{"title":"Professional Filmmaker","description":"\u003cp\u003e\u003cstrong\u003eCinema cameras, cine lenses, professional audio, lighting and grip\u003c\/strong\u003e — professional filmmaker gear in stock in Vancouver. No duty, free Canadian shipping over $199.\u003c\/p\u003e\n\u003cdetails\u003e\n\u003csummary\u003eAbout Professional Filmmaker \u0026amp; buying guide\u003c\/summary\u003e\n\u003ch2 class=\"cdk-visually-hidden ng-star-inserted\"\u003eGemini said\u003c\/h2\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"markdown markdown-main-panel enable-updated-hr-color preserve-whitespaces-in-response\" id=\"model-response-message-contentr_3c15cce1f15b011a\" aria-live=\"polite\" aria-busy=\"false\" dir=\"ltr\"\u003e\n\u003cp data-path-to-node=\"0\"\u003eElevate your productions with our \u003cb data-path-to-node=\"0\" data-index-in-node=\"34\"\u003eProfessional Filmmaker\u003c\/b\u003e collection, featuring industry-standard cinema gear for DPs and cinematographers. Master visual storytelling with high-performance \u003cb data-path-to-node=\"0\" data-index-in-node=\"188\"\u003ecine lenses\u003c\/b\u003e from \u003cb data-path-to-node=\"0\" data-index-in-node=\"205\"\u003eDZOfilm\u003c\/b\u003e and zero-delay \u003cb data-path-to-node=\"0\" data-index-in-node=\"228\"\u003ewireless video transmission\u003c\/b\u003e from \u003cb data-path-to-node=\"0\" data-index-in-node=\"261\"\u003eTeradek\u003c\/b\u003e. Command your set with high-output \u003cb data-path-to-node=\"0\" data-index-in-node=\"304\"\u003eAputure lighting\u003c\/b\u003e like the \u003cb data-path-to-node=\"0\" data-index-in-node=\"330\"\u003e1200d\u003c\/b\u003e and \u003cb data-path-to-node=\"0\" data-index-in-node=\"340\"\u003eNova P600c\u003c\/b\u003e. From rock-solid \u003cb data-path-to-node=\"0\" data-index-in-node=\"368\"\u003eSachtler heavy-duty tripods\u003c\/b\u003e to the precision of \u003cb data-path-to-node=\"0\" data-index-in-node=\"416\"\u003eTilta follow focus\u003c\/b\u003e and \u003cb data-path-to-node=\"0\" data-index-in-node=\"439\"\u003eDJI Ronin 2\u003c\/b\u003e stabilizers, we provide the industrial-grade tools required for high-end film and commercial production. Equip your set with the gear trusted by industry professionals worldwide.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/details\u003e","products":[{"product_id":"aputure-f10-fresnel-for-ls-600d","title":"Aputure F10 10\" Bowens Mount Fresnel Attachment for LS 600D LED Light","description":"\u003cp\u003eThe Aputure F10 is a 10-inch Bowens-mount Fresnel attachment built for the LS 600d. It tightens the beam from the LS 600d into a focusable Fresnel pattern, which gives you much longer throw and harder shadows than the bare reflector. Useful for hard key, backlight through windows, or hitting a subject from a long distance.\u003c\/p\u003e\u003ch2\u003eKey features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e10\" Fresnel lens, Bowens mount\u003c\/li\u003e\n\u003cli\u003eDesigned around the Aputure LS 600d\u003c\/li\u003e\n\u003cli\u003eFocusable from spot to flood\u003c\/li\u003e\n\u003cli\u003eLong-throw hard light from a single fixture\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"Aputure","offers":[{"title":"Default Title","offer_id":40038126813364,"sku":"APA0172A30","price":252.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/f10fresnel_4.webp?v=1772233876"},{"product_id":"vaxis-storm-3000dg-wireless-kit","title":"Vaxis Storm 3000DG Wireless Kit","description":"\u003cp\u003e\u003cstrong\u003eVaxis Storm 3000DG Wireless Kit is a wireless video transmitter and receiver package for professional camera monitoring, giving crews a matched link for on-set focus, director, client, or video-village viewing.\u003c\/strong\u003e Filmgear Canada supports Canadian crews with model selection, system fit, and practical production planning.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThis kit combines the transmitting and receiving sides of a Vaxis wireless video link. The 3000DG name identifies the long-range Storm configuration, but practical distance still depends on the full system and location. Before production, check video inputs and outputs, supported resolution and frame rate, latency needs, transmitter and receiver pairing, firmware, region, channels, antenna placement, power voltage, mounting, receiver count, line of sight, RF congestion, and the shortest-rated device in the system. Run a complete range and format test on location.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003eMatched Storm Wireless Kit\u003c\/h3\u003e\u003cp\u003eThe Storm 3000DG kit provides matched transmitting and receiving components for a professional monitoring link.\u003c\/p\u003e\u003ch3\u003eTransmitter and Receiver Package\u003c\/h3\u003e\u003cp\u003eBoth sides of the link are included as a system starting point for focus, director, client, or video-village monitoring.\u003c\/p\u003e\u003ch3\u003eRF and Format Planning\u003c\/h3\u003e\u003cp\u003eCheck channels, region, antennas, firmware, video format, power, mounting, line of sight, and interference before the shoot.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose Storm 3000DG when the Storm system and its range class match the production. Choose a shorter-range kit for smaller sets, a longer-range system for greater separation, an integrated receiver monitor for a compact viewing station, or wired SDI when cable is more reliable.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/movmax-cine-slider\"\u003eMOVMAX Cine Slider (Mitchell Mount)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/vaxis-atom-600-kv-wireless-tx-rx-kit-for-red-komodo\"\u003eVaxis ATOM 600 KV Wireless TX\/RX Kit for RED KOMODO\u003c\/a\u003e. check supported video format, transmitter and receiver family, firmware, region, channel plan, antennas, power, mounting, monitor connection, receiver count, and real RF conditions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eFor camera assistants, focus pullers, directors, DITs, rental houses, studios, documentary crews, live productions, and video-village teams that need a dedicated wireless link.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose a shorter-range system for compact sets, an integrated receiver monitor for a smaller viewing build, another camera-specific package when the mounting path differs, or wired SDI where RF is congested or cable routing is practical.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eVaxis Storm 3000DG wireless transmitter\u003c\/li\u003e\n\u003cli\u003eVaxis Storm 3000DG wireless receiver\u003c\/li\u003e\n\u003cli\u003eManufacturer-supplied kit accessories\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eSystem: Storm 3000DG\u003c\/li\u003e\n\u003cli\u003ePackage: wireless transmitter and receiver kit\u003c\/li\u003e\n\u003cli\u003eSKU: Vaxis-VS19-3000DG-TR02\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\u003cp\u003eWatch the manufacturer presentation for Vaxis Storm 3000DG Wireless Kit, then match the demonstrated setup to the exact camera, support, power, firmware, and operating conditions planned for production.\u003c\/p\u003e\u003cdiv class=\"video-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/5j9WLPvuE2Y\" title=\"Vaxis Storm 3000DG Wireless Kit product video\" loading=\"lazy\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eWhat is Vaxis Vaxis-VS19-3000DG-TR02 designed to do?\u003c\/strong\u003e\u003cbr\u003eVaxis Storm 3000DG Wireless Kit (Vaxis-VS19-3000DG-TR02) is designed for sending and receiving wireless video across a long-range production link. Review the named interface, dimensions, camera or support system, and working load before adding it to a production package.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat should I check before using Vaxis Vaxis-VS19-3000DG-TR02?\u003c\/strong\u003e\u003cbr\u003eBefore using Vaxis Storm 3000DG Wireless Kit (Vaxis-VS19-3000DG-TR02), check the mating interface, fasteners, cable or battery requirements, clearance, balance, payload, and every attached component in the finished setup.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow does Vaxis Vaxis-VS19-3000DG-TR02 compare with another option?\u003c\/strong\u003e\u003cbr\u003eVaxis Storm 3000DG Wireless Kit (Vaxis-VS19-3000DG-TR02) is the better choice when the storm 3000dg transmitter and receiver kit matches the job. Select another model when the mount, size, operating distance, power standard, or system role differs.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eIs Vaxis Vaxis-VS19-3000DG-TR02 suitable for professional production?\u003c\/strong\u003e\u003cbr\u003eVaxis Storm 3000DG Wireless Kit (Vaxis-VS19-3000DG-TR02) can serve professional crews when its stated role fits the camera package and the complete setup is tested before the shoot. Rental, studio, live, and location teams should document their final configuration.