{"title":"New Arrivals","description":"","products":[{"product_id":"atomos-shinobi-2-monitor","title":"Atomos Shinobi II 5.2\" HDMI HDR Monitor","description":"\u003cp\u003eThe Atomos Shinobi II is the second generation of Atomos' compact 5.2 inch HDMI HDR on-camera monitor. It is a monitoring-only unit, no recording, aimed at owner-operators and gimbal users who want a brighter, sharper finder than the camera's own screen without a recorder on top of the rig.\u003c\/p\u003e\u003ch2\u003eKey features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e5.2 inch HDR-capable panel\u003c\/li\u003e\n\u003cli\u003eHDMI input and loop-through\u003c\/li\u003e\n\u003cli\u003eFocus peaking, false colour, waveform, vectorscope, and LUTs\u003c\/li\u003e\n\u003cli\u003eBattery-powered, hot-shoe or rod-clamp mount\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"Atomos","offers":[{"title":"Default Title","offer_id":45841201070339,"sku":"ATOM-SHB003","price":509.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1722415528_1841686.jpg?v=1723588949"},{"product_id":"aputure-infinimat-light-mat-2x4","title":"Aputure INFINIMAT LED with Clear Softbox \u0026 400W Control Box Pack (2 x 4')","description":"\u003cp\u003eThe Aputure INFINIMAT 2 x 4' is a flexible tunable-color LED mat built for soft, broad-source lighting on set. This pack includes the 400W control box and a clear inflatable softbox, so you can shape a large soft source without rigging a heavy diffusion frame.\u003c\/p\u003e\n\u003ch2\u003eKey features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003eLarge 2 x 4 foot flexible LED panel for soft key, fill, or wash.\u003c\/li\u003e\n  \u003cli\u003eTunable color output to match practicals, daylight, or tungsten on location.\u003c\/li\u003e\n  \u003cli\u003e400W control box drives the panel and handles active cooling.\u003c\/li\u003e\n  \u003cli\u003eInflatable clear softbox shapes the beam without a traditional speed ring or grip frame.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIdeal for documentary, interview, narrative, and product work where you need a large soft source that still packs down for travel.\u003c\/p\u003e\n\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"Aputure","offers":[{"title":"V Mount","offer_id":46518432006403,"sku":"AP30039AC7","price":2989.98,"currency_code":"CAD","in_stock":true},{"title":"Gold Mount","offer_id":46518432039171,"sku":"AP10039ACC","price":2989.98,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1762257083_1930070.jpg?v=1769107100"},{"product_id":"thypoch-simera-c-21mm-t1-5-cine-lens-sony-e-copy","title":"Thypoch Simera-C T1.5 Cine 5-Lens Kit (Leica M)","description":"\u003cp\u003eA complete Thypoch Simera-C T1.5 cine prime set in Leica M mount. The kit bundles a matched range of fast T1.5 primes designed for narrative and documentary shooters who want a uniform look across an entire production without changing lens systems mid-shoot.\u003c\/p\u003e\u003cp\u003eEvery lens in the kit shares the Simera-C T1.5 maximum aperture, so exposure and depth-of-field stay consistent when swapping focal lengths in the middle of a scene.\u003c\/p\u003e\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"Thypoch","offers":[{"title":"Default Title","offer_id":46295273603331,"sku":"TP-SC5P-M","price":5578.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1734331587_1869123.jpg?v=1736366819"},{"product_id":"tilta-nucleus-m-ii-ultimate-kit","title":"Tilta Nucleus-M II Ultimate Kit","description":"\u003cp\u003e\u003cstrong\u003eTilta Nucleus-M II Ultimate Kit\u003c\/strong\u003e is a Tilta product. It is available at Filmgear Canada in Vancouver. Order online with Canada-wide shipping, or contact our showroom team to confirm fit and compatibility with your kit.\u003c\/p\u003e","brand":"Tilta","offers":[{"title":"Default Title","offer_id":46739240026371,"sku":"WLC-T06","price":2099.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1743767180_1889729.jpg?v=1744317221"},{"product_id":"aputure-storm-400x-v-mount","title":"Aputure STORM 400x LED Monolight (V-Mount)","description":"\u003c!-- fg-media-top:v1 --\u003e\n\u003cdiv class=\"fg-media-top\"\u003e\n\u003cdiv class=\"fg-video\"\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/G6K95-jV_60?rel=0\" title=\"Aputure STORM 400x LED Monolight (V-Mount) official video\" loading=\"lazy\" style=\"width:100%;aspect-ratio:16\/9;height:auto;border:0;\" allow=\"accelerometer; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv class=\"fg-selling-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/aputure-storm-400x-v-mount-official-1.jpg?v=1789810009\u0026amp;width=1400\" alt=\"Aputure STORM 400x LED Monolight (V-Mount) feature highlight 1\" width=\"1400\" height=\"934\" loading=\"lazy\" style=\"width:100%;height:auto;display:block;margin-top:12px;\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"fg-selling-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/aputure-storm-400x-v-mount-official-2.jpg?v=1789810009\u0026amp;width=1400\" alt=\"Aputure STORM 400x LED Monolight (V-Mount) feature highlight 2\" width=\"1400\" height=\"934\" loading=\"lazy\" style=\"width:100%;height:auto;display:block;margin-top:12px;\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"fg-selling-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/aputure-storm-400x-v-mount-official-3.jpg?v=1789810010\u0026amp;width=1400\" alt=\"Aputure STORM 400x LED Monolight (V-Mount) feature highlight 3\" width=\"1400\" height=\"1243\" loading=\"lazy\" style=\"width:100%;height:auto;display:block;margin-top:12px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe Aputure STORM 400x is a compact 400W tunable-white point-source light for interview, commercial and location crews, and it runs on AC or two V-mount batteries.\u003c\/p\u003e\n\u003c!-- fg-ai-blocks:v1 --\u003e\n\u003cdiv class=\"fg-ai-block\" data-block=\"quick-answer\"\u003e\n\u003ch3\u003eQuick Answer\u003c\/h3\u003e\n\u003cp\u003eThe Aputure STORM 400x is a 400W tunable-white (2,500K to 10,000K) BLAIR point-source light with a ProLock Bowens mount, a separate IP65 control box and a 3 m head cable; this listing is the V-Mount battery version. It targets productions that want one powerful fixture with modern controls to serve as the key light. In a kit, it's designed as the primary key light for narrative, commercial, and event coverage, and it takes Aputure's Bowens-mount modifiers, such as fresnels, softboxes, and snoots, to shape that key.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fg-ai-block\" data-block=\"not-for\"\u003e\n\u003ch3\u003eNot Recommended For\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eNot a one-piece monolight: the lamp head runs from a separate control box on a 3 m head cable, so plan stand space for both.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eBLAIR five-colour LED chipset\u003c\/li\u003e\n\u003cli\u003e2,500K to 10,000K CCT range\u003c\/li\u003e\n\u003cli\u003eFull plus\/minus green adjustment\u003c\/li\u003e\n\u003cli\u003e400W maximum output\u003c\/li\u003e\n\u003cli\u003eProLock Bowens Mount\u003c\/li\u003e\n\u003cli\u003eIP65 dust and weather protection\u003c\/li\u003e\n\u003cli\u003e57-degree native beam angle\u003c\/li\u003e\n\u003cli\u003eSidus Link and professional wired control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eSTORM 400x Lamp Head\u003c\/li\u003e\n\u003cli\u003eSTORM 400x Control Box\u003c\/li\u003e\n\u003cli\u003eLightning Clamp\u003c\/li\u003e\n\u003cli\u003e35° Angle Hyper Reflector\u003c\/li\u003e\n\u003cli\u003eSTORM 400x Head Cable (3m)\u003c\/li\u003e\n\u003cli\u003eAC Power Cable (6m)\u003c\/li\u003e\n\u003cli\u003eBowens Mount Protection Cover\u003c\/li\u003e\n\u003cli\u003eSoft Carrying Case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003ctable\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eSpecification\u003c\/th\u003e\n\u003cth\u003eSTORM 400x\u003c\/th\u003e\n\u003cth\u003eSTORM 700x\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eMax power output\u003c\/td\u003e\n\u003ctd\u003e400W\u003c\/td\u003e\n\u003ctd\u003e700W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput at 3m, 5600K, included reflector\u003c\/td\u003e\n\u003ctd\u003e5,090 lux (35°)\u003c\/td\u003e\n\u003ctd\u003e18,670 lux (35°)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLamp head weight with yoke\u003c\/td\u003e\n\u003ctd\u003e3.95 kg\u003c\/td\u003e\n\u003ctd\u003e5.15 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBattery operation\u003c\/td\u003e\n\u003ctd\u003eTwo V-mount or Gold Mount batteries\u003c\/td\u003e\n\u003ctd\u003eAC only\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFan noise at 1m, Smart mode\u003c\/td\u003e\n\u003ctd\u003e36 dBA\u003c\/td\u003e\n\u003ctd\u003e32 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch2\u003ePair It With\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"\/blogs\/buying-guide\/aputure-storm-400x-vs-700x-vs-1200x\"\u003eOur Aputure STORM 400x vs 700x vs 1200x comparison, with Aputure's own output figures side by side\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/aputure-cf7-fresnel-kit\"\u003eAputure CF7 Fresnel and Barn Doors Kit for STORM 400x\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eTwo 14.4V or 14.8V V-mount or Gold Mount batteries rated for at least 10A continuous each (50% output) or 20A each (full output)\u003c\/li\u003e\n\u003cli\u003eBowens-mount softboxes rated for a 400W light\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003ctable\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eSpecification\u003c\/th\u003e\n\u003cth\u003eSTORM 400x\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eCCT\u003c\/td\u003e\n\u003ctd\u003e2,500K to 10,000K\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum output\u003c\/td\u003e\n\u003ctd\u003e400W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePower consumption\u003c\/td\u003e\n\u003ctd\u003e500W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNative beam\u003c\/td\u003e\n\u003ctd\u003e57 degrees\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLamp-head weight\u003c\/td\u003e\n\u003ctd\u003e3.95 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBattery operation\u003c\/td\u003e\n\u003ctd\u003eTwo V-mount or Gold Mount batteries at 14.4V or 14.8V; single-battery operation not supported\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFan noise at 1m\u003c\/td\u003e\n\u003ctd\u003e29 dBA Medium, 33 dBA High, 36 dBA Smart\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSilent fan mode\u003c\/td\u003e\n\u003ctd\u003eFan off, output limited to 45W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eProLock locking Bowens mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Aputure","offers":[{"title":"Default Title","offer_id":47025403592963,"sku":"AP00339A20","price":1498.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/482159.webp?v=1753131397"},{"product_id":"aputure-cf7-fresnel-kit","title":"Aputure CF7 Fresnel and Barn Doors Kit for STORM 400X","description":"\u003cp\u003eThe Aputure CF7 Fresnel and Barn Doors Kit is the Fresnel + barndoor combo built specifically for the STORM 400X. The Fresnel tightens the STORM 400X's beam for longer throw and harder, more controllable shadows; the barndoors add cuts and spill control.\u003c\/p\u003e\n\u003c!-- fg-ai-blocks:v1 --\u003e\n\u003cdiv class=\"fg-ai-block\" data-block=\"quick-answer\"\u003e\n\u003ch3\u003eQuick Answer\u003c\/h3\u003e\n\u003cp\u003eThe Aputure CF7 Fresnel and Barn Doors Kit is a fresnel and barndoor combo built specifically for the STORM 400X. It is for STORM 400X owners who want longer throw and harder, more controllable shadows than the bare reflector gives. In a kit it is the beam-shaping modifier for that light, with barndoors added for cuts and spill control.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fg-ai-block\" data-block=\"works-with\"\u003e\n\u003ch3\u003eWorks With\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAputure STORM 400X\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fg-ai-block\" data-block=\"not-for\"\u003e\n\u003ch3\u003eNot Recommended For\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eNot for soft light: a fresnel gives a hard, focusable beam (15 to 40 degrees); use a softbox for soft light.\u003c\/li\u003e\n\u003cli\u003eAputure designs the CF7 for the STORM 400x; for the STORM 700x, Aputure makes the larger CF10.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eKey features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFresnel attachment matched to the STORM 400X output\u003c\/li\u003e\n\u003cli\u003eTighter beam and longer throw than the bare reflector\u003c\/li\u003e\n\u003cli\u003eBarndoors included for cuts and spill control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"Aputure","offers":[{"title":"Default Title","offer_id":47036108177667,"sku":"AP0F055A3A","price":284.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/482176_3.webp?v=1753396140"},{"product_id":"dzofilm-vespid2-6-lens-kit-pl-feet","title":"DZOFilm Vespid2 T1.9 Prime 6-Lens Kit (ARRI PL, Feet)","description":"\u003c!-- fg-media-top:v1 --\u003e\n\u003cdiv class=\"fg-media-top\"\u003e\n\u003cdiv class=\"fg-video\"\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/RoTv2mlcMXM?rel=0\" title=\"DZOFilm Vespid2 T1.9 Prime 6-Lens Kit (ARRI PL, Feet) official video\" loading=\"lazy\" style=\"width:100%;aspect-ratio:16\/9;height:auto;border:0;\" allow=\"accelerometer; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv class=\"fg-selling-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/dzofilm-vespid2-6-lens-kit-pl-feet-official-1.webp?v=1789809089\u0026amp;width=1400\" alt=\"Compact PL-mount Vespid 2 lens lineup\" width=\"1400\" height=\"788\" loading=\"lazy\" style=\"width:100%;height:auto;display:block;margin-top:12px;\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"fg-selling-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/dzofilm-vespid2-6-lens-kit-pl-feet-official-2.webp?v=1789809089\u0026amp;width=1400\" alt=\"Vespid 2 full-frame image coverage\" width=\"1400\" height=\"788\" loading=\"lazy\" style=\"width:100%;height:auto;display:block;margin-top:12px;\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"fg-selling-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/dzofilm-vespid2-6-lens-kit-pl-feet-official-3.webp?v=1789809090\u0026amp;width=1400\" alt=\"Vespid 2 optical design feature\" width=\"1400\" height=\"1400\" loading=\"lazy\" style=\"width:100%;height:auto;display:block;margin-top:12px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe DZOFilm Vespid2 T1.9 Prime 6-Lens Kit combines 18, 24, 35, 50, 85, and 105mm ARRI PL primes with feet scales, a 46.5mm image circle, and Cooke \/i data. The matched 80mm fronts, M77 threads, 0.8 MOD gears, and approximately 766 to 865g lens weights suit narrative and commercial work, including handheld, gimbal and stabilizer rigs.\u003c\/p\u003e\n\u003c!-- fg-ai-blocks:v1 --\u003e\n\u003cdiv class=\"fg-ai-block\" data-block=\"quick-answer\"\u003e\n\u003ch3\u003eQuick Answer\u003c\/h3\u003e\n\u003cp\u003eThe DZOFilm Vespid2 T1.9 Prime 6-Lens Kit is a matched set of 18, 24, 35, 50, 85 and 105mm full-frame cine primes in ARRI PL mount, marked in feet. Every lens opens to T1.9, covers a 46.5mm image circle, shares an 80mm front with M77 filter threads, and records focal length, T-stop and focus distance through Cooke \/i. At about 766 to 865g per lens, the set suits handheld, gimbal and stabilizer rigs.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fg-ai-block\" data-block=\"not-for\"\u003e\n\u003ch3\u003eNot Recommended For\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAutofocus shooting. These are manual-focus cine primes with 0.8 MOD gears and 300° focus rotation for follow-focus work.\u003c\/li\u003e\n\u003cli\u003eVirtual production that needs lens distortion or shading data. DZOFILM lists three Cooke \/i data fields: focal length, T-stop and focus distance.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMatched six-lens set:\u003c\/strong\u003e 18, 24, 35, 50, 85, and 105mm focal lengths share T1.9 maximum aperture.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull-frame coverage:\u003c\/strong\u003e The 46.5mm image circle covers full-frame and VistaVision recording areas.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCooke \/i data:\u003c\/strong\u003e Compatible ARRI, RED, Blackmagic, Sony, and Canon cinema cameras can record focal length, T-stop, and focus distance.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUnified front:\u003c\/strong\u003e Each lens uses an 80mm front outside diameter and M77 filter thread.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCinema mechanics:\u003c\/strong\u003e 0.8 MOD gears and 300° focus rotation support follow-focus work.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompact build:\u003c\/strong\u003e Individual lenses weigh approximately 766 to 865g for handheld, gimbal, and stabilizer setups.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTen-blade iris:\u003c\/strong\u003e The official specification lists 10 iris blades across the set.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFeet scale:\u003c\/strong\u003e This kit uses imperial focus markings for crews working in feet.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e1 x DZOFilm Vespid2 18mm T1.9 Prime Lens (ARRI PL, Feet)\u003c\/li\u003e\n\u003cli\u003e1 x DZOFilm Vespid2 24mm T1.9 Prime Lens (ARRI PL, Feet)\u003c\/li\u003e\n\u003cli\u003e1 x DZOFilm Vespid2 35mm T1.9 Prime Lens (ARRI PL, Feet)\u003c\/li\u003e\n\u003cli\u003e1 x DZOFilm Vespid2 50mm T1.9 Prime Lens (ARRI PL, Feet)\u003c\/li\u003e\n\u003cli\u003e1 x DZOFilm Vespid2 85mm T1.9 Prime Lens (ARRI PL, Feet)\u003c\/li\u003e\n\u003cli\u003e1 x DZOFilm Vespid2 105mm T1.9 Prime Lens (ARRI PL, Feet)\u003c\/li\u003e\n\u003cli\u003e6 x Front Lens Cap\u003c\/li\u003e\n\u003cli\u003e6 x Rear Lens Cap\u003c\/li\u003e\n\u003cli\u003e1 x Hard Case\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003ctable\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eSpecification\u003c\/th\u003e\n\u003cth\u003eVespid2\u003c\/th\u003e\n\u003cth\u003eOriginal Vespid\u003c\/th\u003e\n\u003cth\u003eArles\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eCore maximum aperture\u003c\/td\u003e\n\u003ctd\u003eT1.9\u003c\/td\u003e\n\u003ctd\u003eT2.1\u003c\/td\u003e\n\u003ctd\u003eT1.4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens mount\u003c\/td\u003e\n\u003ctd\u003eARRI PL\u003c\/td\u003e\n\u003ctd\u003eARRI PL or Canon EF\u003c\/td\u003e\n\u003ctd\u003eARRI PL or Canon EF\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eApproximate lens weight\u003c\/td\u003e\n\u003ctd\u003e766 to 865g\u003c\/td\u003e\n\u003ctd\u003e725 to 1,021g\u003c\/td\u003e\n\u003ctd\u003e1.4 to 1.9kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFront diameter\u003c\/td\u003e\n\u003ctd\u003e80mm\u003c\/td\u003e\n\u003ctd\u003e80mm\u003c\/td\u003e\n\u003ctd\u003e95mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus rotation\u003c\/td\u003e\n\u003ctd\u003e300°\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\u003ch2\u003ePair It With\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\u003ca href=\"\/blogs\/buying-guide\/dzofilm-vespid-2-vs-arles-vs-vespid\"\u003eOur DZOFILM Vespid 2 vs Arles vs original Vespid comparison, covering speed, coverage and kit cost\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eVespid2 lenses are also sold individually: \u003ca href=\"\/products\/dzofilm-vespid2-18mm-pl-feet\"\u003e18mm\u003c\/a\u003e, \u003ca href=\"\/products\/dzofilm-vespid2-24mm-pl-feet\"\u003e24mm\u003c\/a\u003e, \u003ca href=\"\/products\/dzofilm-vespid2-35mm-pl-feet\"\u003e35mm\u003c\/a\u003e, \u003ca href=\"\/products\/dzofilm-vespid2-50mm-pl-feet\"\u003e50mm\u003c\/a\u003e, \u003ca href=\"\/products\/dzofilm-vespid2-85mm-pl-feet\"\u003e85mm\u003c\/a\u003e and \u003ca href=\"\/products\/dzofilm-vespid2-105mm-pl-feet\"\u003e105mm\u003c\/a\u003e, so a set can be extended or a focal length replaced later.