{"title":"NiSi","description":"\u003cp\u003e\u003cstrong\u003eNiSi True Color VND and JetMag Pro magnetic filters in stock, plus Athena Prime and Aureus Prime cine lenses.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdetails\u003e\n\u003csummary\u003eAbout NiSi \u0026amp; buying help\u003c\/summary\u003e\n\u003cp\u003eThe True Color VND and the JetMag Pro magnetic filter system hold neutral colour from 1 to 5 stops and swap fast on set, and they are in stock now in Vancouver. The Athena Prime and Aureus Prime full-frame PL cine lenses run a consistent T-stop and look across the set, available to order through Filmgear Canada. Authorized Canadian dealer with genuine stock, Canadian warranty and no US duty. Matching a VND to your lens thread, or speccing a cine prime set for your camera? Tell us your kit and we will help you choose the right NiSi.\u003c\/p\u003e\n\u003c\/details\u003e","products":[{"product_id":"nisi-athena-prime-14mm-full-frame-arri-pl","title":"NiSi ATHENA PRIME 14mm T2.4 Full-Frame Lens (PL Mount)","description":"\u003cp\u003e\u003cstrong\u003eNiSi ATHENA PRIME 14mm T2.4 Full-Frame Lens (PL Mount)\u003c\/strong\u003e is a Nisi product in our Camera Lenses range. It is available at Filmgear Canada in Vancouver. Order online with Canada-wide shipping, or contact our showroom team to confirm fit and compatibility with your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":45019282309379,"sku":"C01-01-PL-14","price":1887.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1682962821_1762384.jpg?v=1712163904"},{"product_id":"nisi-athena-prime-25mm-full-frame-arri-pl","title":"NiSi ATHENA PRIME 25mm T1.9 Full-Frame Lens (PL Mount)","description":"\u003cp\u003e\u003cstrong\u003eNiSi ATHENA PRIME 25mm T1.9 Full-Frame Lens (PL Mount)\u003c\/strong\u003e is a Nisi product in our Camera Lenses range. It is available at Filmgear Canada in Vancouver. Order online with Canada-wide shipping, or contact our showroom team to confirm fit and compatibility with your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":45019284472067,"sku":"C01-01-PL-25","price":1677.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1682962821_1762417.jpg?v=1712163950"},{"product_id":"nisi-athena-prime-35mm-full-frame-arri-pl","title":"NiSi ATHENA PRIME 35mm T1.9 Full-Frame Lens (PL Mount)","description":"\u003cp\u003e\u003cstrong\u003eNiSi ATHENA PRIME 35mm T1.9 Full-Frame Lens (PL Mount)\u003c\/strong\u003e is a Nisi product in our Camera Lenses range. It is available at Filmgear Canada in Vancouver. Order online with Canada-wide shipping, or contact our showroom team to confirm fit and compatibility with your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":45019293679875,"sku":"C01-01-PL-35","price":1677.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1682962821_1762419.jpg?v=1712164056"},{"product_id":"nisi-athena-prime-50mm-full-frame-arri-pl","title":"NiSi ATHENA PRIME 50mm T1.9 Full-Frame Lens (PL Mount)","description":"\u003cp\u003eThe NiSi ATHENA PRIME 50mm T1.9 is a full-frame cinema prime in PL mount, part of NiSi's ATHENA PRIME set. The 50mm sits at the natural, standard focal length in the line.\u003c\/p\u003e\u003cp\u003eEvery ATHENA prime shares a 46mm image circle, a common 0.8 MOD focus gear position, and matched colour rendering, so you can move across focal lengths within the set without re-rigging or re-grading.\u003c\/p\u003e\u003cp\u003eAvailable from Filmgear Canada in Vancouver, with Canada-wide shipping or showroom pickup.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":45019301609731,"sku":"C01-01-PL-50","price":1677.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1682962821_1762420.jpg?v=1712164130"},{"product_id":"nisi-athena-prime-85mm-full-frame-arri-pl","title":"NiSi ATHENA PRIME 85mm T1.9 Full-Frame Lens (PL Mount)","description":"\u003cp\u003e\u003cstrong\u003eNiSi ATHENA PRIME 85mm T1.9 Full-Frame Lens (PL Mount)\u003c\/strong\u003e is a Nisi product in our Camera Lenses range. It is available at Filmgear Canada in Vancouver. Order online with Canada-wide shipping, or contact our showroom team to confirm fit and compatibility with your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":45019306656003,"sku":"C01-01-PL-85","price":1677.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1682963114_1762422_1.jpg?v=1712164219"},{"product_id":"nisi-athena-prime-18mm-full-frame-arri-pl","title":"NiSi ATHENA PRIME 18mm T2.2 Full-Frame Lens (PL Mount)","description":"\u003cp\u003e\u003cstrong\u003eNiSi ATHENA PRIME 18mm T2.2 Full-Frame Lens (PL Mount)\u003c\/strong\u003e is a Nisi product in our Camera Lenses range. It is available at Filmgear Canada in Vancouver. Order online with Canada-wide shipping, or contact our showroom team to confirm fit and compatibility with your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":45019384217859,"sku":"C01-01-PL-18","price":1775.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/18.png?v=1712171480"},{"product_id":"nisi-athena-prime-40mm-full-frame-arri-pl","title":"NiSi ATHENA PRIME 40mm T1.9 Full-Frame Lens (PL Mount)","description":"\u003cp\u003e\u003cstrong\u003eNiSi ATHENA PRIME 40mm T1.9 Full-Frame Lens (PL Mount)\u003c\/strong\u003e is a Nisi product in our Camera Lenses range. It is available at Filmgear Canada in Vancouver. Order online with Canada-wide shipping, or contact our showroom team to confirm fit and compatibility with your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":45019384480003,"sku":"C01-01-PL-40","price":1775.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/40.png?v=1712171524"},{"product_id":"nisi-athena-prime-135mm-full-frame-lens-arri-pl","title":"NiSi ATHENA PRIME 135mm T2.2 Full-Frame Lens (PL Mount)","description":"\u003cp\u003e\u003cstrong\u003eNiSi ATHENA PRIME 135mm T2.2 Full-Frame Lens (PL Mount)\u003c\/strong\u003e is a Nisi product in our Camera Lenses range. It is available at Filmgear Canada in Vancouver. Order online with Canada-wide shipping, or contact our showroom team to confirm fit and compatibility with your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":45019392737539,"sku":"C01-01-PL-135","price":1775.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/135.png?v=1712171556"},{"product_id":"nisi-athena-prime-full-frame-8-lens-master-kit-arri-pl","title":"NiSi ATHENA PRIME T2.4\/1.9 Full-Frame 8-Lens MASTER Kit (PL Mount)","description":"\u003cp\u003e\u003cstrong\u003eNiSi ATHENA PRIME T2.4\/1.9 Full-Frame 8-Lens MASTER Kit (PL Mount)\u003c\/strong\u003e is a Nisi product in our Camera Lenses range. It is available at Filmgear Canada in Vancouver. Order online with Canada-wide shipping, or contact our showroom team to confirm fit and compatibility with your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":45019400143107,"sku":"C01-01-PL-8set","price":12599.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/PL_.40.jpg?v=1769204916"},{"product_id":"nisi-athena-prime-full-frame-14mm-e","title":"NiSi Athena Prime Full-Frame 14mm T2.4 (E Mount, drop-in filter)","description":"\u003cp\u003e\u003cstrong\u003eNiSi Athena Prime Full-Frame 14mm T2.4 (E Mount, drop-in filter)\u003c\/strong\u003e is a Nisi product in our Camera Lenses range. It is available at Filmgear Canada in Vancouver. Order online with Canada-wide shipping, or contact our showroom team to confirm fit and compatibility with your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":46784529563907,"sku":"C01-01-E-14-01","price":1887.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/Athena-E-14mm-01-1620x1620.webp?v=1745962122"},{"product_id":"nisi-athena-prime-t2-4-1-9-full-frame-8-lens-master-kit-pl-mount-copy","title":"NiSi Athena Prime 5-Lens Kit (PL-mount)","description":"\u003cp\u003e\u003cstrong\u003eNiSi Athena Prime 5-Lens Kit (PL-mount)\u003c\/strong\u003e is a Nisi product in our Camera Lenses range. It is available at Filmgear Canada in Vancouver. Order online with Canada-wide shipping, or contact our showroom team to confirm fit and compatibility with your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":47671986553091,"sku":"C01-01-PL-5set","price":8117.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/Athena-PL-Set-01-1620x1620.webp?v=1769204700"},{"product_id":"nisi-athena-prime-3-lens-add-on-kit-pl-mount","title":"NiSi Athena Prime 3-Lens Add-on Kit (PL-mount)","description":"\u003cp\u003e\u003cstrong\u003eNiSi Athena Prime 3-Lens Add-on Kit (PL-mount)\u003c\/strong\u003e is a Nisi product in our Camera Lenses range. It is available at Filmgear Canada in Vancouver. Order online with Canada-wide shipping, or contact our showroom team to confirm fit and compatibility with your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":47671992975619,"sku":"C01-01-PL-3addon","price":4899.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/Athena-3lens-addon-kit-01-1620x1620.webp?v=1769204853"},{"product_id":"nisi-aureus-prime-full-frame-cine-lens-5-lens-set-pl-mount","title":"NiSi Aureus Prime Full-Frame Cine Lens 5-Lens Set (PL-mount)","description":"\u003cp\u003e\u003cstrong\u003eNiSi Aureus Prime Full-Frame Cine Lens 5-Lens Set (PL-mount)\u003c\/strong\u003e is a Nisi product in our Camera Lenses range. It is available at Filmgear Canada in Vancouver. Order online with Canada-wide shipping, or contact our showroom team to confirm fit and compatibility with your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":47672002117891,"sku":"C03-01-PL-5set","price":13999.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/final-Aureus_5-lens_set-03-Official-1620x1620.webp?v=1769205074"},{"product_id":"nisi-aureus-prime-full-frame-cine-lens-18mm-t1-4-pl-mount","title":"NiSi Aureus Prime Full-Frame Cine Lens 18mm T1.4 (PL-mount)","description":"\u003cp\u003e\u003cstrong\u003eNiSi Aureus Prime Full-Frame Cine Lens 18mm T1.4 (PL-mount)\u003c\/strong\u003e is a Nisi product in our Camera Lenses range. It is available at Filmgear Canada in Vancouver. Order online with Canada-wide shipping, or contact our showroom team to confirm fit and compatibility with your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":47672010080515,"sku":"C03-01-PL-18","price":3639.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/Aureus-18PL-1-Official-1620x1620.webp?v=1769205174"},{"product_id":"nisi-aureus-prime-full-frame-cine-lens-24mm-t1-4-pl-mount","title":"NiSi Aureus Prime Full-Frame Cine Lens 24mm T1.4 (PL-mount)","description":"\u003cp\u003e\u003cstrong\u003eNiSi Aureus Prime Full-Frame Cine Lens 24mm T1.4 (PL-mount)\u003c\/strong\u003e is a Nisi product in our Camera Lenses range. It is available at Filmgear Canada in Vancouver. Order online with Canada-wide shipping, or contact our showroom team to confirm fit and compatibility with your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":47672015749379,"sku":"C03-01-PL-24","price":3219.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/Aureus-24PL-1-Official-1620x1620.webp?v=1769205287"},{"product_id":"nisi-aureus-prime-full-frame-cine-lens-35mm-t1-4-pl-mount","title":"NiSi Aureus Prime Full-Frame Cine Lens 35mm T1.4 (PL-mount)","description":"\u003cp\u003e\u003cstrong\u003eNiSi Aureus Prime Full-Frame Cine Lens 35mm T1.4 (PL-mount)\u003c\/strong\u003e is a Nisi product in our Camera Lenses range. It is available at Filmgear Canada in Vancouver. Order online with Canada-wide shipping, or contact our showroom team to confirm fit and compatibility with your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":47672020631811,"sku":"C03-01-PL-35","price":3219.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/Aureus-35PL-1-Official-1620x1620.webp?v=1769205372"},{"product_id":"nisi-aureus-prime-full-frame-cine-lens-50mm-t1-4-pl-mount","title":"NiSi Aureus Prime Full-Frame Cine Lens 50mm T1.4 (PL-mount)","description":"\u003cp\u003eThe NiSi Aureus Prime 50mm T1.4 is a full-frame cinema prime in PL mount, part of NiSi's faster Aureus set. At T1.4 it opens wider than the ATHENA line for shallower depth of field and more low-light latitude.\u003c\/p\u003e\u003cp\u003eAvailable from Filmgear Canada in Vancouver, with Canada-wide shipping or showroom pickup.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":47672023220483,"sku":"C03-01-PL-50","price":3219.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/Aureus-50PL-1-Official-1620x1620.webp?v=1769205430"},{"product_id":"nisi-aureus-prime-full-frame-cine-lens-85mm-t1-4-pl-mount","title":"NiSi Aureus Prime Full-Frame Cine Lens 85mm T1.4 (PL-mount)","description":"\u003cp\u003e\u003cstrong\u003eNiSi Aureus Prime Full-Frame Cine Lens 85mm T1.4 (PL-mount)\u003c\/strong\u003e is a Nisi product in our Camera Lenses range. It is available at Filmgear Canada in Vancouver. Order online with Canada-wide shipping, or contact our showroom team to confirm fit and compatibility with your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":47672027873539,"sku":"C03-01-PL-85","price":3219.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/Aureus-85PL-1-Official-1620x1620.webp?v=1769205503"},{"product_id":"nisi-true-color-variable-nd-filter-vnd-1-5-stops-nd2-nd32-variable-neutral-density-lens-filter-optical-glass-with-multi-nano-coatings","title":"NiSi True Color Variable ND Filter VND 1-5 Stops (ND2-ND32) Variable Neutral Density Lens Filter, Optical Glass with Multi Nano Coatings","description":"\u003cp\u003eThe NiSi True Color Variable ND is a 1–5 stop variable neutral density filter (ND2 to ND32) for stills and video. NiSi's \"True Color\" line is engineered to keep colour shift to a minimum across the rotation range. That is a common weakness in cheaper variable NDs that show a magenta or green cast at the edges of the range.\u003c\/p\u003e\n\u003ch2\u003eWhere it earns its keep\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHybrid shooters who need to dial exposure on the fly between stills and video\u003c\/li\u003e\n\u003cli\u003eVideo work outdoors where you want a wide aperture or 1\/50 shutter without overexposing\u003c\/li\u003e\n\u003cli\u003eAnyone who'd rather rotate a ring than carry a set of fixed NDs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMulti-nano coatings on optical glass. Available from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"58mm","offer_id":47710251811075,"sku":"TCVND5STP-58","price":194.0,"currency_code":"CAD","in_stock":true},{"title":"62mm","offer_id":47710251843843,"sku":"TCVND5STP-62","price":207.0,"currency_code":"CAD","in_stock":true},{"title":"67mm","offer_id":47710251876611,"sku":"TCVND5STP-67","price":220.0,"currency_code":"CAD","in_stock":true},{"title":"72mm","offer_id":47710251909379,"sku":"TCVND5STP-72","price":233.0,"currency_code":"CAD","in_stock":true},{"title":"77mm","offer_id":47710251942147,"sku":"TCVND5STP-77","price":259.0,"currency_code":"CAD","in_stock":true},{"title":"82mm","offer_id":47710251974915,"sku":"TCVND5STP-82","price":285.0,"currency_code":"CAD","in_stock":true},{"title":"95mm","offer_id":47710252007683,"sku":"TCVND5STP-95","price":324.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/61a-hhbthIL._AC_SL1500.jpg?v=1770242767"},{"product_id":"nisi-jetmag-pro-82mm-magnetic-lens-filter-kit-with-locking-system-cinema-kit-fs-nd4-fs-nd8-fs-nd16-fs-nd64-true-color-cpl-filter-black-mist-1-8-67mm-72mm-77mm-82mm-adapter-ring","title":"NiSi JetMag Pro Cinema Kit 82MAG Magnetic Filter Kit (FS ND 2 Stop, FS ND 3 Stop, FS ND 4 Stop, FS ND 6 Stop, TC CPL, Black Mist 1\/8, 67mm\/72mm\/77mm\/82mm Adaptors, Two Front Caps, Back Cap, Caddy Pouch)","description":"\u003cp\u003e\u003cstrong\u003eNiSi JetMag Pro Cinema Kit 82MAG Magnetic Filter Kit (FS ND 2 Stop, FS ND 3 Stop, FS ND 4 Stop, FS ND 6 Stop, TC CPL, Black Mist 1\/8, 67mm\/72mm\/77mm\/82mm Adaptors, Two Front Caps, Back Cap, Caddy Pouch)\u003c\/strong\u003e is a Nisi product in our Camera Lenses range. It is available at Filmgear Canada in Vancouver. Order online with Canada-wide shipping, or contact our showroom team to confirm fit and compatibility with your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":47711738003715,"sku":"JETMAG-82MAG-CINEMAKIT","price":867.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/81aR_xOzfWL._AC_SL1500.jpg?v=1770248260"},{"product_id":"nisi-jetmag-pro-1-5-stops-true-color-variable-nd-82mag-magnetic-filter-jetmag-adaptor-required","title":"NiSi JetMag Pro 1-5 Stops True Color Variable ND 82MAG Magnetic Filter (JetMag Adaptor Required)","description":"\u003cp\u003eThe NiSi JetMag Pro 1–5 Stops True Color Variable ND is the magnetic 82mm version, designed for NiSi's JetMag magnetic filter system. The filter snaps onto a JetMag adaptor ring on the lens rather than threading on. This is faster to swap on set than a screw-in filter, especially when you're also stacking other JetMag filters.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e a JetMag adaptor ring (sized to your lens thread) is required and is not included with this filter.\u003c\/p\u003e\n\u003cp\u003eSame True Color engineering as the rest of the NiSi True Color VND line: minimal colour shift across the 1–5 stop range. Available from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":47711821791491,"sku":"JETMAG-82MAG-VND0.3-1.5","price":321.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/71Gu9o5HU0L._AC_SL1500.jpg?v=1770249920"},{"product_id":"nisi-pl-rf-lens-converter-adapter-for-canon-rf-mount-camera-body-with-pl-mount-lenses","title":"NiSi PL-RF Lens Converter - Adapter for Canon RF Mount Camera Body with PL Mount Lenses","description":"\u003cp\u003e\u003cstrong\u003eNiSi PL-RF Lens Converter - Adapter for Canon RF Mount Camera Body with PL Mount Lenses\u003c\/strong\u003e is a Nisi product in our Camera Lenses range. It is available at Filmgear Canada in Vancouver. Order online with Canada-wide shipping, or contact our showroom team to confirm fit and compatibility with your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":47832538972419,"sku":"C01-02-PLRF","price":279.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/81aokxrj-0L._AC_SL1500.jpg?v=1773268398"},{"product_id":"nisi-cinema-filter-starter-kit-4x5-65","title":"NiSi Cinema Filter Starter Kit 4x5.65\"","description":null,"brand":"Nisi","offers":[{"title":"Default Title","offer_id":49230569046275,"sku":"NIC-4565-STARTKIT","price":805.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/Cinema_StarterKit-crop.jpg?v=1783530098"},{"product_id":"nisi-jetmag-pro-95mag-cinema-kit","title":"NiSi JetMag Pro 95MAG Cinema Kit","description":null,"brand":"Nisi","offers":[{"title":"Default Title","offer_id":49230569210115,"sku":"NIM-JETMAG-95MAG-CINEMAKIT","price":1074.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/Cinema-Kit-95Mag.jpg?v=1783530102"},{"product_id":"nisi-athena-prime-14mm-e-mount-no-drop-in-filter","title":"NiSi ATHENA PRIME 14mm T2.4 Full-Frame Lens (E Mount, No Drop-In Filter)","description":"\u003cp\u003eNiSi ATHENA PRIME 14mm T2.4 Full-Frame Lens (E Mount, No Drop-In Filter) is a nisi cine lens for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. The page identifies the exact mount, format, capacity, or package so buyers can match it to a real production system before ordering in Canada.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\n\u003cp\u003eWatch this official Nisi video for a closer look at the ATHENA PRIME family and its production workflow.\u003c\/p\u003e\n\u003cdiv style=\"position:relative;padding-bottom:56.25%;height:0;overflow:hidden;max-width:100%;\"\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/S2NBGdoq4Zo\" title=\"NiSi ATHENA PRIME 14mm official lens video\" loading=\"lazy\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;border:0;\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eATHENA PRIME is best evaluated as part of the complete camera, lens, or power workflow. Mount: E Mount Coverage: full frame, 46mm image circle Aperture: T2.4 to T22, 10 blades These details affect rig balance, working speed, compatibility, transport, and how consistently the product can be used across production days.\u003c\/p\u003e\n\u003cp\u003eThe 14mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this E-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eBefore a critical shoot, check the exact model, mount, dimensions, operating limits, and accessories against the equipment already in service. This avoids preventable fit and workflow problems on set.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: E Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T2.4 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.25 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, no front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: E Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T2.4 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.25 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, no front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003cli\u003eWeight: 875 g\u003c\/li\u003e\n\u003cli\u003eLength: 119.3 mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eThe 14mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this E-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eThe relevant buying categories include full frame cine lens, cinema lenses, cine prime lens. The exact product configuration remains more important than a broad category label.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 14mm T2.4 Full-Frame Lens (E Mount, No Drop-In Filter) suits cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. It is especially useful when the named mount, focal length, battery interface, capacity, or package solves a repeatable need rather than a one-off workaround.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another lens when you need a different focal length, faster T-stop, sensor coverage, mount, close-focus distance, front diameter, flare character, or lighter rig. For GFX, test the intended recording mode before critical work; the 14mm ATHENA requires particular care around image area and vignetting.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003eSony E-mount camera systems; match sensor coverage and recording mode to the lens. Pair only with the matching mount, voltage, connector, diameter, charger, or lens family, and include the complete rig weight and cable path in the setup plan.\u003c\/p\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eWhat is the ATHENA PRIME 14mm T2.4 (E Mount, No Drop-In Filter) designed for?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 14mm T2.4 (E Mount, No Drop-In Filter) is designed for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. Mount: E Mount Match this exact configuration to the camera, lens, or power system before ordering.\u003c\/p\u003e\n\u003ch3\u003eWhat is compatible with the ATHENA PRIME 14mm T2.4 (E Mount, No Drop-In Filter)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 14mm T2.4 (E Mount, No Drop-In Filter) is intended for Sony E-mount camera systems; match sensor coverage and recording mode to the lens. The exact mount, voltage, connector, image area, and mechanical clearance should all match the working kit.