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere can I buy Vaxis Vaxis-VS19-3000DG-TR02 in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada supplies Vaxis Storm 3000DG Wireless Kit (Vaxis-VS19-3000DG-TR02) with Canada-wide shipping and Vancouver-based help for model selection, compatible accessories, setup planning, and production support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eBuy Vaxis Storm 3000DG Wireless Kit from Filmgear Canada with Canada-wide shipping and Vancouver-based help for exact model fit, system compatibility, and production workflow planning.\u003c\/p\u003e","brand":"Vaxis","offers":[{"title":"Default Title","offer_id":40038145851572,"sku":"Vaxis-VS19-3000DG-TR02","price":8885.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/24.jpg?v=1633312136"},{"product_id":"vaxis-storm-focus-058-wireless-receiver-monitor-with-built-in-5-5-display-dual-l-series-plate","title":"Vaxis Storm Focus 058 Wireless Receiver Monitor with Built-In 5.5\" Display \u0026 Dual L-Series Plate","description":"\u003cp\u003e\u003cstrong\u003eVaxis Storm Focus 058 Wireless Receiver Monitor with Built-In 5.5\" Display \u0026amp; Dual L-Series Plate is a field monitor that combines a wireless video receiver, built-in 5.5-inch display, and dual L-Series battery plate for a compact focus, director, or camera-monitoring setup.\u003c\/strong\u003e Filmgear Canada supports Canadian crews with model selection, system fit, and practical production planning.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe integrated receiver and screen reduce separate mounting and cabling in a wireless monitoring build. The 5.5-inch display should be evaluated for viewing distance, focus and exposure tools, brightness, colour, LUT workflow, SDI or HDMI needs, touchscreen operation, battery runtime, power options, mounting, and compatibility with the transmitting system. Dual L-Series battery positions can support longer operation or battery changes according to the monitor design, but crews still need to check voltage, battery fit, heat, weight, and balance. Pair and test the complete wireless link, video format, monitor settings, antennas, and RF conditions before production.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003eBuilt-In 5.5-Inch Display\u003c\/h3\u003e\u003cp\u003eThe monitor places the received image on a compact 5.5-inch screen for focus, framing, exposure, and on-set viewing.\u003c\/p\u003e\u003ch3\u003eIntegrated Wireless Receiver\u003c\/h3\u003e\u003cp\u003eCombining the receiver and display reduces separate monitor-mount hardware in a compatible Vaxis wireless video system.\u003c\/p\u003e\u003ch3\u003eDual L-Series Battery Plate\u003c\/h3\u003e\u003cp\u003eTwo L-Series positions support a field-power workflow while the crew checks battery fit, voltage, runtime, heat, and balance.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose the Storm Focus 058 when a compact receiver monitor is more useful than separate wireless and display components. Choose a larger screen for client or video-village viewing, a standalone receiver for another monitor, a brighter outdoor display when daylight visibility is critical, or wired SDI when RF is unsuitable.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/movmax-cine-slider\"\u003eMOVMAX Cine Slider (Mitchell Mount)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/vaxis-atom-600-kv-wireless-tx-rx-kit-for-red-komodo\"\u003eVaxis ATOM 600 KV Wireless TX\/RX Kit for RED KOMODO\u003c\/a\u003e. Match the Vaxis wireless transmitter family, region, channels, video format, antennas, firmware, viewing tools, SDI or HDMI workflow, L-Series batteries, power limits, mounting points, and RF conditions. Test the shortest-range device in the link.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eFor focus pullers, directors, camera crews, rental houses, live productions, documentary teams, studios, and owner-operators needing a compact wireless display.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose a larger field monitor for farther viewing, a high-bright display for direct sun, a standalone receiver for an existing monitor, or wired SDI for environments where a cable is more dependable than wireless video.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eVaxis Storm Focus 058 wireless receiver monitor\u003c\/li\u003e\n\u003cli\u003eDual L-Series battery plate\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eDisplay size: 5.5 inches\u003c\/li\u003e\n\u003cli\u003eRole: wireless receiver monitor\u003c\/li\u003e\n\u003cli\u003eBattery interface: dual L-Series plate\u003c\/li\u003e\n\u003cli\u003eSKU: Vaxis-VS19-058-R01\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eWhat is Vaxis Vaxis-VS19-058-R01 designed to do?\u003c\/strong\u003e\u003cbr\u003eVaxis Storm Focus 058 Wireless Receiver Monitor with Built-In 5.5\" Display \u0026amp; Dual L-Series Plate (Vaxis-VS19-058-R01) is designed for receiving a compatible wireless video feed on a built-in 5.5-inch field display. Review the named interface, dimensions, camera or support system, and working load before adding it to a production package.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat should I check before using Vaxis Vaxis-VS19-058-R01?\u003c\/strong\u003e\u003cbr\u003eBefore using Vaxis Storm Focus 058 Wireless Receiver Monitor with Built-In 5.5\" Display \u0026amp; Dual L-Series Plate (Vaxis-VS19-058-R01), check the mating interface, fasteners, cable or battery requirements, clearance, balance, payload, and every attached component in the finished setup.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow does Vaxis Vaxis-VS19-058-R01 compare with another option?\u003c\/strong\u003e\u003cbr\u003eVaxis Storm Focus 058 Wireless Receiver Monitor with Built-In 5.5\" Display \u0026amp; Dual L-Series Plate (Vaxis-VS19-058-R01) is the better choice when a storm focus 058 wireless receiver monitor with a 5.5-inch screen and dual l-series battery plate matches the job. Select another model when the mount, size, operating distance, power standard, or system role differs.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eIs Vaxis Vaxis-VS19-058-R01 suitable for professional production?\u003c\/strong\u003e\u003cbr\u003eVaxis Storm Focus 058 Wireless Receiver Monitor with Built-In 5.5\" Display \u0026amp; Dual L-Series Plate (Vaxis-VS19-058-R01) can serve professional crews when its stated role fits the camera package and the complete setup is tested before the shoot. Rental, studio, live, and location teams should document their final configuration.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere can I buy Vaxis Vaxis-VS19-058-R01 in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada supplies Vaxis Storm Focus 058 Wireless Receiver Monitor with Built-In 5.5\" Display \u0026amp; Dual L-Series Plate (Vaxis-VS19-058-R01) with Canada-wide shipping and Vancouver-based help for model selection, compatible accessories, setup planning, and production support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eBuy Vaxis Storm Focus 058 Wireless Receiver Monitor with Built-In 5.5\" Display \u0026amp; Dual L-Series Plate from Filmgear Canada with Canada-wide shipping and Vancouver-based help for exact model fit, system compatibility, and production workflow planning.\u003c\/p\u003e","brand":"Vaxis","offers":[{"title":"Default Title","offer_id":40038145917108,"sku":"Vaxis-VS19-058-R01","price":2000.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/04_72baa29d-c5b7-49d0-9556-959f2d37e741.jpg?v=1633312153"},{"product_id":"vaxis-atom-500-hdmi-wireless-1080p-hd-video-transmitter-and-receiver-kit-dual-hdmi","title":"Vaxis Atom 500 HDMI Wireless 1080P HD Video Transmitter and Receiver Kit (Dual HDMI)","description":"\u003cp\u003eThe Vaxis Atom 500 is a 1080p wireless HDMI video kit: one transmitter, one receiver, all HDMI in and out. Connect the TX to your camera's HDMI output and the RX to a director or focus-puller monitor, and you've got a wireless video village without running cable.\u003c\/p\u003e\u003ch2\u003eKey features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e1080p HD wireless video over HDMI\u003c\/li\u003e\n\u003cli\u003eTransmitter and receiver in one kit\u003c\/li\u003e\n\u003cli\u003eHDMI in on the TX, HDMI out on the RX\u003c\/li\u003e\n\u003cli\u003eFor on-set monitoring without long cable runs\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"Vaxis","offers":[{"title":"Default Title","offer_id":40038148112564,"sku":"Vaxis-VA20-500-TR01B","price":325.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/vaxis-wireless-video-vaxis-atom-500-hdmi-wireless-1080p-hd-video-transmitter-and-receiver-kit-dual-hdmi-29937886331060.jpg?v=1633311920"},{"product_id":"vaxis-atom-600-kv-wireless-tx-rx-kit-for-red-komodo","title":"Vaxis ATOM 600 KV Wireless TX\/RX Kit for RED KOMODO","description":"\u003cp\u003e\u003cstrong\u003eVaxis ATOM 600 KV Wireless TX\/RX Kit for RED KOMODO is a wireless video transmitter and receiver package for RED KOMODO camera workflows, giving crews a matched link for on-set focus, director, client, or video-village viewing.