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003ctable\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eFocal lengths\u003c\/th\u003e\n\u003ctd\u003e18 \/ 24 \/ 35 \/ 50 \/ 85 \/ 105mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eAperture\u003c\/th\u003e\n\u003ctd\u003eT1.9 to T22\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eMount and scale\u003c\/th\u003e\n\u003ctd\u003eARRI PL, feet\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eImage circle\u003c\/th\u003e\n\u003ctd\u003e46.5mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eFront diameter \/ filter\u003c\/th\u003e\n\u003ctd\u003e80mm \/ M77\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eFocus rotation \/ gears\u003c\/th\u003e\n\u003ctd\u003e300° \/ 0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eIris\u003c\/th\u003e\n\u003ctd\u003e10 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eLens data\u003c\/th\u003e\n\u003ctd\u003eCooke \/i: focal length, T-stop, and focus distance on compatible cameras\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eApproximate lens weight\u003c\/th\u003e\n\u003ctd\u003e18mm 766g; 24mm 776g; 35mm 800g; 50mm 836g; 85mm 865g; 105mm 833g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eClose focus across the set\u003c\/th\u003e\n\u003ctd\u003e0.25 to 0.9m, depending on focal length\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eCamera adapters\u003c\/th\u003e\n\u003ctd\u003eMirrorless and other camera mounts need a PL adapter. DZOFILM does not publish rear-element protrusion, so check the adapter maker's compatibility list.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eWarranty and support\u003c\/th\u003e\n\u003ctd\u003eManufacturer warranty, with support coordinated by Filmgear Canada. Multi-unit and production quotes: info@filmgearcanada.com.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":47151966454019,"sku":"DZO-V26SETIX","price":8741.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/dzofilm-vespid2-6-lens-kit-pl-feet-white-1.png?v=1789810426"},{"product_id":"nikon-zr","title":"Nikon ZR 6K Cinema Camera (Body Only)","description":"\u003cp\u003eThe Nikon ZR is Nikon's first Z-Cinema camera and the first body co-developed with RED after Nikon acquired RED in 2024. It brings RED's REDCODE workflow into a compact full-frame body, sold here body only, aimed at narrative, documentary, and commercial work.\u003c\/p\u003e\u003ch2\u003eKey features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e24.5MP partially-stacked full-frame CMOS with Expeed 7 processor (shared with the Z6 III), for reduced rolling shutter\u003c\/li\u003e\n\u003cli\u003eInternal R3D NE (12-bit REDCODE RAW) plus N-RAW and ProRes RAW, up to 6K\/60p\u003c\/li\u003e\n\u003cli\u003e4K up to 120p and 1080p up to 240p for slow motion\u003c\/li\u003e\n\u003cli\u003eDual base ISO (800 \/ 6400) on R3D NE, 15+ stops of dynamic range\u003c\/li\u003e\n\u003cli\u003eWorld's first camera with 32-bit float audio, internal and external\u003c\/li\u003e\n\u003cli\u003eIn-body image stabilization (IBIS)\u003c\/li\u003e\n\u003cli\u003ePassive cooling, no fan. The magnesium-alloy body dissipates heat for continuous 6K\/60p recording up to about 125 minutes, and runs silently with no fan noise on quiet sets\u003c\/li\u003e\n\u003cli\u003eMicro-HDMI (Type D) output. A right-angle or cage-mounted adapter to full-size HDMI is recommended to protect the port on location\u003c\/li\u003e\n\u003cli\u003e4-inch 1000-nit rear display, 3.07M dots. Nikon Z mount, CFexpress Type B\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eBody only. Lens, batteries, and media sold separately. A strong fit for shooters who want RED color science and internal RAW at a hybrid-camera price.\u003c\/p\u003e\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"Nikon","offers":[{"title":"Default Title","offer_id":47186925224195,"sku":"34319","price":2999.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/484824.webp?v=1757547406"},{"product_id":"aputure-nova-ii-2x1-rgb-led-light-panel","title":"Aputure NOVA II 2x1 RGB LED Light Panel","description":"\u003cp\u003eThe Aputure NOVA II 2x1 is the second-generation NOVA P300C: a full-colour RGB soft panel in the 2 by 1 foot format. It is the panel head only, intended to pair with the matching Aputure softbox, dome, or eggcrate accessories sold separately. The NOVA line is Aputure's full-colour soft-source panel range above the smaller Amaran P-series.\u003c\/p\u003e\u003ch2\u003eKey features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e2 by 1 foot RGBWW soft-light panel\u003c\/li\u003e\n\u003cli\u003eFull RGB hue, tunable warm-to-daylight white\u003c\/li\u003e\n\u003cli\u003eBuilt-in lighting effects (police, fire, lightning, paparazzi, etc.)\u003c\/li\u003e\n\u003cli\u003eApp, DMX, CRMX, and Sidus Link control\u003c\/li\u003e\n\u003cli\u003eDesigned to accept the matched Aputure 2x1 modifier line\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"Aputure","offers":[{"title":"Default Title","offer_id":47192465015043,"sku":"AP0400040K","price":5289.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1757598104_IMG_2572636.jpg?v=1757715968"},{"product_id":"aputure-nova-ii-2x1-softbox","title":"Aputure NOVA II 2x1 Softbox","description":"\u003cp\u003e\u003cstrong\u003eThe Aputure NOVA 2x1 softbox is a fast-deploy 90 x 60cm diffusion modifier for the NOVA II 2x1 and NOVA 9° 2x1 LED panel light systems.\u003c\/strong\u003e It gives studio, interview, commercial, and rental crews a broader soft source while keeping setup and packing simpler than a separate frame-and-diffusion build.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eAputure developed this QuickClip softbox with DoPchoice for the NOVA 2x1 platform. It mounts directly to compatible NOVA II 2x1 and NOVA 9° 2x1 fixtures and includes both 1-stop and 2-stop diffusion plus a 45-degree fabric control grid. The two diffusion strengths let crews balance output and softness, while the grid reduces side spill. The carrying bag keeps the modifier, cloths, and grid together during transport. It does not replace the fixture, stand, power cable, safety equipment, or rolling hard case.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003e90 x 60cm Fast-Deploy Softbox\u003c\/h3\u003e\u003cp\u003eThe three-by-two-foot modifier creates a large diffusion surface and is designed to set up quickly on compatible NOVA 2x1 panels.\u003c\/p\u003e\u003ch3\u003eTwo Diffusion Strengths\u003c\/h3\u003e\u003cp\u003eIncluded 1-stop and 2-stop cloths let the crew choose between higher output or heavier diffusion for the required face, product, or set treatment.\u003c\/p\u003e\u003ch3\u003eIncluded 45-Degree Grid\u003c\/h3\u003e\u003cp\u003eThe fabric control grid narrows side spill and helps keep soft output away from backgrounds, lenses, walls, and ceilings.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose this softbox when the NOVA II 2x1 or NOVA 9° 2x1 needs a broad soft key or fill with optional grid control. Choose the Dome Diffuser for wider wrap, Barn Doors for hard-edge spill trimming, the Flat Diffuser for a lower-profile change, or a separate frame when diffusion must be positioned away from the fixture.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/aputure-nova-ii-2x1-dome-diffuser\"\u003eAputure NOVA II 2x1 Dome Diffuser\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/aputure-nova-ii-2x1-fabric-control-grid\"\u003eAputure NOVA II 2x1 Fabric Control Grid\u003c\/a\u003e. Use the dedicated QuickClip interface on a NOVA II 2x1 or NOVA 9° 2x1. Check yoke clearance, stand capacity, safety chain, grid attachment, wind exposure, and case dimensions before production.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eThis modifier is for gaffers, cinematographers, portrait and interview crews, studios, rental houses, and owner-operators who need a fast broad soft source from a compatible NOVA 2x1 panel.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose a Dome Diffuser for wider wrap, Barn Doors for hard-light spill control, a projection or Fresnel system for concentrated output, or a smaller modifier when case space and wind load matter more than source size.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eAputure NOVA 2x1 Softbox\u003c\/li\u003e\n\u003cli\u003e1-stop diffusion cloth\u003c\/li\u003e\n\u003cli\u003e2-stop diffusion cloth\u003c\/li\u003e\n\u003cli\u003eNOVA Fabric Control Grid 3x2\u003c\/li\u003e\n\u003cli\u003ecarrying bag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eCompatibility: Aputure NOVA II 2x1 and NOVA 9° 2x1\u003c\/li\u003e\n\u003cli\u003eModifier size: 90 x 60cm \/ 3 x 2ft\u003c\/li\u003e\n\u003cli\u003eMounting system: QuickClip\u003c\/li\u003e\n\u003cli\u003eIncluded diffusion: 1-stop and 2-stop\u003c\/li\u003e\n\u003cli\u003eIncluded grid: 45 degrees\u003c\/li\u003e\n\u003cli\u003eFunction: soft output with optional spill control\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eWhich Aputure lights fit the NOVA 2x1 Softbox?\u003c\/strong\u003e\u003cbr\u003eThe Aputure NOVA 2x1 Softbox is designed for the NOVA II 2x1 and NOVA 9° 2x1 QuickClip interfaces. Match the exact fixture before ordering.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat diffusion cloths are included?\u003c\/strong\u003e\u003cbr\u003eThe Aputure NOVA 2x1 Softbox includes 1-stop and 2-stop cloths, allowing a choice between higher output and heavier diffusion.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDoes the softbox include a control grid?\u003c\/strong\u003e\u003cbr\u003eA 45-degree NOVA Fabric Control Grid 3x2 is included to reduce side spill while retaining a broad soft light.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow does this compare with the NOVA Dome Diffuser?\u003c\/strong\u003e\u003cbr\u003eThe softbox creates a directional rectangular light with a grid option, while the Dome Diffuser is intended for wider wrap and greater spread around the panel.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere can I buy the NOVA 2x1 Softbox in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada supplies the Aputure NOVA 2x1 Softbox with Canada-wide shipping and Vancouver-based help for fixture, stand, modifier, and case planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eBuy Aputure NOVA II 2x1 Softbox from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact configuration, mount, power, control, support, and accessory plan before ordering.\u003c\/p\u003e","brand":"Aputure","offers":[{"title":"Default Title","offer_id":47192476778755,"sku":"AA0406031Y","price":258.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1757596642_1920534.jpg?v=1757716986"},{"product_id":"aputure-nova-ii-2x1-dome-diffuser","title":"Aputure NOVA II 2x1 Dome Diffuser","description":"\u003cp\u003e\u003cstrong\u003eAputure NOVA II 2x1 Dome Diffuser is a panel-face diffusion modifier that broadens the NOVA II 2x1 into a softer wrap light.\u003c\/strong\u003e The dedicated shape mounts at the fixture face for interview, beauty, studio, and ambient-fill setups where a wider spread is more useful than a rectangular softbox with a grid. Buyers comparing this production lighting accessory should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eAputure NOVA II 2x1 Dome Diffuser is designed around the NOVA II 2x1 lighting system rather than as a universal fixture accessory. The dedicated shape mounts at the fixture face for interview, beauty, studio, and ambient-fill setups where a wider spread is more useful than a rectangular softbox with a grid. Crews should check modifier clearance, stand capacity, safety attachment, power-cable routing, outdoor exposure, and packed size before the call so output, colour, CCT, and control needs remain practical for the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003eDedicated Parent-System Fit\u003c\/h3\u003e\u003cp\u003eAputure NOVA II 2x1 Dome Diffuser is shaped for the NOVA II 2x1 and its named modifier interface.\u003c\/p\u003e\n\u003ch3\u003eProduction Light Control\u003c\/h3\u003e\u003cp\u003eThe dedicated shape mounts at the fixture face for interview, beauty, studio, and ambient-fill setups where a wider spread is more useful than a rectangular softbox with a grid.\u003c\/p\u003e\n\u003ch3\u003ePack-and-Rig Planning\u003c\/h3\u003e\u003cp\u003eIts role is mechanical light shaping or protection, so fixture power, battery or AC supply, stand, safety cable, and any additional case remain separate unless listed.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose the dome for wider wrap and room fill. Choose the NOVA 2x1 Softbox for a larger rectangular surface or the Fabric Control Grid when side spill must be reduced.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/aputure-lantern-30-for-storm-80c\"\u003eAputure Lantern 30\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/aputure-light-dome-40\"\u003eAputure Quick Dome 40\u003c\/a\u003e. Match the NOVA II 2x1, mounting interface, modifier weight, grid or softbox clearance, stand, safety cable, fixture power, and transport case before use.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis accessory is for cinematographers, gaffers, studios, rental teams, and owner-operators using the NOVA II 2x1 who need its specific light-control role.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the dome for wider wrap and room fill. Choose the NOVA 2x1 Softbox for a larger rectangular surface or the Fabric Control Grid when side spill must be reduced. Check required output, colour, CCT range, modifier size, grid control, power method, case space, and outdoor conditions before choosing.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003eAputure NOVA II 2x1 Dome Diffuser\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eCompatibility: Aputure NOVA II 2x1\u003c\/li\u003e\n\u003cli\u003eType: dome diffuser\u003c\/li\u003e\n\u003cli\u003eFunction: broader soft output\u003c\/li\u003e\n\u003cli\u003eMounting: panel-face accessory\u003c\/li\u003e\n\u003cli\u003ePower: none\u003c\/li\u003e\n\u003cli\u003eFixture included: no\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhich light is the Aputure NOVA II 2x1 Dome Diffuser made for?\u003c\/strong\u003e\u003cbr\u003eAputure NOVA II 2x1 Dome Diffuser: It is designed around the NOVA II 2x1. Match the fixture and mounting interface before ordering so the modifier or protective part seats correctly.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat lighting problem does it solve?\u003c\/strong\u003e\u003cbr\u003eAputure NOVA II 2x1 Dome Diffuser: The dedicated shape mounts at the fixture face for interview, beauty, studio, and ambient-fill setups where a wider spread is more useful than a rectangular softbox with a grid. It changes light shape or fixture protection without changing the lamp's colour engine or control system.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes it include the light or power equipment?\u003c\/strong\u003e\u003cbr\u003eAputure NOVA II 2x1 Dome Diffuser: The listing is for the named accessory. The fixture, AC supply, battery, stand, safety equipment, and any item absent from the box list remain separate.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should a crew compare it with another modifier?\u003c\/strong\u003e\u003cbr\u003eAputure NOVA II 2x1 Dome Diffuser: Choose the dome for wider wrap and room fill. Choose the NOVA 2x1 Softbox for a larger rectangular surface or the Fabric Control Grid when side spill must be reduced. The practical decision is spread, spill, softness, output loss, setup time, and packed size.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy it in Canada?\u003c\/strong\u003e\u003cbr\u003eAputure NOVA II 2x1 Dome Diffuser: Filmgear Canada offers Canada-wide shipping and Vancouver-based help for fixture, modifier, grid, case, stand, power, and compatibility planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy Aputure NOVA II 2x1 Dome Diffuser from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"Aputure","offers":[{"title":"Default Title","offer_id":47192484741379,"sku":"AA04060422","price":284.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1757596846_1920537.jpg?v=1757717243"},{"product_id":"aputure-nova-ii-2x1-rgb-led-light-panel-travel-kit","title":"Aputure NOVA II 2x1 RGB LED Light Panel w\/ Rolling Hard Case","description":"\u003cp\u003eThe Aputure NOVA II 2x1 Travel Kit is the NOVA II 2x1 RGB panel packaged with a rolling hard case sized to fit the panel, yoke, and the standard set of cables. It is the version aimed at owner-operators and rental houses who need to move the fixture between locations without sourcing a case separately.\u003c\/p\u003e\u003ch2\u003eWhat's included\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eNOVA II 2x1 RGB LED light panel head\u003c\/li\u003e\n\u003cli\u003eRolling hard case sized to the panel kit\u003c\/li\u003e\n\u003cli\u003eStandard Aputure NOVA II 2x1 accessory set as supplied by Aputure\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eModifiers like the matched softbox and dome are sold separately.\u003c\/p\u003e\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"Aputure","offers":[{"title":"Default Title","offer_id":47192497717507,"sku":"AP04000318","price":5579.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1757598104_IMG_2572636.jpg?v=1757715968"},{"product_id":"aputure-space-light-90","title":"Aputure Space Light 90 Softbox","description":"\u003cp\u003eThe Aputure Space Light 90 is a 360-degree softbox modifier in the Aputure modifier line. It wraps a Bowens-mount fixture to produce an even, top-down ambient source, the classic space light look for interior sets and overhead fill.\u003c\/p\u003e\u003ch2\u003eKey features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eBowens-mount space light modifier\u003c\/li\u003e\n\u003cli\u003e360-degree soft, even spread\u003c\/li\u003e\n\u003cli\u003eSkirt for shaping spill\u003c\/li\u003e\n\u003cli\u003eDesigned for Aputure 600 and 1200 series fixtures, compatible with other Bowens-mount lights\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eThis is a modifier and does not include the light fixture.\u003c\/p\u003e\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"Aputure","offers":[{"title":"Default Title","offer_id":47192503681283,"sku":"AA04060447","price":258.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1759158063_1920540.jpg?v=1769105462"},{"product_id":"dji-osmo-nano","title":"DJI OSMO NANO (128GB)","description":"\u003cp\u003eThe DJI Osmo Nano (128GB) is DJI's tiny magnetic action\/POV camera. It is designed to be worn, clipped, or mounted in places a larger Osmo Action or Pocket cannot go.\u003c\/p\u003e\u003cp\u003eThis is the 128GB storage configuration, suited to shooters who record full days without offloading between clips.\u003c\/p\u003e\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"DJI","offers":[{"title":"Default Title","offer_id":47224791662851,"sku":"24115453","price":459.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/484907_1.webp?v=1764289924"},{"product_id":"aputure-storm-700x","title":"Aputure STORM 700x Tunable White LED Monolight","description":"\u003c!-- fg-media-top:v1 --\u003e\n\u003cdiv class=\"fg-media-top\"\u003e\n\u003cdiv class=\"fg-video\"\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/USm-GKDxPF4?rel=0\" title=\"Aputure STORM 700x Tunable White LED Monolight official video\" loading=\"lazy\" style=\"width:100%;aspect-ratio:16\/9;height:auto;border:0;\" allow=\"accelerometer; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv class=\"fg-selling-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/aputure-storm-700x-led-cine-kit-official-1.jpg?v=1789809064\u0026amp;width=1400\" alt=\"STORM 700x BLAIR light engine\" width=\"1400\" height=\"788\" loading=\"lazy\" style=\"width:100%;height:auto;display:block;margin-top:12px;\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"fg-selling-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/aputure-storm-700x-led-cine-kit-official-2.jpg?v=1789809065\u0026amp;width=1400\" alt=\"STORM 700x color tuning control\" width=\"1400\" height=\"788\" loading=\"lazy\" style=\"width:100%;height:auto;display:block;margin-top:12px;\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"fg-selling-image\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/aputure-storm-700x-led-cine-kit-official-3.jpg?v=1789809065\u0026amp;width=1400\" alt=\"STORM 700x high-output fixture\" width=\"1400\" height=\"788\" loading=\"lazy\" style=\"width:100%;height:auto;display:block;margin-top:12px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe Aputure STORM 700x is a 700W BLAIR-engine point-source light with a 2,500 to 10,000K range, full green-magenta adjustment, IP65 protection, and ProLock Bowens mount. It fits film, commercial, interview, and studio crews that need more output than a 600W-class tunable-white fixture without moving to the size and 1,550W draw of STORM 1200x. In-stock orders placed before 2 PM Vancouver time ship the same business day.