm T2.8 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 16mm field of view and T2.8 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 16mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 16mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.8\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43750557090051,"sku":"DZO-V01628PL","price":1248.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1655217367_1679955_70c08402-60db-4e65-a1a4-d70c16ba0858.jpg?v=1676681366"},{"product_id":"dzofilm-catta-ace-70-135mm-t2-9-cine-zoom-lens-pl-ef-black","title":"DZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens (PL\/EF, Black)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens is a T2.9-T22 full-frame parfocal cinema zoom with ARRI PL and Canon EF mounting named in this package, built for cinematographers who need repeatable manual lens control and the named 70-135mm field of view.\u003c\/strong\u003e Its 270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears supports narrative, commercial, documentary, tabletop, studio, and rental work according to the lens family's optical role. Buyers comparing this cinema lens should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens sits in the DZOFILM Catta Ace family. DZOFILM identifies it as a T2.9-T22 full-frame parfocal cinema zoom with ARRI PL and Canon EF mounting named in this package. Key operating details include 270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears. Before production, check sensor recording area, installed mount, rear clearance, flange setup, rods and lens support, matte box or filter fit, 0.8 MOD motor position, focus scale, working distance, and whether the selected focal range suits the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e70-135mm Cinema Optics\u003c\/h3\u003e\u003cp\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens provides the named 70-135mm view with its T2.9-T22 full-frame parfocal cinema zoom.\u003c\/p\u003e\n\u003ch3\u003eMount and Sensor Planning\u003c\/h3\u003e\u003cp\u003eThe lens uses ARRI PL and Canon EF mounting named in this package; match the camera recording area, installed interface, rear clearance, flange distance, and support before the shoot.\u003c\/p\u003e\n\u003ch3\u003eManual Crew Operation\u003c\/h3\u003e\u003cp\u003e270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears, supporting repeatable focus, zoom, iris, matte-box, and motor setup.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 70-135mm range when its framing coverage fits the production. Choose the adjacent family range for wider or longer reach, primes for faster single-focal-length operation, or another sensor and mount family when this coverage or interface does not fit.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-catta-ace-ff-18-35mm-t2-9-cine-zoom-lens-pl-ef-black\"\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens (PL\/EF, Black)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-catta-ace-35-80mm-t2-9-cine-zoom-lens-pl-ef-black\"\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens (PL\/EF, Black)\u003c\/a\u003e. Check camera sensor mode, ARRI PL and Canon EF mounting named in this package, rear clearance, flange setup, lens support, matte box, filters, 0.8 MOD motors, focus scale, working distance, and case dimensions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, camera assistants, rental houses, studios, film schools, production companies, and owner-operators building a manual full-frame cinema package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different focal range when camera position or framing demands it, another mount or sensor family when compatibility changes, autofocus glass for solo event work, or a lighter lens when handheld balance and support time are the main constraints.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mounting named in this package as named in the product title\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal range: 70-135mm\u003c\/li\u003e\n\u003cli\u003eAperture: T2.9-T22\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame\u003c\/li\u003e\n\u003cli\u003eMount package: PL and EF\u003c\/li\u003e\n\u003cli\u003eDesign: parfocal\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003cli\u003eZoom rotation: 100 degrees\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format and role does this 70-135mm lens serve?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens (PL\/EF, Black): It is a T2.9-T22 full-frame parfocal cinema zoom. Match the active camera recording area to the family's stated image coverage before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich mount and mechanical checks matter?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens (PL\/EF, Black): This configuration uses ARRI PL and Canon EF mounting named in this package. Check the installed interface, rear clearance, flange setup, rods, lens support, matte box, filters, and 0.8 MOD motor positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should this focal range be chosen?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens (PL\/EF, Black): The 70-135mm range determines framing, working distance, perspective, and how often the camera or lens must move. Compare it with adjacent ranges around the planned shot list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the lens suit a crewed cinema workflow?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens (PL\/EF, Black): Yes. 270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears. Camera assistants should still map focus, zoom, iris, support, motor, and case positions before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFILM lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens (PL\/EF, Black): Filmgear Canada offers Canada-wide shipping and Vancouver-based help for focal range, sensor coverage, mount, support, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens (PL\/EF, Black) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767695016195,"sku":"DZO-FFA70135-BLK","price":2221.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1645487238_1691717.jpg?v=1677190518"},{"product_id":"dzofilm-catta-ace-35-80mm-t2-9-cine-zoom-lens-pl-ef-black","title":"DZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens (PL\/EF, Black)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens is a T2.9-T22 full-frame parfocal cinema zoom with ARRI PL and Canon EF mounting named in this package, built for cinematographers who need repeatable manual lens control and the named 35-80mm field of view.\u003c\/strong\u003e Its 270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears supports narrative, commercial, documentary, tabletop, studio, and rental work according to the lens family's optical role. Buyers comparing this cinema lens should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens sits in the DZOFILM Catta Ace family. DZOFILM identifies it as a T2.9-T22 full-frame parfocal cinema zoom with ARRI PL and Canon EF mounting named in this package. Key operating details include 270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears. Before production, check sensor recording area, installed mount, rear clearance, flange setup, rods and lens support, matte box or filter fit, 0.8 MOD motor position, focus scale, working distance, and whether the selected focal range suits the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e35-80mm Cinema Optics\u003c\/h3\u003e\u003cp\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens provides the named 35-80mm view with its T2.9-T22 full-frame parfocal cinema zoom.\u003c\/p\u003e\n\u003ch3\u003eMount and Sensor Planning\u003c\/h3\u003e\u003cp\u003eThe lens uses ARRI PL and Canon EF mounting named in this package; match the camera recording area, installed interface, rear clearance, flange distance, and support before the shoot.\u003c\/p\u003e\n\u003ch3\u003eManual Crew Operation\u003c\/h3\u003e\u003cp\u003e270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears, supporting repeatable focus, zoom, iris, matte-box, and motor setup.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 35-80mm range when its framing coverage fits the production. Choose the adjacent family range for wider or longer reach, primes for faster single-focal-length operation, or another sensor and mount family when this coverage or interface does not fit.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-catta-ace-ff-18-35mm-t2-9-cine-zoom-lens-pl-ef-black\"\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens (PL\/EF, Black)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-catta-ace-70-135mm-t2-9-cine-zoom-lens-pl-ef-black\"\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens (PL\/EF, Black)\u003c\/a\u003e. Check camera sensor mode, ARRI PL and Canon EF mounting named in this package, rear clearance, flange setup, lens support, matte box, filters, 0.8 MOD motors, focus scale, working distance, and case dimensions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, camera assistants, rental houses, studios, film schools, production companies, and owner-operators building a manual full-frame cinema package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different focal range when camera position or framing demands it, another mount or sensor family when compatibility changes, autofocus glass for solo event work, or a lighter lens when handheld balance and support time are the main constraints.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mounting named in this package as named in the product title\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal range: 35-80mm\u003c\/li\u003e\n\u003cli\u003eAperture: T2.9-T22\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame\u003c\/li\u003e\n\u003cli\u003eMount package: PL and EF\u003c\/li\u003e\n\u003cli\u003eDesign: parfocal\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003cli\u003eZoom rotation: 100 degrees\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format and role does this 35-80mm lens serve?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens (PL\/EF, Black): It is a T2.9-T22 full-frame parfocal cinema zoom. Match the active camera recording area to the family's stated image coverage before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich mount and mechanical checks matter?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens (PL\/EF, Black): This configuration uses ARRI PL and Canon EF mounting named in this package. Check the installed interface, rear clearance, flange setup, rods, lens support, matte box, filters, and 0.8 MOD motor positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should this focal range be chosen?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens (PL\/EF, Black): The 35-80mm range determines framing, working distance, perspective, and how often the camera or lens must move. Compare it with adjacent ranges around the planned shot list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the lens suit a crewed cinema workflow?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens (PL\/EF, Black): Yes. 270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears. Camera assistants should still map focus, zoom, iris, support, motor, and case positions before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFILM lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens (PL\/EF, Black): Filmgear Canada offers Canada-wide shipping and Vancouver-based help for focal range, sensor coverage, mount, support, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens (PL\/EF, Black) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767701700867,"sku":"DZO-FFA3580-BLK","price":2221.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1645487238_1691716.jpg?v=1677190752"},{"product_id":"dzofilm-catta-ace-ff-18-35mm-t2-9-cine-zoom-lens-pl-ef-black","title":"DZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens (PL\/EF, Black)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens is a T2.9-T22 full-frame parfocal cinema zoom with ARRI PL and Canon EF mounting named in this package, built for cinematographers who need repeatable manual lens control and the named 18-35mm field of view.\u003c\/strong\u003e Its 270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears supports narrative, commercial, documentary, tabletop, studio, and rental work according to the lens family's optical role. Buyers comparing this cinema lens should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens sits in the DZOFILM Catta Ace family. DZOFILM identifies it as a T2.9-T22 full-frame parfocal cinema zoom with ARRI PL and Canon EF mounting named in this package. Key operating details include 270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears. Before production, check sensor recording area, installed mount, rear clearance, flange setup, rods and lens support, matte box or filter fit, 0.8 MOD motor position, focus scale, working distance, and whether the selected focal range suits the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e18-35mm Cinema Optics\u003c\/h3\u003e\u003cp\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens provides the named 18-35mm view with its T2.9-T22 full-frame parfocal cinema zoom.\u003c\/p\u003e\n\u003ch3\u003eMount and Sensor Planning\u003c\/h3\u003e\u003cp\u003eThe lens uses ARRI PL and Canon EF mounting named in this package; match the camera recording area, installed interface, rear clearance, flange distance, and support before the shoot.\u003c\/p\u003e\n\u003ch3\u003eManual Crew Operation\u003c\/h3\u003e\u003cp\u003e270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears, supporting repeatable focus, zoom, iris, matte-box, and motor setup.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 18-35mm range when its framing coverage fits the production. Choose the adjacent family range for wider or longer reach, primes for faster single-focal-length operation, or another sensor and mount family when this coverage or interface does not fit.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-catta-ace-35-80mm-t2-9-cine-zoom-lens-pl-ef-black\"\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens (PL\/EF, Black)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-catta-ace-70-135mm-t2-9-cine-zoom-lens-pl-ef-black\"\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens (PL\/EF, Black)\u003c\/a\u003e. Check camera sensor mode, ARRI PL and Canon EF mounting named in this package, rear clearance, flange setup, lens support, matte box, filters, 0.8 MOD motors, focus scale, working distance, and case dimensions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, camera assistants, rental houses, studios, film schools, production companies, and owner-operators building a manual full-frame cinema package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different focal range when camera position or framing demands it, another mount or sensor family when compatibility changes, autofocus glass for solo event work, or a lighter lens when handheld balance and support time are the main constraints.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mounting named in this package as named in the product title\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal range: 18-35mm\u003c\/li\u003e\n\u003cli\u003eAperture: T2.9-T22\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame\u003c\/li\u003e\n\u003cli\u003eMount package: PL and EF\u003c\/li\u003e\n\u003cli\u003eDesign: parfocal\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003cli\u003eZoom rotation: 100 degrees\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format and role does this 18-35mm lens serve?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens (PL\/EF, Black): It is a T2.9-T22 full-frame parfocal cinema zoom. Match the active camera recording area to the family's stated image coverage before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich mount and mechanical checks matter?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens (PL\/EF, Black): This configuration uses ARRI PL and Canon EF mounting named in this package. Check the installed interface, rear clearance, flange setup, rods, lens support, matte box, filters, and 0.8 MOD motor positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should this focal range be chosen?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens (PL\/EF, Black): The 18-35mm range determines framing, working distance, perspective, and how often the camera or lens must move. Compare it with adjacent ranges around the planned shot list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the lens suit a crewed cinema workflow?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens (PL\/EF, Black): Yes. 270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears. Camera assistants should still map focus, zoom, iris, support, motor, and case positions before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFILM lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens (PL\/EF, Black): Filmgear Canada offers Canada-wide shipping and Vancouver-based help for focal range, sensor coverage, mount, support, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens (PL\/EF, Black) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767705927939,"sku":"DZO-FFA1835-BLK","price":2777.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1673595964_1745337.jpg?v=1677190879"},{"product_id":"dzofilm-catta-ace-ff-18-35-70-135mm-t2-9-cine-2-lens-bundle-pl-ef-black","title":"DZOFilm Catta Ace FF Zoom 18-35\/70-135mm T2.9 2-Lens Kit (PL\/EF, Black)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eThe DZOFilm Catta Ace 2-lens zoom kit combines 18-35mm and 70-135mm T2.9 full-frame cinema zooms with matched colour, mechanics, and parfocal operation.\u003c\/strong\u003e Available from Filmgear Canada for Canadian cinema, commercial, documentary, rental, education, and owner-operator productions.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe included focal ranges cover 18-35mm plus 70-135mm while retaining a constant T2.9 maximum aperture and cinema-style manual focus, iris, and zoom control. DZOFILM designs the Catta family for parfocal operation so focus remains stable during a properly adjusted zoom move. The lenses share an 80mm front outside diameter, 0.8 MOD gears, 270-degree focus rotation, and 77mm filter threads. This current configuration uses interchangeable PL and EF mount configuration shown in the listing; camera fit, back focus, lens support, and full-frame sensor coverage should be checked before production.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e18-35mm and 70-135mm T2.9 Zooms\u003c\/h3\u003e\n\u003cp\u003eThe kit supplies the 18-35mm and 70-135mm focal ranges at a constant T2.9 maximum aperture.\u003c\/p\u003e\n\u003ch3\u003eParfocal Full-Frame Design\u003c\/h3\u003e\n\u003cp\u003eCatta zooms are designed to retain focus through the zoom range after correct back-focus setup and provide full-frame coverage in the listed family.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\n\u003cp\u003eThe lenses share manual geared controls, an 80mm front outside diameter, and consistent operation for faster changes within the kit.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this pairing when 18-35mm and 70-135mm covers the focal lengths used on the production. The complete three-lens package reduces gaps, while a two-lens kit saves case space and cost when the missing range is already covered by primes or another zoom.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e. Check the exact mount, sensor format, lens support, matte box, follow-focus position, and camera clearance before the shoot.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis 2-lens Catta Ace kit is for documentary, commercial, narrative, event, education, and rental teams that prefer zoom coverage with matched handling.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different two-lens pairing when another focal range matters more, the complete three-lens set when gaps are unacceptable, or smaller stills zooms when autofocus and minimum rig weight take priority.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Catta Ace 18-35mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003cli\u003eDZOFilm Catta Ace 70-135mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLens count: 2\u003c\/li\u003e\n\u003cli\u003eFocal ranges: 18-35mm, 70-135mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.9\u003c\/li\u003e\n\u003cli\u003eMount configuration: interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003cli\u003eFocus: manual, 270-degree rotation\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: 77mm\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Catta Ace 2-lens zoom kit designed to do?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35\/70-135mm T2.9 2-Lens Kit (PL\/EF, Black) is designed for the exact cinema-lens or adapter role described on this page. Its value comes from matching the exact product configuration to the camera, lens, light, filter holder, or support equipment already in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do I check compatibility before ordering Catta Ace 2-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eFor DZOFilm Catta Ace FF Zoom 18-35\/70-135mm T2.9 2-Lens Kit (PL\/EF, Black), compare the mount, physical size, optical format, connector, payload, or accessory standard shown on this page with the corresponding specification on your existing equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with Catta Ace 2-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35\/70-135mm T2.9 2-Lens Kit (PL\/EF, Black) includes DZOFilm Catta Ace 18-35mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing, DZOFilm Catta Ace 70-135mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing. Optional accessories, alternate mounts, cameras, lenses, lights, and support equipment are separate unless they are named in the selected Shopify variant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of Catta Ace 2-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eChoose choose a different two-lens pairing when another focal range matters more, the complete three-lens set when gaps are unacceptable, or smaller stills zooms when autofocus and minimum rig weight take priority instead of DZOFilm Catta Ace FF Zoom 18-35\/70-135mm T2.9 2-Lens Kit (PL\/EF, Black) when that option better matches your required format, size, mount, focal range, payload, or level of kit completeness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy Catta Ace 2-lens zoom kit in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35\/70-135mm T2.9 2-Lens Kit (PL\/EF, Black) is available from Filmgear Canada with Canada-wide shipping and Vancouver-based assistance. Check the selected variant and the surrounding equipment requirements before placing the order.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Catta Ace FF Zoom 18-35\/70-135mm T2.9 2-Lens Kit (PL\/EF, Black) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Review the selected mount, size, filter, or kit configuration before ordering so the product matches the rest of your production package.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767714349315,"sku":"DZO-FFCattaA2-BUNDLE","price":4167.