\u003c\/strong\u003e Filmgear Canada supports Canadian crews with model selection, system fit, and practical production planning.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThis kit combines the transmitting and receiving sides of a Vaxis wireless video link. The KV configuration is named for RED KOMODO integration, so camera fit, mounting, power, and video connections should be planned around that body. Before production, check video inputs and outputs, supported resolution and frame rate, latency needs, transmitter and receiver pairing, firmware, region, channels, antenna placement, power voltage, mounting, receiver count, line of sight, RF congestion, and the shortest-rated device in the system. Run a complete range and format test on location.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003eRED KOMODO KV Integration\u003c\/h3\u003e\u003cp\u003eThe ATOM 600 KV package is identified for RED KOMODO and should be checked with the exact camera, plate, video port, and power path.\u003c\/p\u003e\u003ch3\u003eTransmitter and Receiver Package\u003c\/h3\u003e\u003cp\u003eBoth sides of the link are included as a system starting point for focus, director, client, or video-village monitoring.\u003c\/p\u003e\u003ch3\u003eRF and Format Planning\u003c\/h3\u003e\u003cp\u003eCheck channels, region, antennas, firmware, video format, power, mounting, line of sight, and interference before the shoot.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose ATOM 600 KV when RED KOMODO integration and a compact link match the production. Choose a shorter-range kit for smaller sets, a longer-range system for greater separation, an integrated receiver monitor for a compact viewing station, or wired SDI when cable is more reliable.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/movmax-cine-slider\"\u003eMOVMAX Cine Slider (Mitchell Mount)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/vaxis-channel-scanner\"\u003eVaxis Channel Scanner\u003c\/a\u003e. Match the RED KOMODO body, video port, mounting and power path, then check supported video format, transmitter and receiver family, firmware, region, channel plan, antennas, power, mounting, monitor connection, receiver count, and real RF conditions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eFor camera assistants, focus pullers, directors, DITs, rental houses, studios, documentary crews, live productions, and video-village teams that need a dedicated wireless link.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose a shorter-range system for compact sets, an integrated receiver monitor for a smaller viewing build, another camera-specific package when the mounting path differs, or wired SDI where RF is congested or cable routing is practical.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eVaxis ATOM 600 KV wireless transmitter\u003c\/li\u003e\n\u003cli\u003eVaxis ATOM 600 KV wireless receiver\u003c\/li\u003e\n\u003cli\u003eManufacturer-supplied kit accessories\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eSystem: ATOM 600 KV\u003c\/li\u003e\n\u003cli\u003ePackage: wireless transmitter and receiver kit\u003c\/li\u003e\n\u003cli\u003eNamed camera integration: RED KOMODO\u003c\/li\u003e\n\u003cli\u003eSKU: Vaxis-VA20-600KV-TR01\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\u003cp\u003eWatch the manufacturer presentation for Vaxis ATOM 600 KV Wireless TX\/RX Kit for RED KOMODO, then match the demonstrated setup to the exact camera, support, power, firmware, and operating conditions planned for production.\u003c\/p\u003e\u003cdiv class=\"video-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/SAiRYk84b3w\" title=\"Vaxis ATOM 600 KV Wireless TX\/RX Kit for RED KOMODO product video\" loading=\"lazy\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eWhat is Vaxis Vaxis-VA20-600KV-TR01 designed to do?\u003c\/strong\u003e\u003cbr\u003eVaxis ATOM 600 KV Wireless TX\/RX Kit for RED KOMODO (Vaxis-VA20-600KV-TR01) is designed for sending and receiving wireless video on a RED KOMODO camera package. Review the named interface, dimensions, camera or support system, and working load before adding it to a production package.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat should I check before using Vaxis Vaxis-VA20-600KV-TR01?\u003c\/strong\u003e\u003cbr\u003eBefore using Vaxis ATOM 600 KV Wireless TX\/RX Kit for RED KOMODO (Vaxis-VA20-600KV-TR01), check the mating interface, fasteners, cable or battery requirements, clearance, balance, payload, and every attached component in the finished setup.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow does Vaxis Vaxis-VA20-600KV-TR01 compare with another option?\u003c\/strong\u003e\u003cbr\u003eVaxis ATOM 600 KV Wireless TX\/RX Kit for RED KOMODO (Vaxis-VA20-600KV-TR01) is the better choice when an atom 600 kv transmitter and receiver kit for red komodo matches the job. Select another model when the mount, size, operating distance, power standard, or system role differs.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eIs Vaxis Vaxis-VA20-600KV-TR01 suitable for professional production?\u003c\/strong\u003e\u003cbr\u003eVaxis ATOM 600 KV Wireless TX\/RX Kit for RED KOMODO (Vaxis-VA20-600KV-TR01) can serve professional crews when its stated role fits the camera package and the complete setup is tested before the shoot. Rental, studio, live, and location teams should document their final configuration.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere can I buy Vaxis Vaxis-VA20-600KV-TR01 in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada supplies Vaxis ATOM 600 KV Wireless TX\/RX Kit for RED KOMODO (Vaxis-VA20-600KV-TR01) with Canada-wide shipping and Vancouver-based help for model selection, compatible accessories, setup planning, and production support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eBuy Vaxis ATOM 600 KV Wireless TX\/RX Kit for RED KOMODO from Filmgear Canada with Canada-wide shipping and Vancouver-based help for exact model fit, system compatibility, and production workflow planning.\u003c\/p\u003e","brand":"Vaxis","offers":[{"title":"Default Title","offer_id":40038148178100,"sku":"Vaxis-VA20-600KV-TR01","price":750.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/vaxis-wireless-video-vaxis-atom-600-kv-wireless-tx-rx-kit-for-red-komodo-29370772586676.jpg?v=1633311997"},{"product_id":"smallrig-simorr-wave-s1-microphone-3288","title":"SmallRig Simorr Wave S1 Camera-Mounted Shotgun Microphone #3288","description":"\u003cp\u003eThe Simorr Wave S1 (SmallRig #3288) is a camera-mounted shotgun microphone designed for run-and-gun video, vlogging, and live streaming. It sits in a cold shoe on top of the camera and feeds audio into the camera's 3.5mm mic input.\u003c\/p\u003e\u003ch2\u003eKey features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eCamera-mounted shotgun pickup pattern, focused on what's in front of the camera and rejecting off-axis room noise\u003c\/li\u003e\n\u003cli\u003eBuilt-in shock mount to isolate the mic from camera handling noise\u003c\/li\u003e\n\u003cli\u003eComes with a furry windscreen for outdoor use\u003c\/li\u003e\n\u003cli\u003ePlugs into a standard 3.5mm camera mic input\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eA solid step up from on-camera audio for solo shooters and streamers who don't want to run a boom op.\u003c\/p\u003e\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"SmallRig","offers":[{"title":"Default Title","offer_id":40099396518068,"sku":"3288","price":22.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/smallrig-camera-accessories-smallrig-simorr-wave-s1-camera-mounted-shotgun-microphone-3288-29507092152500.jpg?v=1633308918"},{"product_id":"aputure-light-dome-150","title":"Aputure Light Dome 150 Softbox | Pro LED Modifier for Filmmakers","description":"\u003cp\u003eThe Aputure Light Dome 150 is a large parabolic softbox built for Aputure's Bowens-mount COB fixtures (Light Storm 600d Pro, 600x Pro, 1200d Pro, and similar). It mounts onto the light via a Bowens-mount speed ring and shapes the bare COB into a large, soft, even source.\u003c\/p\u003e\u003ch2\u003eKey features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eLarge parabolic shape: useful for a wider, softer source than the smaller Light Dome sizes (good for interviews, beauty, and larger setups)\u003c\/li\u003e\n\u003cli\u003eInner and outer diffusion layers for an even soft wash\u003c\/li\u003e\n\u003cli\u003eRemovable 30° \/ 45° fabric grids (depending on kit) to control spill\u003c\/li\u003e\n\u003cli\u003eBowens mount: fits all Aputure Bowens-mount lights and any other Bowens-mount fixture\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"Aputure","offers":[{"title":"Default Title","offer_id":40327638089908,"sku":"APA0227A30","price":247.