\u003c\/p\u003e\u003c!-- fg-ai-blocks:v1 --\u003e\n\u003cdiv class=\"fg-ai-block\" data-block=\"quick-answer\"\u003e\n\u003ch3\u003eQuick Answer\u003c\/h3\u003e\n\u003cp\u003eThe Aputure STORM 700x is a 700W tunable-white point-source LED built on Aputure's BLAIR light engine, with 2,500K to 10,000K CCT and full ±green adjustment. It runs on 100V to 240V AC through a separate control box, weighs 5.15 kg with its yoke, and mounts on a baby or junior stand. It ships with a 35° Hyper Reflector and a locking ProLock Bowens mount.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fg-ai-block\" data-block=\"works-with\"\u003e\n\u003ch3\u003eWorks With\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAputure CF10 Fresnel and Barn Doors Kit (15° to 40° beam)\u003c\/li\u003e\n\u003cli\u003eAputure 25° Reflector\u003c\/li\u003e\n\u003cli\u003eSTORM 700x Skid\u003c\/li\u003e\n\u003cli\u003eBowens-mount softboxes on Aputure's compatibility list, such as the Light Dome III\u003c\/li\u003e\n\u003cli\u003eSidus Bluetooth Mesh, CRMX and 5-pin DMX control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fg-ai-block\" data-block=\"not-for\"\u003e\n\u003ch3\u003eNot Recommended For\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBattery-only shoots. Aputure lists AC power only, with a maximum draw of 880W.\u003c\/li\u003e\n\u003cli\u003eFull-color effects work. Color output uses Limited HSIC+ and x,y modes covering more than 70% of Rec.2020, so it is a white-light fixture first.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBLAIR light engine:\u003c\/strong\u003e 700W output with a 2,500 to 10,000K CCT range and ±G 100% adjustment.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMeasured output:\u003c\/strong\u003e At 5600K and 3m, output is 6,370 lux bare, 18,670 lux with the 35° reflector, and 27,190 lux with the optional 25° reflector.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCF10 option:\u003c\/strong\u003e The CF10 Fresnel measures 56,200 lux at 15° spot and 11,900 lux at 40° flood at 5600K and 3m.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProLock mount:\u003c\/strong\u003e The locking Bowens interface supports compatible high-output modifiers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStand choice:\u003c\/strong\u003e The yoke mounts to either a baby pin or junior receiver.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeather protection:\u003c\/strong\u003e The lamp head and control system carry an IP65 rating for dust and water resistance.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eColour control:\u003c\/strong\u003e Limited HSIC+ and x,y modes cover more than 70% of Rec.2020 alongside tunable white.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProfessional control:\u003c\/strong\u003e On-board controls, the Sidus Link and Sidus Link Pro apps, DMX\/RDM and CRMX are supported.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e1 x Aputure STORM 700x Lamp Head with Yoke\u003c\/li\u003e\n\u003cli\u003e1 x Aputure STORM 700x Control Box\u003c\/li\u003e\n\u003cli\u003e1 x Aputure Lightning Clamp\u003c\/li\u003e\n\u003cli\u003e1 x BM6835 35° Hyper Reflector\u003c\/li\u003e\n\u003cli\u003e1 x STORM 700x Head Cable (5m)\u003c\/li\u003e\n\u003cli\u003e1 x AC Power Cable (6m)\u003c\/li\u003e\n\u003cli\u003e1 x Bowens Mount Protection Cover\u003c\/li\u003e\n\u003cli\u003e1 x Rolling Soft Case\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003ctable\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eSpecification\u003c\/th\u003e\n\u003cth\u003eSTORM 700x\u003c\/th\u003e\n\u003cth\u003eSTORM 1200x\u003c\/th\u003e\n\u003cth\u003eLS 600x Pro\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBattery operation\u003c\/td\u003e\n\u003ctd\u003eNo, AC only\u003c\/td\u003e\n\u003ctd\u003eNo, AC only\u003c\/td\u003e\n\u003ctd\u003eYes, two V-mount or Gold Mount batteries at half output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCCT range\u003c\/td\u003e\n\u003ctd\u003e2,500–10,000K\u003c\/td\u003e\n\u003ctd\u003e2,500–10,000K\u003c\/td\u003e\n\u003ctd\u003e2,700–6,500K\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum power draw\u003c\/td\u003e\n\u003ctd\u003e880W\u003c\/td\u003e\n\u003ctd\u003e1,550W\u003c\/td\u003e\n\u003ctd\u003e720W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e5600K bare output at 3m\u003c\/td\u003e\n\u003ctd\u003e6,370 lux\u003c\/td\u003e\n\u003ctd\u003e8,490 lux\u003c\/td\u003e\n\u003ctd\u003e1,880 lux\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLamp head with yoke\u003c\/td\u003e\n\u003ctd\u003e5.15kg\u003c\/td\u003e\n\u003ctd\u003e9.50kg\u003c\/td\u003e\n\u003ctd\u003e5.16kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\u003ch2\u003ePair It With\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\u003ca href=\"\/blogs\/buying-guide\/aputure-storm-400x-vs-700x-vs-1200x\"\u003eOur Aputure STORM 400x vs 700x vs 1200x comparison, with Aputure's own output figures side by side\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"\/products\/aputure-cf10-fresnel-barn-door-700x\"\u003eAputure CF10 Fresnel and Barndoors\u003c\/a\u003e for a 15° to 40° adjustable beam.\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"\/products\/aputure-storm-700x-skid\"\u003eAputure STORM 700x Skid\u003c\/a\u003e for stable floor placement.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003ctable\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eLight engine \/ output\u003c\/th\u003e\n\u003ctd\u003eBLAIR \/ 700W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eCCT \/ green-magenta\u003c\/th\u003e\n\u003ctd\u003e2,500 to 10,000K \/ ±G 100%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eColour modes\u003c\/th\u003e\n\u003ctd\u003eLimited HSIC+ and x,y; over 70% Rec.2020 coverage\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eMaximum power consumption\u003c\/th\u003e\n\u003ctd\u003e880W, 100 to 240V AC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003e5600K photometrics at 3m\u003c\/th\u003e\n\u003ctd\u003eBare 6,370 lux; 35° reflector 18,670 lux; 25° reflector 27,190 lux\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eCF10 at 5600K \/ 3m\u003c\/th\u003e\n\u003ctd\u003e15° spot 56,200 lux; 40° flood 11,900 lux\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eNoise at 1m\u003c\/th\u003e\n\u003ctd\u003eSmart 32 dBA; High 36.9 dBA; Medium 31.8 dBA; Silent 0 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eMounting\u003c\/th\u003e\n\u003ctd\u003eBaby or junior stand receiver; ProLock Bowens accessory mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eLamp head \/ control box \/ loaded case\u003c\/th\u003e\n\u003ctd\u003e5.15kg \/ 4.10kg \/ 18.82kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eControl\u003c\/th\u003e\n\u003ctd\u003eOn-board, Sidus Link and Sidus Link Pro apps, DMX\/RDM, CRMX\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eProtection \/ operating range\u003c\/th\u003e\n\u003ctd\u003eIP65 \/ -20 to 45°C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eModifiers\u003c\/th\u003e\n\u003ctd\u003eThe ProLock mount accepts Bowens-mount modifiers rated for at least 700W.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eWarranty and support\u003c\/th\u003e\n\u003ctd\u003eOne-year Aputure manufacturer warranty, with claims coordinated by Filmgear Canada. Multi-unit and production quotes: info@filmgearcanada.com.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e","brand":"Aputure","offers":[{"title":"Default Title","offer_id":47348942373123,"sku":"AP0700017R","price":2049.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1761045055_IMG_2588183.jpg?v=1761689357"},{"product_id":"amaran-ray-60c","title":"Amaran Ray 60c RGB LED Light","description":"\u003cp\u003eThe Amaran Ray 60c is the smallest in amaran's Ray series of full-color RGB COB LEDs. It is designed for creators who want one portable hard-light source that does daylight, tungsten, full HSI color, and lighting effects from one fixture. The small footprint makes it useful as an interview key for tight rooms, an accent or backlight on small sets, or a travel-friendly main light for solo shooters.\u003c\/p\u003e\n\u003cp\u003eLike other Aputure and amaran COB lights it uses the Bowens mount, so it accepts the same softboxes, lanterns, fresnels, and other modifiers as the rest of the ecosystem. Exact output, color range, and bundled accessories are listed on amaran's official Ray 60c page, which is the source to check for the current spec sheet.\u003c\/p\u003e\n\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"amaran","offers":[{"title":"Default Title","offer_id":47465752297731,"sku":"MP0000018A","price":269.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1763466402_1930188.jpg?v=1763673770"},{"product_id":"amaran-ray-120c","title":"Amaran Ray 120c RGB LED Light","description":"\u003cp\u003eThe amaran Ray 120c is the second-smallest of amaran's four Ray full-color COB lights (60c, 120c, 360c and 660c). It offers full HSI color, daylight, tungsten, and lighting-effect modes in a portable Bowens-mount body. The step up from the 60c gives meaningfully more punch through modifiers. That is the practical difference when you need a softbox or fresnel actually doing work, rather than running near max output.\u003c\/p\u003e\n\u003c!-- fg-ai-blocks:v1 --\u003e\n\u003cdiv class=\"fg-ai-block\" data-block=\"quick-answer\"\u003e\n\u003ch3\u003eQuick Answer\u003c\/h3\u003e\n\u003cp\u003eThe amaran Ray 120c is a 120W full-color Bowens-mount COB light, the second-smallest of amaran's four Ray lights (60c, 120c, 360c and 660c), with CCT, HSI, RGB and effects modes in a 599 g body that can run from USB-C PD power banks. It fits solo and small-team narrative work, interviews built around one strong key light, music videos, product shoots, and other color-driven content. In a kit, its Bowens mount lets it slot directly into existing Aputure and amaran modifier kits, and stepping up from the 60c gives it meaningfully more punch when a softbox or fresnel is doing real work rather than running the fixture near max output.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cp\u003eTypical fit is solo and small-team narrative, interviews where one strong key shapes the whole frame, music videos, product, and color-driven content. Bowens mount lets it slot directly into existing Aputure and amaran modifier kits. Exact wattage, color range, and what is included in the box are documented on amaran's current Ray 120c page.\u003c\/p\u003e\n\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"amaran","offers":[{"title":"Default Title","offer_id":47465753870595,"sku":"MP0000018G","price":368.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1763466402_1930189.jpg?v=1763674087"},{"product_id":"amaran-ray-360c","title":"Amaran Ray 360c RGB LED Light","description":"\u003cp\u003eThe Amaran Ray 360c is the second-largest fixture in amaran's Ray RGB COB line. It is positioned for shooters who want a single main key bright enough to light real interiors through softboxes, or to shape exteriors at dusk without a generator. It covers full HSI color, daylight, tungsten, and lighting effects from one Bowens-mount body.\u003c\/p\u003e\n\u003cp\u003eTypical fit is small-crew commercials, interview rooms that need bounce or large soft sources, music videos, and any production where the lead instrument needs to survive heavy diffusion. Plan for proper power. At this output class you should be running it on a dedicated circuit, not a shared household plug, especially on long shoot days. Wattage, color performance, and bundled accessories are listed on amaran's current Ray 360c page.\u003c\/p\u003e\n\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"amaran","offers":[{"title":"Default Title","offer_id":47465761603843,"sku":"MP00000191","price":608.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1763466868_IMG_2603395.jpg?v=1763674403"},{"product_id":"amaran-ray-660c","title":"Amaran Ray 660c RGB LED Light","description":"\u003cp\u003eThe Amaran Ray 660c is the top of the amaran Ray RGB COB lineup. It is sized for shooters who want a single fixture that can blow through a large diffusion frame, light a room from outside a window, or carry a key on a commercial set without stacking smaller heads. Full HSI color, daylight, tungsten, and effect modes are all in one Bowens-mount body.\u003c\/p\u003e\n\u003cp\u003eAt this output class plan ahead on power. North American 15A household circuits will trip if you run this near full output alongside other gear, so budget a dedicated 20A circuit or a generator on location. The trade-off versus going up to an HMI or a true cinema fixture is portability and AC-only flexibility, plus full color control out of the box. Exact wattage, color range, and what ships in the box are on amaran's current Ray 660c page.\u003c\/p\u003e\n\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"amaran","offers":[{"title":"Default Title","offer_id":47465795354883,"sku":"MP00000197","price":988.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1763466868_IMG_2603517.jpg?v=1763674592"},{"product_id":"dji-osmo-action-6-pro-standard-combo","title":"DJI Osmo Action 6 Standard Combo","description":"\u003cp\u003eThe DJI Osmo Action 6 Standard Combo is a bundle of the Osmo Action 6 action camera with DJI's standard accessory set. It's built for handheld action, mounted POV (helmets, bikes, drones, dashboards), and waterproof shoots where you don't want to risk a larger camera.\u003c\/p\u003e\u003cp\u003eThe Standard Combo is the entry-level bundle in the Action 6 line. The Adventure Combo adds extras for longer days. Combo contents follow DJI's current packaging. Confirm exact items on the DJI product page if specifics matter for your shoot.\u003c\/p\u003e\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"DJI","offers":[{"title":"Default Title","offer_id":47490581364995,"sku":"24126060","price":609.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1763448474_1928318_1.jpg?v=1764585370"},{"product_id":"fps-heavy-duty-baby-stand","title":"FPS Auto Collapse Air Cushion Light Stand (7ft \/ 2.15m)","description":"\u003cp\u003eThe FPS Auto Collapse Air Cushion Light Stand is a 7-foot (2.15 m) light stand with an air-cushioned column that lowers smoothly when you release the riser, so a heavy fixture doesn't slam down on your fingers or its own yoke. The auto-collapse mechanism makes it faster to pack up at the end of a long day.\u003c\/p\u003e\u003ch2\u003eKey features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e7 ft \/ 2.15 m maximum height\u003c\/li\u003e\n\u003cli\u003eAir-cushioned column to protect heavy fixtures and your hands\u003c\/li\u003e\n\u003cli\u003eAuto-collapse for fast strike\u003c\/li\u003e\n\u003cli\u003eBaby (5\/8\") top stud for standard lighting fixtures\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"FPS","offers":[{"title":"Default Title","offer_id":47551738708227,"sku":"GK-220A-Z","price":59.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/FPS-Auto-Collaps-Light-Stand.jpg?v=1766534439"},{"product_id":"fps-desktop-live-streaming-tree","title":"FPS 4-in-1 Desktop Studio Stand","description":"\u003cp\u003e\u003cstrong\u003eFPS 4-in-1 Desktop Studio Stand\u003c\/strong\u003e is a FPS product. It is available at Filmgear Canada in Vancouver. Order online with Canada-wide shipping, or contact our showroom team to confirm fit and compatibility with your kit.\u003c\/p\u003e","brand":"FPS","offers":[{"title":"Default Title","offer_id":47551739592963,"sku":"FPS4-in-1","price":120.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/IMG_0388_2da97ee2-c4a3-4fbe-970c-206a49c67be7.jpg?v=1766542905"},{"product_id":"fps-ground-standing-live-streaming-tree","title":"FPS 5-in-1 Mobile Studio Stand","description":"\u003cp\u003eThe FPS 5-in-1 Mobile Studio Stand is a multi-purpose stand built for content creators who shoot vertical phone video, livestream, or run mixed phone-and-camera setups. It combines stand functions you'd normally cobble together from a tripod, a phone clamp, a microphone arm, and a light boom into one rolling tree.\u003c\/p\u003e\u003cp\u003eBest for solo creators, livestreamers, and small studios shooting product reviews, tutorials, or vertical social content where you need to reposition the camera, light, and mic together without breaking down the whole rig.\u003c\/p\u003e\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"FPS","offers":[{"title":"Default Title","offer_id":47551744114947,"sku":"FPS5-in-1","price":169.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/IMG_0400.jpg?v=1766542058"},{"product_id":"fps-vesa-monitor-mount","title":"FPS VESA Monitor Mount","description":"\u003cp\u003e\u003cstrong\u003eFPS VESA Monitor Mount is a VESA-interface support for placing a compatible production display on a suitable stand or rig.\u003c\/strong\u003e It connects a monitor's VESA pattern to the surrounding support arrangement while preserving screen, HDMI or SDI, power, battery, and ventilation clearance The product identity and role are kept narrow so buyers can decide fit without assuming unlisted dimensions, load limits, power data, or package contents. Buyers comparing this production monitor accessory should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eFPS VESA Monitor Mount is sold for VESA monitor mounting. It connects a monitor's VESA pattern to the surrounding support arrangement while preserving screen, HDMI or SDI, power, battery, and ventilation clearance Buyers should match the monitor VESA pattern, screw size and depth, display weight, arm or stand load, viewing angle, screen clearance, HDMI or SDI cable path, battery or power connection, and safety before ordering. The listing does not imply performance figures, dimensions, load capacity, electrical specifications, weather protection, or included accessories beyond the product title and box list. For a production purchase, compare the mounting or connection path, surrounding equipment, operating position, cable clearance, safety method, and transport plan.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003eDefined Product Role\u003c\/h3\u003e\u003cp\u003eFPS VESA Monitor Mount is intended for VESA monitor mounting.\u003c\/p\u003e\n\u003ch3\u003eSystem-Fit Check\u003c\/h3\u003e\u003cp\u003eMatch the monitor VESA pattern, screw size and depth, display weight, arm or stand load, viewing angle, screen clearance, HDMI or SDI cable path, battery or power connection, and safety before assigning it to a rig or lighting package.\u003c\/p\u003e\n\u003ch3\u003ePractical Purchase Boundary\u003c\/h3\u003e\u003cp\u003eOnly the named product is included; surrounding fixtures, monitors, stands, batteries, power supplies, cables, clamps, heads, and cases remain separate unless listed.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose a VESA mount for displays with the matching rear pattern; choose a baby-pin, yoke, clamp, or proprietary monitor mount when the screen or stand uses another interface.\u003c\/p\u003e\n\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis mount is for studios, live-production teams, video villages, DIT stations, educators, and owner-operators placing compatible displays.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another mount when the VESA pattern, screen size, display weight, brightness position, viewing angle, touchscreen access, battery or AC power, HDMI or SDI routing, or stand load differs.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003eFPS VESA Monitor Mount\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eInterface: VESA monitor mount\u003c\/li\u003e\n\u003cli\u003eMonitor included: no\u003c\/li\u003e\n\u003cli\u003ePattern and screws: check display\u003c\/li\u003e\n\u003cli\u003eLoad rating: check before use\u003c\/li\u003e\n\u003cli\u003eScreen and connector clearance: check before use\u003c\/li\u003e\n\u003cli\u003eSupport stand or arm: separate\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is the main role of the FPS VESA Monitor Mount?