\u003c\/p\u003e\n\u003ch3\u003eHow should I compare the ATHENA PRIME 14mm T2.4 (E Mount, No Drop-In Filter) with another option?\u003c\/h3\u003e\u003cp\u003eFor ATHENA PRIME 14mm T2.4 (E Mount, No Drop-In Filter), compare the exact mount, capacity or focal length, physical dimensions, workflow, and listed specifications with the adjacent option. This keeps the decision tied to real production requirements rather than model name alone.\u003c\/p\u003e\n\u003ch3\u003eWhat key specification should I check for the ATHENA PRIME 14mm T2.4 (E Mount, No Drop-In Filter)?\u003c\/h3\u003e\u003cp\u003eStart with this listed detail for ATHENA PRIME 14mm T2.4 (E Mount, No Drop-In Filter): Coverage: full frame, 46mm image circle Then check the remaining specifications, the equipment manual, and the full rig before a paid production day.\u003c\/p\u003e\n\u003ch3\u003eWhat comes with the ATHENA PRIME 14mm T2.4 (E Mount, No Drop-In Filter)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 14mm T2.4 (E Mount, No Drop-In Filter) is supplied as the exact product or set named in this listing. Package contents can vary by configuration, so use the complete model and set name when checking the delivery.\u003c\/p\u003e\n\u003ch3\u003eCan I order the ATHENA PRIME 14mm T2.4 (E Mount, No Drop-In Filter) in Canada?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 14mm T2.4 (E Mount, No Drop-In Filter) is available to order from Filmgear Canada. Contact the team if you want a compatibility check for the camera, lens mount, battery system, charger, or production package before purchase.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 14mm T2.4 Full-Frame Lens (E Mount, No Drop-In Filter) is available to order from Filmgear Canada. Browse \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/nisi\"\u003eNiSi products\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/cine-lenses\"\u003ecine lenses\u003c\/a\u003e, or contact the Vancouver team for help matching the exact configuration to your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":49309622927619,"sku":"C01-01-E-14-02","price":1887.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/nisi-c01-01-e-14-02-1.jpg?v=1784740880"},{"product_id":"nisi-athena-prime-18mm-e-mount","title":"NiSi ATHENA PRIME 18mm T2.2 Full-Frame Lens (E Mount)","description":"\u003cp\u003eNiSi ATHENA PRIME 18mm T2.2 Full-Frame Lens (E Mount) is a nisi cine lens for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. The page identifies the exact mount, format, capacity, or package so buyers can match it to a real production system before ordering in Canada.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\n\u003cp\u003eWatch this official Nisi video for a closer look at the ATHENA PRIME family and its production workflow.\u003c\/p\u003e\n\u003cdiv style=\"position:relative;padding-bottom:56.25%;height:0;overflow:hidden;max-width:100%;\"\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/eOmq58Y2G4c\" title=\"NiSi ATHENA PRIME cine lens breathing demonstration\" loading=\"lazy\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;border:0;\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eATHENA PRIME is best evaluated as part of the complete camera, lens, or power workflow. Mount: E Mount Coverage: full frame, 46mm image circle Aperture: T2.2 to T22, 10 blades These details affect rig balance, working speed, compatibility, transport, and how consistently the product can be used across production days.\u003c\/p\u003e\n\u003cp\u003eThe 18mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this E-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eBefore a critical shoot, check the exact model, mount, dimensions, operating limits, and accessories against the equipment already in service. This avoids preventable fit and workflow problems on set.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: E Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T2.2 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.25 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: E Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T2.2 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.25 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003cli\u003eWeight: 890 g\u003c\/li\u003e\n\u003cli\u003eLength: 81.3 mm\u003c\/li\u003e\n\u003cli\u003eRear drop-in filter slot, clear filter included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eThe 18mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this E-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eThe relevant buying categories include full frame cine lens, cinema lenses, cine prime lens. The exact product configuration remains more important than a broad category label.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 18mm T2.2 Full-Frame Lens (E Mount) suits cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. It is especially useful when the named mount, focal length, battery interface, capacity, or package solves a repeatable need rather than a one-off workaround.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another lens when you need a different focal length, faster T-stop, sensor coverage, mount, close-focus distance, front diameter, flare character, or lighter rig. For GFX, test the intended recording mode before critical work; the 14mm ATHENA requires particular care around image area and vignetting.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003eSony E-mount camera systems; match sensor coverage and recording mode to the lens. Pair only with the matching mount, voltage, connector, diameter, charger, or lens family, and include the complete rig weight and cable path in the setup plan.\u003c\/p\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eWhat is the ATHENA PRIME 18mm T2.2 (E Mount) designed for?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 18mm T2.2 (E Mount) is designed for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. Mount: E Mount Match this exact configuration to the camera, lens, or power system before ordering.\u003c\/p\u003e\n\u003ch3\u003eWhat is compatible with the ATHENA PRIME 18mm T2.2 (E Mount)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 18mm T2.2 (E Mount) is intended for Sony E-mount camera systems; match sensor coverage and recording mode to the lens. The exact mount, voltage, connector, image area, and mechanical clearance should all match the working kit.\u003c\/p\u003e\n\u003ch3\u003eHow should I compare the ATHENA PRIME 18mm T2.2 (E Mount) with another option?\u003c\/h3\u003e\u003cp\u003eFor ATHENA PRIME 18mm T2.2 (E Mount), compare the exact mount, capacity or focal length, physical dimensions, workflow, and listed specifications with the adjacent option. This keeps the decision tied to real production requirements rather than model name alone.\u003c\/p\u003e\n\u003ch3\u003eWhat key specification should I check for the ATHENA PRIME 18mm T2.2 (E Mount)?\u003c\/h3\u003e\u003cp\u003eStart with this listed detail for ATHENA PRIME 18mm T2.2 (E Mount): Coverage: full frame, 46mm image circle Then check the remaining specifications, the equipment manual, and the full rig before a paid production day.\u003c\/p\u003e\n\u003ch3\u003eWhat comes with the ATHENA PRIME 18mm T2.2 (E Mount)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 18mm T2.2 (E Mount) is supplied as the exact product or set named in this listing. Package contents can vary by configuration, so use the complete model and set name when checking the delivery.\u003c\/p\u003e\n\u003ch3\u003eCan I order the ATHENA PRIME 18mm T2.2 (E Mount) in Canada?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 18mm T2.2 (E Mount) is available to order from Filmgear Canada. Contact the team if you want a compatibility check for the camera, lens mount, battery system, charger, or production package before purchase.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 18mm T2.2 Full-Frame Lens (E Mount) is available to order from Filmgear Canada. Browse \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/nisi\"\u003eNiSi products\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/cine-lenses\"\u003ecine lenses\u003c\/a\u003e, or contact the Vancouver team for help matching the exact configuration to your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":49309623025923,"sku":"C01-01-E-18-01","price":1775.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/nisi-c01-01-e-18-01-1.jpg?v=1784740880"},{"product_id":"nisi-athena-prime-18mm-e-mount-no-drop-in-filter","title":"NiSi ATHENA PRIME 18mm T2.2 Full-Frame Lens (E Mount, No Drop-In Filter)","description":"\u003cp\u003eNiSi ATHENA PRIME 18mm T2.2 Full-Frame Lens (E Mount, No Drop-In Filter) is a nisi cine lens for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. The page identifies the exact mount, format, capacity, or package so buyers can match it to a real production system before ordering in Canada.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\n\u003cp\u003eWatch this official Nisi video for a closer look at the ATHENA PRIME family and its production workflow.\u003c\/p\u003e\n\u003cdiv style=\"position:relative;padding-bottom:56.25%;height:0;overflow:hidden;max-width:100%;\"\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/eOmq58Y2G4c\" title=\"NiSi ATHENA PRIME cine lens breathing demonstration\" loading=\"lazy\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;border:0;\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eATHENA PRIME is best evaluated as part of the complete camera, lens, or power workflow. Mount: E Mount Coverage: full frame, 46mm image circle Aperture: T2.2 to T22, 10 blades These details affect rig balance, working speed, compatibility, transport, and how consistently the product can be used across production days.\u003c\/p\u003e\n\u003cp\u003eThe 18mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this E-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eBefore a critical shoot, check the exact model, mount, dimensions, operating limits, and accessories against the equipment already in service. This avoids preventable fit and workflow problems on set.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: E Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T2.2 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.25 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: E Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T2.2 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.25 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003cli\u003eWeight: 875 g\u003c\/li\u003e\n\u003cli\u003eLength: 81.3 mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eThe 18mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this E-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eThe relevant buying categories include full frame cine lens, cinema lenses, cine prime lens. The exact product configuration remains more important than a broad category label.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 18mm T2.2 Full-Frame Lens (E Mount, No Drop-In Filter) suits cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. It is especially useful when the named mount, focal length, battery interface, capacity, or package solves a repeatable need rather than a one-off workaround.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another lens when you need a different focal length, faster T-stop, sensor coverage, mount, close-focus distance, front diameter, flare character, or lighter rig. For GFX, test the intended recording mode before critical work; the 14mm ATHENA requires particular care around image area and vignetting.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003eSony E-mount camera systems; match sensor coverage and recording mode to the lens. Pair only with the matching mount, voltage, connector, diameter, charger, or lens family, and include the complete rig weight and cable path in the setup plan.\u003c\/p\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eWhat is the ATHENA PRIME 18mm T2.2 (E Mount, No Drop-In Filter) designed for?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 18mm T2.2 (E Mount, No Drop-In Filter) is designed for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. Mount: E Mount Match this exact configuration to the camera, lens, or power system before ordering.\u003c\/p\u003e\n\u003ch3\u003eWhat is compatible with the ATHENA PRIME 18mm T2.2 (E Mount, No Drop-In Filter)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 18mm T2.2 (E Mount, No Drop-In Filter) is intended for Sony E-mount camera systems; match sensor coverage and recording mode to the lens. The exact mount, voltage, connector, image area, and mechanical clearance should all match the working kit.\u003c\/p\u003e\n\u003ch3\u003eHow should I compare the ATHENA PRIME 18mm T2.2 (E Mount, No Drop-In Filter) with another option?\u003c\/h3\u003e\u003cp\u003eFor ATHENA PRIME 18mm T2.2 (E Mount, No Drop-In Filter), compare the exact mount, capacity or focal length, physical dimensions, workflow, and listed specifications with the adjacent option. This keeps the decision tied to real production requirements rather than model name alone.\u003c\/p\u003e\n\u003ch3\u003eWhat key specification should I check for the ATHENA PRIME 18mm T2.2 (E Mount, No Drop-In Filter)?\u003c\/h3\u003e\u003cp\u003eStart with this listed detail for ATHENA PRIME 18mm T2.2 (E Mount, No Drop-In Filter): Coverage: full frame, 46mm image circle Then check the remaining specifications, the equipment manual, and the full rig before a paid production day.\u003c\/p\u003e\n\u003ch3\u003eWhat comes with the ATHENA PRIME 18mm T2.2 (E Mount, No Drop-In Filter)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 18mm T2.2 (E Mount, No Drop-In Filter) is supplied as the exact product or set named in this listing. Package contents can vary by configuration, so use the complete model and set name when checking the delivery.\u003c\/p\u003e\n\u003ch3\u003eCan I order the ATHENA PRIME 18mm T2.2 (E Mount, No Drop-In Filter) in Canada?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 18mm T2.2 (E Mount, No Drop-In Filter) is available to order from Filmgear Canada. Contact the team if you want a compatibility check for the camera, lens mount, battery system, charger, or production package before purchase.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 18mm T2.2 Full-Frame Lens (E Mount, No Drop-In Filter) is available to order from Filmgear Canada. Browse \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/nisi\"\u003eNiSi products\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/cine-lenses\"\u003ecine lenses\u003c\/a\u003e, or contact the Vancouver team for help matching the exact configuration to your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":49309623156995,"sku":"C01-01-E-18-02","price":1775.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/nisi-c01-01-e-18-02-1.jpg?v=1784740880"},{"product_id":"nisi-athena-prime-25mm-e-mount","title":"NiSi ATHENA PRIME 25mm T1.9 Full-Frame Lens (E Mount)","description":"\u003cp\u003eNiSi ATHENA PRIME 25mm T1.9 Full-Frame Lens (E Mount) is a nisi cine lens for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. The page identifies the exact mount, format, capacity, or package so buyers can match it to a real production system before ordering in Canada.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\n\u003cp\u003eWatch this official Nisi video for a closer look at the ATHENA PRIME family and its production workflow.\u003c\/p\u003e\n\u003cdiv style=\"position:relative;padding-bottom:56.25%;height:0;overflow:hidden;max-width:100%;\"\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/eOmq58Y2G4c\" title=\"NiSi ATHENA PRIME cine lens breathing demonstration\" loading=\"lazy\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;border:0;\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eATHENA PRIME is best evaluated as part of the complete camera, lens, or power workflow. Mount: E Mount Coverage: full frame, 46mm image circle Aperture: T1.9 to T22, 10 blades These details affect rig balance, working speed, compatibility, transport, and how consistently the product can be used across production days.\u003c\/p\u003e\n\u003cp\u003eThe 25mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this E-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eBefore a critical shoot, check the exact model, mount, dimensions, operating limits, and accessories against the equipment already in service. This avoids preventable fit and workflow problems on set.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: E Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.3 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: E Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.3 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003cli\u003eWeight: 890 g\u003c\/li\u003e\n\u003cli\u003eLength: 81.3 mm\u003c\/li\u003e\n\u003cli\u003eRear drop-in filter slot, clear filter included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eThe 25mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this E-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eThe relevant buying categories include full frame cine lens, cinema lenses, cine prime lens. The exact product configuration remains more important than a broad category label.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 25mm T1.9 Full-Frame Lens (E Mount) suits cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. It is especially useful when the named mount, focal length, battery interface, capacity, or package solves a repeatable need rather than a one-off workaround.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another lens when you need a different focal length, faster T-stop, sensor coverage, mount, close-focus distance, front diameter, flare character, or lighter rig. For GFX, test the intended recording mode before critical work; the 14mm ATHENA requires particular care around image area and vignetting.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003eSony E-mount camera systems; match sensor coverage and recording mode to the lens. Pair only with the matching mount, voltage, connector, diameter, charger, or lens family, and include the complete rig weight and cable path in the setup plan.\u003c\/p\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eWhat is the ATHENA PRIME 25mm T1.9 (E Mount) designed for?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 25mm T1.9 (E Mount) is designed for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. Mount: E Mount Match this exact configuration to the camera, lens, or power system before ordering.\u003c\/p\u003e\n\u003ch3\u003eWhat is compatible with the ATHENA PRIME 25mm T1.9 (E Mount)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 25mm T1.9 (E Mount) is intended for Sony E-mount camera systems; match sensor coverage and recording mode to the lens. The exact mount, voltage, connector, image area, and mechanical clearance should all match the working kit.\u003c\/p\u003e\n\u003ch3\u003eHow should I compare the ATHENA PRIME 25mm T1.9 (E Mount) with another option?\u003c\/h3\u003e\u003cp\u003eFor ATHENA PRIME 25mm T1.9 (E Mount), compare the exact mount, capacity or focal length, physical dimensions, workflow, and listed specifications with the adjacent option. This keeps the decision tied to real production requirements rather than model name alone.\u003c\/p\u003e\n\u003ch3\u003eWhat key specification should I check for the ATHENA PRIME 25mm T1.9 (E Mount)?\u003c\/h3\u003e\u003cp\u003eStart with this listed detail for ATHENA PRIME 25mm T1.9 (E Mount): Coverage: full frame, 46mm image circle Then check the remaining specifications, the equipment manual, and the full rig before a paid production day.\u003c\/p\u003e\n\u003ch3\u003eWhat comes with the ATHENA PRIME 25mm T1.9 (E Mount)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 25mm T1.9 (E Mount) is supplied as the exact product or set named in this listing. Package contents can vary by configuration, so use the complete model and set name when checking the delivery.\u003c\/p\u003e\n\u003ch3\u003eCan I order the ATHENA PRIME 25mm T1.9 (E Mount) in Canada?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 25mm T1.9 (E Mount) is available to order from Filmgear Canada. Contact the team if you want a compatibility check for the camera, lens mount, battery system, charger, or production package before purchase.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 25mm T1.9 Full-Frame Lens (E Mount) is available to order from Filmgear Canada. Browse \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/nisi\"\u003eNiSi products\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/cine-lenses\"\u003ecine lenses\u003c\/a\u003e, or contact the Vancouver team for help matching the exact configuration to your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":49309623222531,"sku":"C01-01-E-25-01","price":1677.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/nisi-c01-01-e-25-01-1.jpg?v=1784740880"},{"product_id":"nisi-athena-prime-25mm-e-mount-no-drop-in-filter","title":"NiSi ATHENA PRIME 25mm T1.9 Full-Frame Lens (E Mount, No Drop-In Filter)","description":"\u003cp\u003eNiSi ATHENA PRIME 25mm T1.9 Full-Frame Lens (E Mount, No Drop-In Filter) is a nisi cine lens for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. The page identifies the exact mount, format, capacity, or package so buyers can match it to a real production system before ordering in Canada.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\n\u003cp\u003eWatch this official Nisi video for a closer look at the ATHENA PRIME family and its production workflow.\u003c\/p\u003e\n\u003cdiv style=\"position:relative;padding-bottom:56.25%;height:0;overflow:hidden;max-width:100%;\"\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/eOmq58Y2G4c\" title=\"NiSi ATHENA PRIME cine lens breathing demonstration\" loading=\"lazy\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;border:0;\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eATHENA PRIME is best evaluated as part of the complete camera, lens, or power workflow. Mount: E Mount Coverage: full frame, 46mm image circle Aperture: T1.9 to T22, 10 blades These details affect rig balance, working speed, compatibility, transport, and how consistently the product can be used across production days.\u003c\/p\u003e\n\u003cp\u003eThe 25mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this E-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eBefore a critical shoot, check the exact model, mount, dimensions, operating limits, and accessories against the equipment already in service. This avoids preventable fit and workflow problems on set.