{"title":"Prime Lenses","description":"\u003cp\u003e\u003cstrong\u003eDZOFILM, SIRUI, Laowa, Thypoch, Tokina cinema prime lenses\u003c\/strong\u003e — cinema prime lenses in stock in Vancouver. No duty, free Canadian shipping over $199.\u003c\/p\u003e\n\u003cdetails\u003e\n\u003csummary\u003eAbout Prime Lenses \u0026amp; buying guide\u003c\/summary\u003e\n\u003cp\u003eA cinema prime lens is an essential tool for filmmakers and content creators looking to achieve professional-grade visuals with stunning sharpness, precise focus control, and a cinematic aesthetic. These lenses are designed to deliver consistent aperture, smooth manual focus, and superior image quality, making them perfect for feature films, YouTube content, indie projects, and commercials. Whether you’re a filmmaker capturing dramatic scenes or a content creator producing high-quality videos, a cinema prime lens offers the clarity and depth needed for compelling storytelling. Explore top cinema prime lenses to elevate your craft and create visually stunning content.\u003c\/p\u003e\n\u003c\/details\u003e","products":[{"product_id":"dzofilm-full-frame-vespid-cine-prime-25mm-t2-1-lens-pl-mount","title":"DZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens (PL\/EF)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 25mm cine lens provides 25mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens uses a 25mm focal length and T2.1 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e25mm T2.1 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 25mm field of view and T2.1 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 25mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 25mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40784380428468,"sku":"DZO-V02521PL","price":1109.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1604004490_1601842_191d836b-3899-4210-9bd5-221f8038f300.jpg?v=1633762864"},{"product_id":"dzofilm-vespid-cine-prime-35mm-pl","title":"DZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens (PL\/EF)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 35mm cine lens provides 35mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens uses a 35mm focal length and T2.1 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e35mm T2.1 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 35mm field of view and T2.1 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 35mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-50mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 35mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40784458940596,"sku":"DZO-V03521PL","price":1109.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1604004490_1601843.jpg?v=1633763242"},{"product_id":"dzofilm-vespid-cine-prime-50mm-pl","title":"DZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens (PL\/EF)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 50mm cine lens provides 50mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens uses a 50mm focal length and T2.1 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e50mm T2.1 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 50mm field of view and T2.1 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 50mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 50mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40784504914100,"sku":"DZO-V05021PL","price":1109.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1604004490_1601844.jpg?v=1633764091"},{"product_id":"dzofilm-vespid-cine-prime-75mm-pl","title":"DZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens (PL\/EF)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 75mm cine lens provides 75mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens uses a 75mm focal length and T2.1 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e75mm T2.1 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 75mm field of view and T2.1 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 75mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 75mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40784549544116,"sku":"DZO-V07521PL","price":1109.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1604004490_1601845.jpg?v=1633764873"},{"product_id":"dzofilm-vespid-cine-prime-35mm-pl-macro","title":"DZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens (PL\/EF)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens is a 90mm T2.8 full-frame macro cinema prime with interchangeable PL and EF mounting, built for cinematographers who need repeatable manual lens control and the named 90mm field of view.\u003c\/strong\u003e Its close-focus operation and matched Vespid focus and iris gear placement for inserts, tabletop, product, beauty, and narrative detail work supports narrative, commercial, documentary, tabletop, studio, and rental work according to the lens family's optical role. Buyers comparing this cinema lens should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens sits in the DZOFILM Vespid family. DZOFILM identifies it as a 90mm T2.8 full-frame macro cinema prime with interchangeable PL and EF mounting. Key operating details include close-focus operation and matched Vespid focus and iris gear placement for inserts, tabletop, product, beauty, and narrative detail work. Before production, check sensor recording area, installed mount, rear clearance, flange setup, rods and lens support, matte box or filter fit, 0.8 MOD motor position, focus scale, working distance, and whether the selected focal range suits the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e90mm Cinema Optics\u003c\/h3\u003e\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens provides the named 90mm view with its 90mm T2.8 full-frame macro cinema prime.\u003c\/p\u003e\n\u003ch3\u003eMount and Sensor Planning\u003c\/h3\u003e\u003cp\u003eThe lens uses interchangeable PL and EF mounting; match the camera recording area, installed interface, rear clearance, flange distance, and support before the shoot.\u003c\/p\u003e\n\u003ch3\u003eManual Crew Operation\u003c\/h3\u003e\u003cp\u003eclose-focus operation and matched Vespid focus and iris gear placement for inserts, tabletop, product, beauty, and narrative detail work, supporting repeatable focus, zoom, iris, matte-box, and motor setup.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 90mm range when its framing coverage fits the production. Choose the adjacent family range for wider or longer reach, primes for faster single-focal-length operation, or another sensor and mount family when this coverage or interface does not fit.\u003c\/p\u003e\n\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, camera assistants, rental houses, studios, film schools, production companies, and owner-operators building a manual full-frame cinema package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different focal range when camera position or framing demands it, another mount or sensor family when compatibility changes, autofocus glass for solo event work, or a lighter lens when handheld balance and support time are the main constraints.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens\u003c\/li\u003e\n\u003cli\u003einterchangeable PL and EF mounting as named in the product title\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 90mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.8\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame\u003c\/li\u003e\n\u003cli\u003eMounts: PL and EF\u003c\/li\u003e\n\u003cli\u003eType: macro cinema prime\u003c\/li\u003e\n\u003cli\u003eOperation: manual geared focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format and role does this 90mm lens serve?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens (PL\/EF): It is a 90mm T2.8 full-frame macro cinema prime. Match the active camera recording area to the family's stated image coverage before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich mount and mechanical checks matter?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens (PL\/EF): This configuration uses interchangeable PL and EF mounting. Check the installed interface, rear clearance, flange setup, rods, lens support, matte box, filters, and 0.8 MOD motor positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should this focal range be chosen?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens (PL\/EF): The 90mm range determines framing, working distance, perspective, and how often the camera or lens must move. Compare it with adjacent ranges around the planned shot list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the lens suit a crewed cinema workflow?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens (PL\/EF): Yes. close-focus operation and matched Vespid focus and iris gear placement for inserts, tabletop, product, beauty, and narrative detail work. Camera assistants should still map focus, zoom, iris, support, motor, and case positions before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFILM lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens (PL\/EF): Filmgear Canada offers Canada-wide shipping and Vancouver-based help for focal range, sensor coverage, mount, support, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40784603414708,"sku":"DZO-VM9021PL","price":1248.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1604004490_1601846.jpg?v=1633765858"},{"product_id":"dzofilm-vespid-cine-prime-100mm-pl","title":"DZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens (PL\/EF)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 100mm cine lens provides 100mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens uses a 100mm focal length and T2.1 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e100mm T2.1 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 100mm field of view and T2.1 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 100mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 100mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40784631726260,"sku":"DZO-V10021PL","price":1109.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1604004490_1601847.jpg?v=1633767066"},{"product_id":"dzofilm-vespid-cine-prime-125mm-pl","title":"DZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens (PL\/EF)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 125mm cine lens provides 125mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens uses a 125mm focal length and T2.1 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e125mm T2.1 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 125mm field of view and T2.1 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 125mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 125mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40784739958964,"sku":"DZO-V12521PL","price":1109.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1604004490_1601848.jpg?v=1633769027"},{"product_id":"pancro-professional-lens-cleaner-4-oz","title":"Pancro Professional Lens Cleaner (4 oz)","description":"\u003cp\u003ePancro Professional Lens Cleaner is a long-standing favourite on motion-picture sets for cleaning cine and stills glass. This is the 4 oz bottle, used with lint-free cloth or lens tissue to lift fingerprints, oils, and residue without leaving streaks.\u003c\/p\u003e\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"Pancro","offers":[{"title":"Default Title","offer_id":42220473385219,"sku":"Pancro_LensCleaner","price":26.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1568029791_1070988.jpg?v=1639683673"},{"product_id":"dzofilm-vespid-21mm-pl-ef","title":"DZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens (PL\/EF)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 21mm cine lens provides 21mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens uses a 21mm focal length and T2.1 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e21mm T2.1 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 21mm field of view and T2.1 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 21mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 21mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43750528352515,"sku":"DZO-V02121PL","price":1109.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1658133953_1717552.jpg?v=1676680567"},{"product_id":"dzofilm-vespid-40mm-pl-ef","title":"DZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens (PL\/EF)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 40mm cine lens provides 40mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens uses a 40mm focal length and T2.1 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e40mm T2.1 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 40mm field of view and T2.1 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 40mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 40mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43750545293571,"sku":"DZO-V04021PL","price":1099.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1658133953_1717553.jpg?v=1676681015"},{"product_id":"dzofilm-vespid-16mm-pl-ef","title":"DZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens (PL\/EF)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 16mm cine lens provides 16mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens uses a 16mm focal length and T2.8 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e16mm T2.8 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 16mm field of view and T2.8 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 16mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 16mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.8\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43750557090051,"sku":"DZO-V01628PL","price":1387.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1655217367_1679955_70c08402-60db-4e65-a1a4-d70c16ba0858.jpg?v=1676681366"},{"product_id":"dzofilm-32mm-gnosis-macro-prime-lens-lpl-pl-ef-feet","title":"DZOFilm 32mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026 EF Mounts, Feet)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens is a T2.8 Vista Vision and full-frame macro cinema prime with LPL housing with PL and EF options, built for cinematographers who need repeatable manual lens control and the named 32mm field of view.\u003c\/strong\u003e Its 0.167m close focus and 1.0x magnification supports narrative, commercial, documentary, tabletop, studio, and rental work according to the lens family's optical role. Buyers comparing this cinema lens should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens sits in the DZOFILM Gnosis family. DZOFILM identifies it as a T2.8 Vista Vision and full-frame macro cinema prime with LPL housing with PL and EF options. Key operating details include 0.167m close focus and 1.0x magnification. Before production, check sensor recording area, installed mount, rear clearance, flange setup, rods and lens support, matte box or filter fit, 0.8 MOD motor position, focus scale, working distance, and whether the selected focal range suits the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e32mm Cinema Optics\u003c\/h3\u003e\u003cp\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens provides the named 32mm view with its T2.8 Vista Vision and full-frame macro cinema prime.\u003c\/p\u003e\n\u003ch3\u003eMount and Sensor Planning\u003c\/h3\u003e\u003cp\u003eThe lens uses LPL housing with PL and EF options; match the camera recording area, installed interface, rear clearance, flange distance, and support before the shoot.\u003c\/p\u003e\n\u003ch3\u003eManual Crew Operation\u003c\/h3\u003e\u003cp\u003e0.167m close focus and 1.0x magnification, supporting repeatable focus, zoom, iris, matte-box, and motor setup.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 32mm Gnosis for its perspective, working distance, and macro magnification. Choose 32mm for more environment, 65mm for a middle perspective, 90mm for more subject clearance, or a standard prime when macro reproduction is unnecessary.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-65mm-gnosis-macro-prime-lens-lpl-pl-ef-feet\"\u003eDZOFilm 65mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-90mm-gnosis-macro-prime-lens-lpl-pl-ef-feet\"\u003eDZOFilm 90mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet)\u003c\/a\u003e. Check camera sensor mode, LPL housing with PL and EF options, rear clearance, flange setup, lens support, matte box, filters, 0.8 MOD motors, focus scale, working distance, and case dimensions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, camera assistants, rental houses, studios, film schools, production companies, and owner-operators building a manual full-frame cinema package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different focal range when camera position or framing demands it, another mount or sensor family when compatibility changes, autofocus glass for solo event work, or a lighter lens when handheld balance and support time are the main constraints.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens\u003c\/li\u003e\n\u003cli\u003eLPL housing with PL and EF options as named in the product title\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 32mm\u003c\/li\u003e\n\u003cli\u003eAperture: T2.8-T22\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.167m\u003c\/li\u003e\n\u003cli\u003eMagnification: 1.0x\u003c\/li\u003e\n\u003cli\u003eWeight: approximately 1,460g\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format and role does this 32mm lens serve?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): It is a T2.8 Vista Vision and full-frame macro cinema prime. Match the active camera recording area to the family's stated image coverage before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich mount and mechanical checks matter?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): This configuration uses LPL housing with PL and EF options. Check the installed interface, rear clearance, flange setup, rods, lens support, matte box, filters, and 0.8 MOD motor positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should this focal range be chosen?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): The 32mm range determines framing, working distance, perspective, and how often the camera or lens must move. Compare it with adjacent ranges around the planned shot list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the lens suit a crewed cinema workflow?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): Yes. 0.167m close focus and 1.0x magnification. Camera assistants should still map focus, zoom, iris, support, motor, and case positions before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFILM lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): Filmgear Canada offers Canada-wide shipping and Vancouver-based help for focal range, sensor coverage, mount, support, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm 32mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767829430531,"sku":"DZO-G3228LPLI","price":6252.94,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1658911675_1719044.jpg?v=1677196406"},{"product_id":"dzofilm-65mm-gnosis-macro-prime-lens-lpl-pl-ef-feet","title":"DZOFilm 65mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026 EF Mounts, Feet)","description":"\u003cp\u003e\u003cstrong\u003eThe DZOFilm Gnosis 65mm macro lens is a T2.8 Vista Vision and full-frame cinema prime with 1.33x magnification, LPL housing, PL and EF mount options, and a feet focus scale.\u003c\/strong\u003e Its combination of macro reproduction, 65mm perspective, and manual cinema mechanics is designed for tabletop, food, beauty, inserts, product work, nature details, and controlled narrative close-ups.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eDZOFILM specifies a 46.5mm image circle, T2.8 to T22 range, 0.237m close focus measured from the sensor plane, and 1.33x maximum magnification for the 65mm Gnosis. The lens uses a 300-degree manual focus rotation, 114mm front outside diameter, M105 filter thread, 16-blade iris, 0.8 MOD gears, and an aluminum-alloy housing. At approximately 1,447.5g, it needs an appropriate mount, rods, lens support, matte box, focus control, and carefully planned working distance for precise macro shots.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003e65mm T2.8 with 1.33x Magnification\u003c\/h3\u003e\u003cp\u003eThe 65mm combines T2.8 speed with 1.33x macro reproduction for detailed product, insert, texture, and beauty imagery.