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/3_LightDome150.webp?v=1732241056"},{"product_id":"aputure-pro-5-pin-extension-head-cable","title":"Aputure LS 600d Pro\/600x Pro 5-Pin WeatherProof Extension Head Cable 25ft (7.5m)","description":"\u003cp\u003eA 25ft (7.5m) 5-pin head extension cable for the Aputure LS 600d Pro and 600x Pro. It plugs between the lamp head and the ballast, so you can rig the head up high or in a tight spot while the ballast and AC\/battery sit somewhere safer at ground level.\u003c\/p\u003e\u003cp\u003eThe connectors are weatherproof, so this is the right cable for outdoor \/ location work where the standard cable isn't long enough or you're worried about moisture at the connection.\u003c\/p\u003e\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"Aputure","offers":[{"title":"Default Title","offer_id":40485517295796,"sku":"APP0126A31","price":104.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/LS600Series5-PinWeatherproofHeadCable_7.5m.png?v=1789047160"},{"product_id":"dzofilm-pictor-20-55mm-and-50-125mm-t2-8-super35-zoom-lens-bundle-pl-mount-and-ef-mount-black","title":"DZOFILM Pictor 20-55mm and 50-125mm T2.8 Super35 Zoom Lens Bundle (PL Mount and EF Mount, Black)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm Pictor 20-55 50-125 cinema zoom lens bundle brings the named T2.8 Super 35 zoom ranges together with interchangeable ARRI PL and Canon EF mounting.\u003c\/strong\u003e The matched housings are intended for narrative, commercial, documentary, studio, and rental packages that need flexible coverage without changing operating style.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Pictor 20-55mm and 50-125mm T2.8 Super35 Zoom Lens Bundle combines 20-55, 50-125mm Pictor zoom ranges named in the current product identity. DZOFILM lists the Pictor family with constant T2.8 aperture, a 31.5mm Super 35 image circle, interchangeable PL and EF mounting, parfocal design, 95mm front outside diameter, M86 filter thread, 0.8 MOD gearing, 16 iris blades, 270-degree focus rotation, and 100-degree zoom rotation. The shared mechanics simplify matte-box, follow-focus, and lens-support changes across the bundle.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003eMatched T2.8 Zoom Coverage\u003c\/h3\u003e\u003cp\u003eThe 20-55, 50-125mm ranges provide complementary Super 35 framing with constant T2.8 maximum aperture.\u003c\/p\u003e\n\u003ch3\u003eInterchangeable PL and EF Mounts\u003c\/h3\u003e\u003cp\u003eThe family supports ARRI PL and Canon EF interfaces, allowing one lens package to serve more camera bodies when mount fit and back focus are checked.\u003c\/p\u003e\n\u003ch3\u003eParfocal Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eParfocal design, 95mm fronts, M86 threads, 0.8 MOD gears, 16-blade irises, and matched focus and zoom rotations suit repeatable crew operation.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this Pictor bundle when 20-55, 50-125mm coverage, constant T2.8 speed, and matched manual zoom mechanics matter. Choose a smaller bundle if one range will remain unused, a Tango kit for longer zoom reach and optional servo integration, or prime lenses when maximum aperture and compact single-focal-length handling are the priority.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-tango-18-90mm-65-280mm-s35-lens-bundle-pl-ef\"\u003eDZOFilm Tango zoom bundle\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pictor-zoom-3-lens-bundle-pl-ef-black\"\u003eanother Pictor bundle\u003c\/a\u003e. Check Super 35 sensor mode, installed PL or EF mount, rear clearance, back focus, lens support, 95mm matte-box fit, M86 filters, and 0.8 MOD motor or follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis bundle is for cinematographers, rental houses, film schools, production companies, and owner-operators building a matched manual Super 35 cinema-zoom package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose fewer zooms when the production only needs one range, full-frame zooms for a larger sensor mode, autofocus glass for solo event coverage, or faster primes for lower-light and shallower-depth work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Pictor 20-55mm T2.8 Super 35 zoom lens\u003c\/li\u003e\n\u003cli\u003eDZOFilm Pictor 50-125mm T2.8 Super 35 zoom lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eIncluded zoom ranges: 20-55, 50-125mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.8\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: interchangeable ARRI PL and Canon EF\u003c\/li\u003e\n\u003cli\u003eDesign: parfocal\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eIris blades: 16\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003cli\u003eZoom rotation: 100 degrees\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDo Pictor zooms maintain focus while zooming?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Pictor 20-55mm and 50-125mm T2.8 Super35 Zoom Lens Bundle: The family uses a parfocal optical design, allowing focus to remain stable through the zoom range when the lens and camera are set up correctly.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich sensor format does this bundle cover?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Pictor 20-55mm and 50-125mm T2.8 Super35 Zoom Lens Bundle: Pictor uses a 31.5mm image circle for Super 35 production. Check the camera recording area before using a larger sensor mode.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan the lenses be used on both PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Pictor 20-55mm and 50-125mm T2.8 Super35 Zoom Lens Bundle: The product identity includes interchangeable ARRI PL and Canon EF mounting. Check the installed interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo the lenses share cinema accessory dimensions?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Pictor 20-55mm and 50-125mm T2.8 Super35 Zoom Lens Bundle: The family uses 95mm front outside diameters, M86 filter threads, and 0.8 MOD gears to simplify matte-box and follow-focus changes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this Pictor bundle in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Pictor 20-55mm and 50-125mm T2.8 Super35 Zoom Lens Bundle: Filmgear Canada offers this bundle with Canada-wide shipping and Vancouver-based help for range, mount, and support selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Pictor 20-55mm and 50-125mm T2.8 Super35 Zoom Lens Bundle (PL Mount and EF Mount, Black) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40491344003252,"sku":"DZO-7220001B\/2B-BUNDLE","price":3858.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/dzofilm-cine-lens-dzofilm-pictor-20-55mm-and-50-125mm-t2-8-super35-zoom-lens-bundle-pl-mount-and-ef-mount-black-30236972384436.jpg?v=1633115889"},{"product_id":"dzofilm-pictor-20-to-55mm-t2-8-super35-parfocal-zoom-lens-pl-mount-and-ef-mount-black","title":"DZOFilm Pictor 20-55mm T2.8 Super35 Parfocal Zoom Lens (PL Mount and EF Mount, Black)","description":"\u003cp\u003eThe DZOFilm Pictor 20-55mm is a Super35 cine zoom built for narrative and documentary shooting where you want a real wide-to-normal range on one lens. Parfocal design keeps focus locked while zooming, and the lens ships with interchangeable PL and EF mounts.\u003c\/p\u003e\u003ch2\u003eKey features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eSuper35 image circle\u003c\/li\u003e\n\u003cli\u003eConstant T2.8 across the zoom range\u003c\/li\u003e\n\u003cli\u003eParfocal: focus holds while zooming\u003c\/li\u003e\n\u003cli\u003eUser-swappable PL and EF mounts\u003c\/li\u003e\n\u003cli\u003eGeared focus, zoom, and iris rings\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40496902045876,"sku":"DZO-7220002B","price":2083.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/dzofilm-cine-lens-dzofilm-pictor-20-to-55mm-t2-8-super35-parfocal-zoom-lens-pl-mount-and-ef-mount-black-30238572019892.jpg?v=1633311974"},{"product_id":"dzofilm-pictor-50-to-125mm-t2-8-super35-parfocal-zoom-lens-pl-mount-and-ef-mount-black","title":"DZOFILM Pictor 50-125mm T2.8 Super35 Parfocal Zoom Lens (PL Mount and EF Mount, Black)","description":"\u003cp\u003eThe DZOFilm Pictor 50-125mm is the tele companion to the 20-55mm, covering normal through short telephoto on Super35. It's parfocal at a constant T2.8 and ships with swappable PL and EF mounts for use across cine and EF-mount cameras.\u003c\/p\u003e\u003ch2\u003eKey features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eSuper35 image circle\u003c\/li\u003e\n\u003cli\u003eConstant T2.8 across the zoom range\u003c\/li\u003e\n\u003cli\u003eParfocal: focus holds while zooming\u003c\/li\u003e\n\u003cli\u003eUser-swappable PL and EF mounts\u003c\/li\u003e\n\u003cli\u003eGeared focus, zoom, and iris rings\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40497208590516,"sku":"DZO-7220001B","price":2083.