\u003c\/strong\u003e\u003cbr\u003eFPS VESA Monitor Mount: It connects a monitor's VESA pattern to the surrounding support arrangement while preserving screen, HDMI or SDI, power, battery, and ventilation clearance It should be selected for that named role rather than treated as a universal substitute.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat compatibility checks matter before ordering?\u003c\/strong\u003e\u003cbr\u003eFPS VESA Monitor Mount: Match the monitor VESA pattern, screw size and depth, display weight, arm or stand load, viewing angle, screen clearance, HDMI or SDI cable path, battery or power connection, and safety. Also allow for mounting clearance, cable routing, operating position, safety, and transport.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with this listing?\u003c\/strong\u003e\u003cbr\u003eFPS VESA Monitor Mount: The box contains the named product. A fixture, monitor, stand, tripod head, battery, power supply, cable, clamp, case, and other surrounding equipment are separate unless stated.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should it be compared with another option?\u003c\/strong\u003e\u003cbr\u003eFPS VESA Monitor Mount: Choose a VESA mount for displays with the matching rear pattern; choose a baby-pin, yoke, clamp, or proprietary monitor mount when the screen or stand uses another interface. Compare mounting, dimensions, load, power, control, clearance, setup time, and the equipment already owned.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy it in Canada?\u003c\/strong\u003e\u003cbr\u003eFPS VESA Monitor Mount: Filmgear Canada offers Canada-wide shipping and Vancouver-based help for model identity, compatibility, mounting, control, power, safety, and package planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy FPS VESA Monitor Mount from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"FPS","offers":[{"title":"Default Title","offer_id":47551753715971,"sku":"FPSVESA","price":35.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/FPS-LiveTree-VESA_5b9cfacc-2a21-4fad-9f01-fd6a3bd905ef.jpg?v=1766535533"},{"product_id":"fps-live-streaming-arm-with-clamp","title":"FPS Live Streaming Arm with Clamp","description":"\u003cp\u003e\u003cstrong\u003eFPS Live Streaming Arm with Clamp is a positioning arm with a clamp for compact live-stream production equipment.\u003c\/strong\u003e It creates an adjustable support path from a desk, stand, or rigid edge to a compatible camera, light, monitor, phone holder, or accessory The product identity and role are kept narrow so buyers can decide fit without assuming unlisted dimensions, load limits, power data, or package contents. Buyers comparing this production support accessory should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eFPS Live Streaming Arm with Clamp is sold for clamped live-stream equipment positioning. It creates an adjustable support path from a desk, stand, or rigid edge to a compatible camera, light, monitor, phone holder, or accessory Buyers should match the clamp opening, surface strength, arm reach, mounting screw, payload, centre of gravity, cable movement, locking force, and safety tether before ordering. The listing does not imply performance figures, dimensions, load capacity, electrical specifications, weather protection, or included accessories beyond the product title and box list. For a production purchase, compare the mounting or connection path, surrounding equipment, operating position, cable clearance, safety method, and transport plan.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003eDefined Product Role\u003c\/h3\u003e\u003cp\u003eFPS Live Streaming Arm with Clamp is intended for clamped live-stream equipment positioning.\u003c\/p\u003e\n\u003ch3\u003eSystem-Fit Check\u003c\/h3\u003e\u003cp\u003eMatch the clamp opening, surface strength, arm reach, mounting screw, payload, centre of gravity, cable movement, locking force, and safety tether before assigning it to a rig or lighting package.\u003c\/p\u003e\n\u003ch3\u003ePractical Purchase Boundary\u003c\/h3\u003e\u003cp\u003eOnly the named product is included; surrounding fixtures, monitors, stands, batteries, power supplies, cables, clamps, heads, and cases remain separate unless listed.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose the arm for adjustable desk or stand positioning; choose a floor stand for independent placement, a fixed bracket for repeatability, or a heavier arm when payload and reach exceed this setup.\u003c\/p\u003e\n\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis arm is for live-stream hosts, studios, educators, product demonstrators, and small production teams building a compact fixed-position setup.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another support when clamp fit, payload, reach, rigidity, camera or light position, cable movement, power routing, or safety requirements exceed the arm's role.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003eFPS Live Streaming Arm with Clamp\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eProduct type: live-streaming arm\u003c\/li\u003e\n\u003cli\u003eBase attachment: clamp\u003c\/li\u003e\n\u003cli\u003ePayload and reach: check before use\u003c\/li\u003e\n\u003cli\u003eEnd mount: check accessory\u003c\/li\u003e\n\u003cli\u003ePowered functions: none stated\u003c\/li\u003e\n\u003cli\u003eCamera, light, monitor, and phone holder: separate\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is the main role of the FPS Live Streaming Arm with Clamp?\u003c\/strong\u003e\u003cbr\u003eFPS Live Streaming Arm with Clamp: It creates an adjustable support path from a desk, stand, or rigid edge to a compatible camera, light, monitor, phone holder, or accessory It should be selected for that named role rather than treated as a universal substitute.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat compatibility checks matter before ordering?\u003c\/strong\u003e\u003cbr\u003eFPS Live Streaming Arm with Clamp: Match the clamp opening, surface strength, arm reach, mounting screw, payload, centre of gravity, cable movement, locking force, and safety tether. Also allow for mounting clearance, cable routing, operating position, safety, and transport.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with this listing?\u003c\/strong\u003e\u003cbr\u003eFPS Live Streaming Arm with Clamp: The box contains the named product. A fixture, monitor, stand, tripod head, battery, power supply, cable, clamp, case, and other surrounding equipment are separate unless stated.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should it be compared with another option?\u003c\/strong\u003e\u003cbr\u003eFPS Live Streaming Arm with Clamp: Choose the arm for adjustable desk or stand positioning; choose a floor stand for independent placement, a fixed bracket for repeatability, or a heavier arm when payload and reach exceed this setup. Compare mounting, dimensions, load, power, control, clearance, setup time, and the equipment already owned.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy it in Canada?\u003c\/strong\u003e\u003cbr\u003eFPS Live Streaming Arm with Clamp: Filmgear Canada offers Canada-wide shipping and Vancouver-based help for model identity, compatibility, mounting, control, power, safety, and package planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy FPS Live Streaming Arm with Clamp from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"FPS","offers":[{"title":"Default Title","offer_id":47551754436867,"sku":"FPSLIVEARM","price":42.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/FPS-LiveTree-Arm.jpg?v=1766535492"},{"product_id":"atomos-ninja-tx-camera-to-cloud-monitor-recorder","title":"Atomos Ninja TX Camera To Cloud Monitor Recorder","description":"\u003cp\u003e\u003cstrong\u003eThe Atomos Ninja TX is a 5.2-inch field monitor, external camera monitor and recorder with a 1500-nit touchscreen, HDMI 2.0 and 12G-SDI inputs and outputs, and built-in Wi-Fi for camera-to-cloud delivery. Buy it in Canada from Filmgear Canada, Vancouver's video monitoring and wireless video gear specialist.\u003c\/strong\u003e\u003c\/p\u003e\u003cdiv class=\"official-feature-panels\"\u003e\n\u003cimg src=\"https:\/\/www.atomos.com\/wp-content\/uploads\/2025\/10\/WEB_NINJA-TX_Camera-control_2.jpg\" alt=\"Ninja TX touchscreen camera control\" loading=\"lazy\" style=\"display:block;width:100%;height:auto;margin:12px 0\"\u003e\u003cimg src=\"https:\/\/www.atomos.com\/wp-content\/uploads\/2025\/07\/WEB_NINJA-TX_FOCUS-PEAKING.jpg\" alt=\"Ninja TX focus-peaking monitoring\" loading=\"lazy\" style=\"display:block;width:100%;height:auto;margin:12px 0\"\u003e\u003cimg src=\"https:\/\/www.atomos.com\/wp-content\/uploads\/2025\/07\/WEB_NINJA-TX_CFEXPRESS.jpg\" alt=\"Ninja TX CFexpress recording workflow\" loading=\"lazy\" style=\"display:block;width:100%;height:auto;margin:12px 0\"\u003e\u003cimg src=\"https:\/\/www.atomos.com\/wp-content\/uploads\/2025\/07\/WEB_NINJA-TX_WIRELESS-FEATURES-4.jpg\" alt=\"Ninja TX integrated wireless functions\" loading=\"lazy\" style=\"display:block;width:100%;height:auto;margin:12px 0\"\u003e\n\u003c\/div\u003e\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eNinja TX combines a brighter on-camera view with recording to CFexpress Type B or certified USB-C media. It can record ProRes RAW up to 8K30 or 6K60 when the connected camera provides a supported RAW output, alongside video formats up to 4K60 and 1080p120. That distinction matters: the screen itself is 1920 x 1080, and the recorder does not create an 8K signal from a lower-resolution camera. HDMI and SDI let the same recorder serve mirrorless-camera rigs and SDI production cameras, while wireless cloud delivery connects the location shoot with an editor elsewhere. As a 4K field monitor and recorder, it accepts supported 4K signals while showing them on its Full HD screen; input resolution and panel resolution are different specifications.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003e1500-nit monitoring with exposure and focus tools\u003c\/h3\u003e\u003cp\u003eThe 5.2-inch touchscreen provides a 1920 x 1080 view with EL Zone false color, waveform, RGB parade, vectorscope, peaking, zebras, frame guides and anamorphic de-squeeze. Use these tools together: brightness helps you see the image outdoors, but a scope or false-color view gives a more useful exposure reference than judging the picture alone.\u003c\/p\u003e\u003ch3\u003eHDMI 2.0 and 12G-SDI in one recorder\u003c\/h3\u003e\u003cp\u003eBoth interfaces have inputs and outputs, with HDMI\/SDI cross conversion. Plan the input signal, clean feed and downstream connection before the shoot; connector compatibility alone does not establish RAW-format compatibility.\u003c\/p\u003e\u003ch3\u003eProRes RAW, ProRes, Avid DNx and H.265\u003c\/h3\u003e\u003cp\u003eSelect the recording format with the editor rather than choosing RAW automatically. The codecs serve different editing, storage and delivery requirements. Confirm that the camera output and intended resolution\/frame rate are supported by the Ninja TX and the post-production software.\u003c\/p\u003e\u003ch3\u003eCFexpress Type B and USB-C recording\u003c\/h3\u003e\u003cp\u003eChoose Atomos-certified CFexpress Type B cards or certified USB storage for the intended recording mode. Media is sold separately. Size storage around the codec, shooting ratio and offload routine, and test sustained recording before taking a new card or drive onto set.\u003c\/p\u003e\u003ch3\u003eCamera-to-cloud and NDI networking\u003c\/h3\u003e\u003cp\u003eWi-Fi 6E is built in, with direct upload to ATOMOSphere, Frame.io or Dropbox and included NDI 6\/HX3 transmit\/receive capability. Network access, bandwidth and platform account or subscription requirements still apply. Cloud transfer is a delivery path, not a substitute for checking the local recording.\u003c\/p\u003e\u003ch3\u003eAirGlu synchronization and supported camera control\u003c\/h3\u003e\u003cp\u003eAirGlu provides RF and Bluetooth timecode functions for compatible devices. USB-C camera control and touch-to-focus are available only with supported camera models and settings. Check the current Atomos compatibility list before relying on a specific camera-control or RAW workflow.\u003c\/p\u003e\u003ch3\u003eNP-F or USB-C PD power\u003c\/h3\u003e\u003cp\u003eUse an NP-F battery for a compact field setup, or a suitable USB-C PD source for a powered position. The technical specification calls for a 65W-capable PD supply and lists operating consumption up to 30W. Include battery weight and cable clearance when positioning the monitor above a camera.\u003c\/p\u003e\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose Ninja TX when you need 12G-SDI as well as HDMI, AirGlu timecode and the higher RAW recording ceiling. Ninja TX GO retains a 1500-nit screen, Wi-Fi and CFexpress\/USB recording but is HDMI-only and supports up to 6K30 ProRes RAW; it is a separate model, not an interchangeable SDI configuration. Choose a Shinobi monitor when the camera's internal recording is sufficient and you need a viewing display rather than an external recorder. Keep comparison decisions separate from accessories: another monitor does not add recording capabilities to this one.\u003c\/p\u003e\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/filmgearcanada.com\/products\/atomos-ninja-tx-go-5-2-hdmi-wi-fi-enabled-camera-monitor-recorder\"\u003eAtomos Ninja TX GO\u003c\/a\u003e: Compare this same-family HDMI-only recorder when SDI and AirGlu are unnecessary.\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/filmgearcanada.com\/products\/atomos-shinobi-go-5-2-touchscreen-hdr-video-photo-monitor\"\u003eAtomos Shinobi GO\u003c\/a\u003e: Compare a monitor-only purchase when external recording is not required.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eFor documentary and commercial camera operators who need SDI\/HDMI flexibility, productions delivering clips to remote editors, and multicamera teams coordinating compatible timecode devices. It is also suitable for an owner-operator who wants exposure tools and external recording in one compact screen, provided the camera output supports the intended format.\u003c\/p\u003e\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose TX GO when an HDMI-only recorder meets the project. Choose a monitor-only display if you will record solely inside the camera and do not need cloud or external-media recording. For a larger director or client viewing position, compare a larger screen rather than expecting a 5.2-inch on-camera display to serve a group. Check supported cameras, certified media, power and network availability before committing to RAW capture or remote delivery.\u003c\/p\u003e\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eNinja TX monitor-recorder\u003c\/li\u003e\n\u003cli\u003eUSB-C locking cable adaptor\u003c\/li\u003e\n\u003cli\u003eUSB-C locking cable, 45cm\u003c\/li\u003e\n\u003cli\u003eHDMI locking cable adaptor\u003c\/li\u003e\n\u003cli\u003eTwo Wi-Fi antennas\u003c\/li\u003e\n\u003cli\u003eFive antenna tip sets: black, white, yellow, green and red\u003c\/li\u003e\n\u003cli\u003eAirGlu antenna and antenna caps\u003c\/li\u003e\n\u003cli\u003eQuick Start Guide\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003ctable\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eScreen\u003c\/th\u003e\n\u003ctd\u003e5.2-inch touchscreen; 1920 x 1080; 1500 nits\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eVideo connections\u003c\/th\u003e\n\u003ctd\u003eHDMI 2.0 and 12G-SDI input\/output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eRAW ceiling\u003c\/th\u003e\n\u003ctd\u003eUp to 6K60 \/ 8K30, supported camera output required\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eVideo formats\u003c\/th\u003e\n\u003ctd\u003eUp to 4K UHD\/DCI60 and 1080p120\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eCodecs\u003c\/th\u003e\n\u003ctd\u003eProRes RAW\/HQ; ProRes LT\/422\/HQ; DNxHD\/DNxHR; H.265\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eMedia\u003c\/th\u003e\n\u003ctd\u003eAtomos-certified CFexpress Type B or USB 3.0 media\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eWireless\/network\u003c\/th\u003e\n\u003ctd\u003eWi-Fi 6E; Bluetooth; AirGlu; NDI 6\/HX3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003ePower\u003c\/th\u003e\n\u003ctd\u003eNP-F or USB-C PD; 65W-capable PD supply; up to 30W operating\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInput voltage\u003c\/th\u003e\n\u003ctd\u003e6.2–16.8V DC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensions \/ weight\u003c\/th\u003e\n\u003ctd\u003e151 x 92 x 36mm \/ 400g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eMounts\u003c\/th\u003e\n\u003ctd\u003eAnti-rotation 1\/4-inch \/ 3\/8-inch top and bottom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eProduct Video\u003c\/h2\u003e\u003cp\u003eInspect the screen, HDMI\/SDI connections, media choices and connected recording features in Atomos' Ninja TX introduction.\u003c\/p\u003e\u003cdiv class=\"video-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/EoWL-PfMKeM\" title=\"Introducing Ninja TX\" loading=\"lazy\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDoes Ninja TX record 8K from every camera?\u003c\/strong\u003e\u003cbr\u003eNo. Up to 8K30 ProRes RAW requires a supported RAW output from a compatible camera. Confirm the exact camera, output mode, firmware, frame rate and certified media; the Ninja TX display is 1920 x 1080, not an 8K panel.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow is Ninja TX different from Ninja TX GO?\u003c\/strong\u003e\u003cbr\u003eNinja TX adds 12G-SDI connections alongside HDMI and includes AirGlu timecode. Its RAW ceiling is up to 8K30\/6K60 versus up to 6K30 on the HDMI-only TX GO; both have 1500-nit screens, Wi-Fi and CFexpress\/USB recording.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat recording media should I buy?\u003c\/strong\u003e\u003cbr\u003eUse Atomos-certified CFexpress Type B or certified USB 3.0 media that meets the selected recording mode. Neither storage option is included, so plan card or drive capacity and a reader\/offload path with the codec.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCan I power Ninja TX through USB-C?\u003c\/strong\u003e\u003cbr\u003eYes. Atomos lists NP-F and USB-C PD power, and the technical specification requires a 65W-capable PD supply. Operating consumption is listed up to 30W; choose a power adapter and cable that support the required PD negotiation.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCan it upload to Frame.io or Dropbox without extra hardware?\u003c\/strong\u003e\u003cbr\u003eWi-Fi connectivity and camera-to-cloud support are built in. A working network and the destination platform's account, purchase or subscription conditions still apply; verify the complete upload workflow before a time-critical shoot.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDoes camera control work with any HDMI camera?\u003c\/strong\u003e\u003cbr\u003eNo. USB-C control and touch-to-focus depend on supported camera models and settings. Use the current Atomos camera-control list for the exact body; an HDMI picture on the monitor does not by itself establish control support.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCan I use it for multicamera timecode synchronization?\u003c\/strong\u003e\u003cbr\u003eNinja TX includes AirGlu RF and Bluetooth timecode functions. Match each camera, external recorder or sync device to the supported timecode path and test the system before recording.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat is not included in the Ninja TX box?\u003c\/strong\u003e\u003cbr\u003eRecording media, an NP-F battery and a power supply must be selected separately. The box includes the monitor-recorder, locking adaptors, 45cm USB-C locking cable, antennas, antenna tips\/caps and Quick Start Guide.