\u003c\/p\u003e\u003ch3\u003e46.5mm VV and Full-Frame Coverage\u003c\/h3\u003e\u003cp\u003eThe 46.5mm image circle supports Vista Vision and full-frame cinema-camera recording areas when the selected camera mode fits within that circle.\u003c\/p\u003e\u003ch3\u003eMatched Professional Mechanics\u003c\/h3\u003e\u003cp\u003eA 114mm front, M105 thread, 300-degree focus throw, 16-blade iris, 0.8 MOD gears, and PL\/EF\/LPL mount options support repeatable cinema operation.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose the Gnosis 65mm when a natural short-telephoto perspective, 1.33x magnification, and practical subject clearance fit the shot. Choose the 32mm for a wider context and 1x magnification, the 90mm for more working distance and 1.5x magnification, or a standard prime when infinity-to-close coverage matters more than macro reproduction.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-32mm-gnosis-macro-prime-lens-lpl-pl-ef-feet\"\u003eDZOFilm Gnosis 32mm Macro\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-90mm-gnosis-macro-prime-lens-lpl-pl-ef-feet\"\u003eDZOFilm Gnosis 90mm Macro\u003c\/a\u003e. Check the installed LPL, PL, or EF interface, rear clearance, 46.5mm image-circle mode, rods and lens support, 114mm matte box, M105 filters, 0.8 MOD motors, focus travel, lighting clearance, and exact working distance.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eThis lens is for tabletop and product cinematographers, food and beauty teams, rental houses, commercial studios, effects units, and narrative crews that need more than life-size close-detail capture with matched cinema mechanics.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose a wider Gnosis for more environment, the 90mm for greater subject clearance and higher magnification, a probe lens for access into confined spaces, or a standard prime when macro reproduction and dedicated support are unnecessary.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eDZOFilm Gnosis 65mm T2.8 Macro Prime Lens with feet scale\u003c\/li\u003e\n\u003cli\u003eLPL housing with PL and EF mount options named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eFocal length: 65mm\u003c\/li\u003e\n\u003cli\u003eAperture: T2.8 to T22\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.237m \/ 9.36in from sensor plane\u003c\/li\u003e\n\u003cli\u003eMaximum magnification: 1.33x\u003c\/li\u003e\n\u003cli\u003eMount options: LPL, PL, and EF\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 300 degrees\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 114mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M105\u003c\/li\u003e\n\u003cli\u003eIris blades: 16\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eWeight: approximately 1,447.5g\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eWhat magnification does the Gnosis 65mm provide?\u003c\/strong\u003e\u003cbr\u003eThe DZOFilm Gnosis 65mm macro lens reaches 1.33x maximum magnification, allowing subjects to be recorded larger than life on the sensor.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow close does the Gnosis 65mm focus?\u003c\/strong\u003e\u003cbr\u003eDZOFILM lists 0.237m or 9.36in from the sensor plane, so practical lens-to-subject clearance must be planned with the complete rig.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDoes the Gnosis 65mm cover full-frame sensors?\u003c\/strong\u003e\u003cbr\u003eThe lens has a 46.5mm image circle for Vista Vision and full-frame cinema use. Check the active recording area of the selected camera mode.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhich mount and support checks matter?\u003c\/strong\u003e\u003cbr\u003eMatch the LPL, PL, or EF interface, rear clearance, rods, lens support, 114mm matte box, M105 filters, 0.8 MOD motors, and working distance before the shoot.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere can I buy the Gnosis 65mm in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada supplies the DZOFilm Gnosis 65mm macro lens with Canada-wide shipping and Vancouver-based support for mount, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eBuy DZOFilm 65mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact configuration, mount, power, control, support, and accessory plan before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767832117507,"sku":"DZO-G6528LPLI","price":6252.94,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1658911675_1719045.jpg?v=1677196586"},{"product_id":"dzofilm-90mm-gnosis-macro-prime-lens-lpl-pl-ef-feet","title":"DZOFilm 90mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026 EF Mounts, Feet)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm 90mm T2.8 Gnosis Macro Prime Lens is a T2.8 Vista Vision and full-frame macro cinema prime with LPL housing with PL and EF options, built for cinematographers who need repeatable manual lens control and the named 90mm field of view.\u003c\/strong\u003e Its 0.258m close focus and 1.5x magnification supports narrative, commercial, documentary, tabletop, studio, and rental work according to the lens family's optical role. Buyers comparing this cinema lens should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm 90mm T2.8 Gnosis Macro Prime Lens sits in the DZOFILM Gnosis family. DZOFILM identifies it as a T2.8 Vista Vision and full-frame macro cinema prime with LPL housing with PL and EF options. Key operating details include 0.258m close focus and 1.5x magnification. Before production, check sensor recording area, installed mount, rear clearance, flange setup, rods and lens support, matte box or filter fit, 0.8 MOD motor position, focus scale, working distance, and whether the selected focal range suits the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e90mm Cinema Optics\u003c\/h3\u003e\u003cp\u003eDZOFilm 90mm T2.8 Gnosis Macro Prime Lens provides the named 90mm view with its T2.8 Vista Vision and full-frame macro cinema prime.\u003c\/p\u003e\n\u003ch3\u003eMount and Sensor Planning\u003c\/h3\u003e\u003cp\u003eThe lens uses LPL housing with PL and EF options; match the camera recording area, installed interface, rear clearance, flange distance, and support before the shoot.\u003c\/p\u003e\n\u003ch3\u003eManual Crew Operation\u003c\/h3\u003e\u003cp\u003e0.258m close focus and 1.5x magnification, supporting repeatable focus, zoom, iris, matte-box, and motor setup.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 90mm Gnosis for its perspective, working distance, and macro magnification. Choose 32mm for more environment, 65mm for a middle perspective, 90mm for more subject clearance, or a standard prime when macro reproduction is unnecessary.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-32mm-gnosis-macro-prime-lens-lpl-pl-ef-feet\"\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-65mm-gnosis-macro-prime-lens-lpl-pl-ef-feet\"\u003eDZOFilm 65mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet)\u003c\/a\u003e. Check camera sensor mode, LPL housing with PL and EF options, rear clearance, flange setup, lens support, matte box, filters, 0.8 MOD motors, focus scale, working distance, and case dimensions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, camera assistants, rental houses, studios, film schools, production companies, and owner-operators building a manual full-frame cinema package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different focal range when camera position or framing demands it, another mount or sensor family when compatibility changes, autofocus glass for solo event work, or a lighter lens when handheld balance and support time are the main constraints.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm 90mm T2.8 Gnosis Macro Prime Lens\u003c\/li\u003e\n\u003cli\u003eLPL housing with PL and EF options as named in the product title\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 90mm\u003c\/li\u003e\n\u003cli\u003eAperture: T2.8-T22\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.258m\u003c\/li\u003e\n\u003cli\u003eMagnification: 1.5x\u003c\/li\u003e\n\u003cli\u003eWeight: approximately 1,280.5g\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format and role does this 90mm lens serve?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 90mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): It is a T2.8 Vista Vision and full-frame macro cinema prime. Match the active camera recording area to the family's stated image coverage before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich mount and mechanical checks matter?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 90mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): This configuration uses LPL housing with PL and EF options. Check the installed interface, rear clearance, flange setup, rods, lens support, matte box, filters, and 0.8 MOD motor positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should this focal range be chosen?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 90mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): The 90mm range determines framing, working distance, perspective, and how often the camera or lens must move. Compare it with adjacent ranges around the planned shot list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the lens suit a crewed cinema workflow?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 90mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): Yes. 0.258m close focus and 1.5x magnification. Camera assistants should still map focus, zoom, iris, support, motor, and case positions before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFILM lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 90mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): Filmgear Canada offers Canada-wide shipping and Vancouver-based help for focal range, sensor coverage, mount, support, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm 90mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767837196547,"sku":"DZO-G9028LPLI","price":6252.94,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1658911675_1719046.jpg?v=1677197016"},{"product_id":"dzofilm-32-65-90-gnosis-macro-prime-3-lens-kit-lpl-pl-ef","title":"DZOFilm 32, 65, 90mm T2.8 Gnosis Macro Prime 3-Lens Kit (LPL with PL \u0026 EF Mounts)","description":"\u003cp\u003e\u003cstrong\u003eThe DZOFilm Gnosis 32 65 90mm macro lens kit combines three T2.8 full-frame and Vista Vision cinema macro primes for wide, normal, and telephoto close-up coverage.\u003c\/strong\u003e Available from Filmgear Canada for Canadian cinema, commercial, documentary, rental, education, and owner-operator productions.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe 32mm, 65mm, and 90mm focal lengths let a production change perspective and working distance while retaining the Gnosis family look and cinema mechanics. The current product identity names LPL with PL and EF mount options and focus markings in feet. A three-lens macro package is useful for product, food, beauty, tabletop, texture, and insert work where a single focal length cannot provide every camera distance or background relationship. Check the exact selected mount package and lens support before use.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e32mm, 65mm, and 90mm T2.8 Macros\u003c\/h3\u003e\n\u003cp\u003eThe three included focal lengths provide different working distances and perspective choices within one full-frame macro family.\u003c\/p\u003e\n\u003ch3\u003eFull-Frame and Vista Vision Coverage\u003c\/h3\u003e\n\u003cp\u003eDZOFILM lists the Gnosis Macro family for VV and full-frame cinema-camera formats.\u003c\/p\u003e\n\u003ch3\u003eLPL with PL and EF Options\u003c\/h3\u003e\n\u003cp\u003eThe current kit identity specifies LPL together with PL and EF mount options, all marked in feet for this configuration.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose the three-lens set when the production needs several macro perspectives. A single 65mm or 90mm is smaller and less expensive when one working distance covers the job, while a probe lens is better for very narrow spaces or extended close-focus movement.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e. Check the exact mount, sensor format, lens support, matte box, follow-focus position, and camera clearance before the shoot.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis kit suits tabletop, food, product, beauty, commercial, visual-effects, nature-detail, and rental productions needing several macro focal lengths.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose one Gnosis focal length when the job has a fixed working distance, or a probe lens when the camera needs a much smaller front diameter and deep movement through confined sets.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Gnosis 32mm T2.8 macro prime\u003c\/li\u003e\n\u003cli\u003eDZOFilm Gnosis 65mm T2.8 macro prime\u003c\/li\u003e\n\u003cli\u003eDZOFilm Gnosis 90mm T2.8 macro prime\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLens count: three\u003c\/li\u003e\n\u003cli\u003eFocal lengths: 32mm, 65mm, and 90mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.8\u003c\/li\u003e\n\u003cli\u003eCoverage: full-frame and Vista Vision family\u003c\/li\u003e\n\u003cli\u003eMount configuration named: LPL with PL and EF options\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Gnosis 32 65 90mm macro lens kit designed to do?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 32, 65, 90mm T2.8 Gnosis Macro Prime 3-Lens Kit (LPL with PL \u0026amp; EF Mounts) is designed for the exact cinema-lens or adapter role described on this page. Its value comes from matching the exact product configuration to the camera, lens, light, filter holder, or support equipment already in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do I check compatibility before ordering Gnosis 32 65 90mm macro lens kit?\u003c\/strong\u003e\u003cbr\u003eFor DZOFilm 32, 65, 90mm T2.8 Gnosis Macro Prime 3-Lens Kit (LPL with PL \u0026amp; EF Mounts), compare the mount, physical size, optical format, connector, payload, or accessory standard shown on this page with the corresponding specification on your existing equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with Gnosis 32 65 90mm macro lens kit?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 32, 65, 90mm T2.8 Gnosis Macro Prime 3-Lens Kit (LPL with PL \u0026amp; EF Mounts) includes DZOFilm Gnosis 32mm T2.8 macro prime, DZOFilm Gnosis 65mm T2.8 macro prime, DZOFilm Gnosis 90mm T2.8 macro prime. Optional accessories, alternate mounts, cameras, lenses, lights, and support equipment are separate unless they are named in the selected Shopify variant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of Gnosis 32 65 90mm macro lens kit?\u003c\/strong\u003e\u003cbr\u003eChoose choose one gnosis focal length when the job has a fixed working distance, or a probe lens when the camera needs a much smaller front diameter and deep movement through confined sets instead of DZOFilm 32, 65, 90mm T2.8 Gnosis Macro Prime 3-Lens Kit (LPL with PL \u0026amp; EF Mounts) when that option better matches your required format, size, mount, focal range, payload, or level of kit completeness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy Gnosis 32 65 90mm macro lens kit in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 32, 65, 90mm T2.8 Gnosis Macro Prime 3-Lens Kit (LPL with PL \u0026amp; EF Mounts) is available from Filmgear Canada with Canada-wide shipping and Vancouver-based assistance. Check the selected variant and the surrounding equipment requirements before placing the order.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm 32, 65, 90mm T2.8 Gnosis Macro Prime 3-Lens Kit (LPL with PL \u0026amp; EF Mounts) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Review the selected mount, size, filter, or kit configuration before ordering so the product matches the rest of your production package.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767839260931,"sku":"DZO-G28K3LPLI","price":16677.94,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1658911675_1719047.jpg?v=1677197190"},{"product_id":"dzofilm-pavo-2x-anamorphic-6-lens-set-neutral-pl-ef-feet","title":"DZOFilm PAVO 2x Anamorphic 6-Lens Set (Neutral Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 6 lens set combines a 2x squeeze, neutral coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e This 6-Lens Set package keeps multiple focal lengths together for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This neutral configuration provides a neutral flare treatment that follows the colour of the illumination more closely. The included focal lengths are named in the product title and share the same family mechanics for faster lens changes.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e6 Matched 2x Anamorphic Lenses\u003c\/h3\u003e\u003cp\u003eThe named 6-Lens Set combination covers multiple framing needs while maintaining PAVO handling and flare character.\u003c\/p\u003e\n\u003ch3\u003eNeutral Flare Character\u003c\/h3\u003e\u003cp\u003eNeutral coating provides a neutral flare treatment that follows the colour of the illumination more closely across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this neutral PAVO package when 2x Super 35 anamorphic capture and neutral flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-2x-anamorphic-6-lens-set-blue-pl-ef-feet\"\u003ematching blue-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis set is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with neutral flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eIncluded focal lengths: 6-Lens Set\u003c\/li\u003e\n\u003cli\u003eMaximum apertures: as named for the included focal lengths\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Neutral\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO set designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the neutral coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set: It keeps flare colour closer to the illumination, while the blue version adds a more pronounced blue horizontal streak treatment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 2x Anamorphic 6-Lens Set (Neutral Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44333892632835,"sku":"DZO-PA6PLIN","price":20847.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1695214533_1787191.jpg?v=1698448211"},{"product_id":"sirui-night-walker-s35-3-lens-set-sony-e-black","title":"SIRUI Night Walker T1.2 S35 Cine 24\/35\/55mm 3-Lens Set (Sony E-Mount, Black)","description":"\u003cp\u003eThe SIRUI Night Walker 3-lens set covers a working narrative range of 24mm, 35mm, and 55mm at a fast T1.2. The wide aperture is the point of the line. The lenses stay usable in low-light and available-light situations where slower cine primes need extra fixtures. Super 35 image circle, Sony E mount, black housing.\u003c\/p\u003e\u003ch2\u003eKey features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eThree Night Walker cine primes: 24, 35, 55mm\u003c\/li\u003e\n\u003cli\u003eT1.2 maximum aperture across the set\u003c\/li\u003e\n\u003cli\u003eSuper 35 image circle\u003c\/li\u003e\n\u003cli\u003eSony E-mount, black colourway\u003c\/li\u003e\n\u003cli\u003eGeared focus and iris rings for follow focus\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"Sirui","offers":[{"title":"Default Title","offer_id":44377371934979,"sku":"#MS-3SEB","price":1055.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/05_bd518d6a-f814-4194-9c90-cd58fa71d105.jpg?v=1733180894"},{"product_id":"sirui-night-walker-24mm-s35-sony-e-black","title":"SIRUI Night Walker 24mm T1.2 S35 Cine Lens (Sony E-Mount, Black)","description":"\u003cp\u003eThe 24mm in SIRUI's Night Walker T1.2 series of Super35 cine primes, in Sony E mount, black finish. T1.2 is the point of the line: it buys you a stop or more over most affordable cine glass, which is what makes available-light night exteriors and dim interiors workable without dragging in more lighting.\u003c\/p\u003e\u003cp\u003eCine-style housing with geared focus and iris rings, so it drops into a follow focus without adapters. Super35 coverage, so check your camera's sensor mode if you normally shoot full frame.\u003c\/p\u003e\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping. Ask our Vancouver showroom if you want to compare it against the rest of the Night Walker set before committing to a mount.