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: E Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.3 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: E Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.3 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003cli\u003eWeight: 875 g\u003c\/li\u003e\n\u003cli\u003eLength: 81.3 mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eThe 25mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this E-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eThe relevant buying categories include full frame cine lens, cinema lenses, cine prime lens. The exact product configuration remains more important than a broad category label.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 25mm T1.9 Full-Frame Lens (E Mount, No Drop-In Filter) suits cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. It is especially useful when the named mount, focal length, battery interface, capacity, or package solves a repeatable need rather than a one-off workaround.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another lens when you need a different focal length, faster T-stop, sensor coverage, mount, close-focus distance, front diameter, flare character, or lighter rig. For GFX, test the intended recording mode before critical work; the 14mm ATHENA requires particular care around image area and vignetting.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003eSony E-mount camera systems; match sensor coverage and recording mode to the lens. Pair only with the matching mount, voltage, connector, diameter, charger, or lens family, and include the complete rig weight and cable path in the setup plan.\u003c\/p\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eWhat is the ATHENA PRIME 25mm T1.9 (E Mount, No Drop-In Filter) designed for?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 25mm T1.9 (E Mount, No Drop-In Filter) is designed for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. Mount: E Mount Match this exact configuration to the camera, lens, or power system before ordering.\u003c\/p\u003e\n\u003ch3\u003eWhat is compatible with the ATHENA PRIME 25mm T1.9 (E Mount, No Drop-In Filter)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 25mm T1.9 (E Mount, No Drop-In Filter) is intended for Sony E-mount camera systems; match sensor coverage and recording mode to the lens. The exact mount, voltage, connector, image area, and mechanical clearance should all match the working kit.\u003c\/p\u003e\n\u003ch3\u003eHow should I compare the ATHENA PRIME 25mm T1.9 (E Mount, No Drop-In Filter) with another option?\u003c\/h3\u003e\u003cp\u003eFor ATHENA PRIME 25mm T1.9 (E Mount, No Drop-In Filter), compare the exact mount, capacity or focal length, physical dimensions, workflow, and listed specifications with the adjacent option. This keeps the decision tied to real production requirements rather than model name alone.\u003c\/p\u003e\n\u003ch3\u003eWhat key specification should I check for the ATHENA PRIME 25mm T1.9 (E Mount, No Drop-In Filter)?\u003c\/h3\u003e\u003cp\u003eStart with this listed detail for ATHENA PRIME 25mm T1.9 (E Mount, No Drop-In Filter): Coverage: full frame, 46mm image circle Then check the remaining specifications, the equipment manual, and the full rig before a paid production day.\u003c\/p\u003e\n\u003ch3\u003eWhat comes with the ATHENA PRIME 25mm T1.9 (E Mount, No Drop-In Filter)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 25mm T1.9 (E Mount, No Drop-In Filter) is supplied as the exact product or set named in this listing. Package contents can vary by configuration, so use the complete model and set name when checking the delivery.\u003c\/p\u003e\n\u003ch3\u003eCan I order the ATHENA PRIME 25mm T1.9 (E Mount, No Drop-In Filter) in Canada?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 25mm T1.9 (E Mount, No Drop-In Filter) is available to order from Filmgear Canada. Contact the team if you want a compatibility check for the camera, lens mount, battery system, charger, or production package before purchase.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 25mm T1.9 Full-Frame Lens (E Mount, No Drop-In Filter) is available to order from Filmgear Canada. Browse \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/nisi\"\u003eNiSi products\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/cine-lenses\"\u003ecine lenses\u003c\/a\u003e, or contact the Vancouver team for help matching the exact configuration to your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":49309623386371,"sku":"C01-01-E-25-02","price":1677.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/nisi-c01-01-e-25-02-1.jpg?v=1784740880"},{"product_id":"nisi-athena-prime-35mm-e-mount","title":"NiSi ATHENA PRIME 35mm T1.9 Full-Frame Lens (E Mount)","description":"\u003cp\u003eNiSi ATHENA PRIME 35mm T1.9 Full-Frame Lens (E Mount) is a nisi cine lens for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. The page identifies the exact mount, format, capacity, or package so buyers can match it to a real production system before ordering in Canada.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\n\u003cp\u003eWatch this official Nisi video for a closer look at the ATHENA PRIME family and its production workflow.\u003c\/p\u003e\n\u003cdiv style=\"position:relative;padding-bottom:56.25%;height:0;overflow:hidden;max-width:100%;\"\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/eOmq58Y2G4c\" title=\"NiSi ATHENA PRIME cine lens breathing demonstration\" loading=\"lazy\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;border:0;\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eATHENA PRIME is best evaluated as part of the complete camera, lens, or power workflow. Mount: E Mount Coverage: full frame, 46mm image circle Aperture: T1.9 to T22, 10 blades These details affect rig balance, working speed, compatibility, transport, and how consistently the product can be used across production days.\u003c\/p\u003e\n\u003cp\u003eThe 35mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this E-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eBefore a critical shoot, check the exact model, mount, dimensions, operating limits, and accessories against the equipment already in service. This avoids preventable fit and workflow problems on set.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: E Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.3 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: E Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.3 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003cli\u003eWeight: 890 g\u003c\/li\u003e\n\u003cli\u003eLength: 81.3 mm\u003c\/li\u003e\n\u003cli\u003eRear drop-in filter slot, clear filter included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eThe 35mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this E-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eThe relevant buying categories include full frame cine lens, cinema lenses, cine prime lens. The exact product configuration remains more important than a broad category label.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 35mm T1.9 Full-Frame Lens (E Mount) suits cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. It is especially useful when the named mount, focal length, battery interface, capacity, or package solves a repeatable need rather than a one-off workaround.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another lens when you need a different focal length, faster T-stop, sensor coverage, mount, close-focus distance, front diameter, flare character, or lighter rig. For GFX, test the intended recording mode before critical work; the 14mm ATHENA requires particular care around image area and vignetting.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003eSony E-mount camera systems; match sensor coverage and recording mode to the lens. Pair only with the matching mount, voltage, connector, diameter, charger, or lens family, and include the complete rig weight and cable path in the setup plan.\u003c\/p\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eWhat is the ATHENA PRIME 35mm T1.9 (E Mount) designed for?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 35mm T1.9 (E Mount) is designed for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. Mount: E Mount Match this exact configuration to the camera, lens, or power system before ordering.\u003c\/p\u003e\n\u003ch3\u003eWhat is compatible with the ATHENA PRIME 35mm T1.9 (E Mount)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 35mm T1.9 (E Mount) is intended for Sony E-mount camera systems; match sensor coverage and recording mode to the lens. The exact mount, voltage, connector, image area, and mechanical clearance should all match the working kit.\u003c\/p\u003e\n\u003ch3\u003eHow should I compare the ATHENA PRIME 35mm T1.9 (E Mount) with another option?\u003c\/h3\u003e\u003cp\u003eFor ATHENA PRIME 35mm T1.9 (E Mount), compare the exact mount, capacity or focal length, physical dimensions, workflow, and listed specifications with the adjacent option. This keeps the decision tied to real production requirements rather than model name alone.\u003c\/p\u003e\n\u003ch3\u003eWhat key specification should I check for the ATHENA PRIME 35mm T1.9 (E Mount)?\u003c\/h3\u003e\u003cp\u003eStart with this listed detail for ATHENA PRIME 35mm T1.9 (E Mount): Coverage: full frame, 46mm image circle Then check the remaining specifications, the equipment manual, and the full rig before a paid production day.\u003c\/p\u003e\n\u003ch3\u003eWhat comes with the ATHENA PRIME 35mm T1.9 (E Mount)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 35mm T1.9 (E Mount) is supplied as the exact product or set named in this listing. Package contents can vary by configuration, so use the complete model and set name when checking the delivery.\u003c\/p\u003e\n\u003ch3\u003eCan I order the ATHENA PRIME 35mm T1.9 (E Mount) in Canada?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 35mm T1.9 (E Mount) is available to order from Filmgear Canada. Contact the team if you want a compatibility check for the camera, lens mount, battery system, charger, or production package before purchase.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 35mm T1.9 Full-Frame Lens (E Mount) is available to order from Filmgear Canada. Browse \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/nisi\"\u003eNiSi products\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/cine-lenses\"\u003ecine lenses\u003c\/a\u003e, or contact the Vancouver team for help matching the exact configuration to your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":49309623451907,"sku":"C01-01-E-35-01","price":1677.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/nisi-c01-01-e-35-01-1.jpg?v=1784740880"},{"product_id":"nisi-athena-prime-35mm-e-mount-no-drop-in-filter","title":"NiSi ATHENA PRIME 35mm T1.9 Full-Frame Lens (E Mount, No Drop-In Filter)","description":"\u003cp\u003eNiSi ATHENA PRIME 35mm T1.9 Full-Frame Lens (E Mount, No Drop-In Filter) is a nisi cine lens for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. The page identifies the exact mount, format, capacity, or package so buyers can match it to a real production system before ordering in Canada.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\n\u003cp\u003eWatch this official Nisi video for a closer look at the ATHENA PRIME family and its production workflow.\u003c\/p\u003e\n\u003cdiv style=\"position:relative;padding-bottom:56.25%;height:0;overflow:hidden;max-width:100%;\"\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/eOmq58Y2G4c\" title=\"NiSi ATHENA PRIME cine lens breathing demonstration\" loading=\"lazy\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;border:0;\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eATHENA PRIME is best evaluated as part of the complete camera, lens, or power workflow. Mount: E Mount Coverage: full frame, 46mm image circle Aperture: T1.9 to T22, 10 blades These details affect rig balance, working speed, compatibility, transport, and how consistently the product can be used across production days.\u003c\/p\u003e\n\u003cp\u003eThe 35mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this E-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eBefore a critical shoot, check the exact model, mount, dimensions, operating limits, and accessories against the equipment already in service. This avoids preventable fit and workflow problems on set.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: E Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.3 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: E Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.3 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003cli\u003eWeight: 875 g\u003c\/li\u003e\n\u003cli\u003eLength: 81.3 mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eThe 35mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this E-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eThe relevant buying categories include full frame cine lens, cinema lenses, cine prime lens. The exact product configuration remains more important than a broad category label.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 35mm T1.9 Full-Frame Lens (E Mount, No Drop-In Filter) suits cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. It is especially useful when the named mount, focal length, battery interface, capacity, or package solves a repeatable need rather than a one-off workaround.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another lens when you need a different focal length, faster T-stop, sensor coverage, mount, close-focus distance, front diameter, flare character, or lighter rig. For GFX, test the intended recording mode before critical work; the 14mm ATHENA requires particular care around image area and vignetting.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003eSony E-mount camera systems; match sensor coverage and recording mode to the lens. Pair only with the matching mount, voltage, connector, diameter, charger, or lens family, and include the complete rig weight and cable path in the setup plan.\u003c\/p\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eWhat is the ATHENA PRIME 35mm T1.9 (E Mount, No Drop-In Filter) designed for?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 35mm T1.9 (E Mount, No Drop-In Filter) is designed for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. Mount: E Mount Match this exact configuration to the camera, lens, or power system before ordering.\u003c\/p\u003e\n\u003ch3\u003eWhat is compatible with the ATHENA PRIME 35mm T1.9 (E Mount, No Drop-In Filter)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 35mm T1.9 (E Mount, No Drop-In Filter) is intended for Sony E-mount camera systems; match sensor coverage and recording mode to the lens. The exact mount, voltage, connector, image area, and mechanical clearance should all match the working kit.\u003c\/p\u003e\n\u003ch3\u003eHow should I compare the ATHENA PRIME 35mm T1.9 (E Mount, No Drop-In Filter) with another option?\u003c\/h3\u003e\u003cp\u003eFor ATHENA PRIME 35mm T1.9 (E Mount, No Drop-In Filter), compare the exact mount, capacity or focal length, physical dimensions, workflow, and listed specifications with the adjacent option. This keeps the decision tied to real production requirements rather than model name alone.\u003c\/p\u003e\n\u003ch3\u003eWhat key specification should I check for the ATHENA PRIME 35mm T1.9 (E Mount, No Drop-In Filter)?\u003c\/h3\u003e\u003cp\u003eStart with this listed detail for ATHENA PRIME 35mm T1.9 (E Mount, No Drop-In Filter): Coverage: full frame, 46mm image circle Then check the remaining specifications, the equipment manual, and the full rig before a paid production day.\u003c\/p\u003e\n\u003ch3\u003eWhat comes with the ATHENA PRIME 35mm T1.9 (E Mount, No Drop-In Filter)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 35mm T1.9 (E Mount, No Drop-In Filter) is supplied as the exact product or set named in this listing. Package contents can vary by configuration, so use the complete model and set name when checking the delivery.\u003c\/p\u003e\n\u003ch3\u003eCan I order the ATHENA PRIME 35mm T1.9 (E Mount, No Drop-In Filter) in Canada?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 35mm T1.9 (E Mount, No Drop-In Filter) is available to order from Filmgear Canada. Contact the team if you want a compatibility check for the camera, lens mount, battery system, charger, or production package before purchase.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 35mm T1.9 Full-Frame Lens (E Mount, No Drop-In Filter) is available to order from Filmgear Canada. Browse \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/nisi\"\u003eNiSi products\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/cine-lenses\"\u003ecine lenses\u003c\/a\u003e, or contact the Vancouver team for help matching the exact configuration to your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":49309623615747,"sku":"C01-01-E-35-02","price":1677.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/nisi-c01-01-e-35-02-1.jpg?v=1784740880"},{"product_id":"nisi-athena-prime-40mm-e-mount","title":"NiSi ATHENA PRIME 40mm T1.9 Full-Frame Lens (E Mount)","description":"\u003cp\u003eNiSi ATHENA PRIME 40mm T1.9 Full-Frame Lens (E Mount) is a nisi cine lens for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. The page identifies the exact mount, format, capacity, or package so buyers can match it to a real production system before ordering in Canada.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\n\u003cp\u003eWatch this official Nisi video for a closer look at the ATHENA PRIME family and its production workflow.\u003c\/p\u003e\n\u003cdiv style=\"position:relative;padding-bottom:56.25%;height:0;overflow:hidden;max-width:100%;\"\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/eOmq58Y2G4c\" title=\"NiSi ATHENA PRIME cine lens breathing demonstration\" loading=\"lazy\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;border:0;\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eATHENA PRIME is best evaluated as part of the complete camera, lens, or power workflow. Mount: E Mount Coverage: full frame, 46mm image circle Aperture: T1.9 to T22, 10 blades These details affect rig balance, working speed, compatibility, transport, and how consistently the product can be used across production days.\u003c\/p\u003e\n\u003cp\u003eThe 40mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this E-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eBefore a critical shoot, check the exact model, mount, dimensions, operating limits, and accessories against the equipment already in service. This avoids preventable fit and workflow problems on set.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: E Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.4 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: E Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.4 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003cli\u003eWeight: 890 g\u003c\/li\u003e\n\u003cli\u003eLength: 81.3 mm\u003c\/li\u003e\n\u003cli\u003eRear drop-in filter slot, clear filter included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eThe 40mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this E-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eThe relevant buying categories include full frame cine lens, cinema lenses, cine prime lens. The exact product configuration remains more important than a broad category label.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 40mm T1.9 Full-Frame Lens (E Mount) suits cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. It is especially useful when the named mount, focal length, battery interface, capacity, or package solves a repeatable need rather than a one-off workaround.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another lens when you need a different focal length, faster T-stop, sensor coverage, mount, close-focus distance, front diameter, flare character, or lighter rig. For GFX, test the intended recording mode before critical work; the 14mm ATHENA requires particular care around image area and vignetting.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003eSony E-mount camera systems; match sensor coverage and recording mode to the lens. Pair only with the matching mount, voltage, connector, diameter, charger, or lens family, and include the complete rig weight and cable path in the setup plan.\u003c\/p\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eWhat is the ATHENA PRIME 40mm T1.9 (E Mount) designed for?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 40mm T1.9 (E Mount) is designed for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. Mount: E Mount Match this exact configuration to the camera, lens, or power system before ordering.\u003c\/p\u003e\n\u003ch3\u003eWhat is compatible with the ATHENA PRIME 40mm T1.9 (E Mount)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 40mm T1.9 (E Mount) is intended for Sony E-mount camera systems; match sensor coverage and recording mode to the lens. The exact mount, voltage, connector, image area, and mechanical clearance should all match the working kit.\u003c\/p\u003e\n\u003ch3\u003eHow should I compare the ATHENA PRIME 40mm T1.9 (E Mount) with another option?\u003c\/h3\u003e\u003cp\u003eFor ATHENA PRIME 40mm T1.9 (E Mount), compare the exact mount, capacity or focal length, physical dimensions, workflow, and listed specifications with the adjacent option. This keeps the decision tied to real production requirements rather than model name alone.\u003c\/p\u003e\n\u003ch3\u003eWhat key specification should I check for the ATHENA PRIME 40mm T1.9 (E Mount)?\u003c\/h3\u003e\u003cp\u003eStart with this listed detail for ATHENA PRIME 40mm T1.9 (E Mount): Coverage: full frame, 46mm image circle Then check the remaining specifications, the equipment manual, and the full rig before a paid production day.\u003c\/p\u003e\n\u003ch3\u003eWhat comes with the ATHENA PRIME 40mm T1.9 (E Mount)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 40mm T1.9 (E Mount) is supplied as the exact product or set named in this listing. Package contents can vary by configuration, so use the complete model and set name when checking the delivery.\u003c\/p\u003e\n\u003ch3\u003eCan I order the ATHENA PRIME 40mm T1.9 (E Mount) in Canada?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 40mm T1.9 (E Mount) is available to order from Filmgear Canada. Contact the team if you want a compatibility check for the camera, lens mount, battery system, charger, or production package before purchase.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 40mm T1.9 Full-Frame Lens (E Mount) is available to order from Filmgear Canada. Browse \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/nisi\"\u003eNiSi products\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/cine-lenses\"\u003ecine lenses\u003c\/a\u003e, or contact the Vancouver team for help matching the exact configuration to your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":49309623779587,"sku":"C01-01-E-40-01","price":1775.