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1673595964_1745339.jpg?v=1677191097"},{"product_id":"dzofilm-catta-ace-ff-18-35-35-80mm-t2-9-cine-2-lens-bundle-pl-ef-black","title":"DZOFilm Catta Ace FF Zoom 18-35\/35-80mm T2.9 2-Lens Kit (PL\/EF, Black)","description":"\u003cp\u003e\u003cstrong\u003eThe DZOFilm Catta Ace 2-lens zoom kit combines 18-35mm and 35-80mm T2.9 full-frame cinema zooms with matched colour, mechanics, and parfocal operation.\u003c\/strong\u003e Available from Filmgear Canada for Canadian cinema, commercial, documentary, rental, education, and owner-operator productions.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe included focal ranges cover 18-35mm plus 35-80mm while retaining a constant T2.9 maximum aperture and cinema-style manual focus, iris, and zoom control. DZOFILM designs the Catta family for parfocal operation so focus remains stable during a properly adjusted zoom move. The lenses share an 80mm front outside diameter, 0.8 MOD gears, 270-degree focus rotation, and 77mm filter threads. This current configuration uses interchangeable PL and EF mount configuration shown in the listing; camera fit, back focus, lens support, and full-frame sensor coverage should be checked before production.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e18-35mm and 35-80mm T2.9 Zooms\u003c\/h3\u003e\n\u003cp\u003eThe kit supplies the 18-35mm and 35-80mm focal ranges at a constant T2.9 maximum aperture.\u003c\/p\u003e\n\u003ch3\u003eParfocal Full-Frame Design\u003c\/h3\u003e\n\u003cp\u003eCatta zooms are designed to retain focus through the zoom range after correct back-focus setup and provide full-frame coverage in the listed family.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\n\u003cp\u003eThe lenses share manual geared controls, an 80mm front outside diameter, and consistent operation for faster changes within the kit.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this pairing when 18-35mm and 35-80mm covers the focal lengths used on the production. The complete three-lens package reduces gaps, while a two-lens kit saves case space and cost when the missing range is already covered by primes or another zoom.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e. Check the exact mount, sensor format, lens support, matte box, follow-focus position, and camera clearance before the shoot.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis 2-lens Catta Ace kit is for documentary, commercial, narrative, event, education, and rental teams that prefer zoom coverage with matched handling.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different two-lens pairing when another focal range matters more, the complete three-lens set when gaps are unacceptable, or smaller stills zooms when autofocus and minimum rig weight take priority.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Catta Ace 18-35mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003cli\u003eDZOFilm Catta Ace 35-80mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLens count: 2\u003c\/li\u003e\n\u003cli\u003eFocal ranges: 18-35mm, 35-80mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.9\u003c\/li\u003e\n\u003cli\u003eMount configuration: interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003cli\u003eFocus: manual, 270-degree rotation\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: 77mm\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Catta Ace 2-lens zoom kit designed to do?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35\/35-80mm T2.9 2-Lens Kit (PL\/EF, Black) is designed for the exact cinema-lens or adapter role described on this page. Its value comes from matching the exact product configuration to the camera, lens, light, filter holder, or support equipment already in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do I check compatibility before ordering Catta Ace 2-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eFor DZOFilm Catta Ace FF Zoom 18-35\/35-80mm T2.9 2-Lens Kit (PL\/EF, Black), compare the mount, physical size, optical format, connector, payload, or accessory standard shown on this page with the corresponding specification on your existing equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with Catta Ace 2-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35\/35-80mm T2.9 2-Lens Kit (PL\/EF, Black) includes DZOFilm Catta Ace 18-35mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing, DZOFilm Catta Ace 35-80mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing. Optional accessories, alternate mounts, cameras, lenses, lights, and support equipment are separate unless they are named in the selected Shopify variant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of Catta Ace 2-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eChoose choose a different two-lens pairing when another focal range matters more, the complete three-lens set when gaps are unacceptable, or smaller stills zooms when autofocus and minimum rig weight take priority instead of DZOFilm Catta Ace FF Zoom 18-35\/35-80mm T2.9 2-Lens Kit (PL\/EF, Black) when that option better matches your required format, size, mount, focal range, payload, or level of kit completeness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy Catta Ace 2-lens zoom kit in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35\/35-80mm T2.9 2-Lens Kit (PL\/EF, Black) is available from Filmgear Canada with Canada-wide shipping and Vancouver-based assistance. Check the selected variant and the surrounding equipment requirements before placing the order.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Catta Ace FF Zoom 18-35\/35-80mm T2.9 2-Lens Kit (PL\/EF, Black) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Review the selected mount, size, filter, or kit configuration before ordering so the product matches the rest of your production package.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767722246403,"sku":"DZO-FFCattaA1-BUNDLE","price":4167.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1673595964_1745338.jpg?v=1677191344"},{"product_id":"dzofilm-32mm-gnosis-macro-prime-lens-lpl-pl-ef-feet","title":"DZOFilm 32mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026 EF Mounts, Feet)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens is a T2.8 Vista Vision and full-frame macro cinema prime with LPL housing with PL and EF options, built for cinematographers who need repeatable manual lens control and the named 32mm field of view.\u003c\/strong\u003e Its 0.167m close focus and 1.0x magnification supports narrative, commercial, documentary, tabletop, studio, and rental work according to the lens family's optical role. Buyers comparing this cinema lens should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens sits in the DZOFILM Gnosis family. DZOFILM identifies it as a T2.8 Vista Vision and full-frame macro cinema prime with LPL housing with PL and EF options. Key operating details include 0.167m close focus and 1.0x magnification. Before production, check sensor recording area, installed mount, rear clearance, flange setup, rods and lens support, matte box or filter fit, 0.8 MOD motor position, focus scale, working distance, and whether the selected focal range suits the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e32mm Cinema Optics\u003c\/h3\u003e\u003cp\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens provides the named 32mm view with its T2.8 Vista Vision and full-frame macro cinema prime.\u003c\/p\u003e\n\u003ch3\u003eMount and Sensor Planning\u003c\/h3\u003e\u003cp\u003eThe lens uses LPL housing with PL and EF options; match the camera recording area, installed interface, rear clearance, flange distance, and support before the shoot.\u003c\/p\u003e\n\u003ch3\u003eManual Crew Operation\u003c\/h3\u003e\u003cp\u003e0.167m close focus and 1.0x magnification, supporting repeatable focus, zoom, iris, matte-box, and motor setup.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 32mm Gnosis for its perspective, working distance, and macro magnification. Choose 32mm for more environment, 65mm for a middle perspective, 90mm for more subject clearance, or a standard prime when macro reproduction is unnecessary.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-65mm-gnosis-macro-prime-lens-lpl-pl-ef-feet\"\u003eDZOFilm 65mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-90mm-gnosis-macro-prime-lens-lpl-pl-ef-feet\"\u003eDZOFilm 90mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet)\u003c\/a\u003e. Check camera sensor mode, LPL housing with PL and EF options, rear clearance, flange setup, lens support, matte box, filters, 0.8 MOD motors, focus scale, working distance, and case dimensions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, camera assistants, rental houses, studios, film schools, production companies, and owner-operators building a manual full-frame cinema package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different focal range when camera position or framing demands it, another mount or sensor family when compatibility changes, autofocus glass for solo event work, or a lighter lens when handheld balance and support time are the main constraints.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens\u003c\/li\u003e\n\u003cli\u003eLPL housing with PL and EF options as named in the product title\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 32mm\u003c\/li\u003e\n\u003cli\u003eAperture: T2.8-T22\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.167m\u003c\/li\u003e\n\u003cli\u003eMagnification: 1.0x\u003c\/li\u003e\n\u003cli\u003eWeight: approximately 1,460g\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format and role does this 32mm lens serve?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): It is a T2.8 Vista Vision and full-frame macro cinema prime. Match the active camera recording area to the family's stated image coverage before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich mount and mechanical checks matter?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): This configuration uses LPL housing with PL and EF options. Check the installed interface, rear clearance, flange setup, rods, lens support, matte box, filters, and 0.8 MOD motor positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should this focal range be chosen?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): The 32mm range determines framing, working distance, perspective, and how often the camera or lens must move. Compare it with adjacent ranges around the planned shot list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the lens suit a crewed cinema workflow?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): Yes. 0.167m close focus and 1.0x magnification. Camera assistants should still map focus, zoom, iris, support, motor, and case positions before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFILM lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): Filmgear Canada offers Canada-wide shipping and Vancouver-based help for focal range, sensor coverage, mount, support, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm 32mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767829430531,"sku":"DZO-G3228LPLI","price":4862.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1658911675_1719044.jpg?v=1677196406"},{"product_id":"dzofilm-65mm-gnosis-macro-prime-lens-lpl-pl-ef-feet","title":"DZOFilm 65mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026 EF Mounts, Feet)","description":"\u003cp\u003e\u003cstrong\u003eThe DZOFilm Gnosis 65mm macro lens is a T2.8 Vista Vision and full-frame cinema prime with 1.33x magnification, LPL housing, PL and EF mount options, and a feet focus scale.\u003c\/strong\u003e Its combination of macro reproduction, 65mm perspective, and manual cinema mechanics is designed for tabletop, food, beauty, inserts, product work, nature details, and controlled narrative close-ups.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eDZOFILM specifies a 46.5mm image circle, T2.8 to T22 range, 0.237m close focus measured from the sensor plane, and 1.33x maximum magnification for the 65mm Gnosis. The lens uses a 300-degree manual focus rotation, 114mm front outside diameter, M105 filter thread, 16-blade iris, 0.8 MOD gears, and an aluminum-alloy housing. At approximately 1,447.5g, it needs an appropriate mount, rods, lens support, matte box, focus control, and carefully planned working distance for precise macro shots.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003e65mm T2.8 with 1.33x Magnification\u003c\/h3\u003e\u003cp\u003eThe 65mm combines T2.8 speed with 1.33x macro reproduction for detailed product, insert, texture, and beauty imagery.\u003c\/p\u003e\u003ch3\u003e46.5mm VV and Full-Frame Coverage\u003c\/h3\u003e\u003cp\u003eThe 46.5mm image circle supports Vista Vision and full-frame cinema-camera recording areas when the selected camera mode fits within that circle.\u003c\/p\u003e\u003ch3\u003eMatched Professional Mechanics\u003c\/h3\u003e\u003cp\u003eA 114mm front, M105 thread, 300-degree focus throw, 16-blade iris, 0.8 MOD gears, and PL\/EF\/LPL mount options support repeatable cinema operation.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose the Gnosis 65mm when a natural short-telephoto perspective, 1.33x magnification, and practical subject clearance fit the shot. Choose the 32mm for a wider context and 1x magnification, the 90mm for more working distance and 1.5x magnification, or a standard prime when infinity-to-close coverage matters more than macro reproduction.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-32mm-gnosis-macro-prime-lens-lpl-pl-ef-feet\"\u003eDZOFilm Gnosis 32mm Macro\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-90mm-gnosis-macro-prime-lens-lpl-pl-ef-feet\"\u003eDZOFilm Gnosis 90mm Macro\u003c\/a\u003e. Check the installed LPL, PL, or EF interface, rear clearance, 46.5mm image-circle mode, rods and lens support, 114mm matte box, M105 filters, 0.8 MOD motors, focus travel, lighting clearance, and exact working distance.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eThis lens is for tabletop and product cinematographers, food and beauty teams, rental houses, commercial studios, effects units, and narrative crews that need more than life-size close-detail capture with matched cinema mechanics.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose a wider Gnosis for more environment, the 90mm for greater subject clearance and higher magnification, a probe lens for access into confined spaces, or a standard prime when macro reproduction and dedicated support are unnecessary.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eDZOFilm Gnosis 65mm T2.8 Macro Prime Lens with feet scale\u003c\/li\u003e\n\u003cli\u003eLPL housing with PL and EF mount options named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eFocal length: 65mm\u003c\/li\u003e\n\u003cli\u003eAperture: T2.8 to T22\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.237m \/ 9.36in from sensor plane\u003c\/li\u003e\n\u003cli\u003eMaximum magnification: 1.33x\u003c\/li\u003e\n\u003cli\u003eMount options: LPL, PL, and EF\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 300 degrees\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 114mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M105\u003c\/li\u003e\n\u003cli\u003eIris blades: 16\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eWeight: approximately 1,447.5g\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eWhat magnification does the Gnosis 65mm provide?\u003c\/strong\u003e\u003cbr\u003eThe DZOFilm Gnosis 65mm macro lens reaches 1.33x maximum magnification, allowing subjects to be recorded larger than life on the sensor.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow close does the Gnosis 65mm focus?\u003c\/strong\u003e\u003cbr\u003eDZOFILM lists 0.237m or 9.36in from the sensor plane, so practical lens-to-subject clearance must be planned with the complete rig.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDoes the Gnosis 65mm cover full-frame sensors?\u003c\/strong\u003e\u003cbr\u003eThe lens has a 46.5mm image circle for Vista Vision and full-frame cinema use. Check the active recording area of the selected camera mode.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhich mount and support checks matter?\u003c\/strong\u003e\u003cbr\u003eMatch the LPL, PL, or EF interface, rear clearance, rods, lens support, 114mm matte box, M105 filters, 0.8 MOD motors, and working distance before the shoot.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere can I buy the Gnosis 65mm in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada supplies the DZOFilm Gnosis 65mm macro lens with Canada-wide shipping and Vancouver-based support for mount, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eBuy DZOFilm 65mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact configuration, mount, power, control, support, and accessory plan before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767832117507,"sku":"DZO-G6528LPLI","price":4862.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1658911675_1719045.jpg?v=1677196586"},{"product_id":"dzofilm-90mm-gnosis-macro-prime-lens-lpl-pl-ef-feet","title":"DZOFilm 90mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026 EF Mounts, Feet)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm 90mm T2.8 Gnosis Macro Prime Lens is a T2.8 Vista Vision and full-frame macro cinema prime with LPL housing with PL and EF options, built for cinematographers who need repeatable manual lens control and the named 90mm field of view.\u003c\/strong\u003e Its 0.258m close focus and 1.5x magnification supports narrative, commercial, documentary, tabletop, studio, and rental work according to the lens family's optical role. Buyers comparing this cinema lens should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm 90mm T2.8 Gnosis Macro Prime Lens sits in the DZOFILM Gnosis family. DZOFILM identifies it as a T2.8 Vista Vision and full-frame macro cinema prime with LPL housing with PL and EF options. Key operating details include 0.258m close focus and 1.5x magnification. Before production, check sensor recording area, installed mount, rear clearance, flange setup, rods and lens support, matte box or filter fit, 0.8 MOD motor position, focus scale, working distance, and whether the selected focal range suits the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e90mm Cinema Optics\u003c\/h3\u003e\u003cp\u003eDZOFilm 90mm T2.8 Gnosis Macro Prime Lens provides the named 90mm view with its T2.8 Vista Vision and full-frame macro cinema prime.\u003c\/p\u003e\n\u003ch3\u003eMount and Sensor Planning\u003c\/h3\u003e\u003cp\u003eThe lens uses LPL housing with PL and EF options; match the camera recording area, installed interface, rear clearance, flange distance, and support before the shoot.\u003c\/p\u003e\n\u003ch3\u003eManual Crew Operation\u003c\/h3\u003e\u003cp\u003e0.258m close focus and 1.5x magnification, supporting repeatable focus, zoom, iris, matte-box, and motor setup.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 90mm Gnosis for its perspective, working distance, and macro magnification. Choose 32mm for more environment, 65mm for a middle perspective, 90mm for more subject clearance, or a standard prime when macro reproduction is unnecessary.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-32mm-gnosis-macro-prime-lens-lpl-pl-ef-feet\"\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-65mm-gnosis-macro-prime-lens-lpl-pl-ef-feet\"\u003eDZOFilm 65mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet)\u003c\/a\u003e. Check camera sensor mode, LPL housing with PL and EF options, rear clearance, flange setup, lens support, matte box, filters, 0.8 MOD motors, focus scale, working distance, and case dimensions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, camera assistants, rental houses, studios, film schools, production companies, and owner-operators building a manual full-frame cinema package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different focal range when camera position or framing demands it, another mount or sensor family when compatibility changes, autofocus glass for solo event work, or a lighter lens when handheld balance and support time are the main constraints.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm 90mm T2.8 Gnosis Macro Prime Lens\u003c\/li\u003e\n\u003cli\u003eLPL housing with PL and EF options as named in the product title\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 90mm\u003c\/li\u003e\n\u003cli\u003eAperture: T2.8-T22\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.258m\u003c\/li\u003e\n\u003cli\u003eMagnification: 1.5x\u003c\/li\u003e\n\u003cli\u003eWeight: approximately 1,280.5g\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format and role does this 90mm lens serve?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 90mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): It is a T2.8 Vista Vision and full-frame macro cinema prime. Match the active camera recording area to the family's stated image coverage before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich mount and mechanical checks matter?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 90mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): This configuration uses LPL housing with PL and EF options. Check the installed interface, rear clearance, flange setup, rods, lens support, matte box, filters, and 0.8 MOD motor positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should this focal range be chosen?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 90mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): The 90mm range determines framing, working distance, perspective, and how often the camera or lens must move. Compare it with adjacent ranges around the planned shot list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the lens suit a crewed cinema workflow?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 90mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): Yes. 0.258m close focus and 1.5x magnification. Camera assistants should still map focus, zoom, iris, support, motor, and case positions before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFILM lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 90mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): Filmgear Canada offers Canada-wide shipping and Vancouver-based help for focal range, sensor coverage, mount, support, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm 90mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767837196547,"sku":"DZO-G9028LPLI","price":4862.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1658911675_1719046.jpg?v=1677197016"},{"product_id":"dzofilm-32-65-90-gnosis-macro-prime-3-lens-kit-lpl-pl-ef","title":"DZOFilm 32, 65, 90mm T2.8 Gnosis Macro Prime 3-Lens Kit (LPL with PL \u0026 EF Mounts)","description":"\u003cp\u003e\u003cstrong\u003eThe DZOFilm Gnosis 32 65 90mm macro lens kit combines three T2.8 full-frame and Vista Vision cinema macro primes for wide, normal, and telephoto close-up coverage.\u003c\/strong\u003e Available from Filmgear Canada for Canadian cinema, commercial, documentary, rental, education, and owner-operator productions.