\u003c\/p\u003e","brand":"Sirui","offers":[{"title":"Default Title","offer_id":44377373442307,"sku":"#MS24E-B","price":415.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1691754930_1779896.jpg?v=1699392254"},{"product_id":"sirui-night-walker-35mm-s35-sony-e-black","title":"SIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black)","description":"\u003cp\u003e\u003cstrong\u003eSIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black) is a 35mm T1.2 manual-focus S35 cinema lens in Sony E mount for narrative, commercial, documentary, music-video, portrait, and independent film production.\u003c\/strong\u003e Available in Canada from Filmgear Canada, Vancouver's cinema-lens and professional camera-optics specialist.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThis production optics is selected for the exact model and production role named in the listing. SIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black) combines fast T1.2 transmission with manual cinema controls for low-light work and controlled focus pulls on APS-C \/ S35 cameras. The Night Walker family uses matched gear positions, a uniform 67mm filter thread, a 270-degree focus throw, and colour-matched optics to simplify lens changes. The 35mm focal length determines framing, perspective, working distance, and focus demand; test the Sony E camera's sensor crop, mount clearance, matte box, filter, follow focus, lens support, gimbal balance, and minimum-focus needs before the shoot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003e35mm T1.2 S35 Optics\u003c\/h3\u003e\u003cp\u003eFast T1.2 transmission supports low-light scenes and shallow depth of field on APS-C \/ Super 35 cameras.\u003c\/p\u003e\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 270-degree focus throw, geared rings, uniform 67mm filters, and aligned gear positions support follow-focus use and faster lens changes.\u003c\/p\u003e\u003ch3\u003eSony E-Mount Black Finish\u003c\/h3\u003e\u003cp\u003eThis exact listing is the black Sony E-mount 35mm member of the Night Walker family.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose 35mm for the framing and working distance it provides within the Night Walker set. Choose 16mm for wide scenes, 35mm for a natural perspective, 55mm for closer portraits, or 75mm for tighter compression; use full-frame lenses when S35 coverage is not enough.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/sirui-night-walker-16mm-s35-cine-lens-sony-e-black\"\u003eSIRUI Night Walker 16mm T1.2 S35 Cine Lens (Sony E-mount, Black)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/sirui-night-walker-35mm-s35-sony-e-black\"\u003eSIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black)\u003c\/a\u003e. Sony E-mount APS-C \/ Super 35 cameras, 67mm filters, follow-focus motors, matte boxes, lens supports, and gimbals matched to the lens dimensions and weight.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eFor cinematographers, camera operators, owner-operators, rental houses, film schools, commercial crews, and independent productions choosing a specific optical format and focal length.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose a full-frame cinema lens for full-frame coverage, another focal length for different framing, a slower lightweight lens for travel, or autofocus glass when continuous subject tracking is more important than manual cinema control.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\u003cli\u003eSIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black)\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eModel \/ SKU: #MS35E-B\u003c\/li\u003e\n\u003cli\u003eNamed configuration: 35mm\u003c\/li\u003e\n\u003cli\u003eNamed configuration: T1.2\u003c\/li\u003e\n\u003cli\u003eFormat coverage: APS-C \/ Super 35\u003c\/li\u003e\n\u003cli\u003eAperture: T1.2 to T16\u003c\/li\u003e\n\u003cli\u003eFilter thread: 67mm\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eWhat is the SIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black) designed to do?\u003c\/strong\u003e\u003cbr\u003eSIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black) is designed as a 35mm T1.2 manual-focus S35 cinema lens in Sony E mount. The Night Walker family covers APS-C \/ S35, opens to T1.2, uses a 67mm filter thread, and provides a 270-degree focus throw.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat should I match before ordering the SIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black)?\u003c\/strong\u003e\u003cbr\u003eMatch the exact model, mechanical or electronic interface, dimensions, load, signal, power, and surrounding equipment that apply to SIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black). This listing is the black Sony E-mount 35mm model.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow should the SIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black) be prepared for a production day?\u003c\/strong\u003e\u003cbr\u003eInspect the product, its mounting or connection points, required accessories, clearance, cable or load routing, and a safe backup plan before using SIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black) on a job.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of the SIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black)?\u003c\/strong\u003e\u003cbr\u003eChoose another model when its size, capacity, focal length, mount, connector, output, payload, or working format better matches the specific production package than SIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere can I buy the SIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black) in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada supplies SIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black) with Canada-wide shipping and Vancouver-based assistance for model selection, system fit, accessories, and production planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eBuy SIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for fit, configuration, and production workflow planning.\u003c\/p\u003e","brand":"Sirui","offers":[{"title":"Default Title","offer_id":44377378062595,"sku":"#MS35E-B","price":440.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1691755235_1779904.jpg?v=1699392528"},{"product_id":"sirui-night-walker-55mm-s35-sony-e-black","title":"SIRUI Night Walker 55mm T1.2 S35 Cine Lens (Sony E-Mount, Black)","description":"\u003cp\u003e\u003cstrong\u003eSIRUI Night Walker 55mm T1.2 S35 Cine Lens (Sony E-Mount, Black) is a 55mm T1.2 manual-focus S35 cinema lens in Sony E mount for narrative, commercial, documentary, music-video, portrait, and independent film production.\u003c\/strong\u003e Available in Canada from Filmgear Canada, Vancouver's cinema-lens and professional camera-optics specialist.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThis production optics is selected for the exact model and production role named in the listing. SIRUI Night Walker 55mm T1.2 S35 Cine Lens (Sony E-Mount, Black) combines fast T1.2 transmission with manual cinema controls for low-light work and controlled focus pulls on APS-C \/ S35 cameras. The Night Walker family uses matched gear positions, a uniform 67mm filter thread, a 270-degree focus throw, and colour-matched optics to simplify lens changes. The 55mm focal length determines framing, perspective, working distance, and focus demand; test the Sony E camera's sensor crop, mount clearance, matte box, filter, follow focus, lens support, gimbal balance, and minimum-focus needs before the shoot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003e55mm T1.2 S35 Optics\u003c\/h3\u003e\u003cp\u003eFast T1.2 transmission supports low-light scenes and shallow depth of field on APS-C \/ Super 35 cameras.\u003c\/p\u003e\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 270-degree focus throw, geared rings, uniform 67mm filters, and aligned gear positions support follow-focus use and faster lens changes.\u003c\/p\u003e\u003ch3\u003eSony E-Mount Black Finish\u003c\/h3\u003e\u003cp\u003eThis exact listing is the black Sony E-mount 55mm member of the Night Walker family.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose 55mm for the framing and working distance it provides within the Night Walker set. Choose 16mm for wide scenes, 35mm for a natural perspective, 55mm for closer portraits, or 75mm for tighter compression; use full-frame lenses when S35 coverage is not enough.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/sirui-night-walker-16mm-s35-cine-lens-sony-e-black\"\u003eSIRUI Night Walker 16mm T1.2 S35 Cine Lens (Sony E-mount, Black)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/sirui-night-walker-35mm-s35-sony-e-black\"\u003eSIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black)\u003c\/a\u003e. Sony E-mount APS-C \/ Super 35 cameras, 67mm filters, follow-focus motors, matte boxes, lens supports, and gimbals matched to the lens dimensions and weight.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eFor cinematographers, camera operators, owner-operators, rental houses, film schools, commercial crews, and independent productions choosing a specific optical format and focal length.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose a full-frame cinema lens for full-frame coverage, another focal length for different framing, a slower lightweight lens for travel, or autofocus glass when continuous subject tracking is more important than manual cinema control.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\u003cli\u003eSIRUI Night Walker 55mm T1.2 S35 Cine Lens (Sony E-Mount, Black)\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eModel \/ SKU: #MS55E-B\u003c\/li\u003e\n\u003cli\u003eNamed configuration: 55mm\u003c\/li\u003e\n\u003cli\u003eNamed configuration: T1.2\u003c\/li\u003e\n\u003cli\u003eFormat coverage: APS-C \/ Super 35\u003c\/li\u003e\n\u003cli\u003eAperture: T1.2 to T16\u003c\/li\u003e\n\u003cli\u003eFilter thread: 67mm\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eWhat is the SIRUI Night Walker 55mm T1.2 S35 Cine Lens (Sony E-Mount, Black) designed to do?\u003c\/strong\u003e\u003cbr\u003eSIRUI Night Walker 55mm T1.2 S35 Cine Lens (Sony E-Mount, Black) is designed as a 55mm T1.2 manual-focus S35 cinema lens in Sony E mount. The Night Walker family covers APS-C \/ S35, opens to T1.2, uses a 67mm filter thread, and provides a 270-degree focus throw.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat should I match before ordering the SIRUI Night Walker 55mm T1.2 S35 Cine Lens (Sony E-Mount, Black)?\u003c\/strong\u003e\u003cbr\u003eMatch the exact model, mechanical or electronic interface, dimensions, load, signal, power, and surrounding equipment that apply to SIRUI Night Walker 55mm T1.2 S35 Cine Lens (Sony E-Mount, Black). This listing is the black Sony E-mount 55mm model.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow should the SIRUI Night Walker 55mm T1.2 S35 Cine Lens (Sony E-Mount, Black) be prepared for a production day?\u003c\/strong\u003e\u003cbr\u003eInspect the product, its mounting or connection points, required accessories, clearance, cable or load routing, and a safe backup plan before using SIRUI Night Walker 55mm T1.2 S35 Cine Lens (Sony E-Mount, Black) on a job.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of the SIRUI Night Walker 55mm T1.2 S35 Cine Lens (Sony E-Mount, Black)?\u003c\/strong\u003e\u003cbr\u003eChoose another model when its size, capacity, focal length, mount, connector, output, payload, or working format better matches the specific production package than SIRUI Night Walker 55mm T1.2 S35 Cine Lens (Sony E-Mount, Black).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere can I buy the SIRUI Night Walker 55mm T1.2 S35 Cine Lens (Sony E-Mount, Black) in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada supplies SIRUI Night Walker 55mm T1.2 S35 Cine Lens (Sony E-Mount, Black) with Canada-wide shipping and Vancouver-based assistance for model selection, system fit, accessories, and production planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eBuy SIRUI Night Walker 55mm T1.2 S35 Cine Lens (Sony E-Mount, Black) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for fit, configuration, and production workflow planning.\u003c\/p\u003e","brand":"Sirui","offers":[{"title":"Default Title","offer_id":44377384386819,"sku":"#MS55E-B","price":445.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1691755235_1779920.jpg?v=1699392824"},{"product_id":"sirui-venus-ff-anamorphic-5-lens-kit-35-50-75-100-150-sony-e","title":"SIRUI Venus T2.9 1.6x Full-Frame Anamorphic 5-Lens Kit (35\/50\/75\/100\/150mm, Sony E)","description":"\u003cp\u003e\u003cstrong\u003eSIRUI Venus T2.9 1.6x Full-Frame Anamorphic 5-Lens Kit (35\/50\/75\/100\/150mm, Sony E) is a five-lens T2.9 1.6x full-frame anamorphic cinema lens package in Sony E mount for narrative, commercial, documentary, music-video, portrait, and independent film production.\u003c\/strong\u003e Available in Canada from Filmgear Canada, Vancouver's cinema-lens and professional camera-optics specialist.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThis production optics is selected for the exact model and production role named in the listing. SIRUI Venus T2.9 1.6x Full-Frame Anamorphic 5-Lens Kit (35\/50\/75\/100\/150mm, Sony E) creates a 1.6x anamorphic image with widescreen framing, oval bokeh, and horizontal blue flares on full-frame Sony E-mount cameras. The Venus series uses T2.9 maximum aperture, 82mm filters, geared focus and iris rings, and matched mechanics across 35, 50, 75, 100, and 150mm focal lengths. Plan de-squeeze monitoring, final aspect ratio, sensor mode, stabilization, close focus, focus pull, matte box, filters, support, gimbal clearance, and the different field of view delivered by the complete set.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003e1.6x Full-Frame Anamorphic Image\u003c\/h3\u003e\u003cp\u003eCreates widescreen framing, oval bokeh, and horizontal blue flare character across a full-frame image circle.\u003c\/p\u003e\u003ch3\u003eT2.9 Matched Cinema Set\u003c\/h3\u003e\u003cp\u003eShared gear positions, 82mm filters, colour tone, and anamorphic character support efficient changes across the Venus focal-length family.\u003c\/p\u003e\u003ch3\u003eFive Focal Lengths\u003c\/h3\u003e\u003cp\u003eThe package covers 35, 50, 75, 100, and 150mm for wide through telephoto anamorphic scenes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose the five-lens set for consistent coverage from 35 through 150mm. Choose a wider Venus focal length for environment, a longer one for compression and close portraits, or a spherical lens when anamorphic de-squeeze and flare character are not wanted.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/sirui-night-walker-16mm-s35-cine-lens-sony-e-black\"\u003eSIRUI Night Walker 16mm T1.2 S35 Cine Lens (Sony E-mount, Black)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/sirui-night-walker-35mm-s35-sony-e-black\"\u003eSIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black)\u003c\/a\u003e. Sony E-mount full-frame cameras with 1.6x de-squeeze monitoring, 82mm filters, follow focus, matte box, lens support, stabilization, and post-production framing matched to anamorphic capture.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eFor cinematographers, camera operators, owner-operators, rental houses, film schools, commercial crews, and independent productions choosing a specific optical format and focal length.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose spherical lenses for a conventional aspect ratio and neutral flare, another Venus focal length for different perspective, or a smaller squeeze when the monitoring and post workflow cannot support 1.6x anamorphic capture.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eSIRUI Venus 35mm T2.9 1.6x lens\u003c\/li\u003e\n\u003cli\u003eSIRUI Venus 50mm T2.9 1.6x lens\u003c\/li\u003e\n\u003cli\u003eSIRUI Venus 75mm T2.9 1.6x lens\u003c\/li\u003e\n\u003cli\u003eSIRUI Venus 100mm T2.9 1.6x lens\u003c\/li\u003e\n\u003cli\u003eSIRUI Venus 150mm T2.9 1.6x lens\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eModel \/ SKU: #VENUS 1.6 X 5 SET - E\u003c\/li\u003e\n\u003cli\u003eNamed configuration: 150mm\u003c\/li\u003e\n\u003cli\u003eNamed configuration: T2.9\u003c\/li\u003e\n\u003cli\u003eFormat coverage: full frame\u003c\/li\u003e\n\u003cli\u003eAnamorphic squeeze: 1.6x\u003c\/li\u003e\n\u003cli\u003eFilter thread: 82mm\u003c\/li\u003e\n\u003cli\u003eMount: Sony E\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eWhat is the SIRUI Venus T2.9 1.6x Full-Frame Anamorphic 5-Lens Kit (35\/50\/75\/100\/150mm, Sony E) designed to do?\u003c\/strong\u003e\u003cbr\u003eSIRUI Venus T2.9 1.6x Full-Frame Anamorphic 5-Lens Kit (35\/50\/75\/100\/150mm, Sony E) is designed as a five-lens T2.9 1.6x full-frame anamorphic cinema lens package in Sony E mount. The Venus family covers full frame with a 1.6x squeeze, T2.9 maximum aperture, 82mm filter threads, geared focus and iris rings, and matched mechanics across the set.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat should I match before ordering the SIRUI Venus T2.9 1.6x Full-Frame Anamorphic 5-Lens Kit (35\/50\/75\/100\/150mm, Sony E)?\u003c\/strong\u003e\u003cbr\u003eMatch the exact model, mechanical or electronic interface, dimensions, load, signal, power, and surrounding equipment that apply to SIRUI Venus T2.9 1.6x Full-Frame Anamorphic 5-Lens Kit (35\/50\/75\/100\/150mm, Sony E). The kit contains 35, 50, 75, 100, and 150mm Sony E-mount lenses.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow should the #VENUS 1.6 X 5 SET - E be prepared for a production day?\u003c\/strong\u003e\u003cbr\u003eInspect the product, its mounting or connection points, required accessories, clearance, cable or load routing, and a safe backup plan before using SIRUI Venus T2.9 1.6x Full-Frame Anamorphic 5-Lens Kit (35\/50\/75\/100\/150mm, Sony E) on a job.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhen should I choose another option instead of the #VENUS 1.6 X 5 SET - E?\u003c\/strong\u003e\u003cbr\u003eChoose another model when its size, capacity, focal length, mount, connector, output, payload, or working format better matches the specific production package than SIRUI Venus T2.9 1.6x Full-Frame Anamorphic 5-Lens Kit (35\/50\/75\/100\/150mm, Sony E).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere can I buy the SIRUI Venus T2.9 1.6x Full-Frame Anamorphic 5-Lens Kit (35\/50\/75\/100\/150mm, Sony E) in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada supplies SIRUI Venus T2.9 1.6x Full-Frame Anamorphic 5-Lens Kit (35\/50\/75\/100\/150mm, Sony E) with Canada-wide shipping and Vancouver-based assistance for model selection, system fit, accessories, and production planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eBuy SIRUI Venus T2.9 1.6x Full-Frame Anamorphic 5-Lens Kit (35\/50\/75\/100\/150mm, Sony E) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for fit, configuration, and production workflow planning.\u003c\/p\u003e","brand":"Sirui","offers":[{"title":"Default Title","offer_id":44377407848707,"sku":"#VENUS 1.6 X 5 SET - E","price":8299.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1693243808_1779940.jpg?v=1699393471"},{"product_id":"sirui-venus-35mm-anamorphic-sony-e","title":"SIRUI Venus 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)","description":"\u003cp\u003e\u003cstrong\u003eSIRUI Venus 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) is a 35mm T2.9 1.6x full-frame anamorphic cinema lens package in Sony E mount for narrative, commercial, documentary, music-video, portrait, and independent film production.\u003c\/strong\u003e Available in Canada from Filmgear Canada, Vancouver's cinema-lens and professional camera-optics specialist.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThis production optics is selected for the exact model and production role named in the listing. SIRUI Venus 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) creates a 1.6x anamorphic image with widescreen framing, oval bokeh, and horizontal blue flares on full-frame Sony E-mount cameras. The Venus series uses T2.9 maximum aperture, 82mm filters, geared focus and iris rings, and matched mechanics across 35, 50, 75, 100, and 150mm focal lengths. Plan de-squeeze monitoring, final aspect ratio, sensor mode, stabilization, close focus, focus pull, matte box, filters, support, gimbal clearance, and the different field of view delivered by the 35mm lens.