\u003c\/p\u003e\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eOrder Atomos Ninja TX Camera To Cloud Monitor Recorder from Filmgear Canada with Canada-wide shipping. Contact the Vancouver team for camera output, certified recording media, monitor mounting and power choices.\u003c\/p\u003e","brand":"Atomos","offers":[{"title":"Default Title","offer_id":47624024064259,"sku":"ATOM-NJTX01","price":1399.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1753231536_1908409.jpg?v=1768331313"},{"product_id":"atomos-ninja-tx-go-5-2-hdmi-wi-fi-enabled-camera-monitor-recorder","title":"Atomos Ninja TX GO 5.2\" HDMI Wi-Fi-Enabled Camera Monitor\/Recorder","description":"\u003cp\u003e\u003cstrong\u003eThe Atomos Ninja TX GO is a 5.2-inch field monitor, external camera monitor and HDMI recorder with a 1500-nit touchscreen, built-in Wi-Fi 6E and recording to certified CFexpress Type B or USB media. Buy it in Canada from Filmgear Canada, Vancouver's video monitoring and wireless video gear specialist.\u003c\/strong\u003e\u003c\/p\u003e\u003cdiv class=\"official-feature-panels\"\u003e\n\u003cimg src=\"https:\/\/www.atomos.com\/wp-content\/uploads\/2025\/10\/WEB_NINJA-TX_Camera-control_2.jpg\" alt=\"Supported Ninja TX GO camera-control and exposure preview\" loading=\"lazy\" style=\"display:block;width:100%;height:auto;margin:12px 0\"\u003e\u003cimg src=\"https:\/\/www.atomos.com\/wp-content\/uploads\/2025\/10\/WEB_NINJA-TX_TALLY-LIGHT.jpg\" alt=\"Ninja TX GO front recording tally indicator\" loading=\"lazy\" style=\"display:block;width:100%;height:auto;margin:12px 0\"\u003e\n\u003c\/div\u003e\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eNinja TX GO combines exposure and focus monitoring with external recording and connected delivery in an HDMI-only model. Its 1920 × 1080 display gives you a Full HD view, while the recording engine supports ProRes RAW up to 6K30 from compatible camera outputs, video up to UHD\/DCI 4K60 and Full HD up to 120p. The camera must supply a supported signal: the recorder does not turn a lower-resolution output into RAW or 6K. If you are shopping for a 4K field monitor, distinguish accepted signal resolution from screen resolution before choosing. TX GO retains cloud delivery and certified removable-media recording without adding the Ninja TX's SDI interface or AirGlu wireless timecode. For an HDMI camera operator, that makes the purchase decision about recording formats, media, power and delivery rather than paying for connections the camera does not use.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003e1500-nit touchscreen and exposure tools\u003c\/h3\u003e\u003cp\u003eThe 5.2-inch IPS touchscreen offers 1920 × 1080 resolution and Rec.709 calibration. Waveform, RGB parade, vectorscope, EL Zone and ARRI false colour, zebras and focus peaking help you judge exposure and focus beyond the camera's small rear screen. Set brightness for viewing, then use exposure tools to assess the signal rather than treating a bright picture as proof of correct exposure. Frame guides, LUT preview and anamorphic de-squeeze help you view the intended composition.\u003c\/p\u003e\u003ch3\u003eHDMI 2.0 input and output\u003c\/h3\u003e\u003cp\u003eConnect a supported camera to the HDMI input and use the output when a downstream display is needed. TX GO has no built-in SDI connection. Check the camera's clean HDMI output, recording mode and supported resolution\/frame-rate combination before assembling the rig. A camera with an HDMI socket is not automatically a supported ProRes RAW camera, and an adapter cannot add the Ninja TX's SDI or AirGlu functions to TX GO.\u003c\/p\u003e\u003ch3\u003eProRes RAW up to 6K30\u003c\/h3\u003e\u003cp\u003eRecord ProRes RAW or ProRes RAW HQ when your camera delivers a compatible RAW signal. ProRes LT, 422 and HQ, Avid DNxHD\/DNxHR and H.265 provide additional format choices. Agree the codec and resolution with post-production before filming; storage demands and editing support differ. The RAW ceiling is 6K30, not the Ninja TX's higher RAW ceiling. Supported conventional video formats extend to 4K60 and 1080p120.\u003c\/p\u003e\u003ch3\u003eCFexpress Type B or certified USB storage\u003c\/h3\u003e\u003cp\u003eRecording media is purchased separately. Select an Atomos-certified CFexpress Type B card or certified USB storage device for the intended mode, and test a complete recording and offload before a paid shoot. Allow for codec, frame rate and shooting ratio when sizing storage. USB recording is an alternative media path, not a reason to assume that every USB drive sustains the required write rate.\u003c\/p\u003e\u003ch3\u003eWi-Fi 6E camera-to-cloud and NDI 6\/HX3\u003c\/h3\u003e\u003cp\u003eBuilt-in Wi-Fi connects the recorder with ATOMOSphere, Frame.io or Dropbox for camera-to-cloud delivery. Included NDI 6\/HX3 transmit and receive support provides another connected production path, while over-the-air firmware updates keep the device software current. Accounts, platform terms, network access and bandwidth still matter. Test the venue connection before relying on remote delivery, and keep the local recording\/offload routine in place.\u003c\/p\u003e\u003ch3\u003eUSB-C control for supported cameras\u003c\/h3\u003e\u003cp\u003eCamera control and touch-to-focus depend on the supported camera model, firmware and connection. Check the current Atomos compatibility information for the exact camera rather than assuming support across a brand. Z CAM E2 LANC control uses a separately purchased cable. TX GO accepts embedded HDMI timecode, but it does not include AirGlu, Bluetooth timecode or an LTC input. Choose a synchronization plan suited to the actual camera and recorder.\u003c\/p\u003e\u003ch3\u003eNP-F or USB-C PD power and secure mounting\u003c\/h3\u003e\u003cp\u003ePower TX GO with an NP-F battery or a suitable USB-C PD source. The technical specification calls for a 65W-capable PD supply and lists operating consumption up to 30W; supply capability and operating draw are different numbers. The 400 g body measures 151 × 92 × 36 mm before your battery, media and mount are added. Top and bottom anti-rotation mounting points support 1\/4-inch and 3\/8-inch mounting arrangements. Use the supplied locking adapters for cable security.\u003c\/p\u003e\u003ch3\u003eFront tally for recording status\u003c\/h3\u003e\u003cp\u003eA red tally indicates recording and a green tally indicates standby. Use the indicator alongside the screen status during a take, especially when the display faces the operator but other crew need to see whether the recorder is running. It helps communicate recorder state; confirm the local recording at the end of a critical take.\u003c\/p\u003e\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose Ninja TX GO for an HDMI camera when you need external recording, Wi-Fi delivery and the 1500-nit display. Choose Ninja TX if the project also requires built-in 12G-SDI input\/output, AirGlu wireless synchronization or its higher supported RAW recording ceiling. Both models weigh 400 g before accessories, so TX GO is not a lighter-body alternative. Choose Shinobi GO when you only need monitoring and will record inside the camera; it does not replace TX GO's recording or cloud-delivery functions.\u003c\/p\u003e\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/filmgearcanada.com\/products\/atomos-ninja-tx-camera-to-cloud-monitor-recorder\"\u003eAtomos Ninja TX\u003c\/a\u003e: Compare the same-family recorder when SDI, AirGlu or higher supported RAW modes matter.\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/filmgearcanada.com\/products\/atomos-shinobi-go-5-2-touchscreen-hdr-video-photo-monitor\"\u003eAtomos Shinobi GO\u003c\/a\u003e: Compare a monitor-only model when the camera handles recording.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eFor documentary operators, hybrid video crews and owner-operators working with compatible HDMI cameras who want monitoring and recording in one unit. It also suits a production sharing clips with remote editors, provided the network and cloud workflow are tested. Confirm camera output support first, then budget for certified media, power, an HDMI lead and a suitable mount.\u003c\/p\u003e\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose a recorder with SDI when your production camera or downstream workflow requires that interface. Choose Ninja TX when AirGlu timecode is part of the plan. Choose a monitor-only display for exposure and framing if external recording is unnecessary. If the desired RAW mode is absent from the camera\/recorder compatibility list, choose a supported recording combination rather than assuming a connector match is enough.\u003c\/p\u003e\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eNinja TX GO monitor-recorder\u003c\/li\u003e\n\u003cli\u003eUSB-C and HDMI locking adapters\u003c\/li\u003e\n\u003cli\u003e45 cm locking USB-C cable\u003c\/li\u003e\n\u003cli\u003e2 Wi-Fi antennas and 2 antenna caps\u003c\/li\u003e\n\u003cli\u003e5 coloured antenna-tip sets\u003c\/li\u003e\n\u003cli\u003eQuick Start Guide\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003ctable\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eModel\u003c\/th\u003e\n\u003ctd\u003eATOMNJTX02\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDisplay\u003c\/th\u003e\n\u003ctd\u003e5.2-inch IPS touchscreen; 1920 × 1080; 1500 nits\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eVideo interface\u003c\/th\u003e\n\u003ctd\u003eHDMI 2.0 input\/output; no built-in SDI\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eSupported RAW ceiling\u003c\/th\u003e\n\u003ctd\u003eUp to 6K30 ProRes RAW with supported camera output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eSupported video\u003c\/th\u003e\n\u003ctd\u003eUHD\/DCI 4K up to 60p; 1080p up to 120p\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eCodecs\u003c\/th\u003e\n\u003ctd\u003eProRes RAW\/RAW HQ; ProRes LT\/422\/HQ; DNxHD\/DNxHR; H.265\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eRecording media\u003c\/th\u003e\n\u003ctd\u003eCertified CFexpress Type B or certified USB storage; separate\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eNetworking\u003c\/th\u003e\n\u003ctd\u003eWi-Fi 6E; NDI 6\/HX3 transmit\/receive\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eSynchronization\u003c\/th\u003e\n\u003ctd\u003eEmbedded HDMI timecode; no AirGlu, Bluetooth timecode or LTC input\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003ePower\u003c\/th\u003e\n\u003ctd\u003eNP-F or USB-C PD; 65W-capable PD supply; operating draw up to 30W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eBody dimensions \/ weight\u003c\/th\u003e\n\u003ctd\u003e151 × 92 × 36 mm \/ 400 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eMounting\u003c\/th\u003e\n\u003ctd\u003eTop\/bottom anti-rotation 1\/4-inch and 3\/8-inch mounting arrangements\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eProduct Video\u003c\/h2\u003e\u003cp\u003eSee the supported camera-control workflow for Ninja TX GO and Ninja TX. Match the camera model, connection and firmware before relying on touchscreen control.\u003c\/p\u003e\u003cdiv class=\"video-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/_b1KWsQsT-I\" title=\"How To Use Camera Control with Ninja TX and Ninja TX Go\" loading=\"lazy\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDoes Ninja TX GO include SDI input or output?\u003c\/strong\u003e\u003cbr\u003eNo. TX GO is an HDMI-only monitor-recorder with HDMI 2.0 input and output. Choose the Ninja TX model when the rig needs built-in 12G-SDI connections rather than an HDMI camera workflow.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eIs its 5.2-inch screen a 4K display?\u003c\/strong\u003e\u003cbr\u003eNo. The touchscreen panel is 1920 × 1080. It accepts supported higher-resolution camera signals for viewing and recording, but input resolution and the physical display resolution are different specifications.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCan any HDMI camera record 6K30 ProRes RAW with TX GO?\u003c\/strong\u003e\u003cbr\u003eNo. The camera must deliver a supported RAW output in a compatible mode. Confirm the exact camera, firmware and signal format in the current Atomos compatibility information before buying for 6K30 RAW recording.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat media do I need before recording?\u003c\/strong\u003e\u003cbr\u003eChoose Atomos-certified CFexpress Type B or certified USB storage suited to your recording format. Media is separate from the box contents. Test a sustained recording and offload using the chosen codec before the shoot.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDoes TX GO have AirGlu wireless timecode?\u003c\/strong\u003e\u003cbr\u003eNo. TX GO accepts embedded HDMI timecode but has no AirGlu, Bluetooth timecode or LTC input. Ninja TX is the same-family option to examine when wireless synchronization is required.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat USB-C PD supply should I use?\u003c\/strong\u003e\u003cbr\u003eThe TX GO technical specification calls for a 65W-capable PD supply, while operating consumption is listed up to 30W. Use an appropriate power adapter and cable, or an NP-F battery, and test the complete power setup.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCan I control my camera from the TX GO touchscreen?\u003c\/strong\u003e\u003cbr\u003eOnly supported cameras and connections provide the available control functions, including touch-to-focus. Check the exact model and firmware. Z CAM E2 LANC control requires a separately purchased cable.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eShould I buy TX GO or Shinobi GO for camera monitoring?\u003c\/strong\u003e\u003cbr\u003eChoose TX GO when you need compatible external recording and connected delivery as well as exposure tools. Choose Shinobi GO when the camera records internally and a monitor-only Full HD screen with UHD 4K30 input meets your needs.\u003c\/p\u003e\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eOrder Atomos Ninja TX GO 5.2\" HDMI Wi-Fi-Enabled Camera Monitor\/Recorder from Filmgear Canada with Canada-wide shipping. Contact the Vancouver team for camera output, mounting and power choices and current availability.\u003c\/p\u003e","brand":"Atomos","offers":[{"title":"Default Title","offer_id":47624047984899,"sku":"ATOM-NJTX02","price":1159.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1762325128_1927305.jpg?v=1768333625"},{"product_id":"dji-rs5-combo","title":"DJI RS5 Combo Gimbal Stabilizer","description":"\u003cp\u003eThe DJI RS5 Combo bundles the RS5 gimbal stabilizer with DJI's accessory pack, typically including the focus motor, an extended grip, and a carry case. It's the working solo-operator kit: gimbal, lens motor for follow-focus, and the bits needed to actually shoot a day without buying extras separately.\u003c\/p\u003e\u003cp\u003eIf you already own a focus motor and grip from a previous RS rig, the base RS5 is cheaper. If you're starting fresh or upgrading from an RS2\/RS3, the Combo saves money on the parts you'd buy anyway.\u003c\/p\u003e\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"DJI","offers":[{"title":"Default Title","offer_id":47664784376067,"sku":"CP.RN.00000497.03","price":814.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/3-HG715-_-_45_copy_ee19c45b-5894-4743-8f8c-6e8ea5cae4e8.png?v=1769040997"},{"product_id":"atomos-shinobi-go-5-2-touchscreen-hdr-video-photo-monitor","title":"Atomos Shinobi GO 5.2\" Touchscreen HDR Video\/Photo Monitor","description":"\u003cp\u003e\u003cstrong\u003eThe Atomos Shinobi GO is a 5.2-inch field monitor and external camera monitor with a 1500-nit Full HD touchscreen, HDMI input up to UHD 4K30 and a lightweight 210 g monitor-only body. Buy it in Canada from Filmgear Canada, Vancouver's video monitoring and wireless video gear specialist.\u003c\/strong\u003e\u003c\/p\u003e\u003cdiv class=\"official-feature-panels\"\u003e\n\u003cimg src=\"https:\/\/www.atomos.com\/wp-content\/uploads\/2024\/11\/SII-high-dynamic-range-3-1024x572.jpg\" alt=\"HDR and SDR viewing comparison for Shinobi GO monitoring\" loading=\"lazy\" style=\"display:block;width:100%;height:auto;margin:12px 0\"\u003e\u003cimg src=\"https:\/\/www.atomos.com\/wp-content\/uploads\/2025\/01\/calibration.jpg\" alt=\"Display calibration with a separately supplied probe\" loading=\"lazy\" style=\"display:block;width:100%;height:auto;margin:12px 0\"\u003e\n\u003c\/div\u003e\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eShinobi GO gives photographers and video operators a larger view for composition, exposure and focus without carrying an external recorder. The 1920 × 1080 IPS panel is designed for on-camera viewing, with HDR preview, waveform, false colour, focus peaking and other monitoring tools. Connect a compatible camera's HDMI output at up to UHD 4K30 or 1080p60, then continue recording in the camera. As a 4K field monitor in an input-acceptance sense, it displays that incoming picture on a Full HD panel; it is not a native 4K screen and does not record 4K files. Its fanless body weighs 210 g before a battery, mount and cables are fitted. That suits compact handheld setups where a clear view matters more than external recording or camera control.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003e1500-nit Full HD viewing\u003c\/h3\u003e\u003cp\u003eThe 5.2-inch IPS touchscreen combines 1500-nit brightness with 1920 × 1080 resolution. A larger external view helps you inspect framing and focus when the camera's built-in display is awkward to see. Set a comfortable brightness for the position, then assess exposure with scopes or false colour rather than adjusting camera exposure to compensate for screen brightness. The panel specification is 10-bit using 8+2 FRC, not a native 10-bit panel claim.\u003c\/p\u003e\u003ch3\u003eHDMI input up to UHD 4K30\u003c\/h3\u003e\u003cp\u003eShinobi GO accepts HDMI 1.4 signals up to UHD 3840 × 2160 at 30p and Full HD up to 60p. It is an input-only monitoring device, with no SDI input and no external recording. Set your camera's output to a supported format before use. Choose another monitor if the intended output requires 4K60, DCI 4K or SDI rather than assuming every signal described as 4K is interchangeable.\u003c\/p\u003e\u003ch3\u003eExposure and focus monitoring tools\u003c\/h3\u003e\u003cp\u003eWaveform, RGB parade, vectorscope, histogram, false colour and zebras provide ways to examine exposure and colour balance. Focus peaking and image magnification support focus checks; frame guides and image flip help with composition and viewing orientation. Select the tools needed for the shot rather than covering the image with every overlay. Test their operation with the camera output before a production day.\u003c\/p\u003e\u003ch3\u003eHDR, log and 3D LUT preview\u003c\/h3\u003e\u003cp\u003ePreview compatible log, HLG and PQ material and load a look for a more useful on-set view. Shinobi GO accepts .cube LUTs with 17 or 33 points and offers eight LUT slots. Use an SD card to load LUTs and device firmware; that card is not recording media because the unit does not record. A preview look helps communicate the intended image, but the camera's recording settings remain a separate decision.\u003c\/p\u003e\u003ch3\u003eFanless 210 g body\u003c\/h3\u003e\u003cp\u003ePassive cooling keeps the monitor free of a cooling fan. The body measures 151 × 91.5 × 20.8 mm, or 28.5 mm deep with locking adapters fitted. Add the chosen battery and mount to your rig balance calculation rather than treating the bare-body weight as the complete setup weight. The bottom 1\/4-20 mounting point includes anti-twist provisions for a secure compatible mounting arrangement.\u003c\/p\u003e\u003ch3\u003eNP-F battery or USB-C PD power\u003c\/h3\u003e\u003cp\u003eUse an NP-F\/L-series battery for mobile viewing or a suitable USB-C PD power source. There is no built-in battery; battery and power source are separate purchases. The included USB-C cable gives you a connection, not a supplied power adapter. Route the HDMI and power leads with enough slack to move the camera, and use the supplied locking adapter to help keep them secure.