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/dzofilm-cine-lens-dzofilm-pictor-50-to-125mm-t2-8-super35-parfocal-zoom-lens-pl-mount-and-ef-mount-black-30238634606772.jpg?v=1633312030"},{"product_id":"dzofilm-full-frame-vespid-cine-prime-25mm-t2-1-lens-pl-mount","title":"DZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens (PL\/EF)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 25mm cine lens provides 25mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens uses a 25mm focal length and T2.1 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e25mm T2.1 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 25mm field of view and T2.1 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 25mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 25mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 25mm T2.1 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40784380428468,"sku":"DZO-V02521PL","price":1110.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1604004490_1601842_191d836b-3899-4210-9bd5-221f8038f300.jpg?v=1633762864"},{"product_id":"dzofilm-vespid-cine-prime-35mm-pl","title":"DZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens (PL\/EF)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 35mm cine lens provides 35mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens uses a 35mm focal length and T2.1 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e35mm T2.1 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 35mm field of view and T2.1 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 35mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-50mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 35mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 35mm T2.1 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40784458940596,"sku":"DZO-V03521PL","price":1110.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1604004490_1601843.jpg?v=1633763242"},{"product_id":"dzofilm-vespid-cine-prime-50mm-pl","title":"DZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens (PL\/EF)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 50mm cine lens provides 50mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens uses a 50mm focal length and T2.1 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e50mm T2.1 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 50mm field of view and T2.1 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 50mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 50mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 50mm T2.1 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40784504914100,"sku":"DZO-V05021PL","price":1110.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1604004490_1601844.jpg?v=1633764091"},{"product_id":"dzofilm-vespid-cine-prime-75mm-pl","title":"DZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens (PL\/EF)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 75mm cine lens provides 75mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens uses a 75mm focal length and T2.1 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e75mm T2.1 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 75mm field of view and T2.1 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 75mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 75mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 75mm T2.1 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40784549544116,"sku":"DZO-V07521PL","price":1110.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1604004490_1601845.jpg?v=1633764873"},{"product_id":"dzofilm-vespid-cine-prime-35mm-pl-macro","title":"DZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens (PL\/EF)","description":"\u003cp\u003e\u003cstrong\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens is a 90mm T2.8 full-frame macro cinema prime with interchangeable PL and EF mounting, built for cinematographers who need repeatable manual lens control and the named 90mm field of view.\u003c\/strong\u003e Its close-focus operation and matched Vespid focus and iris gear placement for inserts, tabletop, product, beauty, and narrative detail work supports narrative, commercial, documentary, tabletop, studio, and rental work according to the lens family's optical role. Buyers comparing this cinema lens should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens sits in the DZOFILM Vespid family. DZOFILM identifies it as a 90mm T2.8 full-frame macro cinema prime with interchangeable PL and EF mounting. Key operating details include close-focus operation and matched Vespid focus and iris gear placement for inserts, tabletop, product, beauty, and narrative detail work. Before production, check sensor recording area, installed mount, rear clearance, flange setup, rods and lens support, matte box or filter fit, 0.8 MOD motor position, focus scale, working distance, and whether the selected focal range suits the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e90mm Cinema Optics\u003c\/h3\u003e\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens provides the named 90mm view with its 90mm T2.8 full-frame macro cinema prime.\u003c\/p\u003e\n\u003ch3\u003eMount and Sensor Planning\u003c\/h3\u003e\u003cp\u003eThe lens uses interchangeable PL and EF mounting; match the camera recording area, installed interface, rear clearance, flange distance, and support before the shoot.\u003c\/p\u003e\n\u003ch3\u003eManual Crew Operation\u003c\/h3\u003e\u003cp\u003eclose-focus operation and matched Vespid focus and iris gear placement for inserts, tabletop, product, beauty, and narrative detail work, supporting repeatable focus, zoom, iris, matte-box, and motor setup.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 90mm range when its framing coverage fits the production. Choose the adjacent family range for wider or longer reach, primes for faster single-focal-length operation, or another sensor and mount family when this coverage or interface does not fit.\u003c\/p\u003e\n\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, camera assistants, rental houses, studios, film schools, production companies, and owner-operators building a manual full-frame cinema package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different focal range when camera position or framing demands it, another mount or sensor family when compatibility changes, autofocus glass for solo event work, or a lighter lens when handheld balance and support time are the main constraints.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens\u003c\/li\u003e\n\u003cli\u003einterchangeable PL and EF mounting as named in the product title\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 90mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.8\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame\u003c\/li\u003e\n\u003cli\u003eMounts: PL and EF\u003c\/li\u003e\n\u003cli\u003eType: macro cinema prime\u003c\/li\u003e\n\u003cli\u003eOperation: manual geared focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format and role does this 90mm lens serve?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens (PL\/EF): It is a 90mm T2.8 full-frame macro cinema prime. Match the active camera recording area to the family's stated image coverage before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich mount and mechanical checks matter?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens (PL\/EF): This configuration uses interchangeable PL and EF mounting. Check the installed interface, rear clearance, flange setup, rods, lens support, matte box, filters, and 0.8 MOD motor positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should this focal range be chosen?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens (PL\/EF): The 90mm range determines framing, working distance, perspective, and how often the camera or lens must move. Compare it with adjacent ranges around the planned shot list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the lens suit a crewed cinema workflow?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens (PL\/EF): Yes. close-focus operation and matched Vespid focus and iris gear placement for inserts, tabletop, product, beauty, and narrative detail work. Camera assistants should still map focus, zoom, iris, support, motor, and case positions before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFILM lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens (PL\/EF): Filmgear Canada offers Canada-wide shipping and Vancouver-based help for focal range, sensor coverage, mount, support, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 90mm Macro T2.8 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40784603414708,"sku":"DZO-VM9021PL","price":1258.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1604004490_1601846.jpg?v=1633765858"},{"product_id":"dzofilm-vespid-cine-prime-100mm-pl","title":"DZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens (PL\/EF)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 100mm cine lens provides 100mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens uses a 100mm focal length and T2.1 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e100mm T2.1 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 100mm field of view and T2.1 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 100mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 100mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 100mm T2.1 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40784631726260,"sku":"DZO-V10021PL","price":1110.