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003e1.6x Full-Frame Anamorphic Image\u003c\/h3\u003e\u003cp\u003eCreates widescreen framing, oval bokeh, and horizontal blue flare character across a full-frame image circle.\u003c\/p\u003e\u003ch3\u003eT2.9 Matched Cinema Set\u003c\/h3\u003e\u003cp\u003eShared gear positions, 82mm filters, colour tone, and anamorphic character support efficient changes across the Venus focal-length family.\u003c\/p\u003e\u003ch3\u003e35mm Perspective\u003c\/h3\u003e\u003cp\u003eThe 35mm focal length sets the framing, subject distance, compression, and focus demands within the matched series.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose the 35mm when its perspective and working distance fit the scene. Choose a wider Venus focal length for environment, a longer one for compression and close portraits, or a spherical lens when anamorphic de-squeeze and flare character are not wanted.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/sirui-night-walker-16mm-s35-cine-lens-sony-e-black\"\u003eSIRUI Night Walker 16mm T1.2 S35 Cine Lens (Sony E-mount, Black)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/sirui-night-walker-35mm-s35-sony-e-black\"\u003eSIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black)\u003c\/a\u003e. Sony E-mount full-frame cameras with 1.6x de-squeeze monitoring, 82mm filters, follow focus, matte box, lens support, stabilization, and post-production framing matched to anamorphic capture.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eFor cinematographers, camera operators, owner-operators, rental houses, film schools, commercial crews, and independent productions choosing a specific optical format and focal length.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose spherical lenses for a conventional aspect ratio and neutral flare, another Venus focal length for different perspective, or a smaller squeeze when the monitoring and post workflow cannot support 1.6x anamorphic capture.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\u003cli\u003eSIRUI Venus 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eModel \/ SKU: #VENUS E35\u003c\/li\u003e\n\u003cli\u003eNamed configuration: 35mm\u003c\/li\u003e\n\u003cli\u003eNamed configuration: T2.9\u003c\/li\u003e\n\u003cli\u003eFormat coverage: full frame\u003c\/li\u003e\n\u003cli\u003eAnamorphic squeeze: 1.6x\u003c\/li\u003e\n\u003cli\u003eFilter thread: 82mm\u003c\/li\u003e\n\u003cli\u003eMount: Sony E\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eWhat is the SIRUI Venus 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) designed to do?\u003c\/strong\u003e\u003cbr\u003eSIRUI Venus 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) is designed as a 35mm T2.9 1.6x full-frame anamorphic cinema lens package in Sony E mount. The Venus family covers full frame with a 1.6x squeeze, T2.9 maximum aperture, 82mm filter threads, geared focus and iris rings, and matched mechanics across the set.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat should I match before ordering the SIRUI Venus 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)?\u003c\/strong\u003e\u003cbr\u003eMatch the exact model, mechanical or electronic interface, dimensions, load, signal, power, and surrounding equipment that apply to SIRUI Venus 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E). This listing is the 35mm Sony E-mount lens.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow should the SIRUI Venus 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) be prepared for a production day?\u003c\/strong\u003e\u003cbr\u003eInspect the product, its mounting or connection points, required accessories, clearance, cable or load routing, and a safe backup plan before using SIRUI Venus 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) on a job.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of the SIRUI Venus 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)?\u003c\/strong\u003e\u003cbr\u003eChoose another model when its size, capacity, focal length, mount, connector, output, payload, or working format better matches the specific production package than SIRUI Venus 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere can I buy the SIRUI Venus 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada supplies SIRUI Venus 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) with Canada-wide shipping and Vancouver-based assistance for model selection, system fit, accessories, and production planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eBuy SIRUI Venus 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for fit, configuration, and production workflow planning.\u003c\/p\u003e","brand":"Sirui","offers":[{"title":"Default Title","offer_id":44377410371843,"sku":"#VENUS E35","price":2079.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1667406331_1731398.jpg?v=1699393652"},{"product_id":"sirui-venus-50mm-ffx-anamorphic-sony-e","title":"SIRUI Venus 50mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)","description":"\u003cp\u003e\u003cstrong\u003eSIRUI Venus 50mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) is a 50mm T2.9 1.6x full-frame anamorphic cinema lens package in Sony E mount for narrative, commercial, documentary, music-video, portrait, and independent film production.\u003c\/strong\u003e Available in Canada from Filmgear Canada, Vancouver's cinema-lens and professional camera-optics specialist.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThis production optics is selected for the exact model and production role named in the listing. SIRUI Venus 50mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) creates a 1.6x anamorphic image with widescreen framing, oval bokeh, and horizontal blue flares on full-frame Sony E-mount cameras. The Venus series uses T2.9 maximum aperture, 82mm filters, geared focus and iris rings, and matched mechanics across 35, 50, 75, 100, and 150mm focal lengths. Plan de-squeeze monitoring, final aspect ratio, sensor mode, stabilization, close focus, focus pull, matte box, filters, support, gimbal clearance, and the different field of view delivered by the 50mm lens.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003e1.6x Full-Frame Anamorphic Image\u003c\/h3\u003e\u003cp\u003eCreates widescreen framing, oval bokeh, and horizontal blue flare character across a full-frame image circle.\u003c\/p\u003e\u003ch3\u003eT2.9 Matched Cinema Set\u003c\/h3\u003e\u003cp\u003eShared gear positions, 82mm filters, colour tone, and anamorphic character support efficient changes across the Venus focal-length family.\u003c\/p\u003e\u003ch3\u003e50mm Perspective\u003c\/h3\u003e\u003cp\u003eThe 50mm focal length sets the framing, subject distance, compression, and focus demands within the matched series.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose the 50mm when its perspective and working distance fit the scene. Choose a wider Venus focal length for environment, a longer one for compression and close portraits, or a spherical lens when anamorphic de-squeeze and flare character are not wanted.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/sirui-night-walker-16mm-s35-cine-lens-sony-e-black\"\u003eSIRUI Night Walker 16mm T1.2 S35 Cine Lens (Sony E-mount, Black)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/sirui-night-walker-35mm-s35-sony-e-black\"\u003eSIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black)\u003c\/a\u003e. Sony E-mount full-frame cameras with 1.6x de-squeeze monitoring, 82mm filters, follow focus, matte box, lens support, stabilization, and post-production framing matched to anamorphic capture.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eFor cinematographers, camera operators, owner-operators, rental houses, film schools, commercial crews, and independent productions choosing a specific optical format and focal length.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose spherical lenses for a conventional aspect ratio and neutral flare, another Venus focal length for different perspective, or a smaller squeeze when the monitoring and post workflow cannot support 1.6x anamorphic capture.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\u003cli\u003eSIRUI Venus 50mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eModel \/ SKU: #FFEK6-E\u003c\/li\u003e\n\u003cli\u003eNamed configuration: 50mm\u003c\/li\u003e\n\u003cli\u003eNamed configuration: T2.9\u003c\/li\u003e\n\u003cli\u003eFormat coverage: full frame\u003c\/li\u003e\n\u003cli\u003eAnamorphic squeeze: 1.6x\u003c\/li\u003e\n\u003cli\u003eFilter thread: 82mm\u003c\/li\u003e\n\u003cli\u003eMount: Sony E\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eWhat is the SIRUI Venus 50mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) designed to do?\u003c\/strong\u003e\u003cbr\u003eSIRUI Venus 50mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) is designed as a 50mm T2.9 1.6x full-frame anamorphic cinema lens package in Sony E mount. The Venus family covers full frame with a 1.6x squeeze, T2.9 maximum aperture, 82mm filter threads, geared focus and iris rings, and matched mechanics across the set.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat should I match before ordering the SIRUI Venus 50mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)?\u003c\/strong\u003e\u003cbr\u003eMatch the exact model, mechanical or electronic interface, dimensions, load, signal, power, and surrounding equipment that apply to SIRUI Venus 50mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E). This listing is the 50mm Sony E-mount lens.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow should the SIRUI Venus 50mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) be prepared for a production day?\u003c\/strong\u003e\u003cbr\u003eInspect the product, its mounting or connection points, required accessories, clearance, cable or load routing, and a safe backup plan before using SIRUI Venus 50mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) on a job.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of the SIRUI Venus 50mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)?\u003c\/strong\u003e\u003cbr\u003eChoose another model when its size, capacity, focal length, mount, connector, output, payload, or working format better matches the specific production package than SIRUI Venus 50mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere can I buy the SIRUI Venus 50mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada supplies SIRUI Venus 50mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) with Canada-wide shipping and Vancouver-based assistance for model selection, system fit, accessories, and production planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eBuy SIRUI Venus 50mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for fit, configuration, and production workflow planning.\u003c\/p\u003e","brand":"Sirui","offers":[{"title":"Default Title","offer_id":44377420628227,"sku":"#FFEK6-E","price":2079.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1637678709_1669757.jpg?v=1699394016"},{"product_id":"sirui-venus-75mm-full-frame-anamorphic-lens-sony-e","title":"SIRUI Venus 75mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)","description":"\u003cp\u003e\u003cstrong\u003eSIRUI Venus 75mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) is a 75mm T2.9 1.6x full-frame anamorphic cinema lens package in Sony E mount for narrative, commercial, documentary, music-video, portrait, and independent film production.\u003c\/strong\u003e Available in Canada from Filmgear Canada, Vancouver's cinema-lens and professional camera-optics specialist.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThis production optics is selected for the exact model and production role named in the listing. SIRUI Venus 75mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) creates a 1.6x anamorphic image with widescreen framing, oval bokeh, and horizontal blue flares on full-frame Sony E-mount cameras. The Venus series uses T2.9 maximum aperture, 82mm filters, geared focus and iris rings, and matched mechanics across 35, 50, 75, 100, and 150mm focal lengths. Plan de-squeeze monitoring, final aspect ratio, sensor mode, stabilization, close focus, focus pull, matte box, filters, support, gimbal clearance, and the different field of view delivered by the 75mm lens.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003e1.6x Full-Frame Anamorphic Image\u003c\/h3\u003e\u003cp\u003eCreates widescreen framing, oval bokeh, and horizontal blue flare character across a full-frame image circle.\u003c\/p\u003e\u003ch3\u003eT2.9 Matched Cinema Set\u003c\/h3\u003e\u003cp\u003eShared gear positions, 82mm filters, colour tone, and anamorphic character support efficient changes across the Venus focal-length family.\u003c\/p\u003e\u003ch3\u003e75mm Perspective\u003c\/h3\u003e\u003cp\u003eThe 75mm focal length sets the framing, subject distance, compression, and focus demands within the matched series.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose the 75mm when its perspective and working distance fit the scene. Choose a wider Venus focal length for environment, a longer one for compression and close portraits, or a spherical lens when anamorphic de-squeeze and flare character are not wanted.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/sirui-night-walker-16mm-s35-cine-lens-sony-e-black\"\u003eSIRUI Night Walker 16mm T1.2 S35 Cine Lens (Sony E-mount, Black)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/sirui-night-walker-35mm-s35-sony-e-black\"\u003eSIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black)\u003c\/a\u003e. Sony E-mount full-frame cameras with 1.6x de-squeeze monitoring, 82mm filters, follow focus, matte box, lens support, stabilization, and post-production framing matched to anamorphic capture.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eFor cinematographers, camera operators, owner-operators, rental houses, film schools, commercial crews, and independent productions choosing a specific optical format and focal length.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose spherical lenses for a conventional aspect ratio and neutral flare, another Venus focal length for different perspective, or a smaller squeeze when the monitoring and post workflow cannot support 1.6x anamorphic capture.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\u003cli\u003eSIRUI Venus 75mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eNamed configuration: 75mm\u003c\/li\u003e\n\u003cli\u003eNamed configuration: T2.9\u003c\/li\u003e\n\u003cli\u003eFormat coverage: full frame\u003c\/li\u003e\n\u003cli\u003eAnamorphic squeeze: 1.6x\u003c\/li\u003e\n\u003cli\u003eFilter thread: 82mm\u003c\/li\u003e\n\u003cli\u003eMount: Sony E\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eWhat is the SIRUI Venus 75mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) designed to do?\u003c\/strong\u003e\u003cbr\u003eSIRUI Venus 75mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) is designed as a 75mm T2.9 1.6x full-frame anamorphic cinema lens package in Sony E mount. The Venus family covers full frame with a 1.6x squeeze, T2.9 maximum aperture, 82mm filter threads, geared focus and iris rings, and matched mechanics across the set.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat should I match before ordering the SIRUI Venus 75mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)?\u003c\/strong\u003e\u003cbr\u003eMatch the exact model, mechanical or electronic interface, dimensions, load, signal, power, and surrounding equipment that apply to SIRUI Venus 75mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E). This listing is the 75mm Sony E-mount lens.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow should the SIRUI Venus 75mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) be prepared for a production day?\u003c\/strong\u003e\u003cbr\u003eInspect the product, its mounting or connection points, required accessories, clearance, cable or load routing, and a safe backup plan before using SIRUI Venus 75mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) on a job.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of the SIRUI Venus 75mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)?\u003c\/strong\u003e\u003cbr\u003eChoose another model when its size, capacity, focal length, mount, connector, output, payload, or working format better matches the specific production package than SIRUI Venus 75mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere can I buy the SIRUI Venus 75mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada supplies SIRUI Venus 75mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) with Canada-wide shipping and Vancouver-based assistance for model selection, system fit, accessories, and production planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eBuy SIRUI Venus 75mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for fit, configuration, and production workflow planning.\u003c\/p\u003e","brand":"Sirui","offers":[{"title":"Default Title","offer_id":44377433997571,"sku":null,"price":2079.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1650912363_IMG_1738365.jpg?v=1699394282"},{"product_id":"sirui-100mm-ff-anamorphic-e-mount","title":"SIRUI Venus 100mm T2.9 1.6x Full-Frame Anamorphic Lens (E-Mount)","description":"\u003cp\u003e\u003cstrong\u003eSIRUI Venus 100mm T2.9 1.6x Full-Frame Anamorphic Lens (E-Mount) is a 100mm T2.9 1.6x full-frame anamorphic cinema lens package in Sony E mount for narrative, commercial, documentary, music-video, portrait, and independent film production.\u003c\/strong\u003e Available in Canada from Filmgear Canada, Vancouver's cinema-lens and professional camera-optics specialist.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThis production optics is selected for the exact model and production role named in the listing. SIRUI Venus 100mm T2.9 1.6x Full-Frame Anamorphic Lens (E-Mount) creates a 1.6x anamorphic image with widescreen framing, oval bokeh, and horizontal blue flares on full-frame Sony E-mount cameras. The Venus series uses T2.9 maximum aperture, 82mm filters, geared focus and iris rings, and matched mechanics across 35, 50, 75, 100, and 150mm focal lengths. Plan de-squeeze monitoring, final aspect ratio, sensor mode, stabilization, close focus, focus pull, matte box, filters, support, gimbal clearance, and the different field of view delivered by the 100mm lens.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003e1.6x Full-Frame Anamorphic Image\u003c\/h3\u003e\u003cp\u003eCreates widescreen framing, oval bokeh, and horizontal blue flare character across a full-frame image circle.\u003c\/p\u003e\u003ch3\u003eT2.9 Matched Cinema Set\u003c\/h3\u003e\u003cp\u003eShared gear positions, 82mm filters, colour tone, and anamorphic character support efficient changes across the Venus focal-length family.\u003c\/p\u003e\u003ch3\u003e100mm Perspective\u003c\/h3\u003e\u003cp\u003eThe 100mm focal length sets the framing, subject distance, compression, and focus demands within the matched series.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose the 100mm when its perspective and working distance fit the scene. Choose a wider Venus focal length for environment, a longer one for compression and close portraits, or a spherical lens when anamorphic de-squeeze and flare character are not wanted.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/sirui-night-walker-16mm-s35-cine-lens-sony-e-black\"\u003eSIRUI Night Walker 16mm T1.2 S35 Cine Lens (Sony E-mount, Black)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/sirui-night-walker-35mm-s35-sony-e-black\"\u003eSIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black)\u003c\/a\u003e. Sony E-mount full-frame cameras with 1.6x de-squeeze monitoring, 82mm filters, follow focus, matte box, lens support, stabilization, and post-production framing matched to anamorphic capture.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eFor cinematographers, camera operators, owner-operators, rental houses, film schools, commercial crews, and independent productions choosing a specific optical format and focal length.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose spherical lenses for a conventional aspect ratio and neutral flare, another Venus focal length for different perspective, or a smaller squeeze when the monitoring and post workflow cannot support 1.6x anamorphic capture.