\u003c\/p\u003e\u003ch3\u003eCalibration for a consistent viewing reference\u003c\/h3\u003e\u003cp\u003eThe monitor supports calibration using the compatible computer software, calibration connection and a Calibrite ColorChecker Display Pro or ColorChecker Display Plus probe. Those calibration tools are separate. Keep display calibration distinct from exposure tools: waveform describes the incoming signal, while calibration helps the display reproduce its intended colour response. Shinobi GO remains an on-camera monitoring display rather than a replacement for a mastering\/reference monitor.\u003c\/p\u003e\u003ch3\u003eMonitor-only operation\u003c\/h3\u003e\u003cp\u003eShinobi GO does not provide external recording or touchscreen camera-control functions. The USB-C port serves device power, not the supported camera-control workflow found on selected other Atomos models. Operate recording and camera settings on the camera while using this screen to inspect the HDMI picture. This keeps the purchase focused on monitoring rather than capabilities the unit does not include.\u003c\/p\u003e\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eCompare \u003ca href=\"https:\/\/filmgearcanada.com\/products\/atomos-shinobi-2-monitor\"\u003eAtomos Shinobi II\u003c\/a\u003e if you want a same-series 1500-nit monitor with supported touchscreen camera control and touch-to-focus. These functions depend on the camera model and firmware. Choose Shinobi GO when you record internally and want a bright, compact screen for exposure and composition. Ninja TX GO adds compatible HDMI external recording, Wi-Fi camera-to-cloud and supported camera control; it is a different purchase with separate media and power planning. Ninja TX additionally offers SDI and AirGlu for the relevant production workflow. Do not buy Shinobi GO expecting a firmware setting to turn it into a Ninja recorder. Within monitor-only choices, compare the exact input frame rate, controls and mounting requirements rather than screen size alone.\u003c\/p\u003e\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/filmgearcanada.com\/products\/atomos-shinobi-2-monitor\"\u003eAtomos Shinobi II\u003c\/a\u003e: The closest same-series monitor-only alternative when supported camera control is required.\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/filmgearcanada.com\/products\/atomos-ninja-tx-go-5-2-hdmi-wi-fi-enabled-camera-monitor-recorder\"\u003eAtomos Ninja TX GO\u003c\/a\u003e: Compare an HDMI monitor-recorder if external recording and connected delivery are required.\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/filmgearcanada.com\/products\/atomos-ninja-tx-camera-to-cloud-monitor-recorder\"\u003eAtomos Ninja TX\u003c\/a\u003e: Compare the same-brand recorder when the project requires SDI and AirGlu as well as HDMI.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eFor solo camera operators, photographers inspecting composition, and compact video crews recording inside an HDMI camera. It suits a handheld setup that needs exposure and focus tools without a recording-media workflow. Check that the camera can output a supported HDMI signal and that the complete monitor, power and mount setup fits your rig.\u003c\/p\u003e\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose a monitor-recorder if you need ProRes or RAW capture outside the camera. Choose a model with the required SDI or UHD 4K60 input if those signals are part of the job. If touchscreen camera control is a purchase driver, compare an explicitly supported control-capable model and your exact camera. For final colour mastering, use a display and calibrated viewing environment designed for that task.\u003c\/p\u003e\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eShinobi GO monitor\u003c\/li\u003e\n\u003cli\u003eUSB-C 2.0 cable\u003c\/li\u003e\n\u003cli\u003eHDMI and USB-C locking adapter\u003c\/li\u003e\n\u003cli\u003eQuick Start Guide\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003ctable\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eModel\u003c\/th\u003e\n\u003ctd\u003eATOMSHB004\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eScreen\u003c\/th\u003e\n\u003ctd\u003e5.2-inch IPS touchscreen; 1920 × 1080; 1500 nits\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003ePanel colour\u003c\/th\u003e\n\u003ctd\u003e10-bit via 8+2 FRC; Rec.709\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInput\u003c\/th\u003e\n\u003ctd\u003eHDMI 1.4; UHD 4K up to 30p; 1080p up to 60p\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eRecording \/ camera control\u003c\/th\u003e\n\u003ctd\u003eMonitor only; no recording or touchscreen camera control\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eLUT loading\u003c\/th\u003e\n\u003ctd\u003e.cube 17\/33-point; 8 slots; SD card\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003ePower\u003c\/th\u003e\n\u003ctd\u003eNP-F\/L-series battery or USB-C PD; no built-in battery\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eCooling\u003c\/th\u003e\n\u003ctd\u003eFanless passive cooling\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e151 × 91.5 × 20.8 mm; 28.5 mm depth with locking adapters\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eBody weight\u003c\/th\u003e\n\u003ctd\u003e210 g before power\/mount\/accessories\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eMount\u003c\/th\u003e\n\u003ctd\u003eBottom 1\/4-20 anti-twist mounting point\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eProduct Video\u003c\/h2\u003e\u003cp\u003eWatch the official Shinobi GO setup walkthrough to see power, HDMI connection and monitoring-tool setup before assembling your camera rig.\u003c\/p\u003e\u003cdiv class=\"video-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/QXEGud9PHS0\" title=\"How to Set Up Shinobi GO\" loading=\"lazy\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eCan Shinobi GO record footage or ProRes files?\u003c\/strong\u003e\u003cbr\u003eNo. Shinobi GO is a monitor-only display. The camera continues to record internally while sending an HDMI picture to the monitor. Choose a compatible Ninja monitor-recorder if external recording is required.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDoes Shinobi GO accept 4K60 or display native 4K?\u003c\/strong\u003e\u003cbr\u003eNo. Its HDMI input supports UHD 4K up to 30p, and the physical panel is 1920 × 1080. Use a supported camera output mode; choose another monitor if the workflow requires UHD 4K60 input.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCan I change camera settings from the Shinobi GO screen?\u003c\/strong\u003e\u003cbr\u003eNo. Shinobi GO does not provide touchscreen camera-control functions, and USB-C is for device power. Adjust settings on the camera or compare a control-capable monitor with explicit support for your camera model.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow do I power the Shinobi GO on location?\u003c\/strong\u003e\u003cbr\u003eUse an NP-F\/L-series battery or a suitable USB-C PD power supply. There is no built-in battery. The included USB-C cable and locking adapter do not replace the separately purchased battery or power adapter.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eIs the SD card used to record video?\u003c\/strong\u003e\u003cbr\u003eNo. The SD card loads firmware and compatible .cube LUTs for viewing. Shinobi GO has no recording function, so inserting a card does not add external video capture or replace the camera's recording media.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhich LUT files can I load?\u003c\/strong\u003e\u003cbr\u003eShinobi GO accepts 17- or 33-point .cube LUTs and has eight LUT slots. Load a compatible look from an SD card and check its appearance with the camera's output; the preview does not change the camera recording settings.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow heavy is the complete monitor setup?\u003c\/strong\u003e\u003cbr\u003eThe Shinobi GO body is 210 g. Your NP-F battery or power lead, HDMI lead and mounting hardware add weight. Include those items when balancing a handheld camera or checking the payload of a compact support.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhen should I choose Ninja TX GO instead?\u003c\/strong\u003e\u003cbr\u003eChoose Ninja TX GO if the camera supports the external recording mode you need or the project requires connected clip delivery. Shinobi GO is the monitor-only choice for checking the picture while the camera records internally.\u003c\/p\u003e\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eOrder Atomos Shinobi GO 5.2\" Touchscreen HDR Video\/Photo Monitor from Filmgear Canada with Canada-wide shipping. Contact the Vancouver team for camera output, mounting and power choices and current availability.\u003c\/p\u003e","brand":"Atomos","offers":[{"title":"Default Title","offer_id":47664892608771,"sku":"ATOM-SHB004","price":369.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1740987923_1882043.jpg?v=1769042563"},{"product_id":"aputure-nova-9-deg-2x1-rgb-led-light-panel-travel-kit","title":"Aputure NOVA 9 Deg 2x1 RGB LED Light Panel (Travel Kit)","description":"\u003cp\u003eThe Aputure NOVA 9° 2x1 RGB LED Panel (Travel Kit) is a full RGB+W soft panel from Aputure's NOVA family, packaged in a hard travel case with the accessories needed to roll on and off set. The 9° refers to the panel's beam shaping option; the 2x1 form factor gives a familiar big-soft-source footprint for interviews and key\/fill work.\u003c\/p\u003e\n\u003ch2\u003eGood fit for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eNarrative, commercial and music-video crews that need full RGB control and saturated colour on location\u003c\/li\u003e\n\u003cli\u003eOwner-operators who need the light protected in transit between gigs\u003c\/li\u003e\n\u003cli\u003eStudios building a NOVA-based interview or beauty soft-source setup\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"Aputure","offers":[{"title":"Default Title","offer_id":47693021905155,"sku":"AP0400044V","price":5579.98,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/490924.webp?v=1769632474"},{"product_id":"aputure-nova-9-deg-2x1-rgb-led-3-light-kit","title":"Aputure NOVA 9 Deg 2x1 RGB LED 3-Light Kit","description":"\u003cp\u003eThe Aputure NOVA 9° 2x1 RGB LED 3-Light Kit packages three NOVA 2x1 RGB soft panels together for a complete key \/ fill \/ back setup. NOVA panels are full-colour (RGB+W), so the kit covers everything from neutral interview lighting to fully saturated practical and effect work without swapping gels.\u003c\/p\u003e\n\u003ch2\u003eBuilt for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eCrews that want one consistent panel family across three positions\u003c\/li\u003e\n\u003cli\u003eNarrative and commercial productions doing colour-driven lighting\u003c\/li\u003e\n\u003cli\u003eStudios that prefer big soft sources over hard fresnel keys\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"Aputure","offers":[{"title":"Default Title","offer_id":47693026853123,"sku":"AG0400049A","price":16649.98,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/490923.webp?v=1769632630"},{"product_id":"aputure-nova-9-deg-2x1-rgb-led-light-panel-1","title":"Aputure NOVA 9 Deg 2x1 RGB LED Light Panel","description":"\u003cp\u003eThe Aputure NOVA 9° 2x1 RGB LED Panel is the single-light version of Aputure's NOVA 2x1 RGB+W soft panel. The 2x1 form factor produces a large, even soft source well suited to interviews, beauty lighting and key\/fill work, while the full RGB engine handles neutral white as well as saturated colour and effect work.\u003c\/p\u003e\n\u003cp\u003eIt pairs naturally with the matching NOVA accessories. Softboxes, grids, and snapbags fit the 2x1 panel footprint. Available from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"Aputure","offers":[{"title":"Default Title","offer_id":47693030260995,"sku":"AP0400044P","price":5289.98,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/490922.webp?v=1769632817"},{"product_id":"aputure-nova-ii-travel-kit","title":"Aputure NOVA II 1x1 RGB LED Light Panel (Travel Kit)","description":"\u003cp\u003eThe Aputure NOVA II 1x1 RGB LED Panel (Travel Kit) is the second-generation NOVA 1x1 panel packed into a hard travel case with the accessories needed for on-the-road work. NOVA II is Aputure's full RGB+W soft panel in the smaller 1x1 footprint. It is useful as a key on a single subject, or as fill \/ accent in a larger setup.\u003c\/p\u003e\n\u003ch2\u003eGood fit for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eOwner-operators who need a colour-accurate panel that travels safely\u003c\/li\u003e\n\u003cli\u003eDocumentary and corporate shooters working in tight spaces\u003c\/li\u003e\n\u003cli\u003eCrews adding a saturated-colour fill or effect light to an existing kit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"Aputure","offers":[{"title":"Default Title","offer_id":47693032063235,"sku":"AP0400031F","price":3100.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/490925_4.webp?v=1769633193"},{"product_id":"aputure-nova-ii","title":"Aputure NOVA II 1x1 RGB LED Light Panel","description":"\u003cp\u003eThe Aputure NOVA II 1x1 RGB LED Panel is the updated 1x1 panel in Aputure's NOVA RGB+W lineup. It produces a large, soft, colour-accurate light from a relatively compact form factor. It is useful as a single-subject key, as fill in a multi-light setup, or as a saturated colour wash for accent and effect work.\u003c\/p\u003e\n\u003cp\u003eStandard NOVA II accessories drop straight onto the panel. These include softbox, grids, snapbag, and barndoors. Available from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"Aputure","offers":[{"title":"Default Title","offer_id":47693034881283,"sku":"AP0400040B","price":2749.98,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/490925.webp?v=1769633275"},{"product_id":"amaran-halo-600x-bi-color-led-light","title":"Amaran Halo 600x Bi-Color LED Light","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe amaran Halo 600x is the most powerful light in amaran's Halo series of bi-color COB monolights. The Halo name is the series name, not a shape. This is a point-source Bowens mount COB, and at 32,500 lux at 1 m bare it delivers double the output of the Halo 300x from a head that is still compact for a 600W-class fixture.\u003c\/p\u003e\n\u003c!-- fg-ai-blocks:v1 --\u003e\n\u003cdiv class=\"fg-ai-block\" data-block=\"quick-answer\"\u003e\n\u003ch3\u003eQuick Answer\u003c\/h3\u003e\n\u003cp\u003eThe amaran Halo 600x is the most powerful light in amaran's bi-color Halo COB series, a Bowens-mount point source rated at up to 32,500 lux at 1 meter and a 610W max draw. It is for shooters lighting big rooms or big modifiers, the kind of job where the beam has to travel through heavy diffusion and still key the subject. In a kit it acts as a high-output bi-color key for large softboxes, book lights, and bounce setups that smaller COBs cannot drive.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fg-ai-block\" data-block=\"works-with\"\u003e\n\u003ch3\u003eWorks With\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eamaran Light Dome 90\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fg-ai-block\" data-block=\"not-for\"\u003e\n\u003ch3\u003eNot Recommended For\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eNot for jobs that need full RGB color, since the Halo 600x is bi-color only.\u003c\/li\u003e\n\u003cli\u003eNot for battery-powered or off-grid setups, since it runs on a single 5 meter AC cable with no external power brick and no battery option mentioned.\u003c\/li\u003e\n\u003cli\u003eNot for outdoor or exposed-weather work, since the fixture is rated IP20 and is meant to stay indoors or under cover.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cp\u003eThis is the size you buy when the room is big, the modifier is big, or the light has to travel through heavy diffusion and still key the subject. It handles large softboxes, book lights and bounce setups that starve smaller COBs. Like the 200x and 300x, it runs on a single 5 m AC cable with no external power brick.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e610W max draw bi-color COB with up to 32,500 lux at 1 m bare and 62,000 lumens of total output.\u003c\/li\u003e\n\u003cli\u003eColor temperature runs from 2,700K to 6,500K with separate brightness and CCT knobs.\u003c\/li\u003e\n\u003cli\u003eAccurate white light: CRI 96+ and TLCI 97+. amaran rates SSI at 84 tungsten and 74 daylight, and independent spectrometer reviews measured the same values.\u003c\/li\u003e\n\u003cli\u003eBowens mount and an 85 degree bare beam that fills even large softboxes and lanterns edge to edge.\u003c\/li\u003e\n\u003cli\u003eAll-in-one monolight design: one 5 m AC cable from wall to light.\u003c\/li\u003e\n\u003cli\u003eControl on the fixture, in the amaran app over Bluetooth (up to 80 m), or on DMX consoles via the optional USB-C to 5-pin adapter.\u003c\/li\u003e\n\u003cli\u003eMax fan noise is 28 dBA, with a silent mode (output capped at 55W) for critical audio takes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhich Halo Size?\u003c\/h2\u003e\n\u003cp\u003eAll five Halo models share the same color engine, Bowens mount and 85 degree bare beam. Pick by output and power source.\u003c\/p\u003e\n\u003ctable\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eModel\u003c\/th\u003e\n\u003cth\u003eMax output (bare, 1 m)\u003c\/th\u003e\n\u003cth\u003ePower draw\u003c\/th\u003e\n\u003cth\u003ePower input\u003c\/th\u003e\n\u003cth\u003eBest fit\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eHalo 60x\u003c\/td\u003e\n\u003ctd\u003e3,270 lux\u003c\/td\u003e\n\u003ctd\u003e63W\u003c\/td\u003e\n\u003ctd\u003eUSB-C PD\u003c\/td\u003e\n\u003ctd\u003eDesktop setups and travel kits\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHalo 100x\u003c\/td\u003e\n\u003ctd\u003e4,890 lux\u003c\/td\u003e\n\u003ctd\u003e100W\u003c\/td\u003e\n\u003ctd\u003eUSB-C PD or DC\u003c\/td\u003e\n\u003ctd\u003eSmall rooms and solo creators\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHalo 200x\u003c\/td\u003e\n\u003ctd\u003e10,530 lux\u003c\/td\u003e\n\u003ctd\u003e200W\u003c\/td\u003e\n\u003ctd\u003eAC\u003c\/td\u003e\n\u003ctd\u003eHome studio key light\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHalo 300x\u003c\/td\u003e\n\u003ctd\u003e16,200 lux\u003c\/td\u003e\n\u003ctd\u003e305W\u003c\/td\u003e\n\u003ctd\u003eAC\u003c\/td\u003e\n\u003ctd\u003eInterview and studio key light\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHalo 600x (this light)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e32,500 lux\u003c\/td\u003e\n\u003ctd\u003e610W\u003c\/td\u003e\n\u003ctd\u003eAC\u003c\/td\u003e\n\u003ctd\u003eLarge rooms and big modifiers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eAll five sizes are in our \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/amaran-halo\"\u003eamaran Halo collection\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch2\u003eHalo or Something Else?\u003c\/h2\u003e\n\u003cp\u003eThe Halo 600x is bi-color only and AC only. If your work needs RGB color, battery operation or IP54 splash resistance at this output level, the \u003ca href=\"https:\/\/filmgearcanada.com\/products\/amaran-ray-660c\"\u003eamaran Ray 660c\u003c\/a\u003e is the full-color sibling to consider. If you are lighting demanding commercial work where color fidelity and build toughness come first, step up to the \u003ca href=\"https:\/\/filmgearcanada.com\/products\/aputure-storm-400x-tunable-white-led-monolight-gold-mount\"\u003eAputure STORM series\u003c\/a\u003e, which measures higher on SSI in independent tests. If you mostly shoot seated interviews in normal rooms, the \u003ca href=\"https:\/\/filmgearcanada.com\/products\/amaran-halo-300x-bi-color-led-light\"\u003eHalo 300x\u003c\/a\u003e saves money and power for the same job.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e1x amaran Halo 600x\u003c\/li\u003e\n\u003cli\u003e1x amaran IEC C13 AC Power Cable (5 m)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eOnly the power cable is included. No Halo ships with a softbox or reflector, so plan a Bowens modifier from the start. A 90 cm class softbox like the \u003ca href=\"https:\/\/filmgearcanada.com\/products\/amaran-light-dome-90\"\u003eamaran Light Dome 90\u003c\/a\u003e is the minimum this output deserves. The fixture is rated IP20, so keep it to indoor and covered work.