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1604004490_1601847.jpg?v=1633767066"},{"product_id":"dzofilm-vespid-cine-prime-125mm-pl","title":"DZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens (PL\/EF)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 125mm cine lens provides 125mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens uses a 125mm focal length and T2.1 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e125mm T2.1 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 125mm field of view and T2.1 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 125mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 125mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 125mm T2.1 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":40784739958964,"sku":"DZO-V12521PL","price":1110.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1604004490_1601848.jpg?v=1633769027"},{"product_id":"teris-ts150cf-q-carbon-tripod-kit","title":"Teris TS150CF-Q Carbon Fiber Tripod Kit 20kg (44lb) Capacity 100mm Bowl Head with Flap Lock Quick Release","description":"\u003cp\u003eThe Teris TS150CF-Q is a carbon fiber tripod kit rated to 20kg (44lb) with a 100mm bowl head and a flap-lock quick release plate.\u003c\/p\u003e\u003cp\u003e20kg is the range where a fully built cinema camera stops being a problem: body, cine lens, matte box, follow focus, on-board monitor, and a battery all at once. The 100mm bowl is the larger standard bowl size and is what most rental houses and crews expect on a serious shoot.\u003c\/p\u003e\u003cp\u003eThe flap-lock quick release is the practical part. It gets the camera on and off the head fast when you are switching between sticks, gimbal, and shoulder.\u003c\/p\u003e\u003cp\u003eThis is the heavier sibling to the TCE-CF PLUS. If your build is under 7kg you are paying for capacity you will not use, so tell us what camera you run and we will point you at the right one.\u003c\/p\u003e","brand":"Teris","offers":[{"title":"Default Title","offer_id":42108843065603,"sku":"TS150CF-Q","price":3299.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/988A3400.jpg?v=1637924925"},{"product_id":"teris-tce-cf-plus-carbon-fiber-tripod-kit","title":"Teris TCE-CF PLUS Carbon Fiber Tripod Kit 7kg (15lb) Capacity 75mm Bowl Head","description":"\u003cp\u003eThe Teris TCE-CF PLUS is a carbon fiber tripod kit rated to 7kg (15lb) with a 75mm bowl head. That payload covers a mirrorless or compact cinema body with a lens, a small monitor, and a mic. It is not the tripod for a fully built cinema camera with a matte box and follow focus.\u003c\/p\u003e\u003cp\u003eThe 75mm bowl is the smaller of the two common cine bowl sizes. It levels faster and packs lighter than a 100mm system, which is why it suits documentary, corporate, and single-operator interview work.\u003c\/p\u003e\u003cp\u003eCarbon fiber keeps the weight down when you are the one carrying it between locations all day.\u003c\/p\u003e\u003cp\u003eIf you are unsure whether 7kg covers your build, send us your camera and accessory list and we will check it against the rating before you buy.\u003c\/p\u003e","brand":"Teris","offers":[{"title":"Default Title","offer_id":42109124870403,"sku":"TCE-CF PLUS","price":649.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/988A3039.jpg?v=1637927640"},{"product_id":"dzofilm-pl-lens-to-sony-e-mount-adapter","title":"DZOFilm Octopus Adapter (PL to Sony E-Mount)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm PL to Sony E mount adapter lets Sony E-mount camera bodies accept ARRI PL cinema lenses through a rigid passive mechanical interface.\u003c\/strong\u003e It is intended for owner-operators, rental houses, film schools, and production crews that need to use PL glass on short-flange Sony E cameras.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm Octopus Adapter (PL to Sony E-Mount) is part of the DZOFILM Octopus adapter family. This configuration connects an ARRI PL lens to a Sony E-mount camera and does not add electronic lens communication or autofocus. A positive-lock cinema lens can be heavier than a stills lens, so the camera cage, rods, lens support, rear-element clearance, flange setup, and back focus should be evaluated as one rig before production.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003ePL Lens to Sony E Camera\u003c\/h3\u003e\u003cp\u003eThe mount combination lets compatible ARRI PL cinema lenses fit compatible Sony E-mount camera bodies.\u003c\/p\u003e\n\u003ch3\u003ePassive Mechanical Interface\u003c\/h3\u003e\u003cp\u003eThe adapter provides a mechanical connection without adding autofocus, electronic iris, stabilization control, or lens-data communication.\u003c\/p\u003e\n\u003ch3\u003eProduction Rig Integration\u003c\/h3\u003e\u003cp\u003eThe design supports mixed camera and lens packages when rear clearance, support, matte box, motors, and back focus are set up together.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this Octopus configuration specifically for PL lenses on Sony E-mount cameras. Choose another Octopus mount combination for a different camera body, a native E-mount lens for electronic control and a lighter rig, or a dedicated PL camera body when repeated adapter changes are undesirable.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eDZOFilm VESPID 35mm PL\/EF lens\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-50mm-pl\"\u003eDZOFilm VESPID 50mm PL\/EF lens\u003c\/a\u003e. Check that the camera uses Sony E mount, the lens uses ARRI PL, the PL rear element clears the adapter and sensor cavity, the rig provides adequate lens support, and infinity focus is checked before the shoot.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis adapter is for cinema crews, owner-operators, film schools, and rental packages that need to place compatible ARRI PL lenses on Sony E-mount camera bodies.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a native Sony E lens when autofocus or electronic iris is required, another adapter for a different camera mount, or a dedicated PL camera when maximum rigidity and fewer interfaces are more important than body flexibility.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003eDZOFilm Octopus Adapter (PL to Sony E-Mount)\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLens side: ARRI PL\u003c\/li\u003e\n\u003cli\u003eCamera side: Sony E mount\u003c\/li\u003e\n\u003cli\u003eOperation: passive mechanical adapter\u003c\/li\u003e\n\u003cli\u003eElectronic lens communication: none\u003c\/li\u003e\n\u003cli\u003eAutofocus support: none\u003c\/li\u003e\n\u003cli\u003eSetup checks: rear clearance, lens support, flange fit, and back focus\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhich lens and camera mounts does this adapter connect?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Octopus Adapter (PL to Sony E-Mount): It connects a compatible ARRI PL cinema lens to a compatible Sony E-mount camera body.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the adapter add autofocus or electronic iris control?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Octopus Adapter (PL to Sony E-Mount): It is a passive mechanical adapter and does not add autofocus, electronic aperture, stabilization control, or lens-data communication.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo heavy PL lenses need extra support?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Octopus Adapter (PL to Sony E-Mount): Use appropriate rods and lens support for heavier cinema lenses so the camera mount and adapter are not carrying the full load.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat should be checked before the first shoot?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Octopus Adapter (PL to Sony E-Mount): Check PL rear-element clearance, Sony E fit, support, motor position, matte-box clearance, infinity focus, and back focus with the actual camera and lens.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFilm adapter in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Octopus Adapter (PL to Sony E-Mount): Filmgear Canada supplies the adapter with Canada-wide shipping and Vancouver-based help for mount and rig compatibility planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Octopus Adapter (PL to Sony E-Mount) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":42153457877251,"sku":"DZO-ADPLEBLK","price":359.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1607360423_IMG_1457388.jpg?v=1638906627"},{"product_id":"dzofilm-pl-lens-to-canon-rf-mount-adapter-black","title":"DZOFilm Octopus Adapter (PL to Canon RF-Mount)","description":"\u003cp\u003e\u003cstrong\u003eThe DZOFilm Octopus PL to Canon RF adapter is a precision mechanical mount adapter for using compatible ARRI PL cinema lenses on a Canon RF camera body.