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\u003cli\u003eSIRUI Venus 100mm T2.9 1.6x Full-Frame Anamorphic Lens (E-Mount)\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eNamed configuration: 100mm\u003c\/li\u003e\n\u003cli\u003eNamed configuration: T2.9\u003c\/li\u003e\n\u003cli\u003eFormat coverage: full frame\u003c\/li\u003e\n\u003cli\u003eAnamorphic squeeze: 1.6x\u003c\/li\u003e\n\u003cli\u003eFilter thread: 82mm\u003c\/li\u003e\n\u003cli\u003eMount: Sony E\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eWhat is the SIRUI Venus 100mm T2.9 1.6x Full-Frame Anamorphic Lens (E-Mount) designed to do?\u003c\/strong\u003e\u003cbr\u003eSIRUI Venus 100mm T2.9 1.6x Full-Frame Anamorphic Lens (E-Mount) is designed as a 100mm T2.9 1.6x full-frame anamorphic cinema lens package in Sony E mount. The Venus family covers full frame with a 1.6x squeeze, T2.9 maximum aperture, 82mm filter threads, geared focus and iris rings, and matched mechanics across the set.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat should I match before ordering the SIRUI Venus 100mm T2.9 1.6x Full-Frame Anamorphic Lens (E-Mount)?\u003c\/strong\u003e\u003cbr\u003eMatch the exact model, mechanical or electronic interface, dimensions, load, signal, power, and surrounding equipment that apply to SIRUI Venus 100mm T2.9 1.6x Full-Frame Anamorphic Lens (E-Mount). This listing is the 100mm Sony E-mount lens.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow should the SIRUI Venus 100mm T2.9 1.6x Full-Frame Anamorphic Lens (E-Mount) be prepared for a production day?\u003c\/strong\u003e\u003cbr\u003eInspect the product, its mounting or connection points, required accessories, clearance, cable or load routing, and a safe backup plan before using SIRUI Venus 100mm T2.9 1.6x Full-Frame Anamorphic Lens (E-Mount) on a job.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of the SIRUI Venus 100mm T2.9 1.6x Full-Frame Anamorphic Lens (E-Mount)?\u003c\/strong\u003e\u003cbr\u003eChoose another model when its size, capacity, focal length, mount, connector, output, payload, or working format better matches the specific production package than SIRUI Venus 100mm T2.9 1.6x Full-Frame Anamorphic Lens (E-Mount).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere can I buy the SIRUI Venus 100mm T2.9 1.6x Full-Frame Anamorphic Lens (E-Mount) in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada supplies SIRUI Venus 100mm T2.9 1.6x Full-Frame Anamorphic Lens (E-Mount) with Canada-wide shipping and Vancouver-based assistance for model selection, system fit, accessories, and production planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eBuy SIRUI Venus 100mm T2.9 1.6x Full-Frame Anamorphic Lens (E-Mount) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for fit, configuration, and production workflow planning.\u003c\/p\u003e","brand":"Sirui","offers":[{"title":"Default Title","offer_id":44377439535363,"sku":null,"price":2079.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1668426969_1734132.jpg?v=1699394437"},{"product_id":"sirui-150mm-ff-anamorphic-sony-e","title":"SIRUI Venus 150mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)","description":"\u003cp\u003e\u003cstrong\u003eSIRUI Venus 150mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) is a 150mm T2.9 1.6x full-frame anamorphic cinema lens package in Sony E mount for narrative, commercial, documentary, music-video, portrait, and independent film production.\u003c\/strong\u003e Available in Canada from Filmgear Canada, Vancouver's cinema-lens and professional camera-optics specialist.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThis production optics is selected for the exact model and production role named in the listing. SIRUI Venus 150mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) creates a 1.6x anamorphic image with widescreen framing, oval bokeh, and horizontal blue flares on full-frame Sony E-mount cameras. The Venus series uses T2.9 maximum aperture, 82mm filters, geared focus and iris rings, and matched mechanics across 35, 50, 75, 100, and 150mm focal lengths. Plan de-squeeze monitoring, final aspect ratio, sensor mode, stabilization, close focus, focus pull, matte box, filters, support, gimbal clearance, and the different field of view delivered by the 150mm lens.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003e1.6x Full-Frame Anamorphic Image\u003c\/h3\u003e\u003cp\u003eCreates widescreen framing, oval bokeh, and horizontal blue flare character across a full-frame image circle.\u003c\/p\u003e\u003ch3\u003eT2.9 Matched Cinema Set\u003c\/h3\u003e\u003cp\u003eShared gear positions, 82mm filters, colour tone, and anamorphic character support efficient changes across the Venus focal-length family.\u003c\/p\u003e\u003ch3\u003e150mm Perspective\u003c\/h3\u003e\u003cp\u003eThe 150mm focal length sets the framing, subject distance, compression, and focus demands within the matched series.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose the 150mm when its perspective and working distance fit the scene. Choose a wider Venus focal length for environment, a longer one for compression and close portraits, or a spherical lens when anamorphic de-squeeze and flare character are not wanted.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/sirui-night-walker-16mm-s35-cine-lens-sony-e-black\"\u003eSIRUI Night Walker 16mm T1.2 S35 Cine Lens (Sony E-mount, Black)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/sirui-night-walker-35mm-s35-sony-e-black\"\u003eSIRUI Night Walker 35mm T1.2 S35 Cine Lens (Sony E-Mount, Black)\u003c\/a\u003e. Sony E-mount full-frame cameras with 1.6x de-squeeze monitoring, 82mm filters, follow focus, matte box, lens support, stabilization, and post-production framing matched to anamorphic capture.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eFor cinematographers, camera operators, owner-operators, rental houses, film schools, commercial crews, and independent productions choosing a specific optical format and focal length.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose spherical lenses for a conventional aspect ratio and neutral flare, another Venus focal length for different perspective, or a smaller squeeze when the monitoring and post workflow cannot support 1.6x anamorphic capture.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\u003cli\u003eSIRUI Venus 150mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eNamed configuration: 150mm\u003c\/li\u003e\n\u003cli\u003eNamed configuration: T2.9\u003c\/li\u003e\n\u003cli\u003eFormat coverage: full frame\u003c\/li\u003e\n\u003cli\u003eAnamorphic squeeze: 1.6x\u003c\/li\u003e\n\u003cli\u003eFilter thread: 82mm\u003c\/li\u003e\n\u003cli\u003eMount: Sony E\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eWhat is the SIRUI Venus 150mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) designed to do?\u003c\/strong\u003e\u003cbr\u003eSIRUI Venus 150mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) is designed as a 150mm T2.9 1.6x full-frame anamorphic cinema lens package in Sony E mount. The Venus family covers full frame with a 1.6x squeeze, T2.9 maximum aperture, 82mm filter threads, geared focus and iris rings, and matched mechanics across the set.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat should I match before ordering the SIRUI Venus 150mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)?\u003c\/strong\u003e\u003cbr\u003eMatch the exact model, mechanical or electronic interface, dimensions, load, signal, power, and surrounding equipment that apply to SIRUI Venus 150mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E). This listing is the 150mm Sony E-mount lens.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow should the SIRUI Venus 150mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) be prepared for a production day?\u003c\/strong\u003e\u003cbr\u003eInspect the product, its mounting or connection points, required accessories, clearance, cable or load routing, and a safe backup plan before using SIRUI Venus 150mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) on a job.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of the SIRUI Venus 150mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E)?\u003c\/strong\u003e\u003cbr\u003eChoose another model when its size, capacity, focal length, mount, connector, output, payload, or working format better matches the specific production package than SIRUI Venus 150mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere can I buy the SIRUI Venus 150mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada supplies SIRUI Venus 150mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) with Canada-wide shipping and Vancouver-based assistance for model selection, system fit, accessories, and production planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eBuy SIRUI Venus 150mm T2.9 1.6x Full-Frame Anamorphic Lens (Sony E) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for fit, configuration, and production workflow planning.\u003c\/p\u003e","brand":"Sirui","offers":[{"title":"Default Title","offer_id":44377444417795,"sku":null,"price":2079.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1692035310_IMG_2062245.jpg?v=1699394561"},{"product_id":"dzofilm-pavo-2x-anamorphic-6-lens-set-blue-pl-ef-feet","title":"DZOFilm PAVO 2x Anamorphic 6-Lens Set (Blue Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 6 lens set combines a 2x squeeze, blue coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e This 6-Lens Set package keeps multiple focal lengths together for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This blue configuration provides a classic blue horizontal flare treatment. The included focal lengths are named in the product title and share the same family mechanics for faster lens changes.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e6 Matched 2x Anamorphic Lenses\u003c\/h3\u003e\u003cp\u003eThe named 6-Lens Set combination covers multiple framing needs while maintaining PAVO handling and flare character.\u003c\/p\u003e\n\u003ch3\u003eBlue Flare Character\u003c\/h3\u003e\u003cp\u003eBlue coating provides a classic blue horizontal flare treatment across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this blue PAVO package when 2x Super 35 anamorphic capture and blue flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-2x-anamorphic-6-lens-set-neutral-pl-ef-feet\"\u003ematching neutral-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis set is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with blue flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eIncluded focal lengths: 6-Lens Set\u003c\/li\u003e\n\u003cli\u003eMaximum apertures: as named for the included focal lengths\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Blue\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO set designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the blue coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set: It is intended for blue horizontal streaks when bright highlights enter the frame, while the neutral version keeps flare colour closer to the illumination.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 2x Anamorphic 6-Lens Set (Blue Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44418493317379,"sku":"DZO-PA6PLIB","price":20847.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1695214533_1787191_1b01b9df-f572-4d05-b3a5-633773fc87b6.jpg?v=1700523568"},{"product_id":"dzofilm-pavo-2x-anamorphic-28-40-75-lens-set-blue-pl-ef-feet","title":"DZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set (Blue Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 3 lens set combines a 2x squeeze, blue coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e This 28\/40\/75mm T2.1 3-Lens Set package keeps multiple focal lengths together for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This blue configuration provides a classic blue horizontal flare treatment. The included focal lengths are named in the product title and share the same family mechanics for faster lens changes.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e3 Matched 2x Anamorphic Lenses\u003c\/h3\u003e\u003cp\u003eThe named 28\/40\/75mm T2.1 3-Lens Set combination covers multiple framing needs while maintaining PAVO handling and flare character.\u003c\/p\u003e\n\u003ch3\u003eBlue Flare Character\u003c\/h3\u003e\u003cp\u003eBlue coating provides a classic blue horizontal flare treatment across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this blue PAVO package when 2x Super 35 anamorphic capture and blue flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-28-40-75-3-lens-set-neutral-pl-ef-feet\"\u003ematching neutral-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis set is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with blue flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eIncluded focal lengths: 28\/40\/75mm T2.1 3-Lens Set\u003c\/li\u003e\n\u003cli\u003eMaximum apertures: as named for the included focal lengths\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Blue\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO set designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the blue coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set: It is intended for blue horizontal streaks when bright highlights enter the frame, while the neutral version keeps flare colour closer to the illumination.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set (Blue Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44418500526339,"sku":"DZO-PAA3PLIB","price":12507.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1694774815_1787194.jpg?v=1700524598"},{"product_id":"dzofilm-pavo-2x-anamorphic-32-55-100-lens-set-blue-pl-ef-feet","title":"DZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026 100mm T2.4 3-Lens Set (Blue Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 3 lens set combines a 2x squeeze, blue coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e This 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set package keeps multiple focal lengths together for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This blue configuration provides a classic blue horizontal flare treatment. The included focal lengths are named in the product title and share the same family mechanics for faster lens changes.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e3 Matched 2x Anamorphic Lenses\u003c\/h3\u003e\u003cp\u003eThe named 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set combination covers multiple framing needs while maintaining PAVO handling and flare character.\u003c\/p\u003e\n\u003ch3\u003eBlue Flare Character\u003c\/h3\u003e\u003cp\u003eBlue coating provides a classic blue horizontal flare treatment across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this blue PAVO package when 2x Super 35 anamorphic capture and blue flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-3-lens-set-neutral-pl-ef-feet\"\u003ematching neutral-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis set is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with blue flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eIncluded focal lengths: 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set\u003c\/li\u003e\n\u003cli\u003eMaximum apertures: as named for the included focal lengths\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Blue\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO set designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the blue coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set: It is intended for blue horizontal streaks when bright highlights enter the frame, while the neutral version keeps flare colour closer to the illumination.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set (Blue Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44418504753411,"sku":"DZO-PAB3PLIB","price":12507.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1695214533_1787196.jpg?v=1700524924"},{"product_id":"dzofilm-pavo-28mm-2x-anamorphic-prime-lens-blue-pl-ef-feet","title":"DZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens (Blue Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 28mm anamorphic lens combines a 2x squeeze, blue coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e The 28mm focal length adds a distinct field of view for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This blue configuration provides a classic blue horizontal flare treatment. The 28mm lens is listed at T2.1, giving crews a matched option at this focal length.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e28mm T2.1 2x Anamorphic\u003c\/h3\u003e\u003cp\u003eThe 28mm focal length combines T2.1 speed with a true 2x squeeze for Super 35 acquisition.\u003c\/p\u003e\n\u003ch3\u003eBlue Flare Character\u003c\/h3\u003e\u003cp\u003eBlue coating provides a classic blue horizontal flare treatment across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this blue PAVO 28mm when 2x Super 35 anamorphic capture and blue flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-28mm-2x-anamorphic-neutral-pl-ef-feet\"\u003ematching neutral-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with blue flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 28mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Blue\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO 28mm designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the blue coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens: It is intended for blue horizontal streaks when bright highlights enter the frame, while the neutral version keeps flare colour closer to the illumination.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens (Blue Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44418505081091,"sku":"DZO-PA2821PLIB","price":4723.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1694774815_1787182.jpg?v=1700525188"},{"product_id":"dzofilm-pavo-32mm-anamorphic-blue-pl-ef-feet","title":"DZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens (Blue Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 32mm anamorphic lens combines a 2x squeeze, blue coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e The 32mm focal length adds a distinct field of view for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This blue configuration provides a classic blue horizontal flare treatment. The 32mm lens is listed at T2.1, giving crews a matched option at this focal length.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e32mm T2.1 2x Anamorphic\u003c\/h3\u003e\u003cp\u003eThe 32mm focal length combines T2.1 speed with a true 2x squeeze for Super 35 acquisition.\u003c\/p\u003e\n\u003ch3\u003eBlue Flare Character\u003c\/h3\u003e\u003cp\u003eBlue coating provides a classic blue horizontal flare treatment across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this blue PAVO 32mm when 2x Super 35 anamorphic capture and blue flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-32mm-2x-anamorphic-neutral-pl-ef-feet\"\u003ematching neutral-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with blue flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 32mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Blue\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO 32mm designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the blue coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens: It is intended for blue horizontal streaks when bright highlights enter the frame, while the neutral version keeps flare colour closer to the illumination.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens (Blue Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44418505801987,"sku":"DZO-PA3221PLIB","price":4723.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1694775378_IMG_2081865_1e86c35a-b858-4923-8491-04b299add959.jpg?v=1700525469"},{"product_id":"dzofilm-pavo-40-2x-anamorphic-blue-pl-ef-feet","title":"DZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens (Blue Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 40mm anamorphic lens combines a 2x squeeze, blue coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e The 40mm focal length adds a distinct field of view for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This blue configuration provides a classic blue horizontal flare treatment. The 40mm lens is listed at T2.1, giving crews a matched option at this focal length.