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/nisi-c01-01-e-40-01-1.jpg?v=1784741102"},{"product_id":"nisi-athena-prime-40mm-e-mount-no-drop-in-filter","title":"NiSi ATHENA PRIME 40mm T1.9 Full-Frame Lens (E Mount, No Drop-In Filter)","description":"\u003cp\u003eNiSi ATHENA PRIME 40mm T1.9 Full-Frame Lens (E Mount, No Drop-In Filter) is a nisi cine lens for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. The page identifies the exact mount, format, capacity, or package so buyers can match it to a real production system before ordering in Canada.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\n\u003cp\u003eWatch this official Nisi video for a closer look at the ATHENA PRIME family and its production workflow.\u003c\/p\u003e\n\u003cdiv style=\"position:relative;padding-bottom:56.25%;height:0;overflow:hidden;max-width:100%;\"\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/eOmq58Y2G4c\" title=\"NiSi ATHENA PRIME cine lens breathing demonstration\" loading=\"lazy\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;border:0;\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eATHENA PRIME is best evaluated as part of the complete camera, lens, or power workflow. Mount: E Mount Coverage: full frame, 46mm image circle Aperture: T1.9 to T22, 10 blades These details affect rig balance, working speed, compatibility, transport, and how consistently the product can be used across production days.\u003c\/p\u003e\n\u003cp\u003eThe 40mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this E-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eBefore a critical shoot, check the exact model, mount, dimensions, operating limits, and accessories against the equipment already in service. This avoids preventable fit and workflow problems on set.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: E Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.4 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: E Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.4 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003cli\u003eWeight: 875 g\u003c\/li\u003e\n\u003cli\u003eLength: 81.3 mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eThe 40mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this E-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eThe relevant buying categories include full frame cine lens, cinema lenses, cine prime lens. The exact product configuration remains more important than a broad category label.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 40mm T1.9 Full-Frame Lens (E Mount, No Drop-In Filter) suits cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. It is especially useful when the named mount, focal length, battery interface, capacity, or package solves a repeatable need rather than a one-off workaround.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another lens when you need a different focal length, faster T-stop, sensor coverage, mount, close-focus distance, front diameter, flare character, or lighter rig. For GFX, test the intended recording mode before critical work; the 14mm ATHENA requires particular care around image area and vignetting.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003eSony E-mount camera systems; match sensor coverage and recording mode to the lens. Pair only with the matching mount, voltage, connector, diameter, charger, or lens family, and include the complete rig weight and cable path in the setup plan.\u003c\/p\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eWhat is the ATHENA PRIME 40mm T1.9 (E Mount, No Drop-In Filter) designed for?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 40mm T1.9 (E Mount, No Drop-In Filter) is designed for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. Mount: E Mount Match this exact configuration to the camera, lens, or power system before ordering.\u003c\/p\u003e\n\u003ch3\u003eWhat is compatible with the ATHENA PRIME 40mm T1.9 (E Mount, No Drop-In Filter)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 40mm T1.9 (E Mount, No Drop-In Filter) is intended for Sony E-mount camera systems; match sensor coverage and recording mode to the lens. The exact mount, voltage, connector, image area, and mechanical clearance should all match the working kit.\u003c\/p\u003e\n\u003ch3\u003eHow should I compare the ATHENA PRIME 40mm T1.9 (E Mount, No Drop-In Filter) with another option?\u003c\/h3\u003e\u003cp\u003eFor ATHENA PRIME 40mm T1.9 (E Mount, No Drop-In Filter), compare the exact mount, capacity or focal length, physical dimensions, workflow, and listed specifications with the adjacent option. This keeps the decision tied to real production requirements rather than model name alone.\u003c\/p\u003e\n\u003ch3\u003eWhat key specification should I check for the ATHENA PRIME 40mm T1.9 (E Mount, No Drop-In Filter)?\u003c\/h3\u003e\u003cp\u003eStart with this listed detail for ATHENA PRIME 40mm T1.9 (E Mount, No Drop-In Filter): Coverage: full frame, 46mm image circle Then check the remaining specifications, the equipment manual, and the full rig before a paid production day.\u003c\/p\u003e\n\u003ch3\u003eWhat comes with the ATHENA PRIME 40mm T1.9 (E Mount, No Drop-In Filter)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 40mm T1.9 (E Mount, No Drop-In Filter) is supplied as the exact product or set named in this listing. Package contents can vary by configuration, so use the complete model and set name when checking the delivery.\u003c\/p\u003e\n\u003ch3\u003eCan I order the ATHENA PRIME 40mm T1.9 (E Mount, No Drop-In Filter) in Canada?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 40mm T1.9 (E Mount, No Drop-In Filter) is available to order from Filmgear Canada. Contact the team if you want a compatibility check for the camera, lens mount, battery system, charger, or production package before purchase.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 40mm T1.9 Full-Frame Lens (E Mount, No Drop-In Filter) is available to order from Filmgear Canada. Browse \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/nisi\"\u003eNiSi products\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/cine-lenses\"\u003ecine lenses\u003c\/a\u003e, or contact the Vancouver team for help matching the exact configuration to your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":49309624041731,"sku":"C01-01-E-40-02","price":1775.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/nisi-c01-01-e-40-02-1.jpg?v=1784741102"},{"product_id":"nisi-athena-prime-50mm-e-mount","title":"NiSi ATHENA PRIME 50mm T1.9 Full-Frame Lens (E Mount)","description":"\u003cp\u003eNiSi ATHENA PRIME 50mm T1.9 Full-Frame Lens (E Mount) is a nisi cine lens for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. The page identifies the exact mount, format, capacity, or package so buyers can match it to a real production system before ordering in Canada.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\n\u003cp\u003eWatch this official Nisi video for a closer look at the ATHENA PRIME family and its production workflow.\u003c\/p\u003e\n\u003cdiv style=\"position:relative;padding-bottom:56.25%;height:0;overflow:hidden;max-width:100%;\"\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/eOmq58Y2G4c\" title=\"NiSi ATHENA PRIME cine lens breathing demonstration\" loading=\"lazy\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;border:0;\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eATHENA PRIME is best evaluated as part of the complete camera, lens, or power workflow. Mount: E Mount Coverage: full frame, 46mm image circle Aperture: T1.9 to T22, 10 blades These details affect rig balance, working speed, compatibility, transport, and how consistently the product can be used across production days.\u003c\/p\u003e\n\u003cp\u003eThe 50mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this E-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eBefore a critical shoot, check the exact model, mount, dimensions, operating limits, and accessories against the equipment already in service. This avoids preventable fit and workflow problems on set.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: E Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.5 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: E Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.5 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003cli\u003eWeight: 890 g\u003c\/li\u003e\n\u003cli\u003eLength: 81.3 mm\u003c\/li\u003e\n\u003cli\u003eRear drop-in filter slot, clear filter included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eThe 50mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this E-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eThe relevant buying categories include full frame cine lens, cinema lenses, cine prime lens. The exact product configuration remains more important than a broad category label.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 50mm T1.9 Full-Frame Lens (E Mount) suits cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. It is especially useful when the named mount, focal length, battery interface, capacity, or package solves a repeatable need rather than a one-off workaround.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another lens when you need a different focal length, faster T-stop, sensor coverage, mount, close-focus distance, front diameter, flare character, or lighter rig. For GFX, test the intended recording mode before critical work; the 14mm ATHENA requires particular care around image area and vignetting.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003eSony E-mount camera systems; match sensor coverage and recording mode to the lens. Pair only with the matching mount, voltage, connector, diameter, charger, or lens family, and include the complete rig weight and cable path in the setup plan.\u003c\/p\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eWhat is the ATHENA PRIME 50mm T1.9 (E Mount) designed for?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 50mm T1.9 (E Mount) is designed for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. Mount: E Mount Match this exact configuration to the camera, lens, or power system before ordering.\u003c\/p\u003e\n\u003ch3\u003eWhat is compatible with the ATHENA PRIME 50mm T1.9 (E Mount)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 50mm T1.9 (E Mount) is intended for Sony E-mount camera systems; match sensor coverage and recording mode to the lens. The exact mount, voltage, connector, image area, and mechanical clearance should all match the working kit.\u003c\/p\u003e\n\u003ch3\u003eHow should I compare the ATHENA PRIME 50mm T1.9 (E Mount) with another option?\u003c\/h3\u003e\u003cp\u003eFor ATHENA PRIME 50mm T1.9 (E Mount), compare the exact mount, capacity or focal length, physical dimensions, workflow, and listed specifications with the adjacent option. This keeps the decision tied to real production requirements rather than model name alone.\u003c\/p\u003e\n\u003ch3\u003eWhat key specification should I check for the ATHENA PRIME 50mm T1.9 (E Mount)?\u003c\/h3\u003e\u003cp\u003eStart with this listed detail for ATHENA PRIME 50mm T1.9 (E Mount): Coverage: full frame, 46mm image circle Then check the remaining specifications, the equipment manual, and the full rig before a paid production day.\u003c\/p\u003e\n\u003ch3\u003eWhat comes with the ATHENA PRIME 50mm T1.9 (E Mount)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 50mm T1.9 (E Mount) is supplied as the exact product or set named in this listing. Package contents can vary by configuration, so use the complete model and set name when checking the delivery.\u003c\/p\u003e\n\u003ch3\u003eCan I order the ATHENA PRIME 50mm T1.9 (E Mount) in Canada?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 50mm T1.9 (E Mount) is available to order from Filmgear Canada. Contact the team if you want a compatibility check for the camera, lens mount, battery system, charger, or production package before purchase.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 50mm T1.9 Full-Frame Lens (E Mount) is available to order from Filmgear Canada. Browse \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/nisi\"\u003eNiSi products\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/cine-lenses\"\u003ecine lenses\u003c\/a\u003e, or contact the Vancouver team for help matching the exact configuration to your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":49309624238339,"sku":"C01-01-E-50-01","price":1677.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/nisi-c01-01-e-50-01-1.jpg?v=1784741102"},{"product_id":"nisi-athena-prime-50mm-e-mount-no-drop-in-filter","title":"NiSi ATHENA PRIME 50mm T1.9 Full-Frame Lens (E Mount, No Drop-In Filter)","description":"\u003cp\u003eNiSi ATHENA PRIME 50mm T1.9 Full-Frame Lens (E Mount, No Drop-In Filter) is a nisi cine lens for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. The page identifies the exact mount, format, capacity, or package so buyers can match it to a real production system before ordering in Canada.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\n\u003cp\u003eWatch this official Nisi video for a closer look at the ATHENA PRIME family and its production workflow.\u003c\/p\u003e\n\u003cdiv style=\"position:relative;padding-bottom:56.25%;height:0;overflow:hidden;max-width:100%;\"\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/eOmq58Y2G4c\" title=\"NiSi ATHENA PRIME cine lens breathing demonstration\" loading=\"lazy\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;border:0;\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eATHENA PRIME is best evaluated as part of the complete camera, lens, or power workflow. Mount: E Mount Coverage: full frame, 46mm image circle Aperture: T1.9 to T22, 10 blades These details affect rig balance, working speed, compatibility, transport, and how consistently the product can be used across production days.\u003c\/p\u003e\n\u003cp\u003eThe 50mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this E-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eBefore a critical shoot, check the exact model, mount, dimensions, operating limits, and accessories against the equipment already in service. This avoids preventable fit and workflow problems on set.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: E Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.5 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: E Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.5 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003cli\u003eWeight: 875 g\u003c\/li\u003e\n\u003cli\u003eLength: 81.3 mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eThe 50mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this E-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eThe relevant buying categories include full frame cine lens, cinema lenses, cine prime lens. The exact product configuration remains more important than a broad category label.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 50mm T1.9 Full-Frame Lens (E Mount, No Drop-In Filter) suits cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. It is especially useful when the named mount, focal length, battery interface, capacity, or package solves a repeatable need rather than a one-off workaround.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another lens when you need a different focal length, faster T-stop, sensor coverage, mount, close-focus distance, front diameter, flare character, or lighter rig. For GFX, test the intended recording mode before critical work; the 14mm ATHENA requires particular care around image area and vignetting.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003eSony E-mount camera systems; match sensor coverage and recording mode to the lens. Pair only with the matching mount, voltage, connector, diameter, charger, or lens family, and include the complete rig weight and cable path in the setup plan.\u003c\/p\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eWhat is the ATHENA PRIME 50mm T1.9 (E Mount, No Drop-In Filter) designed for?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 50mm T1.9 (E Mount, No Drop-In Filter) is designed for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. Mount: E Mount Match this exact configuration to the camera, lens, or power system before ordering.\u003c\/p\u003e\n\u003ch3\u003eWhat is compatible with the ATHENA PRIME 50mm T1.9 (E Mount, No Drop-In Filter)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 50mm T1.9 (E Mount, No Drop-In Filter) is intended for Sony E-mount camera systems; match sensor coverage and recording mode to the lens. The exact mount, voltage, connector, image area, and mechanical clearance should all match the working kit.\u003c\/p\u003e\n\u003ch3\u003eHow should I compare the ATHENA PRIME 50mm T1.9 (E Mount, No Drop-In Filter) with another option?\u003c\/h3\u003e\u003cp\u003eFor ATHENA PRIME 50mm T1.9 (E Mount, No Drop-In Filter), compare the exact mount, capacity or focal length, physical dimensions, workflow, and listed specifications with the adjacent option. This keeps the decision tied to real production requirements rather than model name alone.\u003c\/p\u003e\n\u003ch3\u003eWhat key specification should I check for the ATHENA PRIME 50mm T1.9 (E Mount, No Drop-In Filter)?\u003c\/h3\u003e\u003cp\u003eStart with this listed detail for ATHENA PRIME 50mm T1.9 (E Mount, No Drop-In Filter): Coverage: full frame, 46mm image circle Then check the remaining specifications, the equipment manual, and the full rig before a paid production day.\u003c\/p\u003e\n\u003ch3\u003eWhat comes with the ATHENA PRIME 50mm T1.9 (E Mount, No Drop-In Filter)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 50mm T1.9 (E Mount, No Drop-In Filter) is supplied as the exact product or set named in this listing. Package contents can vary by configuration, so use the complete model and set name when checking the delivery.\u003c\/p\u003e\n\u003ch3\u003eCan I order the ATHENA PRIME 50mm T1.9 (E Mount, No Drop-In Filter) in Canada?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 50mm T1.9 (E Mount, No Drop-In Filter) is available to order from Filmgear Canada. Contact the team if you want a compatibility check for the camera, lens mount, battery system, charger, or production package before purchase.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 50mm T1.9 Full-Frame Lens (E Mount, No Drop-In Filter) is available to order from Filmgear Canada. Browse \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/nisi\"\u003eNiSi products\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/cine-lenses\"\u003ecine lenses\u003c\/a\u003e, or contact the Vancouver team for help matching the exact configuration to your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":49309624467715,"sku":"C01-01-E-50-02","price":1677.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/nisi-c01-01-e-50-02-1.jpg?v=1784741102"},{"product_id":"nisi-athena-prime-85mm-e-mount","title":"NiSi ATHENA PRIME 85mm T1.9 Full-Frame Lens (E Mount)","description":"\u003cp\u003eNiSi ATHENA PRIME 85mm T1.9 Full-Frame Lens (E Mount) is a nisi cine lens for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. The page identifies the exact mount, format, capacity, or package so buyers can match it to a real production system before ordering in Canada.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\n\u003cp\u003eWatch this official Nisi video for a closer look at the ATHENA PRIME family and its production workflow.\u003c\/p\u003e\n\u003cdiv style=\"position:relative;padding-bottom:56.25%;height:0;overflow:hidden;max-width:100%;\"\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/eOmq58Y2G4c\" title=\"NiSi ATHENA PRIME cine lens breathing demonstration\" loading=\"lazy\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;border:0;\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eATHENA PRIME is best evaluated as part of the complete camera, lens, or power workflow. Mount: E Mount Coverage: full frame, 46mm image circle Aperture: T1.9 to T22, 10 blades These details affect rig balance, working speed, compatibility, transport, and how consistently the product can be used across production days.\u003c\/p\u003e\n\u003cp\u003eThe 85mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this E-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eBefore a critical shoot, check the exact model, mount, dimensions, operating limits, and accessories against the equipment already in service. This avoids preventable fit and workflow problems on set.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: E Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.8 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: E Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.8 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003cli\u003eWeight: 890 g\u003c\/li\u003e\n\u003cli\u003eLength: 81.3 mm\u003c\/li\u003e\n\u003cli\u003eRear drop-in filter slot, clear filter included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eThe 85mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this E-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eThe relevant buying categories include full frame cine lens, cinema lenses, cine prime lens. The exact product configuration remains more important than a broad category label.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 85mm T1.9 Full-Frame Lens (E Mount) suits cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. It is especially useful when the named mount, focal length, battery interface, capacity, or package solves a repeatable need rather than a one-off workaround.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another lens when you need a different focal length, faster T-stop, sensor coverage, mount, close-focus distance, front diameter, flare character, or lighter rig. For GFX, test the intended recording mode before critical work; the 14mm ATHENA requires particular care around image area and vignetting.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003eSony E-mount camera systems; match sensor coverage and recording mode to the lens. Pair only with the matching mount, voltage, connector, diameter, charger, or lens family, and include the complete rig weight and cable path in the setup plan.\u003c\/p\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eWhat is the ATHENA PRIME 85mm T1.9 (E Mount) designed for?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 85mm T1.9 (E Mount) is designed for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. Mount: E Mount Match this exact configuration to the camera, lens, or power system before ordering.\u003c\/p\u003e\n\u003ch3\u003eWhat is compatible with the ATHENA PRIME 85mm T1.9 (E Mount)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 85mm T1.9 (E Mount) is intended for Sony E-mount camera systems; match sensor coverage and recording mode to the lens. The exact mount, voltage, connector, image area, and mechanical clearance should all match the working kit.