\u003c\/strong\u003e Available from Filmgear Canada for Canadian cinema, commercial, documentary, rental, education, and owner-operator productions.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eOctopus maintains the required flange relationship between the PL lens and the shorter Canon RF camera mount without adding optical elements. Because it is a passive mechanical adapter, it does not provide autofocus, electronic aperture control, or lens-data conversion. DZOFILM uses an active-lock style, metal construction, and internal light-control treatment to support a secure cinema-lens connection. Lens rear clearance, image circle, camera-cage clearance, and physical support remain separate compatibility checks.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003ePL Lens to Canon RF Camera\u003c\/h3\u003e\n\u003cp\u003eThis exact Octopus configuration adapts compatible ARRI PL lenses to a Canon RF camera body.\u003c\/p\u003e\n\u003ch3\u003ePassive Optical-Free Path\u003c\/h3\u003e\n\u003cp\u003eThe adapter contains no focal reducer or expander optics, so it does not intentionally change focal length, image circle, or light transmission.\u003c\/p\u003e\n\u003ch3\u003ePrecision Mechanical Connection\u003c\/h3\u003e\n\u003cp\u003eDZOFILM describes accurate flange control, a secure locking interface, and metal construction for professional manual lens use.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose Octopus when the PL lens already covers the camera sensor and no optical expansion is needed. Choose a Marlin expander when a Super 35 lens image circle must be enlarged for a larger-format Canon RF camera.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e. Check the exact mount, sensor format, lens support, matte box, follow-focus position, and camera clearance before the shoot.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis Octopus adapter is for cinema-camera operators, rental kits, film schools, and productions using manual PL glass on a Canon RF body.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose another Octopus mount for a different camera system, an electronic adapter when supported lens control is required, or a Marlin expander when the original lens image circle is too small for the sensor.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003eDZOFilm Octopus PL-to-Canon RF mechanical adapter\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLens-side mount: ARRI PL\u003c\/li\u003e\n\u003cli\u003eCamera-side mount: Canon RF\u003c\/li\u003e\n\u003cli\u003eOptical elements: none\u003c\/li\u003e\n\u003cli\u003eElectronic communication: none\u003c\/li\u003e\n\u003cli\u003eOperation: manual mechanical adapter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Octopus PL to Canon RF adapter designed to do?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Octopus Adapter (PL to Canon RF-Mount) is designed for the exact cinema-lens or adapter role described on this page. Its value comes from matching the exact product configuration to the camera, lens, light, filter holder, or support equipment already in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do I check compatibility before ordering Octopus PL to Canon RF adapter?\u003c\/strong\u003e\u003cbr\u003eFor DZOFilm Octopus Adapter (PL to Canon RF-Mount), compare the mount, physical size, optical format, connector, payload, or accessory standard shown on this page with the corresponding specification on your existing equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with Octopus PL to Canon RF adapter?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Octopus Adapter (PL to Canon RF-Mount) includes DZOFilm Octopus PL-to-Canon RF mechanical adapter. Optional accessories, alternate mounts, cameras, lenses, lights, and support equipment are separate unless they are named in the selected Shopify variant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of Octopus PL to Canon RF adapter?\u003c\/strong\u003e\u003cbr\u003eChoose choose another octopus mount for a different camera system, an electronic adapter when supported lens control is required, or a marlin expander when the original lens image circle is too small for the sensor instead of DZOFilm Octopus Adapter (PL to Canon RF-Mount) when that option better matches your required format, size, mount, focal range, payload, or level of kit completeness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy Octopus PL to Canon RF adapter in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Octopus Adapter (PL to Canon RF-Mount) is available from Filmgear Canada with Canada-wide shipping and Vancouver-based assistance. Check the selected variant and the surrounding equipment requirements before placing the order.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Octopus Adapter (PL to Canon RF-Mount) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Review the selected mount, size, filter, or kit configuration before ordering so the product matches the rest of your production package.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":42153464660227,"sku":"DZO-ADPLRBLK","price":373.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1607361348_IMG_1457395.jpg?v=1700181910"},{"product_id":"pancro-professional-lens-cleaner-4-oz","title":"Pancro Professional Lens Cleaner (4 oz)","description":"\u003cp\u003ePancro Professional Lens Cleaner is a long-standing favourite on motion-picture sets for cleaning cine and stills glass. This is the 4 oz bottle, used with lint-free cloth or lens tissue to lift fingerprints, oils, and residue without leaving streaks.\u003c\/p\u003e\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"Pancro","offers":[{"title":"Default Title","offer_id":42220473385219,"sku":"Pancro_LensCleaner","price":26.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1568029791_1070988.jpg?v=1639683673"},{"product_id":"teris-jq50-ii-carbon-fiber-mini-jib","title":"Teris JQ50-III Carbon Fiber Mini Jib for DJI Ronin-S\/RS 2\/Zhiyun CRANE-2","description":"\u003cp\u003eThe Teris JQ50-III is a carbon-fiber mini jib built for handheld gimbals: DJI Ronin-S, RS 2, and the Zhiyun Crane-2. Mount the gimbal at the end of the jib arm and you add jib moves, low-angle sweeps, and overhead reach on top of whatever the gimbal already does.\u003c\/p\u003e\u003ch2\u003eKey features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eCarbon-fiber construction to keep total weight down\u003c\/li\u003e\n\u003cli\u003eSized for DJI Ronin-S, RS 2, and Zhiyun Crane-2\u003c\/li\u003e\n\u003cli\u003eAdds jib reach and low\/high angles to a handheld gimbal\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"Teris","offers":[{"title":"Default Title","offer_id":42475539890435,"sku":"JQ50-III","price":1050.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/files\/1688479819_1773098.jpg?v=1694717389"},{"product_id":"teris-tsd30-tripod-dolly","title":"Teris TSD30 Tripod Dolly 100kg Heavy-Duty for Film Sets","description":"\u003cp\u003e\u003cstrong\u003eTeris TSD30 Tripod Dolly 100kg Heavy-Duty for Film Sets is a camera support dolly for controlled repositioning of a compatible tripod package on smooth studio, stage, event, or film-set floors, with a 100kg capacity stated in the listing.\u003c\/strong\u003e Filmgear Canada supports Canadian crews with model selection, system fit, and practical production planning.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThis heavy-duty camera support dolly carries tripod feet so crews can roll the complete setup without lifting it between nearby positions. A tripod dolly is not a substitute for a track dolly or stabilized movement system; wheel condition, floor seams, cables, thresholds, slopes, locks, leg placement, and the full centre of gravity determine whether a move is safe and usable. Check tripod-foot fit, footprint, total payload, wheel locks, steering behaviour, transport dimensions, floor protection, and the lowest-rated component before loading the camera. Use a spotter whenever the rig is moved on an active set.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003eTripod Mobility\u003c\/h3\u003e\u003cp\u003eMoves a compatible tripod package across a smooth working floor for studio, event, and set repositioning.\u003c\/p\u003e\u003ch3\u003e100kg Listed Capacity\u003c\/h3\u003e\u003cp\u003eThe listing states a 100kg capacity; the safe working limit remains the lowest rating in the complete camera and support chain.\u003c\/p\u003e\u003ch3\u003eLock and Floor Check\u003c\/h3\u003e\u003cp\u003eWheel locks, leg retention, thresholds, cable paths, slopes, and the floor surface must be checked before every move.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose the TSD30 when its footprint, wheel layout, and 100kg capacity fit the tripod package. Choose a lighter dolly for smaller rigs, track for repeatable cinematic travel, or a pedestal for combined rolling and vertical movement.