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e40mm T2.1 2x Anamorphic\u003c\/h3\u003e\u003cp\u003eThe 40mm focal length combines T2.1 speed with a true 2x squeeze for Super 35 acquisition.\u003c\/p\u003e\n\u003ch3\u003eBlue Flare Character\u003c\/h3\u003e\u003cp\u003eBlue coating provides a classic blue horizontal flare treatment across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this blue PAVO 40mm when 2x Super 35 anamorphic capture and blue flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-40mm-2x-anamorphic-neutral-pl-ef-feet\"\u003ematching neutral-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with blue flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 40mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Blue\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO 40mm designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the blue coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens: It is intended for blue horizontal streaks when bright highlights enter the frame, while the neutral version keeps flare colour closer to the illumination.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens (Blue Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44418507243779,"sku":"DZO-PA4021PLIB","price":4723.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1694774815_1787186.jpg?v=1700525757"},{"product_id":"dzofilm-pavo-55mm-2x-anamorphic-lens-blue-pl-ef-feet","title":"DZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens (Blue Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 55mm anamorphic lens combines a 2x squeeze, blue coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e The 55mm focal length adds a distinct field of view for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This blue configuration provides a classic blue horizontal flare treatment. The 55mm lens is listed at T2.1, giving crews a matched option at this focal length.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e55mm T2.1 2x Anamorphic\u003c\/h3\u003e\u003cp\u003eThe 55mm focal length combines T2.1 speed with a true 2x squeeze for Super 35 acquisition.\u003c\/p\u003e\n\u003ch3\u003eBlue Flare Character\u003c\/h3\u003e\u003cp\u003eBlue coating provides a classic blue horizontal flare treatment across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this blue PAVO 55mm when 2x Super 35 anamorphic capture and blue flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-55mm-2x-anamorphic-neutral-pl-ef-feet\"\u003ematching neutral-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with blue flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 55mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Blue\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO 55mm designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the blue coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens: It is intended for blue horizontal streaks when bright highlights enter the frame, while the neutral version keeps flare colour closer to the illumination.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens (Blue Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44418508947715,"sku":"DZO-PA5521PLIB","price":4723.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1694775378_IMG_2081869_a84bbdbb-3596-41d8-97dd-c073447ee152.jpg?v=1700526205"},{"product_id":"dzofilm-pavo-75-2x-anamorphic-lens-blue-pl-ef-feet","title":"DZOFilm PAVO 75mm T2.1 2x Anamorphic Prime Lens (Blue Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 75mm anamorphic lens combines a 2x squeeze, blue coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e The 75mm focal length adds a distinct field of view for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm PAVO 75mm T2.1 2x Anamorphic Prime Lens belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This blue configuration provides a classic blue horizontal flare treatment. The 75mm lens is listed at T2.1, giving crews a matched option at this focal length.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e75mm T2.1 2x Anamorphic\u003c\/h3\u003e\u003cp\u003eThe 75mm focal length combines T2.1 speed with a true 2x squeeze for Super 35 acquisition.\u003c\/p\u003e\n\u003ch3\u003eBlue Flare Character\u003c\/h3\u003e\u003cp\u003eBlue coating provides a classic blue horizontal flare treatment across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this blue PAVO 75mm when 2x Super 35 anamorphic capture and blue flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-75mm-anamorphic-neutral-pl-ef-feet\"\u003ematching neutral-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with blue flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 75mm T2.1 2x Anamorphic Prime Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 75mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Blue\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO 75mm designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 75mm T2.1 2x Anamorphic Prime Lens: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the blue coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 75mm T2.1 2x Anamorphic Prime Lens: It is intended for blue horizontal streaks when bright highlights enter the frame, while the neutral version keeps flare colour closer to the illumination.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 75mm T2.1 2x Anamorphic Prime Lens: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 75mm T2.1 2x Anamorphic Prime Lens: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 75mm T2.1 2x Anamorphic Prime Lens: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 75mm T2.1 2x Anamorphic Prime Lens (Blue Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44418515075331,"sku":"DZO-PA7521PLIB","price":4723.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1694774815_1787192.jpg?v=1700526348"},{"product_id":"dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet","title":"DZOFilm PAVO 100mm T2.4 2x Anamorphic Prime Lens (Blue Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eThe DZOFilm PAVO 100mm anamorphic lens is a compact T2.4 Super 35 cinema prime with a 2x squeeze, blue flare coating, and feet-marked focus scale.\u003c\/strong\u003e Its longer focal length adds subject isolation and spatial compression while retaining the PAVO family handling for narrative, commercial, music-video, and rental work.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThis 100mm PAVO configuration produces a 2x anamorphic image on Super 35 cameras and uses a 31.5mm image circle. The blue version is designed for classic blue horizontal flare behaviour, while the neutral version follows the colour of the light source more closely. DZOFILM specifies T2.4 to T22, a 0.95m close-focus distance from the sensor plane, a 95mm front outside diameter, M86 filter thread, manual 300-degree focus rotation, 16 iris blades, and 0.8 MOD gearing. The product identity includes interchangeable PL and EF mounting, so the chosen camera interface and back focus must be checked before use.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e100mm T2.4 2x Anamorphic\u003c\/h3\u003e\u003cp\u003eThe long 100mm focal length combines T2.4 speed with a true 2x squeeze for tighter Super 35 framing and pronounced anamorphic depth.\u003c\/p\u003e\n\u003ch3\u003eBlue Horizontal Flare Character\u003c\/h3\u003e\u003cp\u003eThe blue-coated version creates the blue streak treatment associated with classic anamorphic flare while preserving the family colour match.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual 300-degree focus rotation, and 16-blade iris fit professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this blue-coated 100mm when the production wants tighter framing, stronger subject separation, and a blue streak flare. Choose the neutral-coated 100mm for a less colour-specific flare, a shorter PAVO focal length for a wider field of view, or the 65mm Macro when close-detail magnification is the priority.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-neutral-pl-ef-feet\"\u003eDZOFilm PAVO 100mm Neutral\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-2x-anamorphic-65mm-neutral-pl-ef-feet\"\u003eDZOFilm PAVO 65mm Macro Neutral\u003c\/a\u003e. Confirm the PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, and back-focus setup before production.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, narrative and commercial crews, and owner-operators who want a longer 2x anamorphic PAVO focal length with a deliberate blue flare signature.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a neutral-coated PAVO when blue flare is not desired, a wider focal length when the set or camera distance is limited, or a full-frame anamorphic design when a Super 35 image circle does not cover the planned sensor mode.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 100mm T2.4 2x anamorphic prime lens, blue coating, feet scale\u003c\/li\u003e\n\u003cli\u003einterchangeable ARRI PL and Canon EF mount package shown in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 100mm\u003c\/li\u003e\n\u003cli\u003eAperture: T2.4 to T22\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.95m \/ 3ft 1in from sensor plane\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 300 degrees\u003c\/li\u003e\n\u003cli\u003eIris blades: 16\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eWeight: approximately 1,654g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is the PAVO 100mm designed to cover?\u003c\/strong\u003e\u003cbr\u003eThe lens has a 31.5mm image circle for Super 35 production. Check the active sensor mode rather than assuming full-frame coverage.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do the blue and neutral PAVO 100mm versions compare?\u003c\/strong\u003e\u003cbr\u003eThe blue version is intended to produce classic blue horizontal flare, while the neutral version follows the colour of the illumination more closely.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this PAVO 100mm include PL and EF mount capability?\u003c\/strong\u003e\u003cbr\u003eThe current Filmgear product identity specifies a PL and EF mount configuration. Confirm the installed mount and back focus before fitting the lens to a camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring is required for a 2x anamorphic lens?\u003c\/strong\u003e\u003cbr\u003eUse a camera or monitor with a suitable 2x de-squeeze view so framing and focus can be judged in the intended widescreen image.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy the blue PAVO 100mm in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada supplies this PAVO configuration with Canada-wide shipping and Vancouver-based help for mount and kit selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 100mm T2.4 2x Anamorphic Prime Lens (Blue Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Confirm the exact mount, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44418515304707,"sku":"DZO-PA10021PLIB","price":4723.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1695215031_IMG_2087684_3456cfea-f4c5-4685-922e-16b8a50c286a.jpg?v=1700526579"},{"product_id":"dzofilm-pavo-28-40-75-3-lens-set-neutral-pl-ef-feet","title":"DZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set (Neutral Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 3 lens set combines a 2x squeeze, neutral coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e This 28\/40\/75mm T2.1 3-Lens Set package keeps multiple focal lengths together for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This neutral configuration provides a neutral flare treatment that follows the colour of the illumination more closely. The included focal lengths are named in the product title and share the same family mechanics for faster lens changes.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e3 Matched 2x Anamorphic Lenses\u003c\/h3\u003e\u003cp\u003eThe named 28\/40\/75mm T2.1 3-Lens Set combination covers multiple framing needs while maintaining PAVO handling and flare character.\u003c\/p\u003e\n\u003ch3\u003eNeutral Flare Character\u003c\/h3\u003e\u003cp\u003eNeutral coating provides a neutral flare treatment that follows the colour of the illumination more closely across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this neutral PAVO package when 2x Super 35 anamorphic capture and neutral flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-2x-anamorphic-28-40-75-lens-set-blue-pl-ef-feet\"\u003ematching blue-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis set is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with neutral flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eIncluded focal lengths: 28\/40\/75mm T2.1 3-Lens Set\u003c\/li\u003e\n\u003cli\u003eMaximum apertures: as named for the included focal lengths\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Neutral\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO set designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the neutral coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set: It keeps flare colour closer to the illumination, while the blue version adds a more pronounced blue horizontal streak treatment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 2x Anamorphic 28\/40\/75mm T2.1 3-Lens Set (Neutral Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44418517631235,"sku":"DZO-PAA3PLIN","price":12507.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1694774815_1787195.jpg?v=1700527119"},{"product_id":"dzofilm-pavo-3-lens-set-neutral-pl-ef-feet","title":"DZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026 100mm T2.4 3-Lens Set (Neutral Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 3 lens set combines a 2x squeeze, neutral coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e This 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set package keeps multiple focal lengths together for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This neutral configuration provides a neutral flare treatment that follows the colour of the illumination more closely. The included focal lengths are named in the product title and share the same family mechanics for faster lens changes.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e3 Matched 2x Anamorphic Lenses\u003c\/h3\u003e\u003cp\u003eThe named 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set combination covers multiple framing needs while maintaining PAVO handling and flare character.\u003c\/p\u003e\n\u003ch3\u003eNeutral Flare Character\u003c\/h3\u003e\u003cp\u003eNeutral coating provides a neutral flare treatment that follows the colour of the illumination more closely across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this neutral PAVO package when 2x Super 35 anamorphic capture and neutral flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-2x-anamorphic-32-55-100-lens-set-blue-pl-ef-feet\"\u003ematching blue-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis set is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with neutral flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eIncluded focal lengths: 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set\u003c\/li\u003e\n\u003cli\u003eMaximum apertures: as named for the included focal lengths\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Neutral\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO set designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the neutral coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set: It keeps flare colour closer to the illumination, while the blue version adds a more pronounced blue horizontal streak treatment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 2x Anamorphic 32\/55 T2.1 \u0026amp; 100mm T2.4 3-Lens Set (Neutral Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44418522611971,"sku":"DZO-PAB3PLIN","price":12507.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1695214820_1787197.jpg?v=1700527724"},{"product_id":"dzofilm-pavo-28mm-2x-anamorphic-neutral-pl-ef-feet","title":"DZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens (Neutral Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 28mm anamorphic lens combines a 2x squeeze, neutral coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e The 28mm focal length adds a distinct field of view for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This neutral configuration provides a neutral flare treatment that follows the colour of the illumination more closely. The 28mm lens is listed at T2.1, giving crews a matched option at this focal length.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e28mm T2.1 2x Anamorphic\u003c\/h3\u003e\u003cp\u003eThe 28mm focal length combines T2.1 speed with a true 2x squeeze for Super 35 acquisition.\u003c\/p\u003e\n\u003ch3\u003eNeutral Flare Character\u003c\/h3\u003e\u003cp\u003eNeutral coating provides a neutral flare treatment that follows the colour of the illumination more closely across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this neutral PAVO 28mm when 2x Super 35 anamorphic capture and neutral flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-28mm-2x-anamorphic-prime-lens-blue-pl-ef-feet\"\u003ematching blue-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with neutral flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 28mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Neutral\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO 28mm designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the neutral coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens: It keeps flare colour closer to the illumination, while the blue version adds a more pronounced blue horizontal streak treatment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens (Neutral Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44418524217603,"sku":"DZO-PA2821PLIN","price":4723.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1694775378_IMG_2081974_eb0e7d3f-2aed-4904-a706-570e5d758f75.jpg?v=1700527911"},{"product_id":"dzofilm-pavo-32mm-2x-anamorphic-neutral-pl-ef-feet","title":"DZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens (Neutral Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 32mm anamorphic lens combines a 2x squeeze, neutral coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e The 32mm focal length adds a distinct field of view for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This neutral configuration provides a neutral flare treatment that follows the colour of the illumination more closely. The 32mm lens is listed at T2.1, giving crews a matched option at this focal length.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e32mm T2.1 2x Anamorphic\u003c\/h3\u003e\u003cp\u003eThe 32mm focal length combines T2.1 speed with a true 2x squeeze for Super 35 acquisition.\u003c\/p\u003e\n\u003ch3\u003eNeutral Flare Character\u003c\/h3\u003e\u003cp\u003eNeutral coating provides a neutral flare treatment that follows the colour of the illumination more closely across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this neutral PAVO 32mm when 2x Super 35 anamorphic capture and neutral flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-32mm-anamorphic-blue-pl-ef-feet\"\u003ematching blue-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with neutral flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 32mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Neutral\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO 32mm designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the neutral coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens: It keeps flare colour closer to the illumination, while the blue version adds a more pronounced blue horizontal streak treatment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens (Neutral Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44418524676355,"sku":"DZO-PA3221PLIN","price":4723.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1694775378_IMG_2081962_5057bfcb-a3c2-4c8c-a097-76fcff3102bf.jpg?v=1700528060"},{"product_id":"dzofilm-pavo-40mm-2x-anamorphic-neutral-pl-ef-feet","title":"DZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens (Neutral Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 40mm anamorphic lens combines a 2x squeeze, neutral coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e The 40mm focal length adds a distinct field of view for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This neutral configuration provides a neutral flare treatment that follows the colour of the illumination more closely. The 40mm lens is listed at T2.1, giving crews a matched option at this focal length.