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe 32mm, 65mm, and 90mm focal lengths let a production change perspective and working distance while retaining the Gnosis family look and cinema mechanics. The current product identity names LPL with PL and EF mount options and focus markings in feet. A three-lens macro package is useful for product, food, beauty, tabletop, texture, and insert work where a single focal length cannot provide every camera distance or background relationship. Check the exact selected mount package and lens support before use.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e32mm, 65mm, and 90mm T2.8 Macros\u003c\/h3\u003e\n\u003cp\u003eThe three included focal lengths provide different working distances and perspective choices within one full-frame macro family.\u003c\/p\u003e\n\u003ch3\u003eFull-Frame and Vista Vision Coverage\u003c\/h3\u003e\n\u003cp\u003eDZOFILM lists the Gnosis Macro family for VV and full-frame cinema-camera formats.\u003c\/p\u003e\n\u003ch3\u003eLPL with PL and EF Options\u003c\/h3\u003e\n\u003cp\u003eThe current kit identity specifies LPL together with PL and EF mount options, all marked in feet for this configuration.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose the three-lens set when the production needs several macro perspectives. A single 65mm or 90mm is smaller and less expensive when one working distance covers the job, while a probe lens is better for very narrow spaces or extended close-focus movement.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e. Check the exact mount, sensor format, lens support, matte box, follow-focus position, and camera clearance before the shoot.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis kit suits tabletop, food, product, beauty, commercial, visual-effects, nature-detail, and rental productions needing several macro focal lengths.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose one Gnosis focal length when the job has a fixed working distance, or a probe lens when the camera needs a much smaller front diameter and deep movement through confined sets.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Gnosis 32mm T2.8 macro prime\u003c\/li\u003e\n\u003cli\u003eDZOFilm Gnosis 65mm T2.8 macro prime\u003c\/li\u003e\n\u003cli\u003eDZOFilm Gnosis 90mm T2.8 macro prime\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLens count: three\u003c\/li\u003e\n\u003cli\u003eFocal lengths: 32mm, 65mm, and 90mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.8\u003c\/li\u003e\n\u003cli\u003eCoverage: full-frame and Vista Vision family\u003c\/li\u003e\n\u003cli\u003eMount configuration named: LPL with PL and EF options\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Gnosis 32 65 90mm macro lens kit designed to do?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 32, 65, 90mm T2.8 Gnosis Macro Prime 3-Lens Kit (LPL with PL \u0026amp; EF Mounts) is designed for the exact cinema-lens or adapter role described on this page. Its value comes from matching the exact product configuration to the camera, lens, light, filter holder, or support equipment already in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do I check compatibility before ordering Gnosis 32 65 90mm macro lens kit?\u003c\/strong\u003e\u003cbr\u003eFor DZOFilm 32, 65, 90mm T2.8 Gnosis Macro Prime 3-Lens Kit (LPL with PL \u0026amp; EF Mounts), compare the mount, physical size, optical format, connector, payload, or accessory standard shown on this page with the corresponding specification on your existing equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with Gnosis 32 65 90mm macro lens kit?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 32, 65, 90mm T2.8 Gnosis Macro Prime 3-Lens Kit (LPL with PL \u0026amp; EF Mounts) includes DZOFilm Gnosis 32mm T2.8 macro prime, DZOFilm Gnosis 65mm T2.8 macro prime, DZOFilm Gnosis 90mm T2.8 macro prime. Optional accessories, alternate mounts, cameras, lenses, lights, and support equipment are separate unless they are named in the selected Shopify variant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of Gnosis 32 65 90mm macro lens kit?\u003c\/strong\u003e\u003cbr\u003eChoose choose one gnosis focal length when the job has a fixed working distance, or a probe lens when the camera needs a much smaller front diameter and deep movement through confined sets instead of DZOFilm 32, 65, 90mm T2.8 Gnosis Macro Prime 3-Lens Kit (LPL with PL \u0026amp; EF Mounts) when that option better matches your required format, size, mount, focal range, payload, or level of kit completeness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy Gnosis 32 65 90mm macro lens kit in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 32, 65, 90mm T2.8 Gnosis Macro Prime 3-Lens Kit (LPL with PL \u0026amp; EF Mounts) is available from Filmgear Canada with Canada-wide shipping and Vancouver-based assistance. Check the selected variant and the surrounding equipment requirements before placing the order.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm 32, 65, 90mm T2.8 Gnosis Macro Prime 3-Lens Kit (LPL with PL \u0026amp; EF Mounts) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Review the selected mount, size, filter, or kit configuration before ordering so the product matches the rest of your production package.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767839260931,"sku":"DZO-G28K3LPLI","price":12507.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1658911675_1719047.jpg?v=1677197190"},{"product_id":"dzofilm-tango-18-90mm-65-280mm-s35-lens-bundle-pl-ef","title":"DZOFilm Tango 18-90mm T2.9 \u0026 65-280mm T2.9-4 S35 Zoom Lens Bundle (ARRI PL \u0026 Canon EF)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm Tango 18-90mm 65-280mm cinema zoom bundle combines two parfocal Super 35 zooms with ARRI PL and Canon EF mounting for wide-to-telephoto production coverage.\u003c\/strong\u003e The matched pair is built for narrative, commercial, documentary, studio, wildlife, sports, and rental workflows that need long zoom reach and consistent manual operation.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm Tango 18-90mm T2.9 \u0026amp; 65-280mm T2.9-4 S35 Zoom Lens Bundle pairs the Tango 18-90mm T2.9 with the 65-280mm T2.9-4. DZOFILM lists a 31.5mm Super 35 image circle, parfocal design, interchangeable PL and EF mounts, 16-blade iris, 114mm front outside diameter, M105 filter thread, 0.8 MOD gears, 270-degree focus rotation, and 100-degree zoom rotation. An optional MOVCAM servo can support powered focus, iris, and zoom control when the correct accessories and power arrangement are used.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e18-90mm and 65-280mm Coverage\u003c\/h3\u003e\u003cp\u003eThe two-lens package spans wide, normal, portrait, and long-telephoto Super 35 framing with matched Tango handling.\u003c\/p\u003e\n\u003ch3\u003eParfocal Super 35 Design\u003c\/h3\u003e\u003cp\u003eThe lenses are designed to retain focus during a zoom and cover a 31.5mm Super 35 image circle.\u003c\/p\u003e\n\u003ch3\u003eOptional Servo Workflow\u003c\/h3\u003e\u003cp\u003eThe Tango housing can work with the optional MOVCAM servo for powered focus, iris, and zoom operation in compatible builds.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose the Tango bundle when a broad 18-280mm combined range, parfocal operation, and optional servo support matter. Choose Pictor for smaller T2.8 zoom ranges and 95mm fronts, a single Tango when only one range is needed, or full-frame zooms when the recording area exceeds Super 35 coverage.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pictor-zoom-3-lens-bundle-pl-ef-black\"\u003eDZOFilm Pictor three-lens bundle\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pictor-20-55mm-and-50-125mm-t2-8-super35-zoom-lens-bundle-pl-mount-and-ef-mount-black\"\u003eDZOFilm Pictor two-lens bundle\u003c\/a\u003e. Check Super 35 sensor mode, installed PL or EF mount, rear clearance, back focus, lens support, 114mm matte-box fit, M105 filters, 0.8 MOD drive position, and servo power requirements.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis bundle is for production companies, rental houses, cinematographers, sports and wildlife crews, documentary teams, and studio operators who need wide-to-long Super 35 zoom coverage.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose one lens when the second range will not be used, lighter zooms for gimbals and small rigs, full-frame glass for larger recording modes, or autofocus lenses for single-operator event work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Tango 18-90mm T2.9 Super 35 zoom lens\u003c\/li\u003e\n\u003cli\u003eDZOFilm Tango 65-280mm T2.9-4 Super 35 zoom lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eZoom ranges: 18-90mm and 65-280mm\u003c\/li\u003e\n\u003cli\u003eMaximum apertures: T2.9 and T2.9-4\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF\u003c\/li\u003e\n\u003cli\u003eDesign: parfocal\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 114mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M105\u003c\/li\u003e\n\u003cli\u003eIris blades: 16\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003cli\u003eZoom rotation: 100 degrees\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOptional control: MOVCAM servo\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDo the Tango lenses maintain focus while zooming?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Tango 18-90mm T2.9 \u0026amp; 65-280mm T2.9-4 S35 Zoom Lens Bundle: The family uses a parfocal design, so focus is intended to remain stable through the zoom range when lens setup and back focus are correct.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format does the Tango bundle cover?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Tango 18-90mm T2.9 \u0026amp; 65-280mm T2.9-4 S35 Zoom Lens Bundle: Both lenses use a 31.5mm image circle for Super 35. Check the active recording area before choosing a larger sensor mode.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan this bundle work on PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Tango 18-90mm T2.9 \u0026amp; 65-280mm T2.9-4 S35 Zoom Lens Bundle: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, support, and back focus for each camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan the Tango zooms use motorized control?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Tango 18-90mm T2.9 \u0026amp; 65-280mm T2.9-4 S35 Zoom Lens Bundle: An optional MOVCAM servo is designed for powered focus, iris, and zoom control when the compatible control and power package is fitted.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy the Tango bundle in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Tango 18-90mm T2.9 \u0026amp; 65-280mm T2.9-4 S35 Zoom Lens Bundle: Filmgear Canada offers the pair with Canada-wide shipping and Vancouver-based help for mount, support, matte-box, and servo planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Tango 18-90mm T2.9 \u0026amp; 65-280mm T2.9-4 S35 Zoom Lens Bundle (ARRI PL \u0026amp; Canon EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44270431961347,"sku":"DZO-T189029I\/ DZO-T6528029I","price":17372.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1693988166_1784931.jpg?v=1696960259"},{"product_id":"dzofilm-tango-18-90mm-s35-zoom-lens","title":"DZOFilm Tango 18-90mm T2.9 S35 Zoom Lens","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm Tango 18-90mm T2.9 S35 Zoom Lens is a constant T2.9 Super 35 parfocal cinema zoom with interchangeable PL, EF, and Sony E mounting, built for cinematographers who need repeatable manual lens control and the named 18-90mm field of view.\u003c\/strong\u003e Its geared manual focus, zoom, and iris operation for wide-to-telephoto production packages supports narrative, commercial, documentary, tabletop, studio, and rental work according to the lens family's optical role. Buyers comparing this cinema lens should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm Tango 18-90mm T2.9 S35 Zoom Lens sits in the DZOFILM Tango family. DZOFILM identifies it as a constant T2.9 Super 35 parfocal cinema zoom with interchangeable PL, EF, and Sony E mounting. Key operating details include geared manual focus, zoom, and iris operation for wide-to-telephoto production packages. Before production, check sensor recording area, installed mount, rear clearance, flange setup, rods and lens support, matte box or filter fit, 0.8 MOD motor position, focus scale, working distance, and whether the selected focal range suits the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e18-90mm Cinema Optics\u003c\/h3\u003e\u003cp\u003eDZOFilm Tango 18-90mm T2.9 S35 Zoom Lens provides the named 18-90mm view with its constant T2.9 Super 35 parfocal cinema zoom.\u003c\/p\u003e\n\u003ch3\u003eMount and Sensor Planning\u003c\/h3\u003e\u003cp\u003eThe lens uses interchangeable PL, EF, and Sony E mounting; match the camera recording area, installed interface, rear clearance, flange distance, and support before the shoot.\u003c\/p\u003e\n\u003ch3\u003eManual Crew Operation\u003c\/h3\u003e\u003cp\u003egeared manual focus, zoom, and iris operation for wide-to-telephoto production packages, supporting repeatable focus, zoom, iris, matte-box, and motor setup.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 18-90mm range when its framing coverage fits the production. Choose the adjacent family range for wider or longer reach, primes for faster single-focal-length operation, or another sensor and mount family when this coverage or interface does not fit.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-tango-65-280mm-s35-zoom-lens\"\u003eDZOFilm Tango 65-280mm T2.9 S35 Zoom Lens\u003c\/a\u003e. Check camera sensor mode, interchangeable PL, EF, and Sony E mounting, rear clearance, flange setup, lens support, matte box, filters, 0.8 MOD motors, focus scale, working distance, and case dimensions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, camera assistants, rental houses, studios, film schools, production companies, and owner-operators building a manual Super 35 cinema package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different focal range when camera position or framing demands it, another mount or sensor family when compatibility changes, autofocus glass for solo event work, or a lighter lens when handheld balance and support time are the main constraints.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Tango 18-90mm T2.9 S35 Zoom Lens\u003c\/li\u003e\n\u003cli\u003einterchangeable PL, EF, and Sony E mounting as named in the product title\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal range: 18-90mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.9\u003c\/li\u003e\n\u003cli\u003eFormat: Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: PL, EF, and Sony E\u003c\/li\u003e\n\u003cli\u003eDesign: parfocal\u003c\/li\u003e\n\u003cli\u003eOperation: manual geared focus, zoom, and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format and role does this 18-90mm lens serve?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Tango 18-90mm T2.9 S35 Zoom Lens: It is a constant T2.9 Super 35 parfocal cinema zoom. Match the active camera recording area to the family's stated image coverage before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich mount and mechanical checks matter?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Tango 18-90mm T2.9 S35 Zoom Lens: This configuration uses interchangeable PL, EF, and Sony E mounting. Check the installed interface, rear clearance, flange setup, rods, lens support, matte box, filters, and 0.8 MOD motor positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should this focal range be chosen?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Tango 18-90mm T2.9 S35 Zoom Lens: The 18-90mm range determines framing, working distance, perspective, and how often the camera or lens must move. Compare it with adjacent ranges around the planned shot list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the lens suit a crewed cinema workflow?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Tango 18-90mm T2.9 S35 Zoom Lens: Yes. geared manual focus, zoom, and iris operation for wide-to-telephoto production packages. Camera assistants should still map focus, zoom, iris, support, motor, and case positions before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFILM lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Tango 18-90mm T2.9 S35 Zoom Lens: Filmgear Canada offers Canada-wide shipping and Vancouver-based help for focal range, sensor coverage, mount, support, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Tango 18-90mm T2.9 S35 Zoom Lens from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44333887619331,"sku":"DZO-T189029I","price":9449.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1693988166_1784930.jpg?v=1698447126"},{"product_id":"dzofilm-tango-65-280mm-s35-zoom-lens","title":"DZOFilm Tango 65-280mm T2.9 S35 Zoom Lens","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm Tango 65-280mm T2.9 S35 Zoom Lens is a constant T2.9 Super 35 parfocal cinema zoom with interchangeable PL, EF, and Sony E mounting, built for cinematographers who need repeatable manual lens control and the named 65-280mm field of view.\u003c\/strong\u003e Its geared manual focus, zoom, and iris operation for wide-to-telephoto production packages supports narrative, commercial, documentary, tabletop, studio, and rental work according to the lens family's optical role. Buyers comparing this cinema lens should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm Tango 65-280mm T2.9 S35 Zoom Lens sits in the DZOFILM Tango family. DZOFILM identifies it as a constant T2.9 Super 35 parfocal cinema zoom with interchangeable PL, EF, and Sony E mounting. Key operating details include geared manual focus, zoom, and iris operation for wide-to-telephoto production packages. Before production, check sensor recording area, installed mount, rear clearance, flange setup, rods and lens support, matte box or filter fit, 0.8 MOD motor position, focus scale, working distance, and whether the selected focal range suits the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e65-280mm Cinema Optics\u003c\/h3\u003e\u003cp\u003eDZOFilm Tango 65-280mm T2.9 S35 Zoom Lens provides the named 65-280mm view with its constant T2.9 Super 35 parfocal cinema zoom.\u003c\/p\u003e\n\u003ch3\u003eMount and Sensor Planning\u003c\/h3\u003e\u003cp\u003eThe lens uses interchangeable PL, EF, and Sony E mounting; match the camera recording area, installed interface, rear clearance, flange distance, and support before the shoot.\u003c\/p\u003e\n\u003ch3\u003eManual Crew Operation\u003c\/h3\u003e\u003cp\u003egeared manual focus, zoom, and iris operation for wide-to-telephoto production packages, supporting repeatable focus, zoom, iris, matte-box, and motor setup.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 65-280mm range when its framing coverage fits the production. Choose the adjacent family range for wider or longer reach, primes for faster single-focal-length operation, or another sensor and mount family when this coverage or interface does not fit.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-tango-18-90mm-s35-zoom-lens\"\u003eDZOFilm Tango 18-90mm T2.9 S35 Zoom Lens\u003c\/a\u003e. Check camera sensor mode, interchangeable PL, EF, and Sony E mounting, rear clearance, flange setup, lens support, matte box, filters, 0.8 MOD motors, focus scale, working distance, and case dimensions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, camera assistants, rental houses, studios, film schools, production companies, and owner-operators building a manual Super 35 cinema package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different focal range when camera position or framing demands it, another mount or sensor family when compatibility changes, autofocus glass for solo event work, or a lighter lens when handheld balance and support time are the main constraints.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Tango 65-280mm T2.9 S35 Zoom Lens\u003c\/li\u003e\n\u003cli\u003einterchangeable PL, EF, and Sony E mounting as named in the product title\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal range: 65-280mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.9\u003c\/li\u003e\n\u003cli\u003eFormat: Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: PL, EF, and Sony E\u003c\/li\u003e\n\u003cli\u003eDesign: parfocal\u003c\/li\u003e\n\u003cli\u003eOperation: manual geared focus, zoom, and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format and role does this 65-280mm lens serve?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Tango 65-280mm T2.9 S35 Zoom Lens: It is a constant T2.9 Super 35 parfocal cinema zoom. Match the active camera recording area to the family's stated image coverage before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich mount and mechanical checks matter?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Tango 65-280mm T2.9 S35 Zoom Lens: This configuration uses interchangeable PL, EF, and Sony E mounting. Check the installed interface, rear clearance, flange setup, rods, lens support, matte box, filters, and 0.8 MOD motor positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should this focal range be chosen?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Tango 65-280mm T2.9 S35 Zoom Lens: The 65-280mm range determines framing, working distance, perspective, and how often the camera or lens must move. Compare it with adjacent ranges around the planned shot list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the lens suit a crewed cinema workflow?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Tango 65-280mm T2.9 S35 Zoom Lens: Yes. geared manual focus, zoom, and iris operation for wide-to-telephoto production packages. Camera assistants should still map focus, zoom, iris, support, motor, and case positions before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFILM lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Tango 65-280mm T2.9 S35 Zoom Lens: Filmgear Canada offers Canada-wide shipping and Vancouver-based help for focal range, sensor coverage, mount, support, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Tango 65-280mm T2.9 S35 Zoom Lens from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44333887684867,"sku":"DZO-T6528029I","price":12229.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1693988166_1784934.jpg?v=1698447499"},{"product_id":"dzofilm-pavo-2x-anamorphic-6-lens-set-neutral-pl-ef-feet","title":"DZOFilm PAVO 2x Anamorphic 6-Lens Set (Neutral Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 6 lens set combines a 2x squeeze, neutral coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e This 6-Lens Set package keeps multiple focal lengths together for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This neutral configuration provides a neutral flare treatment that follows the colour of the illumination more closely. The included focal lengths are named in the product title and share the same family mechanics for faster lens changes.