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/teris-ts-5-quick-release-plate\"\u003eTeris TS-5 Quick Release Plate for TCE-CF Tripod\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/teris-ts1610cf-q-2-stage-carbon-fiber-tripod\"\u003eTeris TS1610CF-Q 2-Stage Carbon Fiber Tripod\u003c\/a\u003e. Match the tripod foot shape, leg spread, total camera weight, centre of gravity, dolly footprint, wheel locks, floor surface, thresholds, cable routes, and transport needs. Test the empty support before loading the camera.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eFor studios, rental houses, broadcast crews, event teams, film sets, and camera departments that reposition tripods on smooth indoor working surfaces.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose a track dolly for repeatable moving shots, a studio pedestal for rolling plus column moves, or fixed tripod feet when the floor is uneven, sloped, obstructed, or unsuitable for wheels.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\u003cli\u003eTeris TSD30 tripod dolly\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eModel: TSD30\u003c\/li\u003e\n\u003cli\u003eRole: tripod dolly\u003c\/li\u003e\n\u003cli\u003eListed load capacity: 100kg\u003c\/li\u003e\n\u003cli\u003eSKU: TSD30\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eWhat is Teris TSD30 designed to do?\u003c\/strong\u003e\u003cbr\u003eTeris TSD30 Tripod Dolly 100kg Heavy-Duty for Film Sets (TSD30) is designed for moving a compatible tripod and camera package across a smooth studio or set floor. Review the named interface, dimensions, camera or support system, and working load before adding it to a production package.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat should I check before using Teris TSD30?\u003c\/strong\u003e\u003cbr\u003eBefore using Teris TSD30 Tripod Dolly 100kg Heavy-Duty for Film Sets (TSD30), check the mating interface, fasteners, cable or battery requirements, clearance, balance, payload, and every attached component in the finished setup.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow does Teris TSD30 compare with another option?\u003c\/strong\u003e\u003cbr\u003eTeris TSD30 Tripod Dolly 100kg Heavy-Duty for Film Sets (TSD30) is the better choice when the tsd30 heavy-duty 100kg tripod dolly platform matches the job. Select another model when the mount, size, operating distance, power standard, or system role differs.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eIs Teris TSD30 suitable for professional production?\u003c\/strong\u003e\u003cbr\u003eTeris TSD30 Tripod Dolly 100kg Heavy-Duty for Film Sets (TSD30) can serve professional crews when its stated role fits the camera package and the complete setup is tested before the shoot. Rental, studio, live, and location teams should document their final configuration.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere can I buy Teris TSD30 in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada supplies Teris TSD30 Tripod Dolly 100kg Heavy-Duty for Film Sets (TSD30) with Canada-wide shipping and Vancouver-based help for model selection, compatible accessories, setup planning, and production support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eBuy Teris TSD30 Tripod Dolly 100kg Heavy-Duty for Film Sets from Filmgear Canada with Canada-wide shipping and Vancouver-based help for exact model fit, system compatibility, and production workflow planning.\u003c\/p\u003e","brand":"Teris","offers":[{"title":"Default Title","offer_id":42475576525059,"sku":"TSD30","price":750.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1639019637.jpg?v=1644952942"},{"product_id":"teris-tsd30s-tripod-dolly","title":"Teris TSD30S Tripod Dolly 100kg Payload","description":"\u003cp\u003eThe Teris TSD30S is a tripod dolly rated to 100kg payload. It puts wheels under a tripod so you can reposition a built camera without breaking down and re-levelling, and it gives you slow push-ins and repositions on a smooth floor.\u003c\/p\u003e\u003cp\u003e100kg covers the tripod, the head, and a fully built camera with room left over, so payload is rarely the limiting factor here. Floor surface is. A dolly is a studio and smooth-floor tool, not a location-on-carpet tool.\u003c\/p\u003e\u003cp\u003eCheck your tripod leg spread against the dolly before ordering. Send us your tripod model and we will confirm the fit.\u003c\/p\u003e","brand":"Teris","offers":[{"title":"Default Title","offer_id":42475594612995,"sku":"TSD30S","price":620.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1638958018.jpg?v=1644953443"},{"product_id":"sachtler-aktiv6-flowtech75-ms-system","title":"Sachtler aktiv6 flowtech75 MS Tripod System","description":"\u003cp\u003e\u003cstrong\u003eThe Sachtler aktiv6 flowtech75 MS is a professional video tripod system with carbon-fibre legs, an aktiv6 fluid head, Sideload plate, 75mm SpeedSwap base, mid-level spreader, carry handle, and padded bag.\u003c\/strong\u003e It supports camera builds up to 8kg, provides 15 counterbalance steps and three drag settings, and covers low-angle through standing-height production setups.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eSachtler rates the complete system for camera payloads from 0 to 8kg at a 100mm centre of gravity. The aktiv6 head provides 15 plus zero counterbalance steps, three plus zero drag settings, a 120mm sliding range, and a +90 to -70 degree tilt range. SpeedLevel allows the head to be levelled without reaching under the bowl, while SpeedSwap supports faster moves between compatible supports. The two-stage carbon-fibre flowtech75 aktiv legs use quick-release brakes and work with the included mid-level spreader. System height is listed from 23 to 170cm without the spreader and 79 to 174cm with it.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003e0 to 8kg Professional Payload Range\u003c\/h3\u003e\u003cp\u003eThe aktiv6 head is specified for medium camcorder and digital cinema builds up to 8kg, with 15 counterbalance steps for balancing different camera, lens, battery, and accessory combinations.\u003c\/p\u003e\u003ch3\u003eSpeedLevel and SpeedSwap Support\u003c\/h3\u003e\u003cp\u003eThe 75mm aktiv base allows quick head levelling and faster transfer to compatible sliders or other supports without a conventional under-bowl clamp.\u003c\/p\u003e\u003ch3\u003eTwo-Stage Carbon-Fibre flowtech Legs\u003c\/h3\u003e\u003cp\u003eQuick-release brakes, a mid-level spreader, wide height coverage, and low-angle capability support documentary, corporate, news, commercial, and location production.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose aktiv6 when the complete camera build remains within the 8kg payload and three drag settings are sufficient. Choose the aktiv8 flowtech75 system for builds up to 12kg and seven drag settings, or a different bowl and leg class when the camera package, height, environment, or support interface requires it.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/sachtler-aktiv8-flowtech75-ms-system\"\u003eSachtler aktiv8 flowtech75 MS system\u003c\/a\u003e. Balance the total camera, lens, plate, battery, matte box, monitor, cable, and accessory weight against the 8kg rating. SpeedSwap transfers require a compatible receiver or slider setup, and the Sideload plate, bowl interface, spreader position, floor surface, and operating height should be checked for the production plan.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eThis tripod system is for documentary, corporate, broadcast, news, education, rental, and cinema crews that need fast setup, repeatable fluid movement, low-angle access, and a portable professional support package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose aktiv8 for heavier camera builds or finer drag selection, a 100mm system for a larger support class, a ground-spreader kit for flat controlled floors, or a lighter travel tripod when packed size matters more than production payload and speed.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eSachtler aktiv6 fluid head with Sideload plate S and one pan bar\u003c\/li\u003e\n\u003cli\u003eflowtech75 aktiv two-stage carbon-fibre tripod\u003c\/li\u003e\n\u003cli\u003eflowtech75 mid-level spreader\u003c\/li\u003e\n\u003cli\u003eflowtech rotating carry handle\u003c\/li\u003e\n\u003cli\u003eflowtech attachment mount\u003c\/li\u003e\n\u003cli\u003eSachtler padded bag 75\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eSystem SKU: S2064S-FTMS\u003c\/li\u003e\n\u003cli\u003ePayload at 100mm centre of gravity: 0 to 8kg\u003c\/li\u003e\n\u003cli\u003eCounterbalance: 15 plus 0 steps\u003c\/li\u003e\n\u003cli\u003eDrag: 3 plus 0 settings\u003c\/li\u003e\n\u003cli\u003eBowl: 75mm SpeedSwap base\u003c\/li\u003e\n\u003cli\u003eCamera fitting: Sideload S\u003c\/li\u003e\n\u003cli\u003eSliding range: 120mm\u003c\/li\u003e\n\u003cli\u003eTilt range: +90 to -70 degrees\u003c\/li\u003e\n\u003cli\u003eSystem weight: 6.2kg\u003c\/li\u003e\n\u003cli\u003eTripod: two-stage carbon fibre\u003c\/li\u003e\n\u003cli\u003eHeight without spreader: 23 to 170cm\u003c\/li\u003e\n\u003cli\u