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e40mm T2.1 2x Anamorphic\u003c\/h3\u003e\u003cp\u003eThe 40mm focal length combines T2.1 speed with a true 2x squeeze for Super 35 acquisition.\u003c\/p\u003e\n\u003ch3\u003eNeutral Flare Character\u003c\/h3\u003e\u003cp\u003eNeutral coating provides a neutral flare treatment that follows the colour of the illumination more closely across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this neutral PAVO 40mm when 2x Super 35 anamorphic capture and neutral flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-40-2x-anamorphic-blue-pl-ef-feet\"\u003ematching blue-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with neutral flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 40mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Neutral\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO 40mm designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the neutral coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens: It keeps flare colour closer to the illumination, while the blue version adds a more pronounced blue horizontal streak treatment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens (Neutral Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44418526216451,"sku":"DZO-PA4021PLIN","price":4723.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1694775378_IMG_2081978_75afb1d5-1ff4-4ab4-8e0f-f1c1b00a4dd7.jpg?v=1700528182"},{"product_id":"dzofilm-pavo-55mm-2x-anamorphic-neutral-pl-ef-feet","title":"DZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens (Neutral Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 55mm anamorphic lens combines a 2x squeeze, neutral coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e The 55mm focal length adds a distinct field of view for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This neutral configuration provides a neutral flare treatment that follows the colour of the illumination more closely. The 55mm lens is listed at T2.1, giving crews a matched option at this focal length.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e55mm T2.1 2x Anamorphic\u003c\/h3\u003e\u003cp\u003eThe 55mm focal length combines T2.1 speed with a true 2x squeeze for Super 35 acquisition.\u003c\/p\u003e\n\u003ch3\u003eNeutral Flare Character\u003c\/h3\u003e\u003cp\u003eNeutral coating provides a neutral flare treatment that follows the colour of the illumination more closely across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this neutral PAVO 55mm when 2x Super 35 anamorphic capture and neutral flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-55mm-2x-anamorphic-lens-blue-pl-ef-feet\"\u003ematching blue-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with neutral flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 55mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Neutral\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO 55mm designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the neutral coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens: It keeps flare colour closer to the illumination, while the blue version adds a more pronounced blue horizontal streak treatment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens (Neutral Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44418526511363,"sku":"DZO-PA5521PLIN","price":4723.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1694775378_IMG_2081966_c1b651da-09c7-4151-a7ae-26678f14cc29.jpg?v=1700528267"},{"product_id":"dzofilm-pavo-75mm-anamorphic-neutral-pl-ef-feet","title":"DZOFilm PAVO 75mm T2.1 2x Anamorphic Prime Lens (Neutral Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 75mm anamorphic lens combines a 2x squeeze, neutral coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e The 75mm focal length adds a distinct field of view for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm PAVO 75mm T2.1 2x Anamorphic Prime Lens belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This neutral configuration provides a neutral flare treatment that follows the colour of the illumination more closely. The 75mm lens is listed at T2.1, giving crews a matched option at this focal length.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e75mm T2.1 2x Anamorphic\u003c\/h3\u003e\u003cp\u003eThe 75mm focal length combines T2.1 speed with a true 2x squeeze for Super 35 acquisition.\u003c\/p\u003e\n\u003ch3\u003eNeutral Flare Character\u003c\/h3\u003e\u003cp\u003eNeutral coating provides a neutral flare treatment that follows the colour of the illumination more closely across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this neutral PAVO 75mm when 2x Super 35 anamorphic capture and neutral flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-75-2x-anamorphic-lens-blue-pl-ef-feet\"\u003ematching blue-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with neutral flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 75mm T2.1 2x Anamorphic Prime Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 75mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Neutral\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO 75mm designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 75mm T2.1 2x Anamorphic Prime Lens: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the neutral coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 75mm T2.1 2x Anamorphic Prime Lens: It keeps flare colour closer to the illumination, while the blue version adds a more pronounced blue horizontal streak treatment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 75mm T2.1 2x Anamorphic Prime Lens: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 75mm T2.1 2x Anamorphic Prime Lens: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 75mm T2.1 2x Anamorphic Prime Lens: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 75mm T2.1 2x Anamorphic Prime Lens (Neutral Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44418526773507,"sku":"DZO-PA7521PLIN","price":4723.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1694775378_IMG_2081982_30a03989-cd53-4041-a629-8296f5f75001.jpg?v=1700528368"},{"product_id":"dzofilm-pavo-100mm-2x-anamorphic-neutral-pl-ef-feet","title":"DZOFilm PAVO 100mm T2.4 2x Anamorphic Prime Lens (Neutral Coating, PL\/EF Mount, Feet)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm PAVO 100mm anamorphic lens combines a 2x squeeze, neutral coating, Super 35 coverage, and interchangeable PL\/EF mounting in a compact manual cinema housing.\u003c\/strong\u003e The 100mm focal length adds a distinct field of view for narrative, commercial, music-video, and rental production.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm PAVO 100mm T2.4 2x Anamorphic Prime Lens belongs to the PAVO 2x anamorphic family. DZOFILM lists a 31.5mm Super 35 image circle, 95mm front outside diameter, M86 filter thread, 0.8 MOD gears, manual focus, built-in back-focus adjustment, and neutral or blue flare versions. This neutral configuration provides a neutral flare treatment that follows the colour of the illumination more closely. The 100mm lens is listed at T2.4, giving crews a matched option at this focal length.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e100mm T2.4 2x Anamorphic\u003c\/h3\u003e\u003cp\u003eThe 100mm focal length combines T2.4 speed with a true 2x squeeze for Super 35 acquisition.\u003c\/p\u003e\n\u003ch3\u003eNeutral Flare Character\u003c\/h3\u003e\u003cp\u003eNeutral coating provides a neutral flare treatment that follows the colour of the illumination more closely across the selected focal length or matched set.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eA 95mm front diameter, M86 thread, 0.8 MOD gears, manual focus, and built-in back-focus adjustment support professional matte-box and follow-focus workflows.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this neutral PAVO 100mm when 2x Super 35 anamorphic capture and neutral flare character fit the production. Choose the alternate coating for a different flare colour, another focal length or set for different framing coverage, or a full-frame anamorphic system when the planned sensor mode exceeds the 31.5mm image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003ematching blue-coated PAVO configuration\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pavo-100mm-2x-anamorphic-blue-pl-ef-feet\"\u003eanother PAVO focal-length option\u003c\/a\u003e. Check the selected PL or EF mount, Super 35 sensor mode, 2x de-squeeze monitoring, lens support, rear-element clearance, matte box, follow-focus position, and back-focus setup.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, narrative and commercial crews, and owner-operators building a manual 2x Super 35 anamorphic package with neutral flare character.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose the other coating when this flare colour is not desired, a different focal length when camera distance or framing demands it, spherical lenses for a non-anamorphic image, or full-frame glass for larger sensor modes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm PAVO 100mm T2.4 2x Anamorphic Prime Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 100mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.4\u003c\/li\u003e\n\u003cli\u003eSqueeze factor: 2x\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: ARRI PL and Canon EF configuration\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003cli\u003eFlare coating: Neutral\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat camera format is this PAVO 100mm designed for?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 100mm T2.4 2x Anamorphic Prime Lens: The PAVO family uses a 31.5mm image circle for Super 35 production. Check the active sensor area before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the neutral coating affect the image?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 100mm T2.4 2x Anamorphic Prime Lens: It keeps flare colour closer to the illumination, while the blue version adds a more pronounced blue horizontal streak treatment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this configuration support PL and EF mounting?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 100mm T2.4 2x Anamorphic Prime Lens: The current product identity includes ARRI PL and Canon EF mounting. Check the installed mount, rear clearance, and back focus after changing the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat monitoring setup is useful for 2x anamorphic capture?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 100mm T2.4 2x Anamorphic Prime Lens: Use a camera or monitor with a 2x de-squeeze view so framing, focus, faces, and edge clearance can be judged in the intended widescreen composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this PAVO configuration in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm PAVO 100mm T2.4 2x Anamorphic Prime Lens: Filmgear Canada supplies this configuration with Canada-wide shipping and Vancouver-based help for focal-length, mount, and coating selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm PAVO 100mm T2.4 2x Anamorphic Prime Lens (Neutral Coating, PL\/EF Mount, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44418527985923,"sku":"DZO-PA10021PLIN","price":4723.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1695215031_IMG_2087689_2a8cdca7-ef61-4710-ae77-808e096364ac.jpg?v=1700528408"},{"product_id":"dzofilm-vespid-12mm-pl-ef","title":"DZOFilm VESPID Full Frame Cine Prime 12mm T2.8 Lens (PL\/EF)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 12mm cine lens provides 12mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm VESPID Full Frame Cine Prime 12mm T2.8 Lens uses a 12mm focal length and T2.8 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e12mm T2.8 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 12mm field of view and T2.8 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 12mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm VESPID Full Frame Cine Prime 12mm T2.8 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 12mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.8\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFilm VESPID Full Frame Cine Prime 12mm T2.8 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFilm VESPID Full Frame Cine Prime 12mm T2.8 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFilm VESPID Full Frame Cine Prime 12mm T2.8 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFilm VESPID Full Frame Cine Prime 12mm T2.8 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm VESPID Full Frame Cine Prime 12mm T2.8 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm VESPID Full Frame Cine Prime 12mm T2.8 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44422040944899,"sku":"DZO-V01228PL","price":1665.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1695377795_1788747.jpg?v=1700597353"},{"product_id":"dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts","title":"DZOFilm VESPID Prime 7-Lens Kit V2 16\/25\/35\/50\/75\/100\/125mm (PL\/EF)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID Prime 7 lens kit provides matched multi-focal-length coverage in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm VESPID Prime 7-Lens Kit V2 16\/25\/35\/50\/75\/100\/125mm combines the 16\/25\/35\/50\/75\/100\/125mm focal lengths named in the current product identity. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003eSeven Matched Full-Frame Primes\u003c\/h3\u003e\u003cp\u003eThe named seven focal lengths create a broad matched prime set for establishing shots, dialogue, portraits, details, and compressed perspectives.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID kit for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003cp\u003eFor the three DZOFILM prime families side by side, see our \u003ca href=\"\/blogs\/buying-guide\/dzofilm-vespid-2-vs-arles-vs-vespid\"\u003eVespid 2 vs Arles vs Vespid comparison\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eVESPID 35mm prime\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-75mm-pl\"\u003eVESPID 75mm prime\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis kit is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm VESPID Prime 7-Lens Kit V2 16\/25\/35\/50\/75\/100\/125mm\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eIncluded focal lengths: 16, 25, 35, 50, 75, 100, and 125mm\u003c\/li\u003e\n\u003cli\u003eMaximum apertures: according to each included focal length\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFilm VESPID Prime 7-Lens Kit V2 16\/25\/35\/50\/75\/100\/125mm: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFilm VESPID Prime 7-Lens Kit V2 16\/25\/35\/50\/75\/100\/125mm: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFilm VESPID Prime 7-Lens Kit V2 16\/25\/35\/50\/75\/100\/125mm: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFilm VESPID Prime 7-Lens Kit V2 16\/25\/35\/50\/75\/100\/125mm: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm VESPID Prime 7-Lens Kit V2 16\/25\/35\/50\/75\/100\/125mm: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm VESPID Prime 7-Lens Kit V2 16\/25\/35\/50\/75\/100\/125mm (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":44792292442371,"sku":"DZO-VP7V2PL","price":7225.94,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1705657097_IMG_2171143.jpg?v=1709661385"},{"product_id":"nisi-athena-prime-14mm-full-frame-arri-pl","title":"NiSi ATHENA PRIME 14mm T2.4 Full-Frame Lens (PL Mount)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eNiSi ATHENA PRIME 14mm T2.4 Full-Frame Lens (PL Mount) is a 14mm T2.4 ARRI PL mount full-frame cine lens from the NiSi Athena Prime system.\u003c\/strong\u003e It combines the 14mm field of view with the family's geared manual focus and iris workflow for narrative, commercial, documentary, studio, and rental use.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eNiSi ATHENA PRIME 14mm T2.4 Full-Frame Lens (PL Mount) belongs to the NiSi Athena Prime full-frame prime family with a 46mm image circle, matched 80mm fronts, 77mm filter threads, and 300-degree focus rotation. The 14mm focal length controls field of view, perspective, camera distance, and working space, while the T2.4 rating affects low-light exposure and depth of field. Before production, check sensor recording area, ARRI PL mount, flange setup, rear clearance, lens support, matte box or filters, follow-focus and motor positions, focus scale, minimum working distance, and whether the focal length or set matches the shot list.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003e14mm Full-Frame Cinema Coverage\u003c\/h3\u003e\u003cp\u003eNiSi ATHENA PRIME 14mm T2.4 Full-Frame Lens (PL Mount) provides the named 14mm framing within the NiSi Athena Prime full-frame system.\u003c\/p\u003e\u003ch3\u003eT2.4 Manual Lens Workflow\u003c\/h3\u003e\u003cp\u003eThe T2.4 configuration supports controlled exposure and depth of field through geared manual focus and iris operation.\u003c\/p\u003e\u003ch3\u003eMatched Production Mechanics\u003c\/h3\u003e\u003cp\u003eThe NiSi Athena Prime system is intended for repeatable focus, iris, matte-box, filter, motor, lens-support, and case changes across the family.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose 14mm when its perspective and working distance fit the shot. Choose a wider focal length for more environment, a longer focal length for tighter framing and more subject separation, Athena for a compact matched system, or Aureus for T1.4 speed.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/nisi-athena-prime-135mm-full-frame-lens-arri-pl\"\u003eNiSi ATHENA PRIME 135mm T2.2 Full-Frame Lens (PL Mount)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/nisi-athena-prime-18mm-full-frame-arri-pl\"\u003eNiSi ATHENA PRIME 18mm T2.2 Full-Frame Lens (PL Mount)\u003c\/a\u003e. Use with full-frame or smaller-format cinema cameras that accept ARRI PL mount. Check image circle, flange setup, rear clearance, lens support, 0.8 MOD motors, matte box, filters, focus scale, working distance, and case dimensions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eFor cinematographers, camera assistants, rental houses, production companies, studios, film schools, and owner-operators building a matched manual full-frame cinema lens package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose another focal length, mount, lens family, autofocus lens, lighter housing, faster aperture, macro design, or zoom when camera movement, working distance, solo operation, low light, close focus, or shot coverage changes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\u003cli\u003eNiSi ATHENA PRIME 14mm T2.4 Full-Frame Lens (PL Mount)\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eLens family: NiSi Athena Prime\u003c\/li\u003e\n\u003cli\u003eConfiguration: 14mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture in title: T2.4\u003c\/li\u003e\n\u003cli\u003eMount: ARRI PL mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame\u003c\/li\u003e\n\u003cli\u003eOperation: manual geared focus and iris\u003c\/li\u003e\n\u003cli\u003eFamily image circle: 46mm\u003c\/li\u003e\n\u003cli\u003eFamily front diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFamily filter thread: 77mm\u003c\/li\u003e\n\u003cli\u003eFamily focus rotation: 300 degrees\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eWhat sensor and mount does this NiSi Athena Prime configuration use?\u003c\/strong\u003e\u003cbr\u003eIt is a full-frame cinema-lens configuration for ARRI PL mount. Check image circle, active sensor area, flange setup, and rear clearance on the exact camera. Model reference: C01-01-PL-14.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow should the 14mm focal length or set be chosen?\u003c\/strong\u003e\u003cbr\u003eThe 14mm view affects framing, perspective, camera distance, background compression, and working space. Model reference: C01-01-PL-14.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWill it work with a follow focus, lens motor, and matte box?