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e6 Matched 2x Anamorphic Lenses\u003c\/h3\u003e\u003cp\u003eThe named 6-Lens Set combination covers multiple framing needs while maintaining PAVO handling and flare character.\u003c\/p\u003e\n\u003ch3\u003eNeutral Flare Character\u003c\/h3\u003e\u003cp\u003eNeutral coating provides a neutral flare treatment that follows the colour of the illumination more closely across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this neutral PAVO package when 2x Super 35 anamorphic capture and neutral flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-2x-anamorphic-6-lens-set-blue-pl-ef-feet\"\u003ematching blue-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis set is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with neutral flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eIncluded focal lengths: 6-Lens Set\u003c\/li\u003e\n\u003cli\u003eMaximum apertures: as named for the included focal lengths\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Neutral\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO set designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the neutral coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set: It keeps flare colour closer to the illumination, while the blue version adds a more pronounced blue horizontal streak treatment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 2x Anamorphic 6-Lens Set (Neutral Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44333892632835,"sku":"DZO-PA6PLIN","price":14369.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1695214533_1787191.jpg?v=1698448211"},{"product_id":"dzofilm-pavo-28-40-75-3-lens-set-neutral-pl-ef-feet","title":"DZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set (Neutral Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 3 lens set combines a 2x squeeze, neutral coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e This 28\/40\/75mm T2.1 3-Lens Set package keeps multiple focal lengths together for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This neutral configuration provides a neutral flare treatment that follows the colour of the illumination more closely. The included focal lengths are named in the product title and share the same family mechanics for faster lens changes.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e3 Matched 2x Anamorphic Lenses\u003c\/h3\u003e\u003cp\u003eThe named 28\/40\/75mm T2.1 3-Lens Set combination covers multiple framing needs while maintaining PAVO handling and flare character.\u003c\/p\u003e\n\u003ch3\u003eNeutral Flare Character\u003c\/h3\u003e\u003cp\u003eNeutral coating provides a neutral flare treatment that follows the colour of the illumination more closely across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this neutral PAVO package when 2x Super 35 anamorphic capture and neutral flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-2x-anamorphic-28-40-75-lens-set-blue-pl-ef-feet\"\u003ematching blue-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis set is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with neutral flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eIncluded focal lengths: 28\/40\/75mm T2.1 3-Lens Set\u003c\/li\u003e\n\u003cli\u003eMaximum apertures: as named for the included focal lengths\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Neutral\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO set designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the neutral coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set: It keeps flare colour closer to the illumination, while the blue version adds a more pronounced blue horizontal streak treatment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set (Neutral Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44418517631235,"sku":"DZO-PAA3PLIN","price":7642.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1694774815_1787195.jpg?v=1700527119"},{"product_id":"dzofilm-pavo-3-lens-set-neutral-pl-ef-feet","title":"DZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026 100mm T2.4 3-Lens Set (Neutral Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 3 lens set combines a 2x squeeze, neutral coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e This 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set package keeps multiple focal lengths together for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This neutral configuration provides a neutral flare treatment that follows the colour of the illumination more closely. The included focal lengths are named in the product title and share the same family mechanics for faster lens changes.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e3 Matched 2x Anamorphic Lenses\u003c\/h3\u003e\u003cp\u003eThe named 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set combination covers multiple framing needs while maintaining PAVO handling and flare character.\u003c\/p\u003e\n\u003ch3\u003eNeutral Flare Character\u003c\/h3\u003e\u003cp\u003eNeutral coating provides a neutral flare treatment that follows the colour of the illumination more closely across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this neutral PAVO package when 2x Super 35 anamorphic capture and neutral flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-2x-anamorphic-32-55-100-lens-set-blue-pl-ef-feet\"\u003ematching blue-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis set is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with neutral flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eIncluded focal lengths: 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set\u003c\/li\u003e\n\u003cli\u003eMaximum apertures: as named for the included focal lengths\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Neutral\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO set designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the neutral coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set: It keeps flare colour closer to the illumination, while the blue version adds a more pronounced blue horizontal streak treatment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set (Neutral Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44418522611971,"sku":"DZO-PAB3PLIN","price":7642.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1695214820_1787197.jpg?v=1700527724"},{"product_id":"dzofilm-pavo-28mm-2x-anamorphic-neutral-pl-ef-feet","title":"DZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens (Neutral Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 28mm anamorphic lens combines a 2x squeeze, neutral coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e The 28mm focal length adds a distinct field of view for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This neutral configuration provides a neutral flare treatment that follows the colour of the illumination more closely. The 28mm lens is listed at T2.1, giving crews a matched option at this focal length.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e28mm T2.1 2x Anamorphic\u003c\/h3\u003e\u003cp\u003eThe 28mm focal length combines T2.1 speed with a true 2x squeeze for Super 35 acquisition.\u003c\/p\u003e\n\u003ch3\u003eNeutral Flare Character\u003c\/h3\u003e\u003cp\u003eNeutral coating provides a neutral flare treatment that follows the colour of the illumination more closely across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this neutral PAVO 28mm when 2x Super 35 anamorphic capture and neutral flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-28mm-2x-anamorphic-prime-lens-blue-pl-ef-feet\"\u003ematching blue-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with neutral flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 28mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Neutral\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO 28mm designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the neutral coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens: It keeps flare colour closer to the illumination, while the blue version adds a more pronounced blue horizontal streak treatment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens (Neutral Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44418524217603,"sku":"DZO-PA2821PLIN","price":3194.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1694775378_IMG_2081974_eb0e7d3f-2aed-4904-a706-570e5d758f75.jpg?v=1700527911"},{"product_id":"dzofilm-pavo-32mm-2x-anamorphic-neutral-pl-ef-feet","title":"DZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens (Neutral Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 32mm anamorphic lens combines a 2x squeeze, neutral coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e The 32mm focal length adds a distinct field of view for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This neutral configuration provides a neutral flare treatment that follows the colour of the illumination more closely. The 32mm lens is listed at T2.1, giving crews a matched option at this focal length.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e32mm T2.1 2x Anamorphic\u003c\/h3\u003e\u003cp\u003eThe 32mm focal length combines T2.1 speed with a true 2x squeeze for Super 35 acquisition.\u003c\/p\u003e\n\u003ch3\u003eNeutral Flare Character\u003c\/h3\u003e\u003cp\u003eNeutral coating provides a neutral flare treatment that follows the colour of the illumination more closely across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this neutral PAVO 32mm when 2x Super 35 anamorphic capture and neutral flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-32mm-anamorphic-blue-pl-ef-feet\"\u003ematching blue-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with neutral flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 32mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Neutral\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO 32mm designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the neutral coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens: It keeps flare colour closer to the illumination, while the blue version adds a more pronounced blue horizontal streak treatment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens (Neutral Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44418524676355,"sku":"DZO-PA3221PLIN","price":3194.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1694775378_IMG_2081962_5057bfcb-a3c2-4c8c-a097-76fcff3102bf.jpg?v=1700528060"},{"product_id":"dzofilm-pavo-40mm-2x-anamorphic-neutral-pl-ef-feet","title":"DZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens (Neutral Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 40mm anamorphic lens combines a 2x squeeze, neutral coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e The 40mm focal length adds a distinct field of view for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This neutral configuration provides a neutral flare treatment that follows the colour of the illumination more closely. The 40mm lens is listed at T2.1, giving crews a matched option at this focal length.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e40mm T2.1 2x Anamorphic\u003c\/h3\u003e\u003cp\u003eThe 40mm focal length combines T2.1 speed with a true 2x squeeze for Super 35 acquisition.\u003c\/p\u003e\n\u003ch3\u003eNeutral Flare Character\u003c\/h3\u003e\u003cp\u003eNeutral coating provides a neutral flare treatment that follows the colour of the illumination more closely across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this neutral PAVO 40mm when 2x Super 35 anamorphic capture and neutral flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-40-2x-anamorphic-blue-pl-ef-feet\"\u003ematching blue-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with neutral flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 40mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Neutral\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO 40mm designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the neutral coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens: It keeps flare colour closer to the illumination, while the blue version adds a more pronounced blue horizontal streak treatment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens (Neutral Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44418526216451,"sku":"DZO-PA4021PLIN","price":3194.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1694775378_IMG_2081978_75afb1d5-1ff4-4ab4-8e0f-f1c1b00a4dd7.jpg?v=1700528182"},{"product_id":"dzofilm-pavo-55mm-2x-anamorphic-neutral-pl-ef-feet","title":"DZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens (Neutral Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 55mm anamorphic lens combines a 2x squeeze, neutral coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e The 55mm focal length adds a distinct field of view for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This neutral configuration provides a neutral flare treatment that follows the colour of the illumination more closely. The 55mm lens is listed at T2.1, giving crews a matched option at this focal length.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e55mm T2.1 2x Anamorphic\u003c\/h3\u003e\u003cp\u003eThe 55mm focal length combines T2.1 speed with a true 2x squeeze for Super 35 acquisition.\u003c\/p\u003e\n\u003ch3\u003eNeutral Flare Character\u003c\/h3\u003e\u003cp\u003eNeutral coating provides a neutral flare treatment that follows the colour of the illumination more closely across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this neutral PAVO 55mm when 2x Super 35 anamorphic capture and neutral flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-55mm-2x-anamorphic-lens-blue-pl-ef-feet\"\u003ematching blue-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with neutral flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 55mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Neutral\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO 55mm designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the neutral coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens: It keeps flare colour closer to the illumination, while the blue version adds a more pronounced blue horizontal streak treatment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens (Neutral Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44418526511363,"sku":"DZO-PA5521PLIN","price":3194.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1694775378_IMG_2081966_c1b651da-09c7-4151-a7ae-26678f14cc29.jpg?v=1700528267"},{"product_id":"dzofilm-pavo-75mm-anamorphic-neutral-pl-ef-feet","title":"DZOFilm PAVO 75mm T2.1 2x Anamorphic Prime Lens (Neutral Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 75mm anamorphic lens combines a 2x squeeze, neutral coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e The 75mm focal length adds a distinct field of view for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm PAVO 75mm T2.1 2x Anamorphic Prime Lens belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This neutral configuration provides a neutral flare treatment that follows the colour of the illumination more closely. The 75mm lens is listed at T2.1, giving crews a matched option at this focal length.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e75mm T2.1 2x Anamorphic\u003c\/h3\u003e\u003cp\u003eThe 75mm focal length combines T2.1 speed with a true 2x squeeze for Super 35 acquisition.\u003c\/p\u003e\n\u003ch3\u003eNeutral Flare Character\u003c\/h3\u003e\u003cp\u003eNeutral coating provides a neutral flare treatment that follows the colour of the illumination more closely across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this neutral PAVO 75mm when 2x Super 35 anamorphic capture and neutral flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-75-2x-anamorphic-lens-blue-pl-ef-feet\"\u003ematching blue-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with neutral flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 75mm T2.1 2x Anamorphic Prime Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 75mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Neutral\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO 75mm designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 75mm T2.1 2x Anamorphic Prime Lens: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the neutral coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 75mm T2.1 2x Anamorphic Prime Lens: It keeps flare colour closer to the illumination, while the blue version adds a more pronounced blue horizontal streak treatment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 75mm T2.1 2x Anamorphic Prime Lens: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 75mm T2.1 2x Anamorphic Prime Lens: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 75mm T2.1 2x Anamorphic Prime Lens: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 75mm T2.1 2x Anamorphic Prime Lens (Neutral Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44418526773507,"sku":"DZO-PA7521PLIN","price":3194.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1694775378_IMG_2081982_30a03989-cd53-4041-a629-8296f5f75001.jpg?v=1700528368"},{"product_id":"dzofilm-pavo-100mm-2x-anamorphic-neutral-pl-ef-feet","title":"DZOFilm PAVO 100mm T2.4 2x Anamorphic Prime Lens (Neutral Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 100mm anamorphic lens combines a 2x squeeze, neutral coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e The 100mm focal length adds a distinct field of view for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm PAVO 100mm T2.4 2x Anamorphic Prime Lens belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This neutral configuration provides a neutral flare treatment that follows the colour of the illumination more closely. The 100mm lens is listed at T2.4, giving crews a matched option at this focal length.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e100mm T2.4 2x Anamorphic\u003c\/h3\u003e\u003cp\u003eThe 100mm focal length combines T2.4 speed with a true 2x squeeze for Super 35 acquisition.\u003c\/p\u003e\n\u003ch3\u003eNeutral Flare Character\u003c\/h3\u003e\u003cp\u003eNeutral coating provides a neutral flare treatment that follows the colour of the illumination more closely across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this neutral PAVO 100mm when 2x Super 35 anamorphic capture and neutral flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003ematching blue-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with neutral flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 100mm T2.4 2x Anamorphic Prime Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 100mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.4\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Neutral\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO 100mm designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 100mm T2.4 2x Anamorphic Prime Lens: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the neutral coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 100mm T2.4 2x Anamorphic Prime Lens: It keeps flare colour closer to the illumination, while the blue version adds a more pronounced blue horizontal streak treatment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 100mm T2.4 2x Anamorphic Prime Lens: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 100mm T2.4 2x Anamorphic Prime Lens: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 100mm T2.4 2x Anamorphic Prime Lens: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 100mm T2.4 2x Anamorphic Prime Lens (Neutral Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44418527985923,"sku":"DZO-PA10021PLIN","price":3194.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1695215031_IMG_2087689_2a8cdca7-ef61-4710-ae77-808e096364ac.jpg?v=1700528408"},{"product_id":"dzofilm-vespid-12mm-pl-ef","title":"DZOFilm VESPID Full Frame Cine Prime 12mm T2.8 Lens (PL\/EF)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 12mm cine lens provides 12mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm VESPID Full Frame Cine Prime 12mm T2.8 Lens uses a 12mm focal length and T2.8 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e12mm T2.8 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 12mm field of view and T2.8 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 12mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm VESPID Full Frame Cine Prime 12mm T2.8 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 12mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.8\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFilm VESPID Full Frame Cine Prime 12mm T2.8 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFilm VESPID Full Frame Cine Prime 12mm T2.8 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFilm VESPID Full Frame Cine Prime 12mm T2.8 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFilm VESPID Full Frame Cine Prime 12mm T2.8 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm VESPID Full Frame Cine Prime 12mm T2.8 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm VESPID Full Frame Cine Prime 12mm T2.8 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44422040944899,"sku":"DZO-V01228PL","price":1387.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1695377795_1788747.jpg?v=1700597353"},{"product_id":"dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts","title":"DZOFilm VESPID Prime 7-Lens Kit V2 16\/25\/35\/50\/75\/100\/125mm (PL\/EF)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID Prime 7 lens kit provides matched multi-focal-length coverage in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm VESPID Prime 7-Lens Kit V2 16\/25\/35\/50\/75\/100\/125mm combines the 16\/25\/35\/50\/75\/100\/125mm focal lengths named in the current product identity. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003eSeven Matched Full-Frame Primes\u003c\/h3\u003e\u003cp\u003eThe named seven focal lengths create a broad matched prime set for establishing shots, dialogue, portraits, details, and compressed perspectives.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID kit for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003cp\u003eFor the three DZOFILM prime families side by side, see our \u003ca href=\"\/blogs\/buying-guide\/dzofilm-vespid-2-vs-arles-vs-vespid\"\u003eVespid 2 vs Arles vs Vespid comparison\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eVESPID 35mm prime\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-75mm-pl\"\u003eVESPID 75mm prime\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis kit is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm VESPID Prime 7-Lens Kit V2 16\/25\/35\/50\/75\/100\/125mm\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eIncluded focal lengths: 16, 25, 35, 50, 75, 100, and 125mm\u003c\/li\u003e\n\u003cli\u003eMaximum apertures: according to each included focal length\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFilm VESPID Prime 7-Lens Kit V2 16\/25\/35\/50\/75\/100\/125mm: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFilm VESPID Prime 7-Lens Kit V2 16\/25\/35\/50\/75\/100\/125mm: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFilm VESPID Prime 7-Lens Kit V2 16\/25\/35\/50\/75\/100\/125mm: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFilm VESPID Prime 7-Lens Kit V2 16\/25\/35\/50\/75\/100\/125mm: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm VESPID Prime 7-Lens Kit V2 16\/25\/35\/50\/75\/100\/125mm: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm VESPID Prime 7-Lens Kit V2 16\/25\/35\/50\/75\/100\/125mm (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44792292442371,"sku":"DZO-VP7V2PL","price":6377.