\u003c\/p\u003e\n\u003ch3\u003eHow should I compare the ATHENA PRIME 85mm T1.9 (E Mount) with another option?\u003c\/h3\u003e\u003cp\u003eFor ATHENA PRIME 85mm T1.9 (E Mount), compare the exact mount, capacity or focal length, physical dimensions, workflow, and listed specifications with the adjacent option. This keeps the decision tied to real production requirements rather than model name alone.\u003c\/p\u003e\n\u003ch3\u003eWhat key specification should I check for the ATHENA PRIME 85mm T1.9 (E Mount)?\u003c\/h3\u003e\u003cp\u003eStart with this listed detail for ATHENA PRIME 85mm T1.9 (E Mount): Coverage: full frame, 46mm image circle Then check the remaining specifications, the equipment manual, and the full rig before a paid production day.\u003c\/p\u003e\n\u003ch3\u003eWhat comes with the ATHENA PRIME 85mm T1.9 (E Mount)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 85mm T1.9 (E Mount) is supplied as the exact product or set named in this listing. Package contents can vary by configuration, so use the complete model and set name when checking the delivery.\u003c\/p\u003e\n\u003ch3\u003eCan I order the ATHENA PRIME 85mm T1.9 (E Mount) in Canada?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 85mm T1.9 (E Mount) is available to order from Filmgear Canada. Contact the team if you want a compatibility check for the camera, lens mount, battery system, charger, or production package before purchase.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 85mm T1.9 Full-Frame Lens (E Mount) is available to order from Filmgear Canada. Browse \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/nisi\"\u003eNiSi products\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/cine-lenses\"\u003ecine lenses\u003c\/a\u003e, or contact the Vancouver team for help matching the exact configuration to your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":49309624598787,"sku":"C01-01-E-85-01","price":1677.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/nisi-c01-01-e-85-01-1.jpg?v=1784741102"},{"product_id":"nisi-athena-prime-85mm-e-mount-no-drop-in-filter","title":"NiSi ATHENA PRIME 85mm T1.9 Full-Frame Lens (E Mount, No Drop-In Filter)","description":"\u003cp\u003eNiSi ATHENA PRIME 85mm T1.9 Full-Frame Lens (E Mount, No Drop-In Filter) is a nisi cine lens for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. The page identifies the exact mount, format, capacity, or package so buyers can match it to a real production system before ordering in Canada.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\n\u003cp\u003eWatch this official Nisi video for a closer look at the ATHENA PRIME family and its production workflow.\u003c\/p\u003e\n\u003cdiv style=\"position:relative;padding-bottom:56.25%;height:0;overflow:hidden;max-width:100%;\"\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/eOmq58Y2G4c\" title=\"NiSi ATHENA PRIME cine lens breathing demonstration\" loading=\"lazy\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;border:0;\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eATHENA PRIME is best evaluated as part of the complete camera, lens, or power workflow. Mount: E Mount Coverage: full frame, 46mm image circle Aperture: T1.9 to T22, 10 blades These details affect rig balance, working speed, compatibility, transport, and how consistently the product can be used across production days.\u003c\/p\u003e\n\u003cp\u003eThe 85mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this E-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eBefore a critical shoot, check the exact model, mount, dimensions, operating limits, and accessories against the equipment already in service. This avoids preventable fit and workflow problems on set.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: E Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.8 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: E Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.8 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003cli\u003eWeight: 875 g\u003c\/li\u003e\n\u003cli\u003eLength: 81.3 mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eThe 85mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this E-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eThe relevant buying categories include full frame cine lens, cinema lenses, cine prime lens. The exact product configuration remains more important than a broad category label.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 85mm T1.9 Full-Frame Lens (E Mount, No Drop-In Filter) suits cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. It is especially useful when the named mount, focal length, battery interface, capacity, or package solves a repeatable need rather than a one-off workaround.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another lens when you need a different focal length, faster T-stop, sensor coverage, mount, close-focus distance, front diameter, flare character, or lighter rig. For GFX, test the intended recording mode before critical work; the 14mm ATHENA requires particular care around image area and vignetting.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003eSony E-mount camera systems; match sensor coverage and recording mode to the lens. Pair only with the matching mount, voltage, connector, diameter, charger, or lens family, and include the complete rig weight and cable path in the setup plan.\u003c\/p\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eWhat is the ATHENA PRIME 85mm T1.9 (E Mount, No Drop-In Filter) designed for?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 85mm T1.9 (E Mount, No Drop-In Filter) is designed for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. Mount: E Mount Match this exact configuration to the camera, lens, or power system before ordering.\u003c\/p\u003e\n\u003ch3\u003eWhat is compatible with the ATHENA PRIME 85mm T1.9 (E Mount, No Drop-In Filter)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 85mm T1.9 (E Mount, No Drop-In Filter) is intended for Sony E-mount camera systems; match sensor coverage and recording mode to the lens. The exact mount, voltage, connector, image area, and mechanical clearance should all match the working kit.\u003c\/p\u003e\n\u003ch3\u003eHow should I compare the ATHENA PRIME 85mm T1.9 (E Mount, No Drop-In Filter) with another option?\u003c\/h3\u003e\u003cp\u003eFor ATHENA PRIME 85mm T1.9 (E Mount, No Drop-In Filter), compare the exact mount, capacity or focal length, physical dimensions, workflow, and listed specifications with the adjacent option. This keeps the decision tied to real production requirements rather than model name alone.\u003c\/p\u003e\n\u003ch3\u003eWhat key specification should I check for the ATHENA PRIME 85mm T1.9 (E Mount, No Drop-In Filter)?\u003c\/h3\u003e\u003cp\u003eStart with this listed detail for ATHENA PRIME 85mm T1.9 (E Mount, No Drop-In Filter): Coverage: full frame, 46mm image circle Then check the remaining specifications, the equipment manual, and the full rig before a paid production day.\u003c\/p\u003e\n\u003ch3\u003eWhat comes with the ATHENA PRIME 85mm T1.9 (E Mount, No Drop-In Filter)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 85mm T1.9 (E Mount, No Drop-In Filter) is supplied as the exact product or set named in this listing. Package contents can vary by configuration, so use the complete model and set name when checking the delivery.\u003c\/p\u003e\n\u003ch3\u003eCan I order the ATHENA PRIME 85mm T1.9 (E Mount, No Drop-In Filter) in Canada?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 85mm T1.9 (E Mount, No Drop-In Filter) is available to order from Filmgear Canada. Contact the team if you want a compatibility check for the camera, lens mount, battery system, charger, or production package before purchase.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 85mm T1.9 Full-Frame Lens (E Mount, No Drop-In Filter) is available to order from Filmgear Canada. Browse \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/nisi\"\u003eNiSi products\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/cine-lenses\"\u003ecine lenses\u003c\/a\u003e, or contact the Vancouver team for help matching the exact configuration to your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":49309624926467,"sku":"C01-01-E-85-02","price":1677.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/nisi-c01-01-e-85-02-1.jpg?v=1784741102"},{"product_id":"nisi-athena-prime-135mm-e-mount","title":"NiSi ATHENA PRIME 135mm T2.2 Full-Frame Lens (E Mount)","description":"\u003cp\u003eNiSi ATHENA PRIME 135mm T2.2 Full-Frame Lens (E Mount) is a nisi cine lens for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. The page identifies the exact mount, format, capacity, or package so buyers can match it to a real production system before ordering in Canada.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\n\u003cp\u003eWatch this official Nisi video for a closer look at the ATHENA PRIME family and its production workflow.\u003c\/p\u003e\n\u003cdiv style=\"position:relative;padding-bottom:56.25%;height:0;overflow:hidden;max-width:100%;\"\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/eOmq58Y2G4c\" title=\"NiSi ATHENA PRIME cine lens breathing demonstration\" loading=\"lazy\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;border:0;\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eATHENA PRIME is best evaluated as part of the complete camera, lens, or power workflow. Mount: E Mount Coverage: full frame, 46mm image circle Aperture: T2.2 to T22, 10 blades These details affect rig balance, working speed, compatibility, transport, and how consistently the product can be used across production days.\u003c\/p\u003e\n\u003cp\u003eThe 135mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this E-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eBefore a critical shoot, check the exact model, mount, dimensions, operating limits, and accessories against the equipment already in service. This avoids preventable fit and workflow problems on set.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: E Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T2.2 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 1.0 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: E Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T2.2 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 1.0 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003cli\u003eWeight: 1070 g\u003c\/li\u003e\n\u003cli\u003eRear drop-in filter slot, clear filter included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eThe 135mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this E-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eThe relevant buying categories include full frame cine lens, cinema lenses, cine prime lens. The exact product configuration remains more important than a broad category label.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 135mm T2.2 Full-Frame Lens (E Mount) suits cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. It is especially useful when the named mount, focal length, battery interface, capacity, or package solves a repeatable need rather than a one-off workaround.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another lens when you need a different focal length, faster T-stop, sensor coverage, mount, close-focus distance, front diameter, flare character, or lighter rig. For GFX, test the intended recording mode before critical work; the 14mm ATHENA requires particular care around image area and vignetting.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003eSony E-mount camera systems; match sensor coverage and recording mode to the lens. Pair only with the matching mount, voltage, connector, diameter, charger, or lens family, and include the complete rig weight and cable path in the setup plan.\u003c\/p\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eWhat is the ATHENA PRIME 135mm T2.2 (E Mount) designed for?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 135mm T2.2 (E Mount) is designed for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. Mount: E Mount Match this exact configuration to the camera, lens, or power system before ordering.\u003c\/p\u003e\n\u003ch3\u003eWhat is compatible with the ATHENA PRIME 135mm T2.2 (E Mount)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 135mm T2.2 (E Mount) is intended for Sony E-mount camera systems; match sensor coverage and recording mode to the lens. The exact mount, voltage, connector, image area, and mechanical clearance should all match the working kit.\u003c\/p\u003e\n\u003ch3\u003eHow should I compare the ATHENA PRIME 135mm T2.2 (E Mount) with another option?\u003c\/h3\u003e\u003cp\u003eFor ATHENA PRIME 135mm T2.2 (E Mount), compare the exact mount, capacity or focal length, physical dimensions, workflow, and listed specifications with the adjacent option. This keeps the decision tied to real production requirements rather than model name alone.\u003c\/p\u003e\n\u003ch3\u003eWhat key specification should I check for the ATHENA PRIME 135mm T2.2 (E Mount)?\u003c\/h3\u003e\u003cp\u003eStart with this listed detail for ATHENA PRIME 135mm T2.2 (E Mount): Coverage: full frame, 46mm image circle Then check the remaining specifications, the equipment manual, and the full rig before a paid production day.\u003c\/p\u003e\n\u003ch3\u003eWhat comes with the ATHENA PRIME 135mm T2.2 (E Mount)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 135mm T2.2 (E Mount) is supplied as the exact product or set named in this listing. Package contents can vary by configuration, so use the complete model and set name when checking the delivery.\u003c\/p\u003e\n\u003ch3\u003eCan I order the ATHENA PRIME 135mm T2.2 (E Mount) in Canada?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 135mm T2.2 (E Mount) is available to order from Filmgear Canada. Contact the team if you want a compatibility check for the camera, lens mount, battery system, charger, or production package before purchase.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 135mm T2.2 Full-Frame Lens (E Mount) is available to order from Filmgear Canada. Browse \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/nisi\"\u003eNiSi products\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/cine-lenses\"\u003ecine lenses\u003c\/a\u003e, or contact the Vancouver team for help matching the exact configuration to your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":49309624992003,"sku":"C01-01-E-135-01","price":1775.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/nisi-c01-01-e-135-01-1.jpg?v=1784740879"},{"product_id":"nisi-athena-prime-135mm-e-mount-no-drop-in-filter","title":"NiSi ATHENA PRIME 135mm T2.2 Full-Frame Lens (E Mount, No Drop-In Filter)","description":"\u003cp\u003eNiSi ATHENA PRIME 135mm T2.2 Full-Frame Lens (E Mount, No Drop-In Filter) is a nisi cine lens for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. The page identifies the exact mount, format, capacity, or package so buyers can match it to a real production system before ordering in Canada.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\n\u003cp\u003eWatch this official Nisi video for a closer look at the ATHENA PRIME family and its production workflow.\u003c\/p\u003e\n\u003cdiv style=\"position:relative;padding-bottom:56.25%;height:0;overflow:hidden;max-width:100%;\"\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/eOmq58Y2G4c\" title=\"NiSi ATHENA PRIME cine lens breathing demonstration\" loading=\"lazy\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;border:0;\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eATHENA PRIME is best evaluated as part of the complete camera, lens, or power workflow. Mount: E Mount Coverage: full frame, 46mm image circle Aperture: T2.2 to T22, 10 blades These details affect rig balance, working speed, compatibility, transport, and how consistently the product can be used across production days.\u003c\/p\u003e\n\u003cp\u003eThe 135mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this E-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eBefore a critical shoot, check the exact model, mount, dimensions, operating limits, and accessories against the equipment already in service. This avoids preventable fit and workflow problems on set.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: E Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T2.2 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 1.0 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: E Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T2.2 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 1.0 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003cli\u003eWeight: 1070 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eThe 135mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this E-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eThe relevant buying categories include full frame cine lens, cinema lenses, cine prime lens. The exact product configuration remains more important than a broad category label.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 135mm T2.2 Full-Frame Lens (E Mount, No Drop-In Filter) suits cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. It is especially useful when the named mount, focal length, battery interface, capacity, or package solves a repeatable need rather than a one-off workaround.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another lens when you need a different focal length, faster T-stop, sensor coverage, mount, close-focus distance, front diameter, flare character, or lighter rig. For GFX, test the intended recording mode before critical work; the 14mm ATHENA requires particular care around image area and vignetting.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003eSony E-mount camera systems; match sensor coverage and recording mode to the lens. Pair only with the matching mount, voltage, connector, diameter, charger, or lens family, and include the complete rig weight and cable path in the setup plan.\u003c\/p\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eWhat is the ATHENA PRIME 135mm T2.2 (E Mount, No Drop-In Filter) designed for?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 135mm T2.2 (E Mount, No Drop-In Filter) is designed for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. Mount: E Mount Match this exact configuration to the camera, lens, or power system before ordering.\u003c\/p\u003e\n\u003ch3\u003eWhat is compatible with the ATHENA PRIME 135mm T2.2 (E Mount, No Drop-In Filter)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 135mm T2.2 (E Mount, No Drop-In Filter) is intended for Sony E-mount camera systems; match sensor coverage and recording mode to the lens. The exact mount, voltage, connector, image area, and mechanical clearance should all match the working kit.\u003c\/p\u003e\n\u003ch3\u003eHow should I compare the ATHENA PRIME 135mm T2.2 (E Mount, No Drop-In Filter) with another option?\u003c\/h3\u003e\u003cp\u003eFor ATHENA PRIME 135mm T2.2 (E Mount, No Drop-In Filter), compare the exact mount, capacity or focal length, physical dimensions, workflow, and listed specifications with the adjacent option. This keeps the decision tied to real production requirements rather than model name alone.\u003c\/p\u003e\n\u003ch3\u003eWhat key specification should I check for the ATHENA PRIME 135mm T2.2 (E Mount, No Drop-In Filter)?\u003c\/h3\u003e\u003cp\u003eStart with this listed detail for ATHENA PRIME 135mm T2.2 (E Mount, No Drop-In Filter): Coverage: full frame, 46mm image circle Then check the remaining specifications, the equipment manual, and the full rig before a paid production day.\u003c\/p\u003e\n\u003ch3\u003eWhat comes with the ATHENA PRIME 135mm T2.2 (E Mount, No Drop-In Filter)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 135mm T2.2 (E Mount, No Drop-In Filter) is supplied as the exact product or set named in this listing. Package contents can vary by configuration, so use the complete model and set name when checking the delivery.\u003c\/p\u003e\n\u003ch3\u003eCan I order the ATHENA PRIME 135mm T2.2 (E Mount, No Drop-In Filter) in Canada?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 135mm T2.2 (E Mount, No Drop-In Filter) is available to order from Filmgear Canada. Contact the team if you want a compatibility check for the camera, lens mount, battery system, charger, or production package before purchase.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 135mm T2.2 Full-Frame Lens (E Mount, No Drop-In Filter) is available to order from Filmgear Canada. Browse \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/nisi\"\u003eNiSi products\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/cine-lenses\"\u003ecine lenses\u003c\/a\u003e, or contact the Vancouver team for help matching the exact configuration to your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":49309625155843,"sku":"C01-01-E-135-02","price":1775.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/nisi-c01-01-e-135-02-1.jpg?v=1784740879"},{"product_id":"nisi-athena-prime-14mm-gfx-mount","title":"NiSi ATHENA PRIME 14mm T2.4 Full-Frame Lens (GFX Mount)","description":"\u003cp\u003eNiSi ATHENA PRIME 14mm T2.4 Full-Frame Lens (GFX Mount) is a nisi cine lens for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. The page identifies the exact mount, format, capacity, or package so buyers can match it to a real production system before ordering in Canada.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\n\u003cp\u003eWatch this official Nisi video for a closer look at the ATHENA PRIME family and its production workflow.\u003c\/p\u003e\n\u003cdiv style=\"position:relative;padding-bottom:56.25%;height:0;overflow:hidden;max-width:100%;\"\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/S2NBGdoq4Zo\" title=\"NiSi ATHENA PRIME 14mm official lens video\" loading=\"lazy\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;border:0;\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eATHENA PRIME is best evaluated as part of the complete camera, lens, or power workflow. Mount: GFX Mount Coverage: full frame, 46mm image circle Aperture: T2.4 to T22, 10 blades These details affect rig balance, working speed, compatibility, transport, and how consistently the product can be used across production days.\u003c\/p\u003e\n\u003cp\u003eThe 14mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this GFX-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eBefore a critical shoot, check the exact model, mount, dimensions, operating limits, and accessories against the equipment already in service. This avoids preventable fit and workflow problems on set.