\u003c\/strong\u003e\u003cbr\u003eThe family uses geared manual operation, but crews must still check 0.8 MOD motor placement, rod support, matte-box clamp or filter thread, front clearance, and lens support. Model reference: C01-01-PL-14.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhen should another cinema lens be selected?\u003c\/strong\u003e\u003cbr\u003eChoose another focal length, mount, aperture, zoom, macro lens, autofocus lens, or lighter housing when the production workflow changes. Model reference: C01-01-PL-14.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere can I buy NiSi cine lenses in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada ships across Canada and can help compare Athena and Aureus focal lengths, mounts, sensor coverage, lens support, matte boxes, filters, motors, and cases. Model reference: C01-01-PL-14.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eBuy NiSi ATHENA PRIME 14mm T2.4 Full-Frame Lens (PL Mount) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for model fit, system planning, and production workflow.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":45019282309379,"sku":"C01-01-PL-14","price":1887.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1682962821_1762384.jpg?v=1712163904"},{"product_id":"nisi-athena-prime-25mm-full-frame-arri-pl","title":"NiSi ATHENA PRIME 25mm T1.9 Full-Frame Lens (PL Mount)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eNiSi ATHENA PRIME 25mm T1.9 Full-Frame Lens (PL Mount) is a 25mm T1.9 ARRI PL mount full-frame cine lens from the NiSi Athena Prime system.\u003c\/strong\u003e It combines the 25mm field of view with the family's geared manual focus and iris workflow for narrative, commercial, documentary, studio, and rental use.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eNiSi ATHENA PRIME 25mm T1.9 Full-Frame Lens (PL Mount) belongs to the NiSi Athena Prime full-frame prime family with a 46mm image circle, matched 80mm fronts, 77mm filter threads, and 300-degree focus rotation. The 25mm focal length controls field of view, perspective, camera distance, and working space, while the T1.9 rating affects low-light exposure and depth of field. Before production, check sensor recording area, ARRI PL mount, flange setup, rear clearance, lens support, matte box or filters, follow-focus and motor positions, focus scale, minimum working distance, and whether the focal length or set matches the shot list.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003e25mm Full-Frame Cinema Coverage\u003c\/h3\u003e\u003cp\u003eNiSi ATHENA PRIME 25mm T1.9 Full-Frame Lens (PL Mount) provides the named 25mm framing within the NiSi Athena Prime full-frame system.\u003c\/p\u003e\u003ch3\u003eT1.9 Manual Lens Workflow\u003c\/h3\u003e\u003cp\u003eThe T1.9 configuration supports controlled exposure and depth of field through geared manual focus and iris operation.\u003c\/p\u003e\u003ch3\u003eMatched Production Mechanics\u003c\/h3\u003e\u003cp\u003eThe NiSi Athena Prime system is intended for repeatable focus, iris, matte-box, filter, motor, lens-support, and case changes across the family.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose 25mm when its perspective and working distance fit the shot. Choose a wider focal length for more environment, a longer focal length for tighter framing and more subject separation, Athena for a compact matched system, or Aureus for T1.4 speed.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/nisi-athena-prime-135mm-full-frame-lens-arri-pl\"\u003eNiSi ATHENA PRIME 135mm T2.2 Full-Frame Lens (PL Mount)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/nisi-athena-prime-14mm-full-frame-arri-pl\"\u003eNiSi ATHENA PRIME 14mm T2.4 Full-Frame Lens (PL Mount)\u003c\/a\u003e. Use with full-frame or smaller-format cinema cameras that accept ARRI PL mount. Check image circle, flange setup, rear clearance, lens support, 0.8 MOD motors, matte box, filters, focus scale, working distance, and case dimensions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eFor cinematographers, camera assistants, rental houses, production companies, studios, film schools, and owner-operators building a matched manual full-frame cinema lens package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose another focal length, mount, lens family, autofocus lens, lighter housing, faster aperture, macro design, or zoom when camera movement, working distance, solo operation, low light, close focus, or shot coverage changes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\u003cli\u003eNiSi ATHENA PRIME 25mm T1.9 Full-Frame Lens (PL Mount)\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eLens family: NiSi Athena Prime\u003c\/li\u003e\n\u003cli\u003eConfiguration: 25mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture in title: T1.9\u003c\/li\u003e\n\u003cli\u003eMount: ARRI PL mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame\u003c\/li\u003e\n\u003cli\u003eOperation: manual geared focus and iris\u003c\/li\u003e\n\u003cli\u003eFamily image circle: 46mm\u003c\/li\u003e\n\u003cli\u003eFamily front diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFamily filter thread: 77mm\u003c\/li\u003e\n\u003cli\u003eFamily focus rotation: 300 degrees\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eWhat sensor and mount does this NiSi Athena Prime configuration use?\u003c\/strong\u003e\u003cbr\u003eIt is a full-frame cinema-lens configuration for ARRI PL mount. Check image circle, active sensor area, flange setup, and rear clearance on the exact camera. Model reference: C01-01-PL-25.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow should the 25mm focal length or set be chosen?\u003c\/strong\u003e\u003cbr\u003eThe 25mm view affects framing, perspective, camera distance, background compression, and working space. Model reference: C01-01-PL-25.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWill it work with a follow focus, lens motor, and matte box?\u003c\/strong\u003e\u003cbr\u003eThe family uses geared manual operation, but crews must still check 0.8 MOD motor placement, rod support, matte-box clamp or filter thread, front clearance, and lens support. Model reference: C01-01-PL-25.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhen should another cinema lens be selected?\u003c\/strong\u003e\u003cbr\u003eChoose another focal length, mount, aperture, zoom, macro lens, autofocus lens, or lighter housing when the production workflow changes. Model reference: C01-01-PL-25.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere can I buy NiSi cine lenses in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada ships across Canada and can help compare Athena and Aureus focal lengths, mounts, sensor coverage, lens support, matte boxes, filters, motors, and cases. Model reference: C01-01-PL-25.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eBuy NiSi ATHENA PRIME 25mm T1.9 Full-Frame Lens (PL Mount) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for model fit, system planning, and production workflow.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":45019284472067,"sku":"C01-01-PL-25","price":1677.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1682962821_1762417.jpg?v=1712163950"},{"product_id":"nisi-athena-prime-35mm-full-frame-arri-pl","title":"NiSi ATHENA PRIME 35mm T1.9 Full-Frame Lens (PL Mount)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eNiSi ATHENA PRIME 35mm T1.9 Full-Frame Lens (PL Mount) is a 35mm T1.9 ARRI PL mount full-frame cine lens from the NiSi Athena Prime system.\u003c\/strong\u003e It combines the 35mm field of view with the family's geared manual focus and iris workflow for narrative, commercial, documentary, studio, and rental use.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eNiSi ATHENA PRIME 35mm T1.9 Full-Frame Lens (PL Mount) belongs to the NiSi Athena Prime full-frame prime family with a 46mm image circle, matched 80mm fronts, 77mm filter threads, and 300-degree focus rotation. The 35mm focal length controls field of view, perspective, camera distance, and working space, while the T1.9 rating affects low-light exposure and depth of field. Before production, check sensor recording area, ARRI PL mount, flange setup, rear clearance, lens support, matte box or filters, follow-focus and motor positions, focus scale, minimum working distance, and whether the focal length or set matches the shot list.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003e35mm Full-Frame Cinema Coverage\u003c\/h3\u003e\u003cp\u003eNiSi ATHENA PRIME 35mm T1.9 Full-Frame Lens (PL Mount) provides the named 35mm framing within the NiSi Athena Prime full-frame system.\u003c\/p\u003e\u003ch3\u003eT1.9 Manual Lens Workflow\u003c\/h3\u003e\u003cp\u003eThe T1.9 configuration supports controlled exposure and depth of field through geared manual focus and iris operation.\u003c\/p\u003e\u003ch3\u003eMatched Production Mechanics\u003c\/h3\u003e\u003cp\u003eThe NiSi Athena Prime system is intended for repeatable focus, iris, matte-box, filter, motor, lens-support, and case changes across the family.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose 35mm when its perspective and working distance fit the shot. Choose a wider focal length for more environment, a longer focal length for tighter framing and more subject separation, Athena for a compact matched system, or Aureus for T1.4 speed.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/nisi-athena-prime-135mm-full-frame-lens-arri-pl\"\u003eNiSi ATHENA PRIME 135mm T2.2 Full-Frame Lens (PL Mount)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/nisi-athena-prime-14mm-full-frame-arri-pl\"\u003eNiSi ATHENA PRIME 14mm T2.4 Full-Frame Lens (PL Mount)\u003c\/a\u003e. Use with full-frame or smaller-format cinema cameras that accept ARRI PL mount. Check image circle, flange setup, rear clearance, lens support, 0.8 MOD motors, matte box, filters, focus scale, working distance, and case dimensions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eFor cinematographers, camera assistants, rental houses, production companies, studios, film schools, and owner-operators building a matched manual full-frame cinema lens package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose another focal length, mount, lens family, autofocus lens, lighter housing, faster aperture, macro design, or zoom when camera movement, working distance, solo operation, low light, close focus, or shot coverage changes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\u003cli\u003eNiSi ATHENA PRIME 35mm T1.9 Full-Frame Lens (PL Mount)\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eLens family: NiSi Athena Prime\u003c\/li\u003e\n\u003cli\u003eConfiguration: 35mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture in title: T1.9\u003c\/li\u003e\n\u003cli\u003eMount: ARRI PL mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame\u003c\/li\u003e\n\u003cli\u003eOperation: manual geared focus and iris\u003c\/li\u003e\n\u003cli\u003eFamily image circle: 46mm\u003c\/li\u003e\n\u003cli\u003eFamily front diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFamily filter thread: 77mm\u003c\/li\u003e\n\u003cli\u003eFamily focus rotation: 300 degrees\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eWhat sensor and mount does this NiSi Athena Prime configuration use?\u003c\/strong\u003e\u003cbr\u003eIt is a full-frame cinema-lens configuration for ARRI PL mount. Check image circle, active sensor area, flange setup, and rear clearance on the exact camera. Model reference: C01-01-PL-35.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow should the 35mm focal length or set be chosen?\u003c\/strong\u003e\u003cbr\u003eThe 35mm view affects framing, perspective, camera distance, background compression, and working space. Model reference: C01-01-PL-35.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWill it work with a follow focus, lens motor, and matte box?\u003c\/strong\u003e\u003cbr\u003eThe family uses geared manual operation, but crews must still check 0.8 MOD motor placement, rod support, matte-box clamp or filter thread, front clearance, and lens support. Model reference: C01-01-PL-35.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhen should another cinema lens be selected?\u003c\/strong\u003e\u003cbr\u003eChoose another focal length, mount, aperture, zoom, macro lens, autofocus lens, or lighter housing when the production workflow changes. Model reference: C01-01-PL-35.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere can I buy NiSi cine lenses in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada ships across Canada and can help compare Athena and Aureus focal lengths, mounts, sensor coverage, lens support, matte boxes, filters, motors, and cases. Model reference: C01-01-PL-35.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eBuy NiSi ATHENA PRIME 35mm T1.9 Full-Frame Lens (PL Mount) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for model fit, system planning, and production workflow.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":45019293679875,"sku":"C01-01-PL-35","price":1677.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1682962821_1762419.jpg?v=1712164056"},{"product_id":"nisi-athena-prime-50mm-full-frame-arri-pl","title":"NiSi ATHENA PRIME 50mm T1.9 Full-Frame Lens (PL Mount)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe NiSi ATHENA PRIME 50mm T1.9 is a full-frame cinema prime in PL mount, part of NiSi's ATHENA PRIME set. The 50mm sits at the natural, standard focal length in the line.\u003c\/p\u003e\u003cp\u003eEvery ATHENA prime shares a 46mm image circle, a common 0.8 MOD focus gear position, and matched colour rendering, so you can move across focal lengths within the set without re-rigging or re-grading.\u003c\/p\u003e\u003cp\u003eAvailable from Filmgear Canada in Vancouver, with Canada-wide shipping or showroom pickup.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":45019301609731,"sku":"C01-01-PL-50","price":1677.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1682962821_1762420.jpg?v=1712164130"},{"product_id":"nisi-athena-prime-85mm-full-frame-arri-pl","title":"NiSi ATHENA PRIME 85mm T1.9 Full-Frame Lens (PL Mount)","description":"\u003c!-- fg-final-sale-note:v1 --\u003e\n\u003cdiv class=\"fg-final-sale-note\"\u003e\n\u003cstrong\u003eFinal sale.\u003c\/strong\u003e This item cannot be returned, exchanged or refunded. \u003ca href=\"\/policies\/refund-policy\" style=\"text-decoration: underline;\"\u003eReturn Policy\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eNiSi ATHENA PRIME 85mm T1.9 Full-Frame Lens (PL Mount) is a 85mm T1.9 ARRI PL mount full-frame cine lens from the NiSi Athena Prime system.\u003c\/strong\u003e It combines the 85mm field of view with the family's geared manual focus and iris workflow for narrative, commercial, documentary, studio, and rental use.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eNiSi ATHENA PRIME 85mm T1.9 Full-Frame Lens (PL Mount) belongs to the NiSi Athena Prime full-frame prime family with a 46mm image circle, matched 80mm fronts, 77mm filter threads, and 300-degree focus rotation. The 85mm focal length controls field of view, perspective, camera distance, and working space, while the T1.9 rating affects low-light exposure and depth of field. Before production, check sensor recording area, ARRI PL mount, flange setup, rear clearance, lens support, matte box or filters, follow-focus and motor positions, focus scale, minimum working distance, and whether the focal length or set matches the shot list.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003e85mm Full-Frame Cinema Coverage\u003c\/h3\u003e\u003cp\u003eNiSi ATHENA PRIME 85mm T1.9 Full-Frame Lens (PL Mount) provides the named 85mm framing within the NiSi Athena Prime full-frame system.\u003c\/p\u003e\u003ch3\u003eT1.9 Manual Lens Workflow\u003c\/h3\u003e\u003cp\u003eThe T1.9 configuration supports controlled exposure and depth of field through geared manual focus and iris operation.\u003c\/p\u003e\u003ch3\u003eMatched Production Mechanics\u003c\/h3\u003e\u003cp\u003eThe NiSi Athena Prime system is intended for repeatable focus, iris, matte-box, filter, motor, lens-support, and case changes across the family.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose 85mm when its perspective and working distance fit the shot. Choose a wider focal length for more environment, a longer focal length for tighter framing and more subject separation, Athena for a compact matched system, or Aureus for T1.4 speed.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/nisi-athena-prime-135mm-full-frame-lens-arri-pl\"\u003eNiSi ATHENA PRIME 135mm T2.2 Full-Frame Lens (PL Mount)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/nisi-athena-prime-14mm-full-frame-arri-pl\"\u003eNiSi ATHENA PRIME 14mm T2.4 Full-Frame Lens (PL Mount)\u003c\/a\u003e. Use with full-frame or smaller-format cinema cameras that accept ARRI PL mount. Check image circle, flange setup, rear clearance, lens support, 0.8 MOD motors, matte box, filters, focus scale, working distance, and case dimensions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eFor cinematographers, camera assistants, rental houses, production companies, studios, film schools, and owner-operators building a matched manual full-frame cinema lens package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose another focal length, mount, lens family, autofocus lens, lighter housing, faster aperture, macro design, or zoom when camera movement, working distance, solo operation, low light, close focus, or shot coverage changes.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\u003cli\u003eNiSi ATHENA PRIME 85mm T1.9 Full-Frame Lens (PL Mount)\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eLens family: NiSi Athena Prime\u003c\/li\u003e\n\u003cli\u003eConfiguration: 85mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture in title: T1.9\u003c\/li\u003e\n\u003cli\u003eMount: ARRI PL mount\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame\u003c\/li\u003e\n\u003cli\u003eOperation: manual geared focus and iris\u003c\/li\u003e\n\u003cli\u003eFamily image circle: 46mm\u003c\/li\u003e\n\u003cli\u003eFamily front diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFamily filter thread: 77mm\u003c\/li\u003e\n\u003cli\u003eFamily focus rotation: 300 degrees\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eWhat sensor and mount does this NiSi Athena Prime configuration use?\u003c\/strong\u003e\u003cbr\u003eIt is a full-frame cinema-lens configuration for ARRI PL mount. Check image circle, active sensor area, flange setup, and rear clearance on the exact camera. Model reference: C01-01-PL-85.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow should the 85mm focal length or set be chosen?\u003c\/strong\u003e\u003cbr\u003eThe 85mm view affects framing, perspective, camera distance, background compression, and working space. Model reference: C01-01-PL-85.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWill it work with a follow focus, lens motor, and matte box?\u003c\/strong\u003e\u003cbr\u003eThe family uses geared manual operation, but crews must still check 0.8 MOD motor placement, rod support, matte-box clamp or filter thread, front clearance, and lens support. Model reference: C01-01-PL-85.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhen should another cinema lens be selected?\u003c\/strong\u003e\u003cbr\u003eChoose another focal length, mount, aperture, zoom, macro lens, autofocus lens, or lighter housing when the production workflow changes. Model reference: C01-01-PL-85.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere can I buy NiSi cine lenses in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada ships across Canada and can help compare Athena and Aureus focal lengths, mounts, sensor coverage, lens support, matte boxes, filters, motors, and cases. Model reference: C01-01-PL-85.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eBuy NiSi ATHENA PRIME 85mm T1.9 Full-Frame Lens (PL Mount) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for model fit, system planning, and production workflow.\u003c\/p\u003e","brand":"Nisi","offers":[{"title":"Default Title","offer_id":45019306656003,"sku":"C01-01-PL-85","price":1677.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1682963114_1762422_1.jpg?v=1712164219"}],"url":"https:\/\/filmgearcanada.com\/collections\/prime-lenses.oembed?page=9","provider":"Filmgear Canada","version":"1.0","type":"link"}