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1705657097_IMG_2171143.jpg?v=1709661385"},{"product_id":"dzofilm-pavo-2x-anamorphic-65mm-neutral-pl-ef-feet","title":"DZOFILM Pavo 2x Anamorphic Prime 65mm Macro T2.8 Neutral Coating (PL\u0026EF mount, feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eThe DZOFilm Pavo 65mm Macro anamorphic lens is a Super 35 2x anamorphic cinema prime with T2.8 speed, 0.366m close focus, and 1:2 macro magnification.\u003c\/strong\u003e Available from Filmgear Canada for Canadian cinema, commercial, documentary, rental, education, and owner-operator productions.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThis neutral-coating, feet-scale configuration is designed for close product, beauty, tabletop, insert, and character detail shots that retain a true 2x anamorphic image. The 65mm Macro belongs to the wider Pavo family and uses a 16-blade iris for oval bokeh. The listing identifies interchangeable PL and EF mounting, while the neutral flare option avoids the strong blue streak treatment of the blue-coated version. Focus, iris, camera de-squeeze, lens support, and rear clearance must be planned as part of the cinema package.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e65mm T2.8 2x Anamorphic Macro\u003c\/h3\u003e\n\u003cp\u003eThe lens combines a 65mm focal length, T2.8 maximum aperture, and true 2x squeeze for close anamorphic detail work.\u003c\/p\u003e\n\u003ch3\u003e0.366m Close Focus and 1:2 Magnification\u003c\/h3\u003e\n\u003cp\u003eDZOFILM specifies close focus of 0.366m and a 1:2 magnification ratio for product, texture, and insert cinematography.\u003c\/p\u003e\n\u003ch3\u003eNeutral Flare, PL and EF Configuration\u003c\/h3\u003e\n\u003cp\u003eThis variant uses the neutral coating, feet focus scale, and interchangeable PL and EF mount arrangement named in the product listing.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose the 65mm Macro when close focus and 1:2 magnification are essential. Other Pavo focal lengths are better for wider establishing or longer portrait coverage, while the blue-coated version is the choice for stronger blue horizontal flares.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e. Check the exact mount, sensor format, lens support, matte box, follow-focus position, and camera clearance before the shoot.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, tabletop and beauty crews, rental houses, music videos, commercials, and narrative productions that need close-focus anamorphic detail.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another Pavo focal length for non-macro framing, a blue-coated Pavo for pronounced blue streaks, or a spherical macro when anamorphic squeeze and oval bokeh are not part of the intended image.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003eDZOFilm Pavo 65mm Macro T2.8 2x anamorphic prime in the listed neutral, feet-scale PL and EF configuration\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 65mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.8\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eFormat: Super 35\u003c\/li\u003e\n\u003cli\u003eMinimum focus: 0.366m\u003c\/li\u003e\n\u003cli\u003eMaximum magnification: 1:2\u003c\/li\u003e\n\u003cli\u003eFlare option: neutral\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003cli\u003eMount configuration: PL and EF\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Pavo 65mm Macro anamorphic lens designed to do?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Pavo 2x Anamorphic Prime 65mm Macro T2.8 Neutral Coating (PL\u0026amp;EF mount, feet) is designed for the exact cinema-lens or adapter role described on this page. Its value comes from matching the exact product configuration to the camera, lens, light, filter holder, or support equipment already in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do I check compatibility before ordering Pavo 65mm Macro anamorphic lens?\u003c\/strong\u003e\u003cbr\u003eFor DZOFILM Pavo 2x Anamorphic Prime 65mm Macro T2.8 Neutral Coating (PL\u0026amp;EF mount, feet), compare the mount, physical size, optical format, connector, payload, or accessory standard shown on this page with the corresponding specification on your existing equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with Pavo 65mm Macro anamorphic lens?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Pavo 2x Anamorphic Prime 65mm Macro T2.8 Neutral Coating (PL\u0026amp;EF mount, feet) includes DZOFilm Pavo 65mm Macro T2.8 2x anamorphic prime in the listed neutral, feet-scale PL and EF configuration. Optional accessories, alternate mounts, cameras, lenses, lights, and support equipment are separate unless they are named in the selected Shopify variant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of Pavo 65mm Macro anamorphic lens?\u003c\/strong\u003e\u003cbr\u003eChoose choose another pavo focal length for non-macro framing, a blue-coated pavo for pronounced blue streaks, or a spherical macro when anamorphic squeeze and oval bokeh are not part of the intended image instead of DZOFILM Pavo 2x Anamorphic Prime 65mm Macro T2.8 Neutral Coating (PL\u0026amp;EF mount, feet) when that option better matches your required format, size, mount, focal range, payload, or level of kit completeness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy Pavo 65mm Macro anamorphic lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Pavo 2x Anamorphic Prime 65mm Macro T2.8 Neutral Coating (PL\u0026amp;EF mount, feet) is available from Filmgear Canada with Canada-wide shipping and Vancouver-based assistance. Check the selected variant and the surrounding equipment requirements before placing the order.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Pavo 2x Anamorphic Prime 65mm Macro T2.8 Neutral Coating (PL\u0026amp;EF mount, feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Review the selected mount, size, filter, or kit configuration before ordering so the product matches the rest of your production package.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":45115211350275,"sku":"DZO-PAM6528PLIN","price":3611.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/65mm_PL_M_3_086380c8-0219-45bb-bbc5-148dd01f19c1.png?v=1753482994"},{"product_id":"dzofilm-pavo-2x-anamorphic-135mm-neutral-pl-ef-mount-feet","title":"DZOFILM Pavo 2x Anamorphic Prime 135mm Neutral Coating (PL\u0026EF mount, feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 135mm anamorphic lens combines a 2x squeeze, neutral coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e The 135mm focal length adds a distinct field of view for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Pavo 2x Anamorphic Prime 135mm Neutral Coating belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This neutral configuration provides a neutral flare treatment that follows the colour of the illumination more closely. The 135mm lens is listed at T2.5, giving crews a matched option at this focal length.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e135mm T2.5 2x Anamorphic\u003c\/h3\u003e\u003cp\u003eThe 135mm focal length combines T2.5 speed with a true 2x squeeze for Super 35 acquisition.\u003c\/p\u003e\n\u003ch3\u003eNeutral Flare Character\u003c\/h3\u003e\u003cp\u003eNeutral coating provides a neutral flare treatment that follows the colour of the illumination more closely across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this neutral PAVO 135mm when 2x Super 35 anamorphic capture and neutral flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-2x-anamorphic-135mm-blue-pl-ef-feet\"\u003ematching blue-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with neutral flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Pavo 2x Anamorphic Prime 135mm Neutral Coating\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 135mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.5\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Neutral\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO 135mm designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Pavo 2x Anamorphic Prime 135mm Neutral Coating: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the neutral coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Pavo 2x Anamorphic Prime 135mm Neutral Coating: It keeps flare colour closer to the illumination, while the blue version adds a more pronounced blue horizontal streak treatment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Pavo 2x Anamorphic Prime 135mm Neutral Coating: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Pavo 2x Anamorphic Prime 135mm Neutral Coating: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Pavo 2x Anamorphic Prime 135mm Neutral Coating: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Pavo 2x Anamorphic Prime 135mm Neutral Coating (PL\u0026amp;EF mount, feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":45115218133251,"sku":"DZO-PA13525PLIN","price":3194.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/135mm_PL_M_4.png?v=1712963175"},{"product_id":"dzofilm-pavo-2x-anamorphic-180mm-neutral-pl-ef-feet","title":"DZOFILM Pavo 2x Anamorphic Prime 180mm Neutral Coating (PL \u0026 EF mount, feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 180mm anamorphic lens combines a 2x squeeze, neutral coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e The 180mm focal length adds a distinct field of view for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Pavo 2x Anamorphic Prime 180mm Neutral Coating belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This neutral configuration provides a neutral flare treatment that follows the colour of the illumination more closely. The 180mm lens is listed at T2.8, giving crews a matched option at this focal length.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e180mm T2.8 2x Anamorphic\u003c\/h3\u003e\u003cp\u003eThe 180mm focal length combines T2.8 speed with a true 2x squeeze for Super 35 acquisition.\u003c\/p\u003e\n\u003ch3\u003eNeutral Flare Character\u003c\/h3\u003e\u003cp\u003eNeutral coating provides a neutral flare treatment that follows the colour of the illumination more closely across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this neutral PAVO 180mm when 2x Super 35 anamorphic capture and neutral flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-anamorphic-180mm-blue-pl-ef-feet\"\u003ematching blue-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with neutral flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Pavo 2x Anamorphic Prime 180mm Neutral Coating\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 180mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.8\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Neutral\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO 180mm designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Pavo 2x Anamorphic Prime 180mm Neutral Coating: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the neutral coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Pavo 2x Anamorphic Prime 180mm Neutral Coating: It keeps flare colour closer to the illumination, while the blue version adds a more pronounced blue horizontal streak treatment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Pavo 2x Anamorphic Prime 180mm Neutral Coating: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Pavo 2x Anamorphic Prime 180mm Neutral Coating: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Pavo 2x Anamorphic Prime 180mm Neutral Coating: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Pavo 2x Anamorphic Prime 180mm Neutral Coating (PL \u0026amp; EF mount, feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":45115231043843,"sku":"DZO-PA18028PLIN","price":3194.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/180mm_PL_M_4_431cdb49-f1a0-47a4-a230-f751b7de287a.png?v=1712963590"},{"product_id":"dzofilm-arles-35mm-t1-4-ff-vv-prime-cine-lens-arri-pl","title":"DZOFilm Arles 35mm T1.4 FF\/VV Prime Cine Lens (ARRI PL)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eThe DZOFilm Arles 35mm cine lens is a T1.4 PL-mount cinema prime with a 46.5mm full-frame and Vista Vision image circle, manual focus, and matched Arles mechanics.\u003c\/strong\u003e Available from Filmgear Canada for Canadian cinema, commercial, documentary, rental, education, and owner-operator productions.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe 35mm fills a distinct place in the eleven-lens Arles range from 14mm to 180mm. Every focal length in this current family uses cinema-style 0.8 MOD gearing, a 95mm front outside diameter, 270-degree focus rotation, and a 16-blade iris. That consistency reduces matte-box and follow-focus changes when the lens moves into a larger set. The T1.4 maximum aperture shown in the product identity supports controlled low-light and shallow-focus work while the PL mount is intended for professional manual cinema-camera operation.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/S0Ioi7ULupg\" title=\"DZOFILM Arles Prime Full Set Test\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e35mm T1.4 Arles Prime\u003c\/h3\u003e\n\u003cp\u003eThe 35mm focal length and T1.4 maximum aperture provide the exact framing and light-transmission role named in this Arles prime configuration.\u003c\/p\u003e\n\u003ch3\u003e46.5mm VV and Full-Frame Coverage\u003c\/h3\u003e\n\u003cp\u003eDZOFILM specifies a 46.5mm image circle across the Arles Prime range for full-frame and Vista Vision production.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\n\u003cp\u003eA 95mm front diameter, 0.8 MOD focus and iris gears, 270-degree focus rotation, and 16-blade iris align the lens with the rest of the family.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose the 35mm for its specific field of view. Wider Arles focal lengths emphasize space and camera proximity, normal focal lengths balance environment and subject, and longer options add compression and tighter framing while retaining the shared family handling.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-arles-50mm-t1-4-ff-vv-prime-cine-lens-arri-pl\"\u003eDZOFilm Arles 50mm\u003c\/a\u003e. Check the exact mount, sensor format, lens support, matte box, follow-focus position, and camera clearance before the shoot.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis 35mm Arles prime is for cinematographers, rental houses, commercial crews, narrative productions, and film schools building or extending a matched fast PL lens set.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another Arles focal length when 35mm does not provide the required field of view, or a smaller prime when gimbal weight and compact handheld balance matter more than the matched 95mm cinema housing.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003eDZOFilm Arles 35mm T1.4 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 35mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T1.4\u003c\/li\u003e\n\u003cli\u003eMount: ARRI PL\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003cli\u003eIris blades: 16\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Arles 35mm cine lens designed to do?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles 35mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) is designed for the exact cinema-lens or adapter role described on this page. Its value comes from matching the exact product configuration to the camera, lens, light, filter holder, or support equipment already in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do I check compatibility before ordering Arles 35mm cine lens?\u003c\/strong\u003e\u003cbr\u003eFor DZOFilm Arles 35mm T1.4 FF\/VV Prime Cine Lens (ARRI PL), compare the mount, physical size, optical format, connector, payload, or accessory standard shown on this page with the corresponding specification on your existing equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with Arles 35mm cine lens?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles 35mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) includes DZOFilm Arles 35mm T1.4 FF\/VV prime cine lens in ARRI PL mount. Optional accessories, alternate mounts, cameras, lenses, lights, and support equipment are separate unless they are named in the selected Shopify variant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of Arles 35mm cine lens?\u003c\/strong\u003e\u003cbr\u003eChoose choose another arles focal length when 35mm does not provide the required field of view, or a smaller prime when gimbal weight and compact handheld balance matter more than the matched 95mm cinema housing instead of DZOFilm Arles 35mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) when that option better matches your required format, size, mount, focal range, payload, or level of kit completeness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy Arles 35mm cine lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles 35mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) is available from Filmgear Canada with Canada-wide shipping and Vancouver-based assistance. Check the selected variant and the surrounding equipment requirements before placing the order.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Arles 35mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Review the selected mount, size, filter, or kit configuration before ordering so the product matches the rest of your production package.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":45505589510403,"sku":"DZO-SAP35IPL","price":2499.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1717157437_1829466.jpg?v=1717193840"},{"product_id":"dzofilm-arles-25mm-t1-4-ff-vv-prime-cine-lens-arri-pl","title":"DZOFilm Arles 25mm T1.4 FF\/VV Prime Cine Lens (ARRI PL)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eThe DZOFilm Arles 25mm cine lens is a T1.4 PL-mount cinema prime with a 46.5mm full-frame and Vista Vision image circle, manual focus, and matched Arles mechanics.\u003c\/strong\u003e Available from Filmgear Canada for Canadian cinema, commercial, documentary, rental, education, and owner-operator productions.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe 25mm fills a distinct place in the eleven-lens Arles range from 14mm to 180mm. Every focal length in this current family uses cinema-style 0.8 MOD gearing, a 95mm front outside diameter, 270-degree focus rotation, and a 16-blade iris. That consistency reduces matte-box and follow-focus changes when the lens moves into a larger set. The T1.4 maximum aperture shown in the product identity supports controlled low-light and shallow-focus work while the PL mount is intended for professional manual cinema-camera operation.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/S0Ioi7ULupg\" title=\"DZOFILM Arles Prime Full Set Test\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e25mm T1.4 Arles Prime\u003c\/h3\u003e\n\u003cp\u003eThe 25mm focal length and T1.4 maximum aperture provide the exact framing and light-transmission role named in this Arles prime configuration.\u003c\/p\u003e\n\u003ch3\u003e46.5mm VV and Full-Frame Coverage\u003c\/h3\u003e\n\u003cp\u003eDZOFILM specifies a 46.5mm image circle across the Arles Prime range for full-frame and Vista Vision production.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\n\u003cp\u003eA 95mm front diameter, 0.8 MOD focus and iris gears, 270-degree focus rotation, and 16-blade iris align the lens with the rest of the family.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose the 25mm for its specific field of view. Wider Arles focal lengths emphasize space and camera proximity, normal focal lengths balance environment and subject, and longer options add compression and tighter framing while retaining the shared family handling.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-arles-35mm-t1-4-ff-vv-prime-cine-lens-arri-pl\"\u003eDZOFilm Arles 35mm\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-arles-50mm-t1-4-ff-vv-prime-cine-lens-arri-pl\"\u003eDZOFilm Arles 50mm\u003c\/a\u003e. Check the exact mount, sensor format, lens support, matte box, follow-focus position, and camera clearance before the shoot.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis 25mm Arles prime is for cinematographers, rental houses, commercial crews, narrative productions, and film schools building or extending a matched fast PL lens set.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another Arles focal length when 25mm does not provide the required field of view, or a smaller prime when gimbal weight and compact handheld balance matter more than the matched 95mm cinema housing.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003eDZOFilm Arles 25mm T1.4 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 25mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T1.4\u003c\/li\u003e\n\u003cli\u003eMount: ARRI PL\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003cli\u003eIris blades: 16\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Arles 25mm cine lens designed to do?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles 25mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) is designed for the exact cinema-lens or adapter role described on this page. Its value comes from matching the exact product configuration to the camera, lens, light, filter holder, or support equipment already in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do I check compatibility before ordering Arles 25mm cine lens?\u003c\/strong\u003e\u003cbr\u003eFor DZOFilm Arles 25mm T1.4 FF\/VV Prime Cine Lens (ARRI PL), compare the mount, physical size, optical format, connector, payload, or accessory standard shown on this page with the corresponding specification on your existing equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with Arles 25mm cine lens?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles 25mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) includes DZOFilm Arles 25mm T1.4 FF\/VV prime cine lens in ARRI PL mount. Optional accessories, alternate mounts, cameras, lenses, lights, and support equipment are separate unless they are named in the selected Shopify variant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of Arles 25mm cine lens?\u003c\/strong\u003e\u003cbr\u003eChoose choose another arles focal length when 25mm does not provide the required field of view, or a smaller prime when gimbal weight and compact handheld balance matter more than the matched 95mm cinema housing instead of DZOFilm Arles 25mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) when that option better matches your required format, size, mount, focal range, payload, or level of kit completeness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy Arles 25mm cine lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles 25mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) is available from Filmgear Canada with Canada-wide shipping and Vancouver-based assistance. Check the selected variant and the surrounding equipment requirements before placing the order.