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy the amaran Halo 600x from Filmgear Canada for Canada-wide shipping, Vancouver pickup and Canadian dealer warranty support. See it against the 300x on our Vancouver showroom floor before you decide, because the right answer depends on your room and your modifiers. If this is the core of a new studio build, ask us to plan the light, modifiers, stands and power together so the kit works as one system.\u003c\/p\u003e\n","brand":"amaran","offers":[{"title":"Default Title","offer_id":47832417075459,"sku":"MP0000043X","price":658.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1772624786_IMG_2687449.jpg?v=1773266144"},{"product_id":"amaran-halo-300x-bi-color-led-light","title":"Amaran Halo 300x Bi-Color LED Light","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe amaran Halo 300x is a 300W-class bi-color COB monolight and the studio anchor of the Halo series. Set the name aside: this is not a ring light. It is a point-source Bowens mount fixture, the same form factor as an Aputure 300-series COB, built to drive real modifiers.\u003c\/p\u003e\n\u003cp\u003eWith 16,200 lux at 1 m bare, it keys interviews, talking-head sets and podcast studios through a 90 cm softbox with room to spare. It runs off one 5 m AC cable with no external power brick, and the whole head stays compact enough to live on a small stand. Reviewers describe it as the successor to Aputure's original 300x line, and that is exactly the slot it fills in the range.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e305W max draw bi-color COB with up to 16,200 lux at 1 m bare and 29,954 lumens of total output.\u003c\/li\u003e\n\u003cli\u003eColor temperature runs from 2,700K to 6,500K with separate brightness and CCT knobs.\u003c\/li\u003e\n\u003cli\u003eAccurate white light: CRI 96+ and TLCI 97+. amaran rates SSI at 84 tungsten and 74 daylight. Two independent spectrometer reviews measured the same values on production units.\u003c\/li\u003e\n\u003cli\u003eBowens mount and an 85 degree bare beam that fills big softboxes and lanterns evenly.\u003c\/li\u003e\n\u003cli\u003eAll-in-one monolight design: one 5 m AC cable, no external adapter.\u003c\/li\u003e\n\u003cli\u003eControl on the fixture, in the amaran app over Bluetooth (up to 80 m), or on DMX consoles via the optional USB-C to 5-pin adapter.\u003c\/li\u003e\n\u003cli\u003eMax fan noise is 28 dBA, with a silent mode (output capped at 42W) for critical audio takes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhich Halo Size?\u003c\/h2\u003e\n\u003cp\u003eAll five Halo models share the same color engine, Bowens mount and 85 degree bare beam. Pick by output and power source.\u003c\/p\u003e\n\u003ctable\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eModel\u003c\/th\u003e\n\u003cth\u003eMax output (bare, 1 m)\u003c\/th\u003e\n\u003cth\u003ePower draw\u003c\/th\u003e\n\u003cth\u003ePower input\u003c\/th\u003e\n\u003cth\u003eBest fit\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eHalo 60x\u003c\/td\u003e\n\u003ctd\u003e3,270 lux\u003c\/td\u003e\n\u003ctd\u003e63W\u003c\/td\u003e\n\u003ctd\u003eUSB-C PD\u003c\/td\u003e\n\u003ctd\u003eDesktop setups and travel kits\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHalo 100x\u003c\/td\u003e\n\u003ctd\u003e4,890 lux\u003c\/td\u003e\n\u003ctd\u003e100W\u003c\/td\u003e\n\u003ctd\u003eUSB-C PD or DC\u003c\/td\u003e\n\u003ctd\u003eSmall rooms and solo creators\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHalo 200x\u003c\/td\u003e\n\u003ctd\u003e10,530 lux\u003c\/td\u003e\n\u003ctd\u003e200W\u003c\/td\u003e\n\u003ctd\u003eAC\u003c\/td\u003e\n\u003ctd\u003eHome studio key light\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHalo 300x (this light)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e16,200 lux\u003c\/td\u003e\n\u003ctd\u003e305W\u003c\/td\u003e\n\u003ctd\u003eAC\u003c\/td\u003e\n\u003ctd\u003eInterview and studio key light\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHalo 600x\u003c\/td\u003e\n\u003ctd\u003e32,500 lux\u003c\/td\u003e\n\u003ctd\u003e610W\u003c\/td\u003e\n\u003ctd\u003eAC\u003c\/td\u003e\n\u003ctd\u003eLarge rooms and big modifiers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eThe full lineup lives in our \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/amaran-halo\"\u003eamaran Halo collection\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch2\u003eHalo or Something Else?\u003c\/h2\u003e\n\u003cp\u003eThree honest alternatives. If you need RGB color, battery power or splash resistance for location work, the \u003ca href=\"https:\/\/filmgearcanada.com\/products\/amaran-ray-360c\"\u003eamaran Ray 360c\u003c\/a\u003e covers this output class with amaran's full-color engine. If color fidelity is the priority for high-end commercial work, the \u003ca href=\"https:\/\/filmgearcanada.com\/products\/aputure-storm-400x-tunable-white-led-monolight-gold-mount\"\u003eAputure STORM 400x\u003c\/a\u003e measures higher on SSI in the same independent tests and adds a tougher production build. And if you are cross-shopping bi-color COBs at this wattage, we also stock the \u003ca href=\"https:\/\/filmgearcanada.com\/products\/nanlite-fs-300b-bi-color-led-video-light\"\u003eNanlite FS-300B\u003c\/a\u003e. Happy to compare all three against your actual jobs.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e1x amaran Halo 300x\u003c\/li\u003e\n\u003cli\u003e1x amaran IEC C13 AC Power Cable (5 m)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eOnly the power cable is included. No Halo ships with a softbox or reflector, so plan a Bowens modifier from the start. The \u003ca href=\"https:\/\/filmgearcanada.com\/products\/amaran-light-dome-90\"\u003eamaran Light Dome 90\u003c\/a\u003e is the natural interview pairing here. The fixture is rated IP20, so keep it to indoor and covered work.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy the amaran Halo 300x from Filmgear Canada for Canada-wide shipping, Vancouver pickup and Canadian dealer warranty support. It is on our Vancouver showroom floor with the rest of the Halo family, so you can see the output difference between the 200x, 300x and 600x before choosing. Building an interview kit from scratch? Ask us to spec the light, modifier and stand together so everything works on day one.\u003c\/p\u003e\n","brand":"amaran","offers":[{"title":"Default Title","offer_id":47834774733059,"sku":"MP0000043R","price":418.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/491051_1.webp?v=1773472175"},{"product_id":"amaran-halo-60x-bi-color-led-light","title":"Amaran Halo 60x Bi-Color LED Light","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe amaran Halo 60x is the smallest light in amaran's Halo series of bi-color COB monolights. Despite the Halo name, it is a point-source fixture with a standard Bowens mount, not a ring light. You get a compact chip-on-board LED that behaves like a scaled-down studio light. Put a softbox, dome or fresnel on it and shape it the way you would any monolight.\u003c\/p\u003e\n\u003cp\u003eIt suits desktop content setups, tight interview corners and travel kits. It draws 63W and runs entirely on USB-C PD 3.0 power, so a 65W USB-C battery keeps it working away from wall outlets. For a solo creator building a first serious lighting kit, this is the entry point into the Halo family.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e63W bi-color COB with up to 3,270 lux at 1 m bare and 6,041 lumens of total output.\u003c\/li\u003e\n\u003cli\u003eColor temperature runs from 2,700K to 6,500K on separate brightness and CCT knobs.\u003c\/li\u003e\n\u003cli\u003eAccurate white light: CRI 96+ and TLCI 97+. amaran rates SSI at 84 tungsten and 74 daylight, and independent spectrometer reviews have measured the same values.\u003c\/li\u003e\n\u003cli\u003eBowens mount with an 85 degree bare beam that fills softboxes and domes evenly.\u003c\/li\u003e\n\u003cli\u003eUSB-C PD 3.0 powered. The included 65W AC adapter covers studio use, and a 65W (20V) USB-C PD battery runs it on location.\u003c\/li\u003e\n\u003cli\u003eControl it on the fixture, in the amaran app over Bluetooth (up to 80 m), or over DMX with the optional USB-C adapter.\u003c\/li\u003e\n\u003cli\u003eMax fan noise is 28 dBA, and a silent mode (output capped at 11W) covers critical audio takes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhich Halo Size?\u003c\/h2\u003e\n\u003cp\u003eAll five Halo models share the same color engine, Bowens mount and 85 degree bare beam. Pick by output and power source.\u003c\/p\u003e\n\u003ctable\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eModel\u003c\/th\u003e\n\u003cth\u003eMax output (bare, 1 m)\u003c\/th\u003e\n\u003cth\u003ePower draw\u003c\/th\u003e\n\u003cth\u003ePower input\u003c\/th\u003e\n\u003cth\u003eBest fit\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHalo 60x (this light)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3,270 lux\u003c\/td\u003e\n\u003ctd\u003e63W\u003c\/td\u003e\n\u003ctd\u003eUSB-C PD\u003c\/td\u003e\n\u003ctd\u003eDesktop setups and travel kits\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHalo 100x\u003c\/td\u003e\n\u003ctd\u003e4,890 lux\u003c\/td\u003e\n\u003ctd\u003e100W\u003c\/td\u003e\n\u003ctd\u003eUSB-C PD or DC\u003c\/td\u003e\n\u003ctd\u003eSmall rooms and solo creators\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHalo 200x\u003c\/td\u003e\n\u003ctd\u003e10,530 lux\u003c\/td\u003e\n\u003ctd\u003e200W\u003c\/td\u003e\n\u003ctd\u003eAC\u003c\/td\u003e\n\u003ctd\u003eHome studio key light\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHalo 300x\u003c\/td\u003e\n\u003ctd\u003e16,200 lux\u003c\/td\u003e\n\u003ctd\u003e305W\u003c\/td\u003e\n\u003ctd\u003eAC\u003c\/td\u003e\n\u003ctd\u003eInterview and studio key light\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHalo 600x\u003c\/td\u003e\n\u003ctd\u003e32,500 lux\u003c\/td\u003e\n\u003ctd\u003e610W\u003c\/td\u003e\n\u003ctd\u003eAC\u003c\/td\u003e\n\u003ctd\u003eLarge rooms and big modifiers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eBrowse the whole family in our \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/amaran-halo\"\u003eamaran Halo collection\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch2\u003eHalo or Something Else?\u003c\/h2\u003e\n\u003cp\u003eThe Halo 60x is bi-color only. If you want RGB color effects, magnetic battery power and splash resistance for outdoor work, the \u003ca href=\"https:\/\/filmgearcanada.com\/products\/amaran-ray-60c\"\u003eamaran Ray 60c\u003c\/a\u003e is the same size class with amaran's full-color engine. If you need more punch in the same compact footprint, step up to the \u003ca href=\"https:\/\/filmgearcanada.com\/products\/amaran-halo-100x-bi-color-led-light\"\u003eHalo 100x\u003c\/a\u003e. Filmgear Canada stocks both lines, so you can compare them directly.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e1x amaran Halo 60x\u003c\/li\u003e\n\u003cli\u003e1x amaran AC to USB-C 65W Power Adapter (2.5 m)\u003c\/li\u003e\n\u003cli\u003e1x amaran IEC C5 AC Power Cable (2 m)\u003c\/li\u003e\n\u003cli\u003e1x amaran 1\/4-20 to Baby Pin Adapter with Tilt\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNo softbox or reflector is included with any Halo model, so plan a Bowens modifier from the start. The \u003ca href=\"https:\/\/filmgearcanada.com\/products\/amaran-light-dome-60-softbox-2\"\u003eamaran Light Dome 60\u003c\/a\u003e is a natural first softbox at this size. The Halo line is rated IP20, so keep it to indoor and covered work.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy the amaran Halo 60x from Filmgear Canada for Canada-wide shipping, Vancouver pickup and Canadian dealer warranty support. Our Vancouver showroom carries the full Halo family, so you can compare sizes side by side before deciding. If you are building a complete kit, ask us to confirm that your light, modifier and stand work together before you order.\u003c\/p\u003e\n","brand":"amaran","offers":[{"title":"Default Title","offer_id":47834855080195,"sku":"MP00000437","price":168.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/491048_2.webp?v=1773472101"},{"product_id":"aputure-spotlight-mount-ii-26-deg-lens-kit","title":"Aputure Spotlight Mount II 26 Deg Lens Kit","description":"\u003cp\u003eThe Aputure Spotlight Mount II 26° Lens Kit is the optical projection attachment for Aputure's Bowens-mount lights. The kit is the body plus the 26° lens. It gives you a hard-edged, narrow projected beam useful for window patterns (gobos), tight spotlight effects and motivated background slashes.\u003c\/p\u003e\n\u003cp\u003e26° is a relatively tight beam: ideal when you want a defined spot on a wall, a controllable splash of light through a window cutter, or sharp gobo patterns. For wider coverage, the 36° and 50° lens kits cover the same family at different angles.\u003c\/p\u003e\n\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"Aputure","offers":[{"title":"Default Title","offer_id":47847926857987,"sku":"AP0706019S","price":899.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/492318.webp?v=1773768680"},{"product_id":"aputure-spotlight-mount-ii-36-deg-lens-kit","title":"Aputure Spotlight Mount II 36 Deg Lens Kit","description":"\u003cp\u003eThe Aputure Spotlight Mount II 36° Lens Kit pairs the Spotlight Mount II body with the 36° lens. This is a mid-angle projection optic for Bowens-mount Aputure lights. 36° gives a wider projected beam than the 26° kit, with less fall-off across larger gobo patterns or wider window slashes.\u003c\/p\u003e\n\u003cp\u003eUse it when you want a sharp, projected beam but need more coverage than the tight 26° lens allows. Available from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"Aputure","offers":[{"title":"Default Title","offer_id":47847956054275,"sku":"AP0706019T","price":899.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/SpotlightMountII36_LensKit_10.png?v=1789047311"},{"product_id":"aputure-spotlight-mount-ii-50-deg-lens-kit","title":"Aputure Spotlight Mount II 50 Deg Lens Kit","description":"\u003cp\u003eThe Aputure Spotlight Mount II 50° Lens Kit is the widest of the Spotlight Mount II projection lens kits. It is the Spotlight body plus 50° lens. The 50° beam is the wide end of the projection range, useful for covering a larger background pattern, a wide window slash, or a soft, large projected wash.\u003c\/p\u003e\n\u003cp\u003ePair with iris, gobo and shutter accessories that fit the Spotlight Mount II body to shape the beam edge. Available from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"Aputure","offers":[{"title":"Default Title","offer_id":47848121762051,"sku":"AP0706025L","price":899.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/SpotlightMountII50_LensKit_7.png?v=1789047359"},{"product_id":"spotlight-mount-ii-19-lens-kit","title":"Aputure Spotlight Mount II 19 Deg Lens Kit","description":"\u003cp\u003eThe Aputure Spotlight Mount II 19° Lens Kit is the tightest of the Spotlight Mount II projection kits. It is the Spotlight body plus the 19° lens. 19° gives you the most concentrated, focused projection in the range: a small, sharp spot on a wall, a tight gobo or a hard-edged effect beam.\u003c\/p\u003e\n\u003cp\u003eChoose this kit when you want maximum throw and the smallest, hardest projected pattern. Wider beams are covered by the 26°, 36° and 50° lens kits. Available from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"Aputure","offers":[{"title":"Default Title","offer_id":47848145387779,"sku":"AP0706019R","price":899.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/SpotlightMountII19_LensKit_1.png?v=1789047262"},{"product_id":"aputure-barndoors-for-nova-ii-2x1-led-panel","title":"Aputure Barndoors for NOVA II 2x1 LED Panel","description":"\u003cp\u003e\u003cstrong\u003eAputure NOVA II 2x1 barn doors provide a four-leaf light-shaping attachment made for the NOVA II 2x1 and NOVA 9° 2x1.\u003c\/strong\u003e They help crews trim spill, protect nearby backgrounds, and refine beam edges while keeping the fixture or Fresnel in a compact production setup.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eAputure Barndoors for NOVA II 2x1 LED Panel are a dedicated mechanical modifier for the NOVA II 2x1 and NOVA 9° 2x1. Aputure uses its QuickClip accessory interface for this dedicated NOVA 2x1 modifier. Barn doors shape a beam by blocking portions of it; they do not soften the illumination like a diffusion dome and do not replace a projection attachment for sharply focused shutters or gobos. They do not change fixture output, color, CCT, power method, or DMX control, and the modifier should be packed in a protective case when transported.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003eFour-leaf Beam Control\u003c\/h3\u003e\u003cp\u003eIndependent leaves can trim spill from the top, bottom, and sides of the NOVA II 2x1 and NOVA 9° 2x1 beam.\u003c\/p\u003e\n\u003ch3\u003eDedicated Mechanical Fit\u003c\/h3\u003e\u003cp\u003eThe modifier is made around the NOVA II 2x1 and NOVA 9° 2x1 interface, reducing improvised mounting and keeping the control surfaces aligned with the beam.\u003c\/p\u003e\n\u003ch3\u003eFast On-Set Adjustment\u003c\/h3\u003e\u003cp\u003eCrews can open or close individual leaves during a lighting change without replacing the complete modifier package.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose these barn doors for fast spill control on the NOVA II 2x1 and NOVA 9° 2x1. Choose a softbox or lantern for broad soft light, flags when the cut must be positioned away from the fixture, or a projection attachment when crisp shutters, gobos, or a focused image are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/aputure-barndoors-for-nova-p600c-led-panel\"\u003eAputure Nova P600c Barn Doors\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/aputure-cf4-barn-doors\"\u003eAputure CF4 Barn Doors\u003c\/a\u003e. Use this modifier only with the NOVA II 2x1 and NOVA 9° 2x1 interface named for the product. Check that the accessory is fully seated, the leaves clear the yoke and nearby rigging, and the fixture remains within safe operating and tilt limits.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThese barn doors are for gaffers, cinematographers, studios, interview crews, rental kits, and owner-operators who need fast spill control without building every cut from separate flags.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a softbox for broad diffusion, a lantern for wide ambient fill, separate flags for cuts placed away from the fixture, or a projection attachment for sharply focused shutters and gobos.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003eAputure Barndoors for NOVA II 2x1 LED Panel\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eCompatibility: Aputure NOVA II 2x1 and NOVA 9° 2x1\u003c\/li\u003e\n\u003cli\u003eLeaf design: four-leaf\u003c\/li\u003e\n\u003cli\u003eFunction: beam and spill control\u003c\/li\u003e\n\u003cli\u003eOperation: manual leaf adjustment\u003c\/li\u003e\n\u003cli\u003eMounting: dedicated accessory interface for the named fixture or Fresnel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhich Aputure fixture or modifier does this accessory fit?\u003c\/strong\u003e\u003cbr\u003eAputure Barndoors for NOVA II 2x1 LED Panel: It is designed around the NOVA II 2x1 and NOVA 9° 2x1 interface. Match the exact fixture or Fresnel name before ordering.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat do barn doors do on a production light?\u003c\/strong\u003e\u003cbr\u003eAputure Barndoors for NOVA II 2x1 LED Panel: They block selected parts of the beam to reduce spill on backgrounds, ceilings, lenses, and nearby set areas while leaving other portions open.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo barn doors make the light soft?\u003c\/strong\u003e\u003cbr\u003eAputure Barndoors for NOVA II 2x1 LED Panel: They primarily trim and shape spill. Use a softbox, dome, or diffusion frame when a broader and softer quality is the main goal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I use flags instead of barn doors?\u003c\/strong\u003e\u003cbr\u003eAputure Barndoors for NOVA II 2x1 LED Panel: Use separate flags when the cut must be placed farther from the fixture, when a cleaner edge is needed, or when the modifier would interfere with the rig.