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: GFX Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T2.4 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.25 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, no front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: GFX Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T2.4 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.25 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, no front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003cli\u003eWeight: 865 g\u003c\/li\u003e\n\u003cli\u003eLength: 119.3 mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eThe 14mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this GFX-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eThe relevant buying categories include full frame cine lens, cinema lenses, cine prime lens. The exact product configuration remains more important than a broad category label.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 14mm T2.4 Full-Frame Lens (GFX Mount) suits cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. It is especially useful when the named mount, focal length, battery interface, capacity, or package solves a repeatable need rather than a one-off workaround.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another lens when you need a different focal length, faster T-stop, sensor coverage, mount, close-focus distance, front diameter, flare character, or lighter rig. For GFX, test the intended recording mode before critical work; the 14mm ATHENA requires particular care around image area and vignetting.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003eFujifilm GFX camera systems; match the camera recording mode and image area to the chosen focal length. Pair only with the matching mount, voltage, connector, diameter, charger, or lens family, and include the complete rig weight and cable path in the setup plan.\u003c\/p\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eWhat is the ATHENA PRIME 14mm T2.4 (GFX Mount) designed for?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 14mm T2.4 (GFX Mount) is designed for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. Mount: GFX Mount Match this exact configuration to the camera, lens, or power system before ordering.\u003c\/p\u003e\n\u003ch3\u003eWhat is compatible with the ATHENA PRIME 14mm T2.4 (GFX Mount)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 14mm T2.4 (GFX Mount) is intended for Fujifilm GFX camera systems; match the camera recording mode and image area to the chosen focal length. The exact mount, voltage, connector, image area, and mechanical clearance should all match the working kit.\u003c\/p\u003e\n\u003ch3\u003eHow should I compare the ATHENA PRIME 14mm T2.4 (GFX Mount) with another option?\u003c\/h3\u003e\u003cp\u003eFor ATHENA PRIME 14mm T2.4 (GFX Mount), compare the exact mount, capacity or focal length, physical dimensions, workflow, and listed specifications with the adjacent option. This keeps the decision tied to real production requirements rather than model name alone.\u003c\/p\u003e\n\u003ch3\u003eWhat key specification should I check for the ATHENA PRIME 14mm T2.4 (GFX Mount)?\u003c\/h3\u003e\u003cp\u003eStart with this listed detail for ATHENA PRIME 14mm T2.4 (GFX Mount): Coverage: full frame, 46mm image circle Then check the remaining specifications, the equipment manual, and the full rig before a paid production day.\u003c\/p\u003e\n\u003ch3\u003eWhat comes with the ATHENA PRIME 14mm T2.4 (GFX Mount)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 14mm T2.4 (GFX Mount) is supplied as the exact product or set named in this listing. Package contents can vary by configuration, so use the complete model and set name when checking the delivery.\u003c\/p\u003e\n\u003ch3\u003eCan I order the ATHENA PRIME 14mm T2.4 (GFX Mount) in Canada?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 14mm T2.4 (GFX Mount) is available to order from Filmgear Canada. Contact the team if you want a compatibility check for the camera, lens mount, battery system, charger, or production package before purchase.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 14mm T2.4 Full-Frame Lens (GFX Mount) is available to order from Filmgear Canada. Browse \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/nisi\"\u003eNiSi products\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/cine-lenses\"\u003ecine lenses\u003c\/a\u003e, or contact the Vancouver team for help matching the exact configuration to your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":49309625516291,"sku":"C01-01-G-14-02","price":1887.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/nisi-c01-01-g-14-02-1.jpg?v=1784741328"},{"product_id":"nisi-athena-prime-18mm-gfx-mount","title":"NiSi ATHENA PRIME 18mm T2.2 Full-Frame Lens (GFX Mount)","description":"\u003cp\u003eNiSi ATHENA PRIME 18mm T2.2 Full-Frame Lens (GFX Mount) is a nisi cine lens for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. The page identifies the exact mount, format, capacity, or package so buyers can match it to a real production system before ordering in Canada.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\n\u003cp\u003eWatch this official Nisi video for a closer look at the ATHENA PRIME family and its production workflow.\u003c\/p\u003e\n\u003cdiv style=\"position:relative;padding-bottom:56.25%;height:0;overflow:hidden;max-width:100%;\"\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/eOmq58Y2G4c\" title=\"NiSi ATHENA PRIME cine lens breathing demonstration\" loading=\"lazy\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;border:0;\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eATHENA PRIME is best evaluated as part of the complete camera, lens, or power workflow. Mount: GFX Mount Coverage: full frame, 46mm image circle Aperture: T2.2 to T22, 10 blades These details affect rig balance, working speed, compatibility, transport, and how consistently the product can be used across production days.\u003c\/p\u003e\n\u003cp\u003eThe 18mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this GFX-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eBefore a critical shoot, check the exact model, mount, dimensions, operating limits, and accessories against the equipment already in service. This avoids preventable fit and workflow problems on set.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: GFX Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T2.2 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.25 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: GFX Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T2.2 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.25 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003cli\u003eWeight: 860 g\u003c\/li\u003e\n\u003cli\u003eLength: 81.3 mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eThe 18mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this GFX-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eThe relevant buying categories include full frame cine lens, cinema lenses, cine prime lens. The exact product configuration remains more important than a broad category label.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 18mm T2.2 Full-Frame Lens (GFX Mount) suits cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. It is especially useful when the named mount, focal length, battery interface, capacity, or package solves a repeatable need rather than a one-off workaround.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another lens when you need a different focal length, faster T-stop, sensor coverage, mount, close-focus distance, front diameter, flare character, or lighter rig. For GFX, test the intended recording mode before critical work; the 14mm ATHENA requires particular care around image area and vignetting.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003eFujifilm GFX camera systems; match the camera recording mode and image area to the chosen focal length. Pair only with the matching mount, voltage, connector, diameter, charger, or lens family, and include the complete rig weight and cable path in the setup plan.\u003c\/p\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eWhat is the ATHENA PRIME 18mm T2.2 (GFX Mount) designed for?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 18mm T2.2 (GFX Mount) is designed for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. Mount: GFX Mount Match this exact configuration to the camera, lens, or power system before ordering.\u003c\/p\u003e\n\u003ch3\u003eWhat is compatible with the ATHENA PRIME 18mm T2.2 (GFX Mount)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 18mm T2.2 (GFX Mount) is intended for Fujifilm GFX camera systems; match the camera recording mode and image area to the chosen focal length. The exact mount, voltage, connector, image area, and mechanical clearance should all match the working kit.\u003c\/p\u003e\n\u003ch3\u003eHow should I compare the ATHENA PRIME 18mm T2.2 (GFX Mount) with another option?\u003c\/h3\u003e\u003cp\u003eFor ATHENA PRIME 18mm T2.2 (GFX Mount), compare the exact mount, capacity or focal length, physical dimensions, workflow, and listed specifications with the adjacent option. This keeps the decision tied to real production requirements rather than model name alone.\u003c\/p\u003e\n\u003ch3\u003eWhat key specification should I check for the ATHENA PRIME 18mm T2.2 (GFX Mount)?\u003c\/h3\u003e\u003cp\u003eStart with this listed detail for ATHENA PRIME 18mm T2.2 (GFX Mount): Coverage: full frame, 46mm image circle Then check the remaining specifications, the equipment manual, and the full rig before a paid production day.\u003c\/p\u003e\n\u003ch3\u003eWhat comes with the ATHENA PRIME 18mm T2.2 (GFX Mount)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 18mm T2.2 (GFX Mount) is supplied as the exact product or set named in this listing. Package contents can vary by configuration, so use the complete model and set name when checking the delivery.\u003c\/p\u003e\n\u003ch3\u003eCan I order the ATHENA PRIME 18mm T2.2 (GFX Mount) in Canada?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 18mm T2.2 (GFX Mount) is available to order from Filmgear Canada. Contact the team if you want a compatibility check for the camera, lens mount, battery system, charger, or production package before purchase.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 18mm T2.2 Full-Frame Lens (GFX Mount) is available to order from Filmgear Canada. Browse \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/nisi\"\u003eNiSi products\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/cine-lenses\"\u003ecine lenses\u003c\/a\u003e, or contact the Vancouver team for help matching the exact configuration to your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":49309625614595,"sku":"C01-01-G-18-02","price":1775.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/nisi-c01-01-g-18-02-1.jpg?v=1784741328"},{"product_id":"nisi-athena-prime-25mm-gfx-mount","title":"NiSi ATHENA PRIME 25mm T1.9 Full-Frame Lens (GFX Mount)","description":"\u003cp\u003eNiSi ATHENA PRIME 25mm T1.9 Full-Frame Lens (GFX Mount) is a nisi cine lens for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. The page identifies the exact mount, format, capacity, or package so buyers can match it to a real production system before ordering in Canada.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\n\u003cp\u003eWatch this official Nisi video for a closer look at the ATHENA PRIME family and its production workflow.\u003c\/p\u003e\n\u003cdiv style=\"position:relative;padding-bottom:56.25%;height:0;overflow:hidden;max-width:100%;\"\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/eOmq58Y2G4c\" title=\"NiSi ATHENA PRIME cine lens breathing demonstration\" loading=\"lazy\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;border:0;\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eATHENA PRIME is best evaluated as part of the complete camera, lens, or power workflow. Mount: GFX Mount Coverage: full frame, 46mm image circle Aperture: T1.9 to T22, 10 blades These details affect rig balance, working speed, compatibility, transport, and how consistently the product can be used across production days.\u003c\/p\u003e\n\u003cp\u003eThe 25mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this GFX-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eBefore a critical shoot, check the exact model, mount, dimensions, operating limits, and accessories against the equipment already in service. This avoids preventable fit and workflow problems on set.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: GFX Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.3 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: GFX Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.3 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003cli\u003eWeight: 865 g\u003c\/li\u003e\n\u003cli\u003eLength: 81.3 mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eThe 25mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this GFX-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eThe relevant buying categories include full frame cine lens, cinema lenses, cine prime lens. The exact product configuration remains more important than a broad category label.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 25mm T1.9 Full-Frame Lens (GFX Mount) suits cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. It is especially useful when the named mount, focal length, battery interface, capacity, or package solves a repeatable need rather than a one-off workaround.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another lens when you need a different focal length, faster T-stop, sensor coverage, mount, close-focus distance, front diameter, flare character, or lighter rig. For GFX, test the intended recording mode before critical work; the 14mm ATHENA requires particular care around image area and vignetting.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003eFujifilm GFX camera systems; match the camera recording mode and image area to the chosen focal length. Pair only with the matching mount, voltage, connector, diameter, charger, or lens family, and include the complete rig weight and cable path in the setup plan.\u003c\/p\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eWhat is the ATHENA PRIME 25mm T1.9 (GFX Mount) designed for?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 25mm T1.9 (GFX Mount) is designed for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. Mount: GFX Mount Match this exact configuration to the camera, lens, or power system before ordering.\u003c\/p\u003e\n\u003ch3\u003eWhat is compatible with the ATHENA PRIME 25mm T1.9 (GFX Mount)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 25mm T1.9 (GFX Mount) is intended for Fujifilm GFX camera systems; match the camera recording mode and image area to the chosen focal length. The exact mount, voltage, connector, image area, and mechanical clearance should all match the working kit.\u003c\/p\u003e\n\u003ch3\u003eHow should I compare the ATHENA PRIME 25mm T1.9 (GFX Mount) with another option?\u003c\/h3\u003e\u003cp\u003eFor ATHENA PRIME 25mm T1.9 (GFX Mount), compare the exact mount, capacity or focal length, physical dimensions, workflow, and listed specifications with the adjacent option. This keeps the decision tied to real production requirements rather than model name alone.\u003c\/p\u003e\n\u003ch3\u003eWhat key specification should I check for the ATHENA PRIME 25mm T1.9 (GFX Mount)?\u003c\/h3\u003e\u003cp\u003eStart with this listed detail for ATHENA PRIME 25mm T1.9 (GFX Mount): Coverage: full frame, 46mm image circle Then check the remaining specifications, the equipment manual, and the full rig before a paid production day.\u003c\/p\u003e\n\u003ch3\u003eWhat comes with the ATHENA PRIME 25mm T1.9 (GFX Mount)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 25mm T1.9 (GFX Mount) is supplied as the exact product or set named in this listing. Package contents can vary by configuration, so use the complete model and set name when checking the delivery.\u003c\/p\u003e\n\u003ch3\u003eCan I order the ATHENA PRIME 25mm T1.9 (GFX Mount) in Canada?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 25mm T1.9 (GFX Mount) is available to order from Filmgear Canada. Contact the team if you want a compatibility check for the camera, lens mount, battery system, charger, or production package before purchase.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 25mm T1.9 Full-Frame Lens (GFX Mount) is available to order from Filmgear Canada. Browse \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/nisi\"\u003eNiSi products\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/cine-lenses\"\u003ecine lenses\u003c\/a\u003e, or contact the Vancouver team for help matching the exact configuration to your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":49309626040579,"sku":"C01-01-G-25-02","price":1677.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/nisi-c01-01-g-25-02-1.jpg?v=1784741329"},{"product_id":"nisi-athena-prime-35mm-gfx-mount","title":"NiSi ATHENA PRIME 35mm T1.9 Full-Frame Lens (GFX Mount)","description":"\u003cp\u003eNiSi ATHENA PRIME 35mm T1.9 Full-Frame Lens (GFX Mount) is a nisi cine lens for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. The page identifies the exact mount, format, capacity, or package so buyers can match it to a real production system before ordering in Canada.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\n\u003cp\u003eWatch this official Nisi video for a closer look at the ATHENA PRIME family and its production workflow.\u003c\/p\u003e\n\u003cdiv style=\"position:relative;padding-bottom:56.25%;height:0;overflow:hidden;max-width:100%;\"\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/eOmq58Y2G4c\" title=\"NiSi ATHENA PRIME cine lens breathing demonstration\" loading=\"lazy\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;border:0;\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eATHENA PRIME is best evaluated as part of the complete camera, lens, or power workflow. Mount: GFX Mount Coverage: full frame, 46mm image circle Aperture: T1.9 to T22, 10 blades These details affect rig balance, working speed, compatibility, transport, and how consistently the product can be used across production days.\u003c\/p\u003e\n\u003cp\u003eThe 35mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this GFX-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eBefore a critical shoot, check the exact model, mount, dimensions, operating limits, and accessories against the equipment already in service. This avoids preventable fit and workflow problems on set.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: GFX Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.3 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: GFX Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.3 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003cli\u003eWeight: 865 g\u003c\/li\u003e\n\u003cli\u003eLength: 81.3 mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eThe 35mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this GFX-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eThe relevant buying categories include full frame cine lens, cinema lenses, cine prime lens. The exact product configuration remains more important than a broad category label.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 35mm T1.9 Full-Frame Lens (GFX Mount) suits cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. It is especially useful when the named mount, focal length, battery interface, capacity, or package solves a repeatable need rather than a one-off workaround.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another lens when you need a different focal length, faster T-stop, sensor coverage, mount, close-focus distance, front diameter, flare character, or lighter rig. For GFX, test the intended recording mode before critical work; the 14mm ATHENA requires particular care around image area and vignetting.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003eFujifilm GFX camera systems; match the camera recording mode and image area to the chosen focal length. Pair only with the matching mount, voltage, connector, diameter, charger, or lens family, and include the complete rig weight and cable path in the setup plan.\u003c\/p\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eWhat is the ATHENA PRIME 35mm T1.9 (GFX Mount) designed for?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 35mm T1.9 (GFX Mount) is designed for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. Mount: GFX Mount Match this exact configuration to the camera, lens, or power system before ordering.\u003c\/p\u003e\n\u003ch3\u003eWhat is compatible with the ATHENA PRIME 35mm T1.9 (GFX Mount)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 35mm T1.9 (GFX Mount) is intended for Fujifilm GFX camera systems; match the camera recording mode and image area to the chosen focal length. The exact mount, voltage, connector, image area, and mechanical clearance should all match the working kit.\u003c\/p\u003e\n\u003ch3\u003eHow should I compare the ATHENA PRIME 35mm T1.9 (GFX Mount) with another option?\u003c\/h3\u003e\u003cp\u003eFor ATHENA PRIME 35mm T1.9 (GFX Mount), compare the exact mount, capacity or focal length, physical dimensions, workflow, and listed specifications with the adjacent option. This keeps the decision tied to real production requirements rather than model name alone.\u003c\/p\u003e\n\u003ch3\u003eWhat key specification should I check for the ATHENA PRIME 35mm T1.9 (GFX Mount)?\u003c\/h3\u003e\u003cp\u003eStart with this listed detail for ATHENA PRIME 35mm T1.9 (GFX Mount): Coverage: full frame, 46mm image circle Then check the remaining specifications, the equipment manual, and the full rig before a paid production day.\u003c\/p\u003e\n\u003ch3\u003eWhat comes with the ATHENA PRIME 35mm T1.9 (GFX Mount)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 35mm T1.9 (GFX Mount) is supplied as the exact product or set named in this listing. Package contents can vary by configuration, so use the complete model and set name when checking the delivery.\u003c\/p\u003e\n\u003ch3\u003eCan I order the ATHENA PRIME 35mm T1.9 (GFX Mount) in Canada?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 35mm T1.9 (GFX Mount) is available to order from Filmgear Canada. Contact the team if you want a compatibility check for the camera, lens mount, battery system, charger, or production package before purchase.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 35mm T1.9 Full-Frame Lens (GFX Mount) is available to order from Filmgear Canada. Browse \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/nisi\"\u003eNiSi products\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/cine-lenses\"\u003ecine lenses\u003c\/a\u003e, or contact the Vancouver team for help matching the exact configuration to your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":49309626138883,"sku":"C01-01-G-35-02","price":1677.