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Arles 25mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Review the selected mount, size, filter, or kit configuration before ordering so the product matches the rest of your production package.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":45505589838083,"sku":"DZO-SAP25IPL","price":2499.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1717157437_1829465.jpg?v=1717194008"},{"product_id":"dzofilm-arles-50mm-t1-4-ff-vv-prime-cine-lens-arri-pl","title":"DZOFilm Arles 50mm T1.4 FF\/VV Prime Cine Lens (ARRI PL)","description":"\u003cp\u003e\u003cstrong\u003eThe DZOFilm Arles 50mm cine lens is a T1.4 PL-mount cinema prime with a 46.5mm full-frame and Vista Vision image circle, manual focus, and matched Arles mechanics.\u003c\/strong\u003e Available from Filmgear Canada for Canadian cinema, commercial, documentary, rental, education, and owner-operator productions.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe 50mm fills a distinct place in the eleven-lens Arles range from 14mm to 180mm. Every focal length in this current family uses cinema-style 0.8 MOD gearing, a 95mm front outside diameter, 270-degree focus rotation, and a 16-blade iris. That consistency reduces matte-box and follow-focus changes when the lens moves into a larger set. The T1.4 maximum aperture shown in the product identity supports controlled low-light and shallow-focus work while the PL mount is intended for professional manual cinema-camera operation.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/S0Ioi7ULupg\" title=\"DZOFILM Arles Prime Full Set Test\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e50mm T1.4 Arles Prime\u003c\/h3\u003e\n\u003cp\u003eThe 50mm focal length and T1.4 maximum aperture provide the exact framing and light-transmission role named in this Arles prime configuration.\u003c\/p\u003e\n\u003ch3\u003e46.5mm VV and Full-Frame Coverage\u003c\/h3\u003e\n\u003cp\u003eDZOFILM specifies a 46.5mm image circle across the Arles Prime range for full-frame and Vista Vision production.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\n\u003cp\u003eA 95mm front diameter, 0.8 MOD focus and iris gears, 270-degree focus rotation, and 16-blade iris align the lens with the rest of the family.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose the 50mm for its specific field of view. Wider Arles focal lengths emphasize space and camera proximity, normal focal lengths balance environment and subject, and longer options add compression and tighter framing while retaining the shared family handling.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-arles-35mm-t1-4-ff-vv-prime-cine-lens-arri-pl\"\u003eDZOFilm Arles 35mm\u003c\/a\u003e. Check the exact mount, sensor format, lens support, matte box, follow-focus position, and camera clearance before the shoot.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis 50mm Arles prime is for cinematographers, rental houses, commercial crews, narrative productions, and film schools building or extending a matched fast PL lens set.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another Arles focal length when 50mm does not provide the required field of view, or a smaller prime when gimbal weight and compact handheld balance matter more than the matched 95mm cinema housing.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003eDZOFilm Arles 50mm T1.4 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 50mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T1.4\u003c\/li\u003e\n\u003cli\u003eMount: ARRI PL\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003cli\u003eIris blades: 16\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Arles 50mm cine lens designed to do?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles 50mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) is designed for the exact cinema-lens or adapter role described on this page. Its value comes from matching the exact product configuration to the camera, lens, light, filter holder, or support equipment already in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do I check compatibility before ordering Arles 50mm cine lens?\u003c\/strong\u003e\u003cbr\u003eFor DZOFilm Arles 50mm T1.4 FF\/VV Prime Cine Lens (ARRI PL), compare the mount, physical size, optical format, connector, payload, or accessory standard shown on this page with the corresponding specification on your existing equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with Arles 50mm cine lens?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles 50mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) includes DZOFilm Arles 50mm T1.4 FF\/VV prime cine lens in ARRI PL mount. Optional accessories, alternate mounts, cameras, lenses, lights, and support equipment are separate unless they are named in the selected Shopify variant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of Arles 50mm cine lens?\u003c\/strong\u003e\u003cbr\u003eChoose choose another arles focal length when 50mm does not provide the required field of view, or a smaller prime when gimbal weight and compact handheld balance matter more than the matched 95mm cinema housing instead of DZOFilm Arles 50mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) when that option better matches your required format, size, mount, focal range, payload, or level of kit completeness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy Arles 50mm cine lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles 50mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) is available from Filmgear Canada with Canada-wide shipping and Vancouver-based assistance. Check the selected variant and the surrounding equipment requirements before placing the order.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Arles 50mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Review the selected mount, size, filter, or kit configuration before ordering so the product matches the rest of your production package.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":45505590821123,"sku":"DZO-SAP50IPL","price":2499.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1717157730_1829467.jpg?v=1765584187"},{"product_id":"dzofilm-arles-75mm-t1-4-ff-vv-prime-cine-lens-arri-pl","title":"DZOFilm Arles 75mm T1.4 FF\/VV Prime Cine Lens (ARRI PL)","description":"\u003cp\u003e\u003cstrong\u003eThe DZOFilm Arles 75mm cine lens is a T1.4 PL-mount cinema prime with a 46.5mm full-frame and Vista Vision image circle, manual focus, and matched Arles mechanics.\u003c\/strong\u003e Available from Filmgear Canada for Canadian cinema, commercial, documentary, rental, education, and owner-operator productions.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe 75mm fills a distinct place in the eleven-lens Arles range from 14mm to 180mm. Every focal length in this current family uses cinema-style 0.8 MOD gearing, a 95mm front outside diameter, 270-degree focus rotation, and a 16-blade iris. That consistency reduces matte-box and follow-focus changes when the lens moves into a larger set. The T1.4 maximum aperture shown in the product identity supports controlled low-light and shallow-focus work while the PL mount is intended for professional manual cinema-camera operation.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/S0Ioi7ULupg\" title=\"DZOFILM Arles Prime Full Set Test\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e75mm T1.4 Arles Prime\u003c\/h3\u003e\n\u003cp\u003eThe 75mm focal length and T1.4 maximum aperture provide the exact framing and light-transmission role named in this Arles prime configuration.\u003c\/p\u003e\n\u003ch3\u003e46.5mm VV and Full-Frame Coverage\u003c\/h3\u003e\n\u003cp\u003eDZOFILM specifies a 46.5mm image circle across the Arles Prime range for full-frame and Vista Vision production.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\n\u003cp\u003eA 95mm front diameter, 0.8 MOD focus and iris gears, 270-degree focus rotation, and 16-blade iris align the lens with the rest of the family.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose the 75mm for its specific field of view. Wider Arles focal lengths emphasize space and camera proximity, normal focal lengths balance environment and subject, and longer options add compression and tighter framing while retaining the shared family handling.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-arles-35mm-t1-4-ff-vv-prime-cine-lens-arri-pl\"\u003eDZOFilm Arles 35mm\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-arles-50mm-t1-4-ff-vv-prime-cine-lens-arri-pl\"\u003eDZOFilm Arles 50mm\u003c\/a\u003e. Check the exact mount, sensor format, lens support, matte box, follow-focus position, and camera clearance before the shoot.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis 75mm Arles prime is for cinematographers, rental houses, commercial crews, narrative productions, and film schools building or extending a matched fast PL lens set.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another Arles focal length when 75mm does not provide the required field of view, or a smaller prime when gimbal weight and compact handheld balance matter more than the matched 95mm cinema housing.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003eDZOFilm Arles 75mm T1.4 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 75mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T1.4\u003c\/li\u003e\n\u003cli\u003eMount: ARRI PL\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003cli\u003eIris blades: 16\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Arles 75mm cine lens designed to do?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles 75mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) is designed for the exact cinema-lens or adapter role described on this page. Its value comes from matching the exact product configuration to the camera, lens, light, filter holder, or support equipment already in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do I check compatibility before ordering Arles 75mm cine lens?\u003c\/strong\u003e\u003cbr\u003eFor DZOFilm Arles 75mm T1.4 FF\/VV Prime Cine Lens (ARRI PL), compare the mount, physical size, optical format, connector, payload, or accessory standard shown on this page with the corresponding specification on your existing equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with Arles 75mm cine lens?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles 75mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) includes DZOFilm Arles 75mm T1.4 FF\/VV prime cine lens in ARRI PL mount. Optional accessories, alternate mounts, cameras, lenses, lights, and support equipment are separate unless they are named in the selected Shopify variant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of Arles 75mm cine lens?\u003c\/strong\u003e\u003cbr\u003eChoose choose another arles focal length when 75mm does not provide the required field of view, or a smaller prime when gimbal weight and compact handheld balance matter more than the matched 95mm cinema housing instead of DZOFilm Arles 75mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) when that option better matches your required format, size, mount, focal range, payload, or level of kit completeness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy Arles 75mm cine lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles 75mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) is available from Filmgear Canada with Canada-wide shipping and Vancouver-based assistance. Check the selected variant and the surrounding equipment requirements before placing the order.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Arles 75mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Review the selected mount, size, filter, or kit configuration before ordering so the product matches the rest of your production package.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":45505591968003,"sku":"DZO-SAP75IPL","price":2499.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1717157730_1829469.jpg?v=1765584139"},{"product_id":"dzofilm-arles-100mm-t1-4-ff-vv-prime-cine-lens-arri-pl","title":"DZOFilm Arles 100mm T1.4 FF\/VV Prime Cine Lens (ARRI PL)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eThe DZOFilm Arles 100mm cine lens is a T1.4 PL-mount cinema prime with a 46.5mm full-frame and Vista Vision image circle, manual focus, and matched Arles mechanics.\u003c\/strong\u003e Available from Filmgear Canada for Canadian cinema, commercial, documentary, rental, education, and owner-operator productions.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe 100mm fills a distinct place in the eleven-lens Arles range from 14mm to 180mm. Every focal length in this current family uses cinema-style 0.8 MOD gearing, a 95mm front outside diameter, 270-degree focus rotation, and a 16-blade iris. That consistency reduces matte-box and follow-focus changes when the lens moves into a larger set. The T1.4 maximum aperture shown in the product identity supports controlled low-light and shallow-focus work while the PL mount is intended for professional manual cinema-camera operation.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/S0Ioi7ULupg\" title=\"DZOFILM Arles Prime Full Set Test\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e100mm T1.4 Arles Prime\u003c\/h3\u003e\n\u003cp\u003eThe 100mm focal length and T1.4 maximum aperture provide the exact framing and light-transmission role named in this Arles prime configuration.\u003c\/p\u003e\n\u003ch3\u003e46.5mm VV and Full-Frame Coverage\u003c\/h3\u003e\n\u003cp\u003eDZOFILM specifies a 46.5mm image circle across the Arles Prime range for full-frame and Vista Vision production.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\n\u003cp\u003eA 95mm front diameter, 0.8 MOD focus and iris gears, 270-degree focus rotation, and 16-blade iris align the lens with the rest of the family.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose the 100mm for its specific field of view. Wider Arles focal lengths emphasize space and camera proximity, normal focal lengths balance environment and subject, and longer options add compression and tighter framing while retaining the shared family handling.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-arles-35mm-t1-4-ff-vv-prime-cine-lens-arri-pl\"\u003eDZOFilm Arles 35mm\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-arles-50mm-t1-4-ff-vv-prime-cine-lens-arri-pl\"\u003eDZOFilm Arles 50mm\u003c\/a\u003e. Check the exact mount, sensor format, lens support, matte box, follow-focus position, and camera clearance before the shoot.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis 100mm Arles prime is for cinematographers, rental houses, commercial crews, narrative productions, and film schools building or extending a matched fast PL lens set.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another Arles focal length when 100mm does not provide the required field of view, or a smaller prime when gimbal weight and compact handheld balance matter more than the matched 95mm cinema housing.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003eDZOFilm Arles 100mm T1.4 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 100mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T1.4\u003c\/li\u003e\n\u003cli\u003eMount: ARRI PL\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003cli\u003eIris blades: 16\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Arles 100mm cine lens designed to do?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles 100mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) is designed for the exact cinema-lens or adapter role described on this page. Its value comes from matching the exact product configuration to the camera, lens, light, filter holder, or support equipment already in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do I check compatibility before ordering Arles 100mm cine lens?\u003c\/strong\u003e\u003cbr\u003eFor DZOFilm Arles 100mm T1.4 FF\/VV Prime Cine Lens (ARRI PL), compare the mount, physical size, optical format, connector, payload, or accessory standard shown on this page with the corresponding specification on your existing equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with Arles 100mm cine lens?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles 100mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) includes DZOFilm Arles 100mm T1.4 FF\/VV prime cine lens in ARRI PL mount. Optional accessories, alternate mounts, cameras, lenses, lights, and support equipment are separate unless they are named in the selected Shopify variant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of Arles 100mm cine lens?\u003c\/strong\u003e\u003cbr\u003eChoose choose another arles focal length when 100mm does not provide the required field of view, or a smaller prime when gimbal weight and compact handheld balance matter more than the matched 95mm cinema housing instead of DZOFilm Arles 100mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) when that option better matches your required format, size, mount, focal range, payload, or level of kit completeness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy Arles 100mm cine lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles 100mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) is available from Filmgear Canada with Canada-wide shipping and Vancouver-based assistance. Check the selected variant and the surrounding equipment requirements before placing the order.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Arles 100mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Review the selected mount, size, filter, or kit configuration before ordering so the product matches the rest of your production package.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":45505593082115,"sku":"DZO-SAP100IPL","price":2499.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1717157437_1829464.jpg?v=1717194253"},{"product_id":"dzofilm-arles-ff-vv-prime-cine-5-lens-set-arri-pl","title":"DZOFilm Arles FF\/VV Prime Cine 5-Lens A Kit 25\/35\/50\/75\/100mm (ARRI PL)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eThe DZOFilm Arles 5-lens kit combines 25mm T1.4, 35mm T1.4, 50mm T1.4, 75mm T1.4, 100mm T1.4 full-frame and Vista Vision cinema primes in one matched ARRI PL package.\u003c\/strong\u003e Available from Filmgear Canada for Canadian cinema, commercial, documentary, rental, education, and owner-operator productions.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThis set covers a deliberate span of the Arles family while keeping a 46.5mm image circle, 95mm front outside diameter, 0.8 MOD gears, 270-degree focus rotation, and a 16-blade iris across the included focal lengths. Shared mechanics reduce rig adjustments during lens changes, while the selected 5-lens combination determines whether the package emphasizes a complete range, a common narrative core, or the complementary wide-and-long B set. Each lens remains a manual cinema prime and should be balanced and supported for the camera package in use.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/S0Ioi7ULupg\" title=\"DZOFILM Arles Prime Full Set Test\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e5 Matched Arles Focal Lengths\u003c\/h3\u003e\n\u003cp\u003eThe kit includes 25mm T1.4, 35mm T1.4, 50mm T1.4, 75mm T1.4, 100mm T1.4 as listed in the current product configuration.\u003c\/p\u003e\n\u003ch3\u003e46.5mm VV and Full-Frame Coverage\u003c\/h3\u003e\n\u003cp\u003eEvery included Arles prime uses the 46.5mm image circle specified for the family.\u003c\/p\u003e\n\u003ch3\u003eShared 95mm Cinema Housing\u003c\/h3\u003e\n\u003cp\u003eMatched front diameter, gear pitch, and focus rotation reduce follow-focus and matte-box changes between lenses.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 5-lens configuration when its focal-length spread matches the production plan. A five-lens core kit costs less and travels smaller, while the eight- or ten-lens set reduces focal-length gaps for rental and multi-camera work.\u003c\/p\u003e\n\u003cp\u003eFor the three DZOFILM prime families side by side, see our \u003ca href=\"\/blogs\/buying-guide\/dzofilm-vespid-2-vs-arles-vs-vespid\"\u003eVespid 2 vs Arles vs Vespid comparison\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-arles-35mm-t1-4-ff-vv-prime-cine-lens-arri-pl\"\u003eDZOFilm Arles 35mm\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-arles-50mm-t1-4-ff-vv-prime-cine-lens-arri-pl\"\u003eDZOFilm Arles 50mm\u003c\/a\u003e. Check the exact mount, sensor format, lens support, matte box, follow-focus position, and camera clearance before the shoot.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis 5-lens Arles package is for rental houses, narrative and commercial crews, film schools, and owner-operators who need several matched focal lengths ready for one production.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a smaller Arles set when transport, budget, or focal-length use does not justify 5 lenses, or build individual focal lengths when an existing PL package has only a few specific gaps.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Arles 25mm T1.4 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\n\u003cli\u003eDZOFilm Arles 35mm T1.4 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\n\u003cli\u003eDZOFilm Arles 50mm T1.4 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\n\u003cli\u003eDZOFilm Arles 75mm T1.4 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\n\u003cli\u003eDZOFilm Arles 100mm T1.4 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLens count: 5\u003c\/li\u003e\n\u003cli\u003eIncluded focal lengths: 25mm T1.4, 35mm T1.4, 50mm T1.4, 75mm T1.4, 100mm T1.4\u003c\/li\u003e\n\u003cli\u003eMount: ARRI PL\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003cli\u003eIris blades: 16\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Arles 5-lens kit designed to do?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles FF\/VV Prime Cine 5-Lens A Kit 25\/35\/50\/75\/100mm (ARRI PL) is designed for the exact cinema-lens or adapter role described on this page. Its value comes from matching the exact product configuration to the camera, lens, light, filter holder, or support equipment already in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do I check compatibility before ordering Arles 5-lens kit?\u003c\/strong\u003e\u003cbr\u003eFor DZOFilm Arles FF\/VV Prime Cine 5-Lens A Kit 25\/35\/50\/75\/100mm (ARRI PL), compare the mount, physical size, optical format, connector, payload, or accessory standard shown on this page with the corresponding specification on your existing equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with Arles 5-lens kit?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles FF\/VV Prime Cine 5-Lens A Kit 25\/35\/50\/75\/100mm (ARRI PL) includes DZOFilm Arles 25mm T1.4 FF\/VV prime cine lens in ARRI PL mount, DZOFilm Arles 35mm T1.4 FF\/VV prime cine lens in ARRI PL mount, DZOFilm Arles 50mm T1.4 FF\/VV prime cine lens in ARRI PL mount, DZOFilm Arles 75mm T1.4 FF\/VV prime cine lens in ARRI PL mount, DZOFilm Arles 100mm T1.4 FF\/VV prime cine lens in ARRI PL mount. Optional accessories, alternate mounts, cameras, lenses, lights, and support equipment are separate unless they are named in the selected Shopify variant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of Arles 5-lens kit?