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy these Aputure barn doors in Canada?\u003c\/strong\u003e\u003cbr\u003eAputure Barndoors for NOVA II 2x1 LED Panel: Filmgear Canada supplies them with Canada-wide shipping and Vancouver-based help for fixture, modifier, and rig compatibility.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy Aputure Barndoors for NOVA II 2x1 LED Panel from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"Aputure","offers":[{"title":"Default Title","offer_id":47848703230211,"sku":"AA04060321","price":259.98,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1757597679_IMG_2572625.jpg?v=1773778773"},{"product_id":"aputure-nova-ii-2x1-fabric-control-grid","title":"Aputure NOVA II 2x1 Fabric Control Grid","description":"\u003cp\u003e\u003cstrong\u003eAputure NOVA II 2x1 Fabric Control Grid is the fitted fabric egg-crate that narrows side spill from the NOVA II 2x1 soft LED panel.\u003c\/strong\u003e It keeps the panel's broad character while helping cinematographers hold output off backgrounds, walls, ceilings, and the camera lens during controlled key and fill work. Buyers comparing this production lighting accessory should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eAputure NOVA II 2x1 Fabric Control Grid is designed around the NOVA II 2x1 lighting system rather than as a universal fixture accessory. It keeps the panel's broad character while helping cinematographers hold output off backgrounds, walls, ceilings, and the camera lens during controlled key and fill work. Crews should check modifier clearance, stand capacity, safety attachment, power-cable routing, outdoor exposure, and packed size before the call so output, colour, CCT, and control needs remain practical for the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003eDedicated Parent-System Fit\u003c\/h3\u003e\u003cp\u003eAputure NOVA II 2x1 Fabric Control Grid is shaped for the NOVA II 2x1 and its named modifier interface.\u003c\/p\u003e\n\u003ch3\u003eProduction Light Control\u003c\/h3\u003e\u003cp\u003eIt keeps the panel's broad character while helping cinematographers hold output off backgrounds, walls, ceilings, and the camera lens during controlled key and fill work.\u003c\/p\u003e\n\u003ch3\u003ePack-and-Rig Planning\u003c\/h3\u003e\u003cp\u003eIts role is mechanical light shaping or protection, so fixture power, battery or AC supply, stand, safety cable, and any additional case remain separate unless listed.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose the grid when the NOVA II 2x1 needs direction without a harder modifier. Choose a dome for wider wrap or the matched softbox when added diffusion and a larger surface are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/aputure-lantern-30-for-storm-80c\"\u003eAputure Lantern 30\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/aputure-light-dome-40\"\u003eAputure Quick Dome 40\u003c\/a\u003e. Match the NOVA II 2x1, mounting interface, modifier weight, grid or softbox clearance, stand, safety cable, fixture power, and transport case before use.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis accessory is for cinematographers, gaffers, studios, rental teams, and owner-operators using the NOVA II 2x1 who need its specific light-control role.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the grid when the NOVA II 2x1 needs direction without a harder modifier. Choose a dome for wider wrap or the matched softbox when added diffusion and a larger surface are required. Check required output, colour, CCT range, modifier size, grid control, power method, case space, and outdoor conditions before choosing.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003eAputure NOVA II 2x1 Fabric Control Grid\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eCompatibility: Aputure NOVA II 2x1\u003c\/li\u003e\n\u003cli\u003eType: fabric control grid\u003c\/li\u003e\n\u003cli\u003eFunction: spill reduction\u003c\/li\u003e\n\u003cli\u003eLight quality: retains a soft panel character\u003c\/li\u003e\n\u003cli\u003ePower: none\u003c\/li\u003e\n\u003cli\u003eFixture included: no\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhich light is the Aputure NOVA II 2x1 Fabric Control Grid made for?\u003c\/strong\u003e\u003cbr\u003eAputure NOVA II 2x1 Fabric Control Grid: It is designed around the NOVA II 2x1. Match the fixture and mounting interface before ordering so the modifier or protective part seats correctly.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat lighting problem does it solve?\u003c\/strong\u003e\u003cbr\u003eAputure NOVA II 2x1 Fabric Control Grid: It keeps the panel's broad character while helping cinematographers hold output off backgrounds, walls, ceilings, and the camera lens during controlled key and fill work. It changes light shape or fixture protection without changing the lamp's colour engine or control system.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes it include the light or power equipment?\u003c\/strong\u003e\u003cbr\u003eAputure NOVA II 2x1 Fabric Control Grid: The listing is for the named accessory. The fixture, AC supply, battery, stand, safety equipment, and any item absent from the box list remain separate.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should a crew compare it with another modifier?\u003c\/strong\u003e\u003cbr\u003eAputure NOVA II 2x1 Fabric Control Grid: Choose the grid when the NOVA II 2x1 needs direction without a harder modifier. Choose a dome for wider wrap or the matched softbox when added diffusion and a larger surface are required. The practical decision is spread, spill, softness, output loss, setup time, and packed size.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy it in Canada?\u003c\/strong\u003e\u003cbr\u003eAputure NOVA II 2x1 Fabric Control Grid: Filmgear Canada offers Canada-wide shipping and Vancouver-based help for fixture, modifier, grid, case, stand, power, and compatibility planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy Aputure NOVA II 2x1 Fabric Control Grid from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"Aputure","offers":[{"title":"Default Title","offer_id":47848713978115,"sku":"AA04060423","price":94.98,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1757597157_1920538.jpg?v=1773778922"},{"product_id":"dji-mic-mini-2-2-tx-1-rx-charging-case","title":"DJI Mic Mini 2 (2 TX + 1 RX + Charging Case)","description":"\u003cp\u003eThe DJI Mic Mini 2 is the second-generation Mic Mini and DJI's smallest, lightest wireless mic system. This kit configuration is two transmitters, one receiver, and the charging case, so you can mic two people at once and recharge the whole kit between shoots from a single case.\u003c\/p\u003e\n\u003ch2\u003eWhat's in the box\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e2× DJI Mic Mini 2 transmitters (TX) with built-in microphones and clip mounting.\u003c\/li\u003e\n  \u003cli\u003e1× DJI Mic Mini 2 receiver (RX) for connecting to a camera, mirrorless body, phone, or recorder.\u003c\/li\u003e\n  \u003cli\u003eCharging case that holds and charges the transmitters and receiver.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhy this kit\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003eTwo-person interviews, host-and-guest podcasts on the go, and dialogue between two subjects in a scene. The 2 TX configuration covers the use case the single-mic kit doesn't.\u003c\/li\u003e\n  \u003cli\u003eMic Mini form factor is small and light enough that subjects forget they're wearing it, which reduces complaints on long shoots.\u003c\/li\u003e\n  \u003cli\u003eCharging case means the whole kit goes back into one container at the end of the day and is ready the next morning without juggling individual cables.\u003c\/li\u003e\n  \u003cli\u003eWorks with DJI cameras, mirrorless cameras with the matching connector, USB-C phones, and lightning iPhones (with the corresponding adapter).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWho it's for\u003c\/h2\u003e\n\u003cp\u003eSolo creators, run-and-gun video crews, podcast hosts, and event shooters who need two-channel wireless audio in the smallest possible kit, and don't want to manage individual chargers for each unit.\u003c\/p\u003e\n\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"DJI","offers":[{"title":"Default Title","offer_id":48065686634755,"sku":"24139749","price":139.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/dji-mic-mini-2-2-tx-1-rx-charging-case-filmgear-canada-01.jpg?v=1777959496"},{"product_id":"dji-mic-mini-2-2-tx-1-mobile-rx-charging-case","title":"DJI Mic Mini 2 (2 TX + 1 Mobile RX + Charging Case)","description":"\u003cp\u003eThis is the two-presenter mobile kit for DJI's Mic Mini 2 system. You get two clip-on transmitters, one mobile receiver designed to plug directly into a phone, and a charging case that tops up all the pieces between takes.\u003c\/p\u003e\n\u003cp\u003eIt suits interviews, podcasts, two-person social shoots, and anything where you want clean lav audio straight into a smartphone without lugging a camera receiver.\u003c\/p\u003e\n\u003ch2\u003eKey features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003eTwo wireless transmitters with built-in lav mics for dual-person dialogue.\u003c\/li\u003e\n  \u003cli\u003eMobile receiver attaches directly to your phone, no camera or cable rig needed.\u003c\/li\u003e\n  \u003cli\u003eCharging case stores and recharges the transmitters and receiver between sessions.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"DJI","offers":[{"title":"Default Title","offer_id":48065686667523,"sku":"CP.RN.00000532.02","price":119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/dji-mic-mini-2-2-tx-1-mobile-rx-charging-case-filmgear-canada-01.jpg?v=1777959481"},{"product_id":"dji-mic-mini-2-1-tx-1-rx","title":"DJI Mic Mini 2 (1 TX + 1 RX)","description":"\u003cp\u003eThis is the entry kit in the DJI Mic Mini 2 line: one transmitter with a built-in lav mic and one camera receiver. It is aimed at solo creators recording dialogue to a mirrorless, cinema camera, or any device with a 3.5 mm input.\u003c\/p\u003e\n\u003cp\u003eIf you mostly shoot one talker at a time and do not need a charging case or a phone receiver, this is the lean kit to start with. Add a second transmitter later if you need to cover a second person.\u003c\/p\u003e\n\u003ch2\u003eKey features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003eOne transmitter, one camera receiver, ready to mount and roll.\u003c\/li\u003e\n  \u003cli\u003eDesigned for cameras and recorders with a standard 3.5 mm input.\u003c\/li\u003e\n  \u003cli\u003eCompact Mic Mini 2 form factor that disappears under a collar or on a lapel.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"DJI","offers":[{"title":"Default Title","offer_id":48065686700291,"sku":"CP.RN.00000530.02","price":89.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/dji-mic-mini-2-1-tx-1-rx-filmgear-canada-01.jpg?v=1777959475"},{"product_id":"dji-mic-mini-2-1-tx-1-mobile-rx-charging-case","title":"DJI Mic Mini 2 (1 TX + 1 Mobile RX + Charging Case)","description":"\u003cp\u003eThis single-presenter mobile kit pairs one DJI Mic Mini 2 transmitter with the mobile receiver that connects directly to a phone, plus the charging case that keeps both topped up between shoots.\u003c\/p\u003e\n\u003cp\u003eIt is the right kit for solo creators recording to a smartphone. Vloggers, social-first storytellers, mobile journalists, and small business owners doing their own to-camera content are the natural fit.\u003c\/p\u003e\n\u003ch2\u003eKey features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003eOne transmitter with built-in lav mic for clean wireless dialogue.\u003c\/li\u003e\n  \u003cli\u003eMobile receiver plugs straight into a phone, skipping the camera-receiver workflow.\u003c\/li\u003e\n  \u003cli\u003eCharging case for storage and on-set recharging.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"DJI","offers":[{"title":"Default Title","offer_id":48065689911555,"sku":"CP.RN.00000533.02","price":89.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/dji-mic-mini-2-1-tx-1-mobile-rx-charging-case-filmgear-canada-01.jpg?v=1777959462"},{"product_id":"fps-cine-stainless-steel-2-riser-combo-stand","title":"FPS Cine Stainless Steel 2-Riser Combo Stand","description":"\u003cp\u003e\u003cstrong\u003eFPS Cine Stainless Steel 2-Riser Combo Stand is a stainless-steel two-riser combo stand for supporting compatible lighting and grip equipment.\u003c\/strong\u003e Its stand role is to place a compatible fixture or grip accessory at working height while the crew manages payload, balance, leg footprint, riser extension, wind, and safety The product identity and role are kept narrow so buyers can decide fit without assuming unlisted dimensions, load limits, power data, or package contents. Buyers comparing this production support accessory should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eFPS Cine Stainless Steel 2-Riser Combo Stand is sold for two-riser lighting and grip support. Its stand role is to place a compatible fixture or grip accessory at working height while the crew manages payload, balance, leg footprint, riser extension, wind, and safety Buyers should match the top interface, payload, maximum and minimum height, footprint, riser locks, fixture yoke, centre of gravity, sandbagging, wind, and transport size before ordering. The listing does not imply performance figures, dimensions, load capacity, electrical specifications, weather protection, or included accessories beyond the product title and box list. For a production purchase, compare the mounting or connection path, surrounding equipment, operating position, cable clearance, safety method, and transport plan.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003eDefined Product Role\u003c\/h3\u003e\u003cp\u003eFPS Cine Stainless Steel 2-Riser Combo Stand is intended for two-riser lighting and grip support.\u003c\/p\u003e\n\u003ch3\u003eSystem-Fit Check\u003c\/h3\u003e\u003cp\u003eMatch the top interface, payload, maximum and minimum height, footprint, riser locks, fixture yoke, centre of gravity, sandbagging, wind, and transport size before assigning it to a rig or lighting package.\u003c\/p\u003e\n\u003ch3\u003ePractical Purchase Boundary\u003c\/h3\u003e\u003cp\u003eOnly the named product is included; surrounding fixtures, monitors, stands, batteries, power supplies, cables, clamps, heads, and cases remain separate unless listed.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose stainless steel for durable studio and location support; choose a lighter stand for faster carrying or a heavier rolling and braced solution when payload, height, wind, or repositioning demands it.\u003c\/p\u003e\n\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis stand is for gaffers, grips, studios, rental houses, interview crews, and location teams supporting compatible fixtures and grip accessories.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another stand when required height, payload, top mount, footprint, rolling movement, outdoor wind, light output position, modifier size, power cable path, or case length differs.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003eFPS Cine Stainless Steel 2-Riser Combo Stand\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: stainless steel\u003c\/li\u003e\n\u003cli\u003eRisers: 2\u003c\/li\u003e\n\u003cli\u003eProduct type: combo stand\u003c\/li\u003e\n\u003cli\u003ePayload and height: check before use\u003c\/li\u003e\n\u003cli\u003eTop interface: check before mounting\u003c\/li\u003e\n\u003cli\u003eFixture, grip head, wheels, sandbags, and case: separate\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is the main role of the FPS Cine Stainless Steel 2-Riser Combo Stand?\u003c\/strong\u003e\u003cbr\u003eFPS Cine Stainless Steel 2-Riser Combo Stand: Its stand role is to place a compatible fixture or grip accessory at working height while the crew manages payload, balance, leg footprint, riser extension, wind, and safety It should be selected for that named role rather than treated as a universal substitute.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat compatibility checks matter before ordering?\u003c\/strong\u003e\u003cbr\u003eFPS Cine Stainless Steel 2-Riser Combo Stand: Match the top interface, payload, maximum and minimum height, footprint, riser locks, fixture yoke, centre of gravity, sandbagging, wind, and transport size. Also allow for mounting clearance, cable routing, operating position, safety, and transport.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with this listing?\u003c\/strong\u003e\u003cbr\u003eFPS Cine Stainless Steel 2-Riser Combo Stand: The box contains the named product. A fixture, monitor, stand, tripod head, battery, power supply, cable, clamp, case, and other surrounding equipment are separate unless stated.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should it be compared with another option?\u003c\/strong\u003e\u003cbr\u003eFPS Cine Stainless Steel 2-Riser Combo Stand: Choose stainless steel for durable studio and location support; choose a lighter stand for faster carrying or a heavier rolling and braced solution when payload, height, wind, or repositioning demands it. Compare mounting, dimensions, load, power, control, clearance, setup time, and the equipment already owned.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy it in Canada?\u003c\/strong\u003e\u003cbr\u003eFPS Cine Stainless Steel 2-Riser Combo Stand: Filmgear Canada offers Canada-wide shipping and Vancouver-based help for model identity, compatibility, mounting, control, power, safety, and package planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy FPS Cine Stainless Steel 2-Riser Combo Stand from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"FPS","offers":[{"title":"Default Title","offer_id":48069843779843,"sku":"FPS-BM303-SS","price":300.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/FPS-BM303-SS.jpg?v=1778062031"},{"product_id":"fps-cine-stainless-steel-3-riser-combo-stand","title":"FPS Cine Stainless Steel 3-Riser Combo Stand","description":"\u003cp\u003eThe FPS Cine stainless steel three-riser combo stand is a heavy-duty grip stand built for studio and location lighting work. Stainless steel construction makes it noticeably tougher than alloy stands when you are hanging real-weight fixtures.\u003c\/p\u003e\n\u003cp\u003e\"Combo\" means it takes both junior and baby receivers, so it will mount most cinema-grade lights and grip arms without an adapter dance. The three risers give you serious height when you need to top-light or rig overhead.\u003c\/p\u003e\n\u003ch2\u003eKey features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003eStainless steel build that stands up to professional cycling on and off set.\u003c\/li\u003e\n  \u003cli\u003eCombo top accepts both junior and baby fixtures.\u003c\/li\u003e\n  \u003cli\u003eThree risers for extra reach in tall-ceiling studios or when overhead positions are needed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping. Oversized shipping item.\u003c\/p\u003e","brand":"FPS","offers":[{"title":"Default Title","offer_id":48069956894979,"sku":"FPS-BM306-SS","price":320.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/FPS-BM306-SS.jpg?v=1778062214"},{"product_id":"fps-cine-3-baby-pin-wall-plate","title":"FPS Cine 3\" Baby Pin Wall Plate","description":"\u003cp\u003eThe FPS Cine 3\" Baby Pin Wall Plate is a small steel plate with a 5\/8\" (16 mm) baby pin sticking out, designed to be screwed into a wall, beam, or set piece so you can hang a light or grip head wherever there is no stand to put down.\u003c\/p\u003e\n\u003cp\u003eCommon uses: rigging a small fixture in a tight corner, mounting a flag arm onto a flat where a c-stand will not fit, or pinning a baby-mount accessory to a wood frame on set.\u003c\/p\u003e\n\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"FPS","offers":[{"title":"Default Title","offer_id":48069963186435,"sku":"FPS-MF1671","price":20.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/FPS-MF1671.jpg?v=1778063334"}],"url":"https:\/\/filmgearcanada.com\/collections\/new-arrivals.oembed?page=16","provider":"Filmgear Canada","version":"1.0","type":"link"}