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/nisi-c01-01-g-35-02-1.jpg?v=1784741328"},{"product_id":"nisi-athena-prime-40mm-gfx-mount","title":"NiSi ATHENA PRIME 40mm T1.9 Full-Frame Lens (GFX Mount)","description":"\u003cp\u003eNiSi ATHENA PRIME 40mm T1.9 Full-Frame Lens (GFX Mount) is a nisi cine lens for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. The page identifies the exact mount, format, capacity, or package so buyers can match it to a real production system before ordering in Canada.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\n\u003cp\u003eWatch this official Nisi video for a closer look at the ATHENA PRIME family and its production workflow.\u003c\/p\u003e\n\u003cdiv style=\"position:relative;padding-bottom:56.25%;height:0;overflow:hidden;max-width:100%;\"\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/eOmq58Y2G4c\" title=\"NiSi ATHENA PRIME cine lens breathing demonstration\" loading=\"lazy\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;border:0;\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eATHENA PRIME is best evaluated as part of the complete camera, lens, or power workflow. Mount: GFX Mount Coverage: full frame, 46mm image circle Aperture: T1.9 to T22, 10 blades These details affect rig balance, working speed, compatibility, transport, and how consistently the product can be used across production days.\u003c\/p\u003e\n\u003cp\u003eThe 40mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this GFX-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eBefore a critical shoot, check the exact model, mount, dimensions, operating limits, and accessories against the equipment already in service. This avoids preventable fit and workflow problems on set.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: GFX Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.4 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: GFX Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.4 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003cli\u003eWeight: 860 g\u003c\/li\u003e\n\u003cli\u003eLength: 81.3 mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eThe 40mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this GFX-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eThe relevant buying categories include full frame cine lens, cinema lenses, cine prime lens. The exact product configuration remains more important than a broad category label.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 40mm T1.9 Full-Frame Lens (GFX Mount) suits cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. It is especially useful when the named mount, focal length, battery interface, capacity, or package solves a repeatable need rather than a one-off workaround.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another lens when you need a different focal length, faster T-stop, sensor coverage, mount, close-focus distance, front diameter, flare character, or lighter rig. For GFX, test the intended recording mode before critical work; the 14mm ATHENA requires particular care around image area and vignetting.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003eFujifilm GFX camera systems; match the camera recording mode and image area to the chosen focal length. Pair only with the matching mount, voltage, connector, diameter, charger, or lens family, and include the complete rig weight and cable path in the setup plan.\u003c\/p\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eWhat is the ATHENA PRIME 40mm T1.9 (GFX Mount) designed for?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 40mm T1.9 (GFX Mount) is designed for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. Mount: GFX Mount Match this exact configuration to the camera, lens, or power system before ordering.\u003c\/p\u003e\n\u003ch3\u003eWhat is compatible with the ATHENA PRIME 40mm T1.9 (GFX Mount)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 40mm T1.9 (GFX Mount) is intended for Fujifilm GFX camera systems; match the camera recording mode and image area to the chosen focal length. The exact mount, voltage, connector, image area, and mechanical clearance should all match the working kit.\u003c\/p\u003e\n\u003ch3\u003eHow should I compare the ATHENA PRIME 40mm T1.9 (GFX Mount) with another option?\u003c\/h3\u003e\u003cp\u003eFor ATHENA PRIME 40mm T1.9 (GFX Mount), compare the exact mount, capacity or focal length, physical dimensions, workflow, and listed specifications with the adjacent option. This keeps the decision tied to real production requirements rather than model name alone.\u003c\/p\u003e\n\u003ch3\u003eWhat key specification should I check for the ATHENA PRIME 40mm T1.9 (GFX Mount)?\u003c\/h3\u003e\u003cp\u003eStart with this listed detail for ATHENA PRIME 40mm T1.9 (GFX Mount): Coverage: full frame, 46mm image circle Then check the remaining specifications, the equipment manual, and the full rig before a paid production day.\u003c\/p\u003e\n\u003ch3\u003eWhat comes with the ATHENA PRIME 40mm T1.9 (GFX Mount)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 40mm T1.9 (GFX Mount) is supplied as the exact product or set named in this listing. Package contents can vary by configuration, so use the complete model and set name when checking the delivery.\u003c\/p\u003e\n\u003ch3\u003eCan I order the ATHENA PRIME 40mm T1.9 (GFX Mount) in Canada?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 40mm T1.9 (GFX Mount) is available to order from Filmgear Canada. Contact the team if you want a compatibility check for the camera, lens mount, battery system, charger, or production package before purchase.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 40mm T1.9 Full-Frame Lens (GFX Mount) is available to order from Filmgear Canada. Browse \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/nisi\"\u003eNiSi products\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/cine-lenses\"\u003ecine lenses\u003c\/a\u003e, or contact the Vancouver team for help matching the exact configuration to your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":49309627613443,"sku":"C01-01-G-40-02","price":1775.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/nisi-c01-01-g-40-02-1.jpg?v=1784741328"},{"product_id":"nisi-athena-prime-50mm-gfx-mount","title":"NiSi ATHENA PRIME 50mm T1.9 Full-Frame Lens (GFX Mount)","description":"\u003cp\u003eNiSi ATHENA PRIME 50mm T1.9 Full-Frame Lens (GFX Mount) is a nisi cine lens for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. The page identifies the exact mount, format, capacity, or package so buyers can match it to a real production system before ordering in Canada.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\n\u003cp\u003eWatch this official Nisi video for a closer look at the ATHENA PRIME family and its production workflow.\u003c\/p\u003e\n\u003cdiv style=\"position:relative;padding-bottom:56.25%;height:0;overflow:hidden;max-width:100%;\"\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/eOmq58Y2G4c\" title=\"NiSi ATHENA PRIME cine lens breathing demonstration\" loading=\"lazy\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;border:0;\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eATHENA PRIME is best evaluated as part of the complete camera, lens, or power workflow. Mount: GFX Mount Coverage: full frame, 46mm image circle Aperture: T1.9 to T22, 10 blades These details affect rig balance, working speed, compatibility, transport, and how consistently the product can be used across production days.\u003c\/p\u003e\n\u003cp\u003eThe 50mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this GFX-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eBefore a critical shoot, check the exact model, mount, dimensions, operating limits, and accessories against the equipment already in service. This avoids preventable fit and workflow problems on set.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: GFX Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.5 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: GFX Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.5 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003cli\u003eWeight: 865 g\u003c\/li\u003e\n\u003cli\u003eLength: 81.3 mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eThe 50mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this GFX-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eThe relevant buying categories include full frame cine lens, cinema lenses, cine prime lens. The exact product configuration remains more important than a broad category label.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 50mm T1.9 Full-Frame Lens (GFX Mount) suits cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. It is especially useful when the named mount, focal length, battery interface, capacity, or package solves a repeatable need rather than a one-off workaround.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another lens when you need a different focal length, faster T-stop, sensor coverage, mount, close-focus distance, front diameter, flare character, or lighter rig. For GFX, test the intended recording mode before critical work; the 14mm ATHENA requires particular care around image area and vignetting.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003eFujifilm GFX camera systems; match the camera recording mode and image area to the chosen focal length. Pair only with the matching mount, voltage, connector, diameter, charger, or lens family, and include the complete rig weight and cable path in the setup plan.\u003c\/p\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eWhat is the ATHENA PRIME 50mm T1.9 (GFX Mount) designed for?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 50mm T1.9 (GFX Mount) is designed for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. Mount: GFX Mount Match this exact configuration to the camera, lens, or power system before ordering.\u003c\/p\u003e\n\u003ch3\u003eWhat is compatible with the ATHENA PRIME 50mm T1.9 (GFX Mount)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 50mm T1.9 (GFX Mount) is intended for Fujifilm GFX camera systems; match the camera recording mode and image area to the chosen focal length. The exact mount, voltage, connector, image area, and mechanical clearance should all match the working kit.\u003c\/p\u003e\n\u003ch3\u003eHow should I compare the ATHENA PRIME 50mm T1.9 (GFX Mount) with another option?\u003c\/h3\u003e\u003cp\u003eFor ATHENA PRIME 50mm T1.9 (GFX Mount), compare the exact mount, capacity or focal length, physical dimensions, workflow, and listed specifications with the adjacent option. This keeps the decision tied to real production requirements rather than model name alone.\u003c\/p\u003e\n\u003ch3\u003eWhat key specification should I check for the ATHENA PRIME 50mm T1.9 (GFX Mount)?\u003c\/h3\u003e\u003cp\u003eStart with this listed detail for ATHENA PRIME 50mm T1.9 (GFX Mount): Coverage: full frame, 46mm image circle Then check the remaining specifications, the equipment manual, and the full rig before a paid production day.\u003c\/p\u003e\n\u003ch3\u003eWhat comes with the ATHENA PRIME 50mm T1.9 (GFX Mount)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 50mm T1.9 (GFX Mount) is supplied as the exact product or set named in this listing. Package contents can vary by configuration, so use the complete model and set name when checking the delivery.\u003c\/p\u003e\n\u003ch3\u003eCan I order the ATHENA PRIME 50mm T1.9 (GFX Mount) in Canada?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 50mm T1.9 (GFX Mount) is available to order from Filmgear Canada. Contact the team if you want a compatibility check for the camera, lens mount, battery system, charger, or production package before purchase.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 50mm T1.9 Full-Frame Lens (GFX Mount) is available to order from Filmgear Canada. Browse \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/nisi\"\u003eNiSi products\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/cine-lenses\"\u003ecine lenses\u003c\/a\u003e, or contact the Vancouver team for help matching the exact configuration to your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":49309627744515,"sku":"C01-01-G-50-02","price":1677.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/nisi-c01-01-g-50-02-1.jpg?v=1784741328"},{"product_id":"nisi-athena-pl-dx-lens-adapter","title":"NiSi ATHENA PL-DJI DX Lens Mount Adapter","description":"\u003cp\u003eNiSi ATHENA PL-DJI DX Lens Mount Adapter is a nisi lens mount adapter for camera crews adapting, protecting, or maintaining the matching NiSi cine-lens system. The page identifies the exact mount, format, capacity, or package so buyers can match it to a real production system before ordering in Canada.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\n\u003cp\u003eWatch this official Nisi video for a closer look at the ATHENA PL-DJI DX Lens family and its production workflow.\u003c\/p\u003e\n\u003cdiv style=\"position:relative;padding-bottom:56.25%;height:0;overflow:hidden;max-width:100%;\"\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/WVhXPwGUKIo\" title=\"NiSi PL mount adapter official video\" loading=\"lazy\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;border:0;\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eATHENA PL-DJI DX Lens is best evaluated as part of the complete camera, lens, or power workflow. Lens side: ARRI PL. Camera side: the DJI Ronin 4D Construction: stainless steel mounts, flocked interior, weather-sealed camera end Mechanical only: no optics, no electronics These details affect rig balance, working speed, compatibility, transport, and how consistently the product can be used across production days.\u003c\/p\u003e\n\u003cp\u003eCompare this ATHENA PL-DJI DX Lens with other NiSi accessories by exact lens family, mount, diameter, mechanical clearance, and the job it performs. A close model name is not enough when the interface or lens generation differs.\u003c\/p\u003e\n\u003cp\u003eBefore a critical shoot, check the exact model, mount, dimensions, operating limits, and accessories against the equipment already in service. This avoids preventable fit and workflow problems on set.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLens side: ARRI PL. Camera side: the DJI Ronin 4D\u003c\/li\u003e\n\u003cli\u003eConstruction: stainless steel mounts, flocked interior, weather-sealed camera end\u003c\/li\u003e\n\u003cli\u003eMechanical only: no optics, no electronics\u003c\/li\u003e\n\u003cli\u003eSupports infinity focus\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLens side: ARRI PL. Camera side: the DJI Ronin 4D\u003c\/li\u003e\n\u003cli\u003eConstruction: stainless steel mounts, flocked interior, weather-sealed camera end\u003c\/li\u003e\n\u003cli\u003eMechanical only: no optics, no electronics\u003c\/li\u003e\n\u003cli\u003eSupports infinity focus\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eCompare this ATHENA PL-DJI DX Lens with other NiSi accessories by exact lens family, mount, diameter, mechanical clearance, and the job it performs. A close model name is not enough when the interface or lens generation differs.\u003c\/p\u003e\n\u003cp\u003eThe relevant buying categories include cine lens accessories, cinema lens kit, ATHENA PL-DJI DX Lens. The exact product configuration remains more important than a broad category label.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PL-DJI DX Lens Mount Adapter suits camera crews adapting, protecting, or maintaining the matching NiSi cine-lens system. It is especially useful when the named mount, focal length, battery interface, capacity, or package solves a repeatable need rather than a one-off workaround.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another accessory if the exact NiSi lens family, mount, diameter, generation, or mechanical interface does not match. Do not force an adapter, cap, ring, case, or tool onto a similar-looking component.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003eDJI DL-mount camera systems named by NiSi for the ATHENA adapter; use only with the listed ATHENA PL configuration. Pair only with the matching mount, voltage, connector, diameter, charger, or lens family, and include the complete rig weight and cable path in the setup plan.\u003c\/p\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eWhat is the ATHENA PL-DJI DX Lens Mount Adapter designed for?\u003c\/h3\u003e\u003cp\u003eATHENA PL-DJI DX Lens Mount Adapter is designed for camera crews adapting, protecting, or maintaining the matching NiSi cine-lens system. Lens side: ARRI PL. Camera side: the DJI Ronin 4D Match this exact configuration to the camera, lens, or power system before ordering.\u003c\/p\u003e\n\u003ch3\u003eWhat is compatible with the ATHENA PL-DJI DX Lens Mount Adapter?\u003c\/h3\u003e\u003cp\u003eATHENA PL-DJI DX Lens Mount Adapter is intended for DJI DL-mount camera systems named by NiSi for the ATHENA adapter; use only with the listed ATHENA PL configuration. The exact mount, voltage, connector, image area, and mechanical clearance should all match the working kit.\u003c\/p\u003e\n\u003ch3\u003eHow should I compare the ATHENA PL-DJI DX Lens Mount Adapter with another option?\u003c\/h3\u003e\u003cp\u003eFor ATHENA PL-DJI DX Lens Mount Adapter, compare the exact mount, capacity or focal length, physical dimensions, workflow, and listed specifications with the adjacent option. This keeps the decision tied to real production requirements rather than model name alone.\u003c\/p\u003e\n\u003ch3\u003eWhat key specification should I check for the ATHENA PL-DJI DX Lens Mount Adapter?\u003c\/h3\u003e\u003cp\u003eStart with this listed detail for ATHENA PL-DJI DX Lens Mount Adapter: Construction: stainless steel mounts, flocked interior, weather-sealed camera end Then check the remaining specifications, the equipment manual, and the full rig before a paid production day.\u003c\/p\u003e\n\u003ch3\u003eWhat comes with the ATHENA PL-DJI DX Lens Mount Adapter?\u003c\/h3\u003e\u003cp\u003eATHENA PL-DJI DX Lens Mount Adapter is supplied as the exact product or set named in this listing. Package contents can vary by configuration, so use the complete model and set name when checking the delivery.\u003c\/p\u003e\n\u003ch3\u003eCan I order the ATHENA PL-DJI DX Lens Mount Adapter in Canada?\u003c\/h3\u003e\u003cp\u003eATHENA PL-DJI DX Lens Mount Adapter is available to order from Filmgear Canada. Contact the team if you want a compatibility check for the camera, lens mount, battery system, charger, or production package before purchase.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PL-DJI DX Lens Mount Adapter is available to order from Filmgear Canada. Browse \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/nisi\"\u003eNiSi products\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/cine-lenses\"\u003ecine lenses\u003c\/a\u003e, or contact the Vancouver team for help matching the exact configuration to your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":49309628006659,"sku":"C01-02-PL-DX","price":307.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/nisi-c01-02-pl-dx-1.jpg?v=1784741366"},{"product_id":"nisi-athena-prime-85mm-gfx-mount","title":"NiSi ATHENA PRIME 85mm T1.9 Full-Frame Lens (GFX Mount)","description":"\u003cp\u003eNiSi ATHENA PRIME 85mm T1.9 Full-Frame Lens (GFX Mount) is a nisi cine lens for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. The page identifies the exact mount, format, capacity, or package so buyers can match it to a real production system before ordering in Canada.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\n\u003cp\u003eWatch this official Nisi video for a closer look at the ATHENA PRIME family and its production workflow.\u003c\/p\u003e\n\u003cdiv style=\"position:relative;padding-bottom:56.25%;height:0;overflow:hidden;max-width:100%;\"\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/eOmq58Y2G4c\" title=\"NiSi ATHENA PRIME cine lens breathing demonstration\" loading=\"lazy\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;border:0;\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eATHENA PRIME is best evaluated as part of the complete camera, lens, or power workflow. Mount: GFX Mount Coverage: full frame, 46mm image circle Aperture: T1.9 to T22, 10 blades These details affect rig balance, working speed, compatibility, transport, and how consistently the product can be used across production days.\u003c\/p\u003e\n\u003cp\u003eThe 85mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this GFX-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eBefore a critical shoot, check the exact model, mount, dimensions, operating limits, and accessories against the equipment already in service. This avoids preventable fit and workflow problems on set.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: GFX Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.8 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: GFX Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.8 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003cli\u003eWeight: 865 g\u003c\/li\u003e\n\u003cli\u003eLength: 81.3 mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eThe 85mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this GFX-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eThe relevant buying categories include full frame cine lens, cinema lenses, cine prime lens. The exact product configuration remains more important than a broad category label.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 85mm T1.9 Full-Frame Lens (GFX Mount) suits cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. It is especially useful when the named mount, focal length, battery interface, capacity, or package solves a repeatable need rather than a one-off workaround.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another lens when you need a different focal length, faster T-stop, sensor coverage, mount, close-focus distance, front diameter, flare character, or lighter rig. For GFX, test the intended recording mode before critical work; the 14mm ATHENA requires particular care around image area and vignetting.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003eFujifilm GFX camera systems; match the camera recording mode and image area to the chosen focal length. Pair only with the matching mount, voltage, connector, diameter, charger, or lens family, and include the complete rig weight and cable path in the setup plan.\u003c\/p\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eWhat is the ATHENA PRIME 85mm T1.9 (GFX Mount) designed for?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 85mm T1.9 (GFX Mount) is designed for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. Mount: GFX Mount Match this exact configuration to the camera, lens, or power system before ordering.