\u003c\/strong\u003e\u003cbr\u003eChoose choose a smaller arles set when transport, budget, or focal-length use does not justify 5 lenses, or build individual focal lengths when an existing pl package has only a few specific gaps instead of DZOFilm Arles FF\/VV Prime Cine 5-Lens A Kit 25\/35\/50\/75\/100mm (ARRI PL) when that option better matches your required format, size, mount, focal range, payload, or level of kit completeness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy Arles 5-lens kit in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles FF\/VV Prime Cine 5-Lens A Kit 25\/35\/50\/75\/100mm (ARRI PL) is available from Filmgear Canada with Canada-wide shipping and Vancouver-based assistance. Check the selected variant and the surrounding equipment requirements before placing the order.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Arles FF\/VV Prime Cine 5-Lens A Kit 25\/35\/50\/75\/100mm (ARRI PL) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Review the selected mount, size, filter, or kit configuration before ordering so the product matches the rest of your production package.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":45505596457219,"sku":"DZO-SAP5A25IPL","price":10422.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1717159825_1829468.jpg?v=1717194361"},{"product_id":"dzofilm-arles-ff-vv-8-lens-set-arri-pl","title":"DZOFilm Arles FF\/VV 8-Lens 14\/25\/35\/50\/75\/100\/135\/180mm Set (ARRI PL)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eThe DZOFilm Arles 8-lens kit combines 14mm T1.9, 25mm T1.4, 35mm T1.4, 50mm T1.4, 75mm T1.4, 100mm T1.4, 135mm T1.8, 180mm T2.4 full-frame and Vista Vision cinema primes in one matched ARRI PL package.\u003c\/strong\u003e Available from Filmgear Canada for Canadian cinema, commercial, documentary, rental, education, and owner-operator productions.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThis set covers a deliberate span of the Arles family while keeping a 46.5mm image circle, 95mm front outside diameter, 0.8 MOD gears, 270-degree focus rotation, and a 16-blade iris across the included focal lengths. Shared mechanics reduce rig adjustments during lens changes, while the selected 8-lens combination determines whether the package emphasizes a complete range, a common narrative core, or the complementary wide-and-long B set. Each lens remains a manual cinema prime and should be balanced and supported for the camera package in use.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/S0Ioi7ULupg\" title=\"DZOFILM Arles Prime Full Set Test\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e8 Matched Arles Focal Lengths\u003c\/h3\u003e\n\u003cp\u003eThe kit includes 14mm T1.9, 25mm T1.4, 35mm T1.4, 50mm T1.4, 75mm T1.4, 100mm T1.4, 135mm T1.8, 180mm T2.4 as listed in the current product configuration.\u003c\/p\u003e\n\u003ch3\u003e46.5mm VV and Full-Frame Coverage\u003c\/h3\u003e\n\u003cp\u003eEvery included Arles prime uses the 46.5mm image circle specified for the family.\u003c\/p\u003e\n\u003ch3\u003eShared 95mm Cinema Housing\u003c\/h3\u003e\n\u003cp\u003eMatched front diameter, gear pitch, and focus rotation reduce follow-focus and matte-box changes between lenses.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 8-lens configuration when its focal-length spread matches the production plan. A five-lens core kit costs less and travels smaller, while the eight- or ten-lens set reduces focal-length gaps for rental and multi-camera work.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-arles-35mm-t1-4-ff-vv-prime-cine-lens-arri-pl\"\u003eDZOFilm Arles 35mm\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-arles-50mm-t1-4-ff-vv-prime-cine-lens-arri-pl\"\u003eDZOFilm Arles 50mm\u003c\/a\u003e. Check the exact mount, sensor format, lens support, matte box, follow-focus position, and camera clearance before the shoot.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis 8-lens Arles package is for rental houses, narrative and commercial crews, film schools, and owner-operators who need several matched focal lengths ready for one production.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a smaller Arles set when transport, budget, or focal-length use does not justify 8 lenses, or build individual focal lengths when an existing PL package has only a few specific gaps.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Arles 14mm T1.9 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\n\u003cli\u003eDZOFilm Arles 25mm T1.4 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\n\u003cli\u003eDZOFilm Arles 35mm T1.4 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\n\u003cli\u003eDZOFilm Arles 50mm T1.4 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\n\u003cli\u003eDZOFilm Arles 75mm T1.4 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\n\u003cli\u003eDZOFilm Arles 100mm T1.4 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\n\u003cli\u003eDZOFilm Arles 135mm T1.8 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\n\u003cli\u003eDZOFilm Arles 180mm T2.4 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLens count: 8\u003c\/li\u003e\n\u003cli\u003eIncluded focal lengths: 14mm T1.9, 25mm T1.4, 35mm T1.4, 50mm T1.4, 75mm T1.4, 100mm T1.4, 135mm T1.8, 180mm T2.4\u003c\/li\u003e\n\u003cli\u003eMount: ARRI PL\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003cli\u003eIris blades: 16\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Arles 8-lens kit designed to do?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles FF\/VV 8-Lens 14\/25\/35\/50\/75\/100\/135\/180mm Set (ARRI PL) is designed for the exact cinema-lens or adapter role described on this page. Its value comes from matching the exact product configuration to the camera, lens, light, filter holder, or support equipment already in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do I check compatibility before ordering Arles 8-lens kit?\u003c\/strong\u003e\u003cbr\u003eFor DZOFilm Arles FF\/VV 8-Lens 14\/25\/35\/50\/75\/100\/135\/180mm Set (ARRI PL), compare the mount, physical size, optical format, connector, payload, or accessory standard shown on this page with the corresponding specification on your existing equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with Arles 8-lens kit?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles FF\/VV 8-Lens 14\/25\/35\/50\/75\/100\/135\/180mm Set (ARRI PL) includes DZOFilm Arles 14mm T1.9 FF\/VV prime cine lens in ARRI PL mount, DZOFilm Arles 25mm T1.4 FF\/VV prime cine lens in ARRI PL mount, DZOFilm Arles 35mm T1.4 FF\/VV prime cine lens in ARRI PL mount, DZOFilm Arles 50mm T1.4 FF\/VV prime cine lens in ARRI PL mount, DZOFilm Arles 75mm T1.4 FF\/VV prime cine lens in ARRI PL mount, DZOFilm Arles 100mm T1.4 FF\/VV prime cine lens in ARRI PL mount, DZOFilm Arles 135mm T1.8 FF\/VV prime cine lens in ARRI PL mount, DZOFilm Arles 180mm T2.4 FF\/VV prime cine lens in ARRI PL mount. Optional accessories, alternate mounts, cameras, lenses, lights, and support equipment are separate unless they are named in the selected Shopify variant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of Arles 8-lens kit?\u003c\/strong\u003e\u003cbr\u003eChoose choose a smaller arles set when transport, budget, or focal-length use does not justify 8 lenses, or build individual focal lengths when an existing pl package has only a few specific gaps instead of DZOFilm Arles FF\/VV 8-Lens 14\/25\/35\/50\/75\/100\/135\/180mm Set (ARRI PL) when that option better matches your required format, size, mount, focal range, payload, or level of kit completeness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy Arles 8-lens kit in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles FF\/VV 8-Lens 14\/25\/35\/50\/75\/100\/135\/180mm Set (ARRI PL) is available from Filmgear Canada with Canada-wide shipping and Vancouver-based assistance. Check the selected variant and the surrounding equipment requirements before placing the order.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Arles FF\/VV 8-Lens 14\/25\/35\/50\/75\/100\/135\/180mm Set (ARRI PL) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Review the selected mount, size, filter, or kit configuration before ordering so the product matches the rest of your production package.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":45930826203395,"sku":"DZO-SAP8IPL","price":16677.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1725630027_1850223.jpg?v=1726163826"},{"product_id":"dzofilm-arles-ff-vv-5-lens-b-set-arri-pl","title":"DZOFilm Arles FF\/VV Prime Cine 5-Lens B Kit 14\/21\/40\/135\/180mm (ARRI PL)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eThe DZOFilm Arles 5-lens kit combines 14mm T1.9, 21mm T1.4, 40mm T1.4, 135mm T1.8, 180mm T2.4 full-frame and Vista Vision cinema primes in one matched ARRI PL package.\u003c\/strong\u003e Available from Filmgear Canada for Canadian cinema, commercial, documentary, rental, education, and owner-operator productions.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThis set covers a deliberate span of the Arles family while keeping a 46.5mm image circle, 95mm front outside diameter, 0.8 MOD gears, 270-degree focus rotation, and a 16-blade iris across the included focal lengths. Shared mechanics reduce rig adjustments during lens changes, while the selected 5-lens combination determines whether the package emphasizes a complete range, a common narrative core, or the complementary wide-and-long B set. Each lens remains a manual cinema prime and should be balanced and supported for the camera package in use.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/S0Ioi7ULupg\" title=\"DZOFILM Arles Prime Full Set Test\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e5 Matched Arles Focal Lengths\u003c\/h3\u003e\n\u003cp\u003eThe kit includes 14mm T1.9, 21mm T1.4, 40mm T1.4, 135mm T1.8, 180mm T2.4 as listed in the current product configuration.\u003c\/p\u003e\n\u003ch3\u003e46.5mm VV and Full-Frame Coverage\u003c\/h3\u003e\n\u003cp\u003eEvery included Arles prime uses the 46.5mm image circle specified for the family.\u003c\/p\u003e\n\u003ch3\u003eShared 95mm Cinema Housing\u003c\/h3\u003e\n\u003cp\u003eMatched front diameter, gear pitch, and focus rotation reduce follow-focus and matte-box changes between lenses.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 5-lens configuration when its focal-length spread matches the production plan. A five-lens core kit costs less and travels smaller, while the eight- or ten-lens set reduces focal-length gaps for rental and multi-camera work.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-arles-35mm-t1-4-ff-vv-prime-cine-lens-arri-pl\"\u003eDZOFilm Arles 35mm\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-arles-50mm-t1-4-ff-vv-prime-cine-lens-arri-pl\"\u003eDZOFilm Arles 50mm\u003c\/a\u003e. Check the exact mount, sensor format, lens support, matte box, follow-focus position, and camera clearance before the shoot.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis 5-lens Arles package is for rental houses, narrative and commercial crews, film schools, and owner-operators who need several matched focal lengths ready for one production.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a smaller Arles set when transport, budget, or focal-length use does not justify 5 lenses, or build individual focal lengths when an existing PL package has only a few specific gaps.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Arles 14mm T1.9 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\n\u003cli\u003eDZOFilm Arles 21mm T1.4 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\n\u003cli\u003eDZOFilm Arles 40mm T1.4 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\n\u003cli\u003eDZOFilm Arles 135mm T1.8 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\n\u003cli\u003eDZOFilm Arles 180mm T2.4 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLens count: 5\u003c\/li\u003e\n\u003cli\u003eIncluded focal lengths: 14mm T1.9, 21mm T1.4, 40mm T1.4, 135mm T1.8, 180mm T2.4\u003c\/li\u003e\n\u003cli\u003eMount: ARRI PL\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003cli\u003eIris blades: 16\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Arles 5-lens kit designed to do?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles FF\/VV Prime Cine 5-Lens B Kit 14\/21\/40\/135\/180mm (ARRI PL) is designed for the exact cinema-lens or adapter role described on this page. Its value comes from matching the exact product configuration to the camera, lens, light, filter holder, or support equipment already in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do I check compatibility before ordering Arles 5-lens kit?\u003c\/strong\u003e\u003cbr\u003eFor DZOFilm Arles FF\/VV Prime Cine 5-Lens B Kit 14\/21\/40\/135\/180mm (ARRI PL), compare the mount, physical size, optical format, connector, payload, or accessory standard shown on this page with the corresponding specification on your existing equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with Arles 5-lens kit?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles FF\/VV Prime Cine 5-Lens B Kit 14\/21\/40\/135\/180mm (ARRI PL) includes DZOFilm Arles 14mm T1.9 FF\/VV prime cine lens in ARRI PL mount, DZOFilm Arles 21mm T1.4 FF\/VV prime cine lens in ARRI PL mount, DZOFilm Arles 40mm T1.4 FF\/VV prime cine lens in ARRI PL mount, DZOFilm Arles 135mm T1.8 FF\/VV prime cine lens in ARRI PL mount, DZOFilm Arles 180mm T2.4 FF\/VV prime cine lens in ARRI PL mount. Optional accessories, alternate mounts, cameras, lenses, lights, and support equipment are separate unless they are named in the selected Shopify variant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of Arles 5-lens kit?\u003c\/strong\u003e\u003cbr\u003eChoose choose a smaller arles set when transport, budget, or focal-length use does not justify 5 lenses, or build individual focal lengths when an existing pl package has only a few specific gaps instead of DZOFilm Arles FF\/VV Prime Cine 5-Lens B Kit 14\/21\/40\/135\/180mm (ARRI PL) when that option better matches your required format, size, mount, focal range, payload, or level of kit completeness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy Arles 5-lens kit in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles FF\/VV Prime Cine 5-Lens B Kit 14\/21\/40\/135\/180mm (ARRI PL) is available from Filmgear Canada with Canada-wide shipping and Vancouver-based assistance. Check the selected variant and the surrounding equipment requirements before placing the order.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Arles FF\/VV Prime Cine 5-Lens B Kit 14\/21\/40\/135\/180mm (ARRI PL) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Review the selected mount, size, filter, or kit configuration before ordering so the product matches the rest of your production package.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":45930826891523,"sku":"DZO-SAP5B14IPL","price":11812.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1725630318_1850222.jpg?v=1726164601"},{"product_id":"dzofilm-arles-ff-vv-10-lens-set-arri-pl","title":"DZOFilm Arles FF\/VV 10-Lens 14\/21\/25\/35\/40\/50\/75\/100\/135\/180mm Set (ARRI PL)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eThe DZOFilm Arles 10-lens kit combines 14mm T1.9, 21mm T1.4, 25mm T1.4, 35mm T1.4, 40mm T1.4, 50mm T1.4, 75mm T1.4, 100mm T1.4, 135mm T1.8, 180mm T2.4 full-frame and Vista Vision cinema primes in one matched ARRI PL package.\u003c\/strong\u003e Available from Filmgear Canada for Canadian cinema, commercial, documentary, rental, education, and owner-operator productions.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThis set covers a deliberate span of the Arles family while keeping a 46.5mm image circle, 95mm front outside diameter, 0.8 MOD gears, 270-degree focus rotation, and a 16-blade iris across the included focal lengths. Shared mechanics reduce rig adjustments during lens changes, while the selected 10-lens combination determines whether the package emphasizes a complete range, a common narrative core, or the complementary wide-and-long B set. Each lens remains a manual cinema prime and should be balanced and supported for the camera package in use.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/S0Ioi7ULupg\" title=\"DZOFILM Arles Prime Full Set Test\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e10 Matched Arles Focal Lengths\u003c\/h3\u003e\n\u003cp\u003eThe kit includes 14mm T1.9, 21mm T1.4, 25mm T1.4, 35mm T1.4, 40mm T1.4, 50mm T1.4, 75mm T1.4, 100mm T1.4, 135mm T1.8, 180mm T2.4 as listed in the current product configuration.\u003c\/p\u003e\n\u003ch3\u003e46.5mm VV and Full-Frame Coverage\u003c\/h3\u003e\n\u003cp\u003eEvery included Arles prime uses the 46.5mm image circle specified for the family.\u003c\/p\u003e\n\u003ch3\u003eShared 95mm Cinema Housing\u003c\/h3\u003e\n\u003cp\u003eMatched front diameter, gear pitch, and focus rotation reduce follow-focus and matte-box changes between lenses.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 10-lens configuration when its focal-length spread matches the production plan. A five-lens core kit costs less and travels smaller, while the eight- or ten-lens set reduces focal-length gaps for rental and multi-camera work.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-arles-35mm-t1-4-ff-vv-prime-cine-lens-arri-pl\"\u003eDZOFilm Arles 35mm\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-arles-50mm-t1-4-ff-vv-prime-cine-lens-arri-pl\"\u003eDZOFilm Arles 50mm\u003c\/a\u003e. Check the exact mount, sensor format, lens support, matte box, follow-focus position, and camera clearance before the shoot.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis 10-lens Arles package is for rental houses, narrative and commercial crews, film schools, and owner-operators who need several matched focal lengths ready for one production.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a smaller Arles set when transport, budget, or focal-length use does not justify 10 lenses, or build individual focal lengths when an existing PL package has only a few specific gaps.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Arles 14mm T1.9 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\n\u003cli\u003eDZOFilm Arles 21mm T1.4 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\n\u003cli\u003eDZOFilm Arles 25mm T1.4 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\n\u003cli\u003eDZOFilm Arles 35mm T1.4 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\n\u003cli\u003eDZOFilm Arles 40mm T1.4 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\n\u003cli\u003eDZOFilm Arles 50mm T1.4 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\n\u003cli\u003eDZOFilm Arles 75mm T1.4 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\n\u003cli\u003eDZOFilm Arles 100mm T1.4 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\n\u003cli\u003eDZOFilm Arles 135mm T1.8 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\n\u003cli\u003eDZOFilm Arles 180mm T2.4 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLens count: 10\u003c\/li\u003e\n\u003cli\u003eIncluded focal lengths: 14mm T1.9, 21mm T1.4, 25mm T1.4, 35mm T1.4, 40mm T1.4, 50mm T1.4, 75mm T1.4, 100mm T1.4, 135mm T1.8, 180mm T2.4\u003c\/li\u003e\n\u003cli\u003eMount: ARRI PL\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003cli\u003eIris blades: 16\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Arles 10-lens kit designed to do?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles FF\/VV 10-Lens 14\/21\/25\/35\/40\/50\/75\/100\/135\/180mm Set (ARRI PL) is designed for the exact cinema-lens or adapter role described on this page. Its value comes from matching the exact product configuration to the camera, lens, light, filter holder, or support equipment already in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do I check compatibility before ordering Arles 10-lens kit?\u003c\/strong\u003e\u003cbr\u003eFor DZOFilm Arles FF\/VV 10-Lens 14\/21\/25\/35\/40\/50\/75\/100\/135\/180mm Set (ARRI PL), compare the mount, physical size, optical format, connector, payload, or accessory standard shown on this page with the corresponding specification on your existing equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with Arles 10-lens kit?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles FF\/VV 10-Lens 14\/21\/25\/35\/40\/50\/75\/100\/135\/180mm Set (ARRI PL) includes DZOFilm Arles 14mm T1.9 FF\/VV prime cine lens in ARRI PL mount, DZOFilm Arles 21mm T1.4 FF\/VV prime cine lens in ARRI PL mount, DZOFilm Arles 25mm T1.4 FF\/VV prime cine lens in ARRI PL mount, DZOFilm Arles 35mm T1.4 FF\/VV prime cine lens in ARRI PL mount, DZOFilm Arles 40mm T1.4 FF\/VV prime cine lens in ARRI PL mount, DZOFilm Arles 50mm T1.4 FF\/VV prime cine lens in ARRI PL mount, DZOFilm Arles 75mm T1.4 FF\/VV prime cine lens in ARRI PL mount, DZOFilm Arles 100mm T1.4 FF\/VV prime cine lens in ARRI PL mount, DZOFilm Arles 135mm T1.8 FF\/VV prime cine lens in ARRI PL mount, DZOFilm Arles 180mm T2.4 FF\/VV prime cine lens in ARRI PL mount. Optional accessories, alternate mounts, cameras, lenses, lights, and support equipment are separate unless they are named in the selected Shopify variant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of Arles 10-lens kit?\u003c\/strong\u003e\u003cbr\u003eChoose choose a smaller arles set when transport, budget, or focal-length use does not justify 10 lenses, or build individual focal lengths when an existing pl package has only a few specific gaps instead of DZOFilm Arles FF\/VV 10-Lens 14\/21\/25\/35\/40\/50\/75\/100\/135\/180mm Set (ARRI PL) when that option better matches your required format, size, mount, focal range, payload, or level of kit completeness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy Arles 10-lens kit in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles FF\/VV 10-Lens 14\/21\/25\/35\/40\/50\/75\/100\/135\/180mm Set (ARRI PL) is available from Filmgear Canada with Canada-wide shipping and Vancouver-based assistance. Check the selected variant and the surrounding equipment requirements before placing the order.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Arles FF\/VV 10-Lens 14\/21\/25\/35\/40\/50\/75\/100\/135\/180mm Set (ARRI PL) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Review the selected mount, size, filter, or kit configuration before ordering so the product matches the rest of your production package.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":45930838982915,"sku":"DZO-SAP10IPL","price":22098.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1725629718_1850216.jpg?v=1726164781"},{"product_id":"dzofilm-arles-40mm-t1-4-ff-vv-prime-cine-lens-arri-pl","title":"DZOFilm Arles 40mm T1.4 FF\/VV Prime Cine Lens (ARRI PL)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eThe DZOFilm Arles 40mm cine lens is a T1.4 PL-mount cinema prime with a 46.5mm full-frame and Vista Vision image circle, manual focus, and matched Arles mechanics.