\u003c\/p\u003e\n\u003ch3\u003eWhat is compatible with the ATHENA PRIME 85mm T1.9 (GFX Mount)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 85mm T1.9 (GFX Mount) is intended for Fujifilm GFX camera systems; match the camera recording mode and image area to the chosen focal length. The exact mount, voltage, connector, image area, and mechanical clearance should all match the working kit.\u003c\/p\u003e\n\u003ch3\u003eHow should I compare the ATHENA PRIME 85mm T1.9 (GFX Mount) with another option?\u003c\/h3\u003e\u003cp\u003eFor ATHENA PRIME 85mm T1.9 (GFX Mount), compare the exact mount, capacity or focal length, physical dimensions, workflow, and listed specifications with the adjacent option. This keeps the decision tied to real production requirements rather than model name alone.\u003c\/p\u003e\n\u003ch3\u003eWhat key specification should I check for the ATHENA PRIME 85mm T1.9 (GFX Mount)?\u003c\/h3\u003e\u003cp\u003eStart with this listed detail for ATHENA PRIME 85mm T1.9 (GFX Mount): Coverage: full frame, 46mm image circle Then check the remaining specifications, the equipment manual, and the full rig before a paid production day.\u003c\/p\u003e\n\u003ch3\u003eWhat comes with the ATHENA PRIME 85mm T1.9 (GFX Mount)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 85mm T1.9 (GFX Mount) is supplied as the exact product or set named in this listing. Package contents can vary by configuration, so use the complete model and set name when checking the delivery.\u003c\/p\u003e\n\u003ch3\u003eCan I order the ATHENA PRIME 85mm T1.9 (GFX Mount) in Canada?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 85mm T1.9 (GFX Mount) is available to order from Filmgear Canada. Contact the team if you want a compatibility check for the camera, lens mount, battery system, charger, or production package before purchase.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 85mm T1.9 Full-Frame Lens (GFX Mount) is available to order from Filmgear Canada. Browse \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/nisi\"\u003eNiSi products\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/cine-lenses\"\u003ecine lenses\u003c\/a\u003e, or contact the Vancouver team for help matching the exact configuration to your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":49309628039427,"sku":"C01-01-G-85-02","price":1677.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/nisi-c01-01-g-85-02-1.jpg?v=1784741552"},{"product_id":"nisi-athena-pl-e-lens-adapter","title":"NiSi ATHENA PL-E Lens Mount Adapter","description":"\u003cp\u003eNiSi ATHENA PL-E Lens Mount Adapter is a nisi lens mount adapter for camera crews adapting, protecting, or maintaining the matching NiSi cine-lens system. The page identifies the exact mount, format, capacity, or package so buyers can match it to a real production system before ordering in Canada.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\n\u003cp\u003eWatch this official Nisi video for a closer look at the ATHENA PL-E Lens Mount family and its production workflow.\u003c\/p\u003e\n\u003cdiv style=\"position:relative;padding-bottom:56.25%;height:0;overflow:hidden;max-width:100%;\"\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/WVhXPwGUKIo\" title=\"NiSi PL mount adapter official video\" loading=\"lazy\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;border:0;\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eATHENA PL-E Lens Mount is best evaluated as part of the complete camera, lens, or power workflow. Lens side: ARRI PL. Camera side: Sony E-mount bodies Construction: stainless steel mounts, flocked interior, weather-sealed camera end Mechanical only: no optics, no electronics These details affect rig balance, working speed, compatibility, transport, and how consistently the product can be used across production days.\u003c\/p\u003e\n\u003cp\u003eCompare this ATHENA PL-E Lens Mount with other NiSi accessories by exact lens family, mount, diameter, mechanical clearance, and the job it performs. A close model name is not enough when the interface or lens generation differs.\u003c\/p\u003e\n\u003cp\u003eBefore a critical shoot, check the exact model, mount, dimensions, operating limits, and accessories against the equipment already in service. This avoids preventable fit and workflow problems on set.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLens side: ARRI PL. Camera side: Sony E-mount bodies\u003c\/li\u003e\n\u003cli\u003eConstruction: stainless steel mounts, flocked interior, weather-sealed camera end\u003c\/li\u003e\n\u003cli\u003eMechanical only: no optics, no electronics\u003c\/li\u003e\n\u003cli\u003eSupports infinity focus\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLens side: ARRI PL. Camera side: Sony E-mount bodies\u003c\/li\u003e\n\u003cli\u003eConstruction: stainless steel mounts, flocked interior, weather-sealed camera end\u003c\/li\u003e\n\u003cli\u003eMechanical only: no optics, no electronics\u003c\/li\u003e\n\u003cli\u003eSupports infinity focus\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eCompare this ATHENA PL-E Lens Mount with other NiSi accessories by exact lens family, mount, diameter, mechanical clearance, and the job it performs. A close model name is not enough when the interface or lens generation differs.\u003c\/p\u003e\n\u003cp\u003eThe relevant buying categories include cine lens accessories, cinema lens kit, ATHENA PL-E Lens Mount. The exact product configuration remains more important than a broad category label.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PL-E Lens Mount Adapter suits camera crews adapting, protecting, or maintaining the matching NiSi cine-lens system. It is especially useful when the named mount, focal length, battery interface, capacity, or package solves a repeatable need rather than a one-off workaround.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another accessory if the exact NiSi lens family, mount, diameter, generation, or mechanical interface does not match. Do not force an adapter, cap, ring, case, or tool onto a similar-looking component.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003eSony E-mount camera bodies and NiSi ATHENA PL lenses; check mechanical clearance before use. Pair only with the matching mount, voltage, connector, diameter, charger, or lens family, and include the complete rig weight and cable path in the setup plan.\u003c\/p\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eWhat is the ATHENA PL-E Lens Mount Adapter designed for?\u003c\/h3\u003e\u003cp\u003eATHENA PL-E Lens Mount Adapter is designed for camera crews adapting, protecting, or maintaining the matching NiSi cine-lens system. Lens side: ARRI PL. Camera side: Sony E-mount bodies Match this exact configuration to the camera, lens, or power system before ordering.\u003c\/p\u003e\n\u003ch3\u003eWhat is compatible with the ATHENA PL-E Lens Mount Adapter?\u003c\/h3\u003e\u003cp\u003eATHENA PL-E Lens Mount Adapter is intended for Sony E-mount camera bodies and NiSi ATHENA PL lenses; check mechanical clearance before use. The exact mount, voltage, connector, image area, and mechanical clearance should all match the working kit.\u003c\/p\u003e\n\u003ch3\u003eHow should I compare the ATHENA PL-E Lens Mount Adapter with another option?\u003c\/h3\u003e\u003cp\u003eFor ATHENA PL-E Lens Mount Adapter, compare the exact mount, capacity or focal length, physical dimensions, workflow, and listed specifications with the adjacent option. This keeps the decision tied to real production requirements rather than model name alone.\u003c\/p\u003e\n\u003ch3\u003eWhat key specification should I check for the ATHENA PL-E Lens Mount Adapter?\u003c\/h3\u003e\u003cp\u003eStart with this listed detail for ATHENA PL-E Lens Mount Adapter: Construction: stainless steel mounts, flocked interior, weather-sealed camera end Then check the remaining specifications, the equipment manual, and the full rig before a paid production day.\u003c\/p\u003e\n\u003ch3\u003eWhat comes with the ATHENA PL-E Lens Mount Adapter?\u003c\/h3\u003e\u003cp\u003eATHENA PL-E Lens Mount Adapter is supplied as the exact product or set named in this listing. Package contents can vary by configuration, so use the complete model and set name when checking the delivery.\u003c\/p\u003e\n\u003ch3\u003eCan I order the ATHENA PL-E Lens Mount Adapter in Canada?\u003c\/h3\u003e\u003cp\u003eATHENA PL-E Lens Mount Adapter is available to order from Filmgear Canada. Contact the team if you want a compatibility check for the camera, lens mount, battery system, charger, or production package before purchase.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PL-E Lens Mount Adapter is available to order from Filmgear Canada. Browse \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/nisi\"\u003eNiSi products\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/cine-lenses\"\u003ecine lenses\u003c\/a\u003e, or contact the Vancouver team for help matching the exact configuration to your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":49309628104963,"sku":"C01-02-PLE","price":279.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/nisi-c01-02-ple-1.jpg?v=1784741366"},{"product_id":"nisi-athena-prime-135mm-gfx-mount","title":"NiSi ATHENA PRIME 135mm T2.2 Full-Frame Lens (GFX Mount)","description":"\u003cp\u003eNiSi ATHENA PRIME 135mm T2.2 Full-Frame Lens (GFX Mount) is a nisi cine lens for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. The page identifies the exact mount, format, capacity, or package so buyers can match it to a real production system before ordering in Canada.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\n\u003cp\u003eWatch this official Nisi video for a closer look at the ATHENA PRIME family and its production workflow.\u003c\/p\u003e\n\u003cdiv style=\"position:relative;padding-bottom:56.25%;height:0;overflow:hidden;max-width:100%;\"\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/eOmq58Y2G4c\" title=\"NiSi ATHENA PRIME cine lens breathing demonstration\" loading=\"lazy\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;border:0;\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eATHENA PRIME is best evaluated as part of the complete camera, lens, or power workflow. Mount: GFX Mount Coverage: full frame, 46mm image circle Aperture: T2.2 to T22, 10 blades These details affect rig balance, working speed, compatibility, transport, and how consistently the product can be used across production days.\u003c\/p\u003e\n\u003cp\u003eThe 135mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this GFX-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eBefore a critical shoot, check the exact model, mount, dimensions, operating limits, and accessories against the equipment already in service. This avoids preventable fit and workflow problems on set.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: GFX Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T2.2 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 1.0 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMount: GFX Mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame, 46mm image circle\u003c\/li\u003e\n\u003cli\u003eAperture: T2.2 to T22, 10 blades\u003c\/li\u003e\n\u003cli\u003eClose focus: 1.0 m\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm, 77mm front filter thread\u003c\/li\u003e\n\u003cli\u003eFocus: 300-degree rotation, 0.8 MOD \/ 32 pitch gear\u003c\/li\u003e\n\u003cli\u003eWeight: 1040 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eThe 135mm focal length should be compared with adjacent focal lengths by field of view, working distance, close focus, speed, and distortion. Compare this GFX-mount option with the same optical family in another mount only when the camera package may change. Native-mount versions simplify the rig; PL versions suit cinema bodies and adapter-based rental workflows.\u003c\/p\u003e\n\u003cp\u003eThe relevant buying categories include full frame cine lens, cinema lenses, cine prime lens. The exact product configuration remains more important than a broad category label.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 135mm T2.2 Full-Frame Lens (GFX Mount) suits cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. It is especially useful when the named mount, focal length, battery interface, capacity, or package solves a repeatable need rather than a one-off workaround.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another lens when you need a different focal length, faster T-stop, sensor coverage, mount, close-focus distance, front diameter, flare character, or lighter rig. For GFX, test the intended recording mode before critical work; the 14mm ATHENA requires particular care around image area and vignetting.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003eFujifilm GFX camera systems; match the camera recording mode and image area to the chosen focal length. Pair only with the matching mount, voltage, connector, diameter, charger, or lens family, and include the complete rig weight and cable path in the setup plan.\u003c\/p\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eWhat is the ATHENA PRIME 135mm T2.2 (GFX Mount) designed for?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 135mm T2.2 (GFX Mount) is designed for cinematographers who need a repeatable cine-prime workflow for narrative, commercial, documentary, and owner-operator production. Mount: GFX Mount Match this exact configuration to the camera, lens, or power system before ordering.\u003c\/p\u003e\n\u003ch3\u003eWhat is compatible with the ATHENA PRIME 135mm T2.2 (GFX Mount)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 135mm T2.2 (GFX Mount) is intended for Fujifilm GFX camera systems; match the camera recording mode and image area to the chosen focal length. The exact mount, voltage, connector, image area, and mechanical clearance should all match the working kit.\u003c\/p\u003e\n\u003ch3\u003eHow should I compare the ATHENA PRIME 135mm T2.2 (GFX Mount) with another option?\u003c\/h3\u003e\u003cp\u003eFor ATHENA PRIME 135mm T2.2 (GFX Mount), compare the exact mount, capacity or focal length, physical dimensions, workflow, and listed specifications with the adjacent option. This keeps the decision tied to real production requirements rather than model name alone.\u003c\/p\u003e\n\u003ch3\u003eWhat key specification should I check for the ATHENA PRIME 135mm T2.2 (GFX Mount)?\u003c\/h3\u003e\u003cp\u003eStart with this listed detail for ATHENA PRIME 135mm T2.2 (GFX Mount): Coverage: full frame, 46mm image circle Then check the remaining specifications, the equipment manual, and the full rig before a paid production day.\u003c\/p\u003e\n\u003ch3\u003eWhat comes with the ATHENA PRIME 135mm T2.2 (GFX Mount)?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 135mm T2.2 (GFX Mount) is supplied as the exact product or set named in this listing. Package contents can vary by configuration, so use the complete model and set name when checking the delivery.\u003c\/p\u003e\n\u003ch3\u003eCan I order the ATHENA PRIME 135mm T2.2 (GFX Mount) in Canada?\u003c\/h3\u003e\u003cp\u003eATHENA PRIME 135mm T2.2 (GFX Mount) is available to order from Filmgear Canada. Contact the team if you want a compatibility check for the camera, lens mount, battery system, charger, or production package before purchase.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PRIME 135mm T2.2 Full-Frame Lens (GFX Mount) is available to order from Filmgear Canada. Browse \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/nisi\"\u003eNiSi products\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/cine-lenses\"\u003ecine lenses\u003c\/a\u003e, or contact the Vancouver team for help matching the exact configuration to your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":49309628137731,"sku":"C01-01-G-135-02","price":1775.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/nisi-c01-01-g-135-02-1.jpg?v=1784741329"},{"product_id":"nisi-athena-pl-gfx-lens-adapter","title":"NiSi ATHENA PL-GFX Lens Mount Adapter","description":"\u003cp\u003eNiSi ATHENA PL-GFX Lens Mount Adapter is a nisi lens mount adapter for camera crews adapting, protecting, or maintaining the matching NiSi cine-lens system. The page identifies the exact mount, format, capacity, or package so buyers can match it to a real production system before ordering in Canada.\u003c\/p\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\n\u003cp\u003eWatch this official Nisi video for a closer look at the ATHENA PL-GFX Lens Mount family and its production workflow.\u003c\/p\u003e\n\u003cdiv style=\"position:relative;padding-bottom:56.25%;height:0;overflow:hidden;max-width:100%;\"\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/WVhXPwGUKIo\" title=\"NiSi PL mount adapter official video\" loading=\"lazy\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;border:0;\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eATHENA PL-GFX Lens Mount is best evaluated as part of the complete camera, lens, or power workflow. Lens side: ARRI PL. Camera side: Fujifilm GFX medium-format bodies, including the GFX100 II and GFX ETERNA 55 Construction: stainless steel mounts, flocked interior, weather-sealed camera end Mechanical only: no optics, no electronics These details affect rig balance, working speed, compatibility, transport, and how consistently the product can be used across production days.\u003c\/p\u003e\n\u003cp\u003eCompare this ATHENA PL-GFX Lens Mount with other NiSi accessories by exact lens family, mount, diameter, mechanical clearance, and the job it performs. A close model name is not enough when the interface or lens generation differs.\u003c\/p\u003e\n\u003cp\u003eBefore a critical shoot, check the exact model, mount, dimensions, operating limits, and accessories against the equipment already in service. This avoids preventable fit and workflow problems on set.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLens side: ARRI PL. Camera side: Fujifilm GFX medium-format bodies, including the GFX100 II and GFX ETERNA 55\u003c\/li\u003e\n\u003cli\u003eConstruction: stainless steel mounts, flocked interior, weather-sealed camera end\u003c\/li\u003e\n\u003cli\u003eMechanical only: no optics, no electronics\u003c\/li\u003e\n\u003cli\u003eSupports infinity focus\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLens side: ARRI PL. Camera side: Fujifilm GFX medium-format bodies, including the GFX100 II and GFX ETERNA 55\u003c\/li\u003e\n\u003cli\u003eConstruction: stainless steel mounts, flocked interior, weather-sealed camera end\u003c\/li\u003e\n\u003cli\u003eMechanical only: no optics, no electronics\u003c\/li\u003e\n\u003cli\u003eSupports infinity focus\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eCompare this ATHENA PL-GFX Lens Mount with other NiSi accessories by exact lens family, mount, diameter, mechanical clearance, and the job it performs. A close model name is not enough when the interface or lens generation differs.\u003c\/p\u003e\n\u003cp\u003eThe relevant buying categories include cine lens accessories, cinema lens kit, ATHENA PL-GFX Lens Mount. The exact product configuration remains more important than a broad category label.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PL-GFX Lens Mount Adapter suits camera crews adapting, protecting, or maintaining the matching NiSi cine-lens system. It is especially useful when the named mount, focal length, battery interface, capacity, or package solves a repeatable need rather than a one-off workaround.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another accessory if the exact NiSi lens family, mount, diameter, generation, or mechanical interface does not match. Do not force an adapter, cap, ring, case, or tool onto a similar-looking component.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003eFujifilm GFX camera bodies and NiSi ATHENA PL lenses; check recording mode and mechanical clearance. Pair only with the matching mount, voltage, connector, diameter, charger, or lens family, and include the complete rig weight and cable path in the setup plan.\u003c\/p\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eWhat is the ATHENA PL-GFX Lens Mount Adapter designed for?\u003c\/h3\u003e\u003cp\u003eATHENA PL-GFX Lens Mount Adapter is designed for camera crews adapting, protecting, or maintaining the matching NiSi cine-lens system. Lens side: ARRI PL. Camera side: Fujifilm GFX medium-format bodies, including the GFX100 II and GFX ETERNA 55 Match this exact configuration to the camera, lens, or power system before ordering.\u003c\/p\u003e\n\u003ch3\u003eWhat is compatible with the ATHENA PL-GFX Lens Mount Adapter?\u003c\/h3\u003e\u003cp\u003eATHENA PL-GFX Lens Mount Adapter is intended for Fujifilm GFX camera bodies and NiSi ATHENA PL lenses; check recording mode and mechanical clearance. The exact mount, voltage, connector, image area, and mechanical clearance should all match the working kit.\u003c\/p\u003e\n\u003ch3\u003eHow should I compare the ATHENA PL-GFX Lens Mount Adapter with another option?\u003c\/h3\u003e\u003cp\u003eFor ATHENA PL-GFX Lens Mount Adapter, compare the exact mount, capacity or focal length, physical dimensions, workflow, and listed specifications with the adjacent option. This keeps the decision tied to real production requirements rather than model name alone.\u003c\/p\u003e\n\u003ch3\u003eWhat key specification should I check for the ATHENA PL-GFX Lens Mount Adapter?\u003c\/h3\u003e\u003cp\u003eStart with this listed detail for ATHENA PL-GFX Lens Mount Adapter: Construction: stainless steel mounts, flocked interior, weather-sealed camera end Then check the remaining specifications, the equipment manual, and the full rig before a paid production day.\u003c\/p\u003e\n\u003ch3\u003eWhat comes with the ATHENA PL-GFX Lens Mount Adapter?\u003c\/h3\u003e\u003cp\u003eATHENA PL-GFX Lens Mount Adapter is supplied as the exact product or set named in this listing. Package contents can vary by configuration, so use the complete model and set name when checking the delivery.\u003c\/p\u003e\n\u003ch3\u003eCan I order the ATHENA PL-GFX Lens Mount Adapter in Canada?\u003c\/h3\u003e\u003cp\u003eATHENA PL-GFX Lens Mount Adapter is available to order from Filmgear Canada. Contact the team if you want a compatibility check for the camera, lens mount, battery system, charger, or production package before purchase.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA PL-GFX Lens Mount Adapter is available to order from Filmgear Canada. Browse \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/nisi\"\u003eNiSi products\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/collections\/cine-lenses\"\u003ecine lenses\u003c\/a\u003e, or contact the Vancouver team for help matching the exact configuration to your kit.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":49309628170499,"sku":"C01-02-PLGFX","price":349.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/nisi-c01-02-plgfx-1.jpg?v=1784741365"}],"url":"https:\/\/filmgearcanada.com\/collections\/nisi.oembed?page=9","provider":"Filmgear Canada","version":"1.0","type":"link"}