\u003c\/strong\u003e Available from Filmgear Canada for Canadian cinema, commercial, documentary, rental, education, and owner-operator productions.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe 40mm fills a distinct place in the eleven-lens Arles range from 14mm to 180mm. Every focal length in this current family uses cinema-style 0.8 MOD gearing, a 95mm front outside diameter, 270-degree focus rotation, and a 16-blade iris. That consistency reduces matte-box and follow-focus changes when the lens moves into a larger set. The T1.4 maximum aperture shown in the product identity supports controlled low-light and shallow-focus work while the PL mount is intended for professional manual cinema-camera operation.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/S0Ioi7ULupg\" title=\"DZOFILM Arles Prime Full Set Test\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e40mm T1.4 Arles Prime\u003c\/h3\u003e\n\u003cp\u003eThe 40mm focal length and T1.4 maximum aperture provide the exact framing and light-transmission role named in this Arles prime configuration.\u003c\/p\u003e\n\u003ch3\u003e46.5mm VV and Full-Frame Coverage\u003c\/h3\u003e\n\u003cp\u003eDZOFILM specifies a 46.5mm image circle across the Arles Prime range for full-frame and Vista Vision production.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\n\u003cp\u003eA 95mm front diameter, 0.8 MOD focus and iris gears, 270-degree focus rotation, and 16-blade iris align the lens with the rest of the family.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose the 40mm for its specific field of view. Wider Arles focal lengths emphasize space and camera proximity, normal focal lengths balance environment and subject, and longer options add compression and tighter framing while retaining the shared family handling.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-arles-35mm-t1-4-ff-vv-prime-cine-lens-arri-pl\"\u003eDZOFilm Arles 35mm\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-arles-50mm-t1-4-ff-vv-prime-cine-lens-arri-pl\"\u003eDZOFilm Arles 50mm\u003c\/a\u003e. Check the exact mount, sensor format, lens support, matte box, follow-focus position, and camera clearance before the shoot.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis 40mm Arles prime is for cinematographers, rental houses, commercial crews, narrative productions, and film schools building or extending a matched fast PL lens set.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another Arles focal length when 40mm does not provide the required field of view, or a smaller prime when gimbal weight and compact handheld balance matter more than the matched 95mm cinema housing.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Arles 40mm T1.4 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 40mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T1.4\u003c\/li\u003e\n\u003cli\u003eMount: ARRI PL\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003cli\u003eIris blades: 16\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Arles 40mm cine lens designed to do?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles 40mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) is designed for the exact cinema-lens or adapter role described on this page. Its value comes from matching the exact product configuration to the camera, lens, light, filter holder, or support equipment already in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do I check compatibility before ordering Arles 40mm cine lens?\u003c\/strong\u003e\u003cbr\u003eFor DZOFilm Arles 40mm T1.4 FF\/VV Prime Cine Lens (ARRI PL), compare the mount, physical size, optical format, connector, payload, or accessory standard shown on this page with the corresponding specification on your existing equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with Arles 40mm cine lens?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles 40mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) includes DZOFilm Arles 40mm T1.4 FF\/VV prime cine lens in ARRI PL mount. Optional accessories, alternate mounts, cameras, lenses, lights, and support equipment are separate unless they are named in the selected Shopify variant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of Arles 40mm cine lens?\u003c\/strong\u003e\u003cbr\u003eChoose choose another arles focal length when 40mm does not provide the required field of view, or a smaller prime when gimbal weight and compact handheld balance matter more than the matched 95mm cinema housing instead of DZOFilm Arles 40mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) when that option better matches your required format, size, mount, focal range, payload, or level of kit completeness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy Arles 40mm cine lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles 40mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) is available from Filmgear Canada with Canada-wide shipping and Vancouver-based assistance. Check the selected variant and the surrounding equipment requirements before placing the order.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Arles 40mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Review the selected mount, size, filter, or kit configuration before ordering so the product matches the rest of your production package.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":45930850648323,"sku":"DZO-SAP40IPL","price":2499.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1725630449_IMG_2331313_d4ef368e-7553-4493-b5e8-e3e832e46f64.jpg?v=1726164951"},{"product_id":"dzofilm-arles-21mm-t1-4-ff-vv-prime-cine-lens-arri-pl","title":"DZOFilm Arles 21mm T1.4 FF\/VV Prime Cine Lens (ARRI PL)","description":"\u003cp\u003e\u003cstrong\u003eThe DZOFilm Arles 21mm cine lens is a T1.4 PL-mount cinema prime with a 46.5mm full-frame and Vista Vision image circle, manual focus, and matched Arles mechanics.\u003c\/strong\u003e Available from Filmgear Canada for Canadian cinema, commercial, documentary, rental, education, and owner-operator productions.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe 21mm fills a distinct place in the eleven-lens Arles range from 14mm to 180mm. Every focal length in this current family uses cinema-style 0.8 MOD gearing, a 95mm front outside diameter, 270-degree focus rotation, and a 16-blade iris. That consistency reduces matte-box and follow-focus changes when the lens moves into a larger set. The T1.4 maximum aperture shown in the product identity supports controlled low-light and shallow-focus work while the PL mount is intended for professional manual cinema-camera operation.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/S0Ioi7ULupg\" title=\"DZOFILM Arles Prime Full Set Test\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e21mm T1.4 Arles Prime\u003c\/h3\u003e\n\u003cp\u003eThe 21mm focal length and T1.4 maximum aperture provide the exact framing and light-transmission role named in this Arles prime configuration.\u003c\/p\u003e\n\u003ch3\u003e46.5mm VV and Full-Frame Coverage\u003c\/h3\u003e\n\u003cp\u003eDZOFILM specifies a 46.5mm image circle across the Arles Prime range for full-frame and Vista Vision production.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\n\u003cp\u003eA 95mm front diameter, 0.8 MOD focus and iris gears, 270-degree focus rotation, and 16-blade iris align the lens with the rest of the family.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose the 21mm for its specific field of view. Wider Arles focal lengths emphasize space and camera proximity, normal focal lengths balance environment and subject, and longer options add compression and tighter framing while retaining the shared family handling.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-arles-35mm-t1-4-ff-vv-prime-cine-lens-arri-pl\"\u003eDZOFilm Arles 35mm\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-arles-50mm-t1-4-ff-vv-prime-cine-lens-arri-pl\"\u003eDZOFilm Arles 50mm\u003c\/a\u003e. Check the exact mount, sensor format, lens support, matte box, follow-focus position, and camera clearance before the shoot.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis 21mm Arles prime is for cinematographers, rental houses, commercial crews, narrative productions, and film schools building or extending a matched fast PL lens set.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another Arles focal length when 21mm does not provide the required field of view, or a smaller prime when gimbal weight and compact handheld balance matter more than the matched 95mm cinema housing.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003eDZOFilm Arles 21mm T1.4 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 21mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T1.4\u003c\/li\u003e\n\u003cli\u003eMount: ARRI PL\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003cli\u003eIris blades: 16\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Arles 21mm cine lens designed to do?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles 21mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) is designed for the exact cinema-lens or adapter role described on this page. Its value comes from matching the exact product configuration to the camera, lens, light, filter holder, or support equipment already in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do I check compatibility before ordering Arles 21mm cine lens?\u003c\/strong\u003e\u003cbr\u003eFor DZOFilm Arles 21mm T1.4 FF\/VV Prime Cine Lens (ARRI PL), compare the mount, physical size, optical format, connector, payload, or accessory standard shown on this page with the corresponding specification on your existing equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with Arles 21mm cine lens?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles 21mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) includes DZOFilm Arles 21mm T1.4 FF\/VV prime cine lens in ARRI PL mount. Optional accessories, alternate mounts, cameras, lenses, lights, and support equipment are separate unless they are named in the selected Shopify variant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of Arles 21mm cine lens?\u003c\/strong\u003e\u003cbr\u003eChoose choose another arles focal length when 21mm does not provide the required field of view, or a smaller prime when gimbal weight and compact handheld balance matter more than the matched 95mm cinema housing instead of DZOFilm Arles 21mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) when that option better matches your required format, size, mount, focal range, payload, or level of kit completeness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy Arles 21mm cine lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles 21mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) is available from Filmgear Canada with Canada-wide shipping and Vancouver-based assistance. Check the selected variant and the surrounding equipment requirements before placing the order.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Arles 21mm T1.4 FF\/VV Prime Cine Lens (ARRI PL) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Review the selected mount, size, filter, or kit configuration before ordering so the product matches the rest of your production package.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":45930859200771,"sku":"DZO-SAP21IPL","price":2916.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1725630449_IMG_2331312_fdea6ea7-c514-4c92-95f2-3ee365f94b27.jpg?v=1765584098"},{"product_id":"dzofilm-arles-135mm-t1-4-ff-vv-prime-cine-lens-arri-pl","title":"DZOFilm Arles 135mm T1.8 FF\/VV Prime Cine Lens (ARRI PL)","description":"\u003cp\u003e\u003cstrong\u003eThe DZOFilm Arles 135mm cine lens is a T1.8 PL-mount cinema prime with a 46.5mm full-frame and Vista Vision image circle, manual focus, and matched Arles mechanics.\u003c\/strong\u003e Available from Filmgear Canada for Canadian cinema, commercial, documentary, rental, education, and owner-operator productions.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe 135mm fills a distinct place in the eleven-lens Arles range from 14mm to 180mm. Every focal length in this current family uses cinema-style 0.8 MOD gearing, a 95mm front outside diameter, 270-degree focus rotation, and a 16-blade iris. That consistency reduces matte-box and follow-focus changes when the lens moves into a larger set. The T1.8 maximum aperture shown in the product identity supports controlled low-light and shallow-focus work while the PL mount is intended for professional manual cinema-camera operation.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/S0Ioi7ULupg\" title=\"DZOFILM Arles Prime Full Set Test\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e135mm T1.8 Arles Prime\u003c\/h3\u003e\n\u003cp\u003eThe 135mm focal length and T1.8 maximum aperture provide the exact framing and light-transmission role named in this Arles prime configuration.\u003c\/p\u003e\n\u003ch3\u003e46.5mm VV and Full-Frame Coverage\u003c\/h3\u003e\n\u003cp\u003eDZOFILM specifies a 46.5mm image circle across the Arles Prime range for full-frame and Vista Vision production.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\n\u003cp\u003eA 95mm front diameter, 0.8 MOD focus and iris gears, 270-degree focus rotation, and 16-blade iris align the lens with the rest of the family.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose the 135mm for its specific field of view. Wider Arles focal lengths emphasize space and camera proximity, normal focal lengths balance environment and subject, and longer options add compression and tighter framing while retaining the shared family handling.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-arles-35mm-t1-4-ff-vv-prime-cine-lens-arri-pl\"\u003eDZOFilm Arles 35mm\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-arles-50mm-t1-4-ff-vv-prime-cine-lens-arri-pl\"\u003eDZOFilm Arles 50mm\u003c\/a\u003e. Check the exact mount, sensor format, lens support, matte box, follow-focus position, and camera clearance before the shoot.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis 135mm Arles prime is for cinematographers, rental houses, commercial crews, narrative productions, and film schools building or extending a matched fast PL lens set.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another Arles focal length when 135mm does not provide the required field of view, or a smaller prime when gimbal weight and compact handheld balance matter more than the matched 95mm cinema housing.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003eDZOFilm Arles 135mm T1.8 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 135mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T1.8\u003c\/li\u003e\n\u003cli\u003eMount: ARRI PL\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003cli\u003eIris blades: 16\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Arles 135mm cine lens designed to do?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles 135mm T1.8 FF\/VV Prime Cine Lens (ARRI PL) is designed for the exact cinema-lens or adapter role described on this page. Its value comes from matching the exact product configuration to the camera, lens, light, filter holder, or support equipment already in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do I check compatibility before ordering Arles 135mm cine lens?\u003c\/strong\u003e\u003cbr\u003eFor DZOFilm Arles 135mm T1.8 FF\/VV Prime Cine Lens (ARRI PL), compare the mount, physical size, optical format, connector, payload, or accessory standard shown on this page with the corresponding specification on your existing equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with Arles 135mm cine lens?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles 135mm T1.8 FF\/VV Prime Cine Lens (ARRI PL) includes DZOFilm Arles 135mm T1.8 FF\/VV prime cine lens in ARRI PL mount. Optional accessories, alternate mounts, cameras, lenses, lights, and support equipment are separate unless they are named in the selected Shopify variant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of Arles 135mm cine lens?\u003c\/strong\u003e\u003cbr\u003eChoose choose another arles focal length when 135mm does not provide the required field of view, or a smaller prime when gimbal weight and compact handheld balance matter more than the matched 95mm cinema housing instead of DZOFilm Arles 135mm T1.8 FF\/VV Prime Cine Lens (ARRI PL) when that option better matches your required format, size, mount, focal range, payload, or level of kit completeness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy Arles 135mm cine lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles 135mm T1.8 FF\/VV Prime Cine Lens (ARRI PL) is available from Filmgear Canada with Canada-wide shipping and Vancouver-based assistance. Check the selected variant and the surrounding equipment requirements before placing the order.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Arles 135mm T1.8 FF\/VV Prime Cine Lens (ARRI PL) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Review the selected mount, size, filter, or kit configuration before ordering so the product matches the rest of your production package.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":45930865197315,"sku":"DZO-SAP135IPL","price":2916.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1725627924_1850217.jpg?v=1765584045"},{"product_id":"dzofilm-arles-14mm-t1-9-ff-vv-prime-cine-lens-arri-pl","title":"DZOFilm Arles 14mm T1.9 FF\/VV Prime Cine Lens (ARRI PL)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eThe DZOFilm Arles 14mm cine lens is a T1.9 PL-mount cinema prime with a 46.5mm full-frame and Vista Vision image circle, manual focus, and matched Arles mechanics.\u003c\/strong\u003e Available from Filmgear Canada for Canadian cinema, commercial, documentary, rental, education, and owner-operator productions.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe 14mm fills a distinct place in the eleven-lens Arles range from 14mm to 180mm. Every focal length in this current family uses cinema-style 0.8 MOD gearing, a 95mm front outside diameter, 270-degree focus rotation, and a 16-blade iris. That consistency reduces matte-box and follow-focus changes when the lens moves into a larger set. The T1.9 maximum aperture shown in the product identity supports controlled low-light and shallow-focus work while the PL mount is intended for professional manual cinema-camera operation.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/S0Ioi7ULupg\" title=\"DZOFILM Arles Prime Full Set Test\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e14mm T1.9 Arles Prime\u003c\/h3\u003e\n\u003cp\u003eThe 14mm focal length and T1.9 maximum aperture provide the exact framing and light-transmission role named in this Arles prime configuration.\u003c\/p\u003e\n\u003ch3\u003e46.5mm VV and Full-Frame Coverage\u003c\/h3\u003e\n\u003cp\u003eDZOFILM specifies a 46.5mm image circle across the Arles Prime range for full-frame and Vista Vision production.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\n\u003cp\u003eA 95mm front diameter, 0.8 MOD focus and iris gears, 270-degree focus rotation, and 16-blade iris align the lens with the rest of the family.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose the 14mm for its specific field of view. Wider Arles focal lengths emphasize space and camera proximity, normal focal lengths balance environment and subject, and longer options add compression and tighter framing while retaining the shared family handling.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-arles-21mm-t1-4-ff-vv-prime-cine-lens-arri-pl\"\u003eDZOFilm Arles 21mm\u003c\/a\u003e. Check the exact mount, sensor format, lens support, matte box, follow-focus position, and camera clearance before the shoot.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis 14mm Arles prime is for cinematographers, rental houses, commercial crews, narrative productions, and film schools building or extending a matched fast PL lens set.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another Arles focal length when 14mm does not provide the required field of view, or a smaller prime when gimbal weight and compact handheld balance matter more than the matched 95mm cinema housing.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Arles 14mm T1.9 FF\/VV prime cine lens in ARRI PL mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 14mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T1.9\u003c\/li\u003e\n\u003cli\u003eMount: ARRI PL\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003cli\u003eIris blades: 16\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Arles 14mm cine lens designed to do?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles 14mm T1.9 FF\/VV Prime Cine Lens (ARRI PL) is designed for the exact cinema-lens or adapter role described on this page. Its value comes from matching the exact product configuration to the camera, lens, light, filter holder, or support equipment already in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do I check compatibility before ordering Arles 14mm cine lens?\u003c\/strong\u003e\u003cbr\u003eFor DZOFilm Arles 14mm T1.9 FF\/VV Prime Cine Lens (ARRI PL), compare the mount, physical size, optical format, connector, payload, or accessory standard shown on this page with the corresponding specification on your existing equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with Arles 14mm cine lens?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles 14mm T1.9 FF\/VV Prime Cine Lens (ARRI PL) includes DZOFilm Arles 14mm T1.9 FF\/VV prime cine lens in ARRI PL mount. Optional accessories, alternate mounts, cameras, lenses, lights, and support equipment are separate unless they are named in the selected Shopify variant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of Arles 14mm cine lens?\u003c\/strong\u003e\u003cbr\u003eChoose choose another arles focal length when 14mm does not provide the required field of view, or a smaller prime when gimbal weight and compact handheld balance matter more than the matched 95mm cinema housing instead of DZOFilm Arles 14mm T1.9 FF\/VV Prime Cine Lens (ARRI PL) when that option better matches your required format, size, mount, focal range, payload, or level of kit completeness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy Arles 14mm cine lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Arles 14mm T1.9 FF\/VV Prime Cine Lens (ARRI PL) is available from Filmgear Canada with Canada-wide shipping and Vancouver-based assistance. Check the selected variant and the surrounding equipment requirements before placing the order.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Arles 14mm T1.9 FF\/VV Prime Cine Lens (ARRI PL) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Review the selected mount, size, filter, or kit configuration before ordering so the product matches the rest of your production package.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":45930875355395,"sku":"DZO-SAP14IPL","price":3055.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1725627924_1850218.jpg?v=1765583997"}],"url":"https:\/\/filmgearcanada.com\/collections\/dzofilm-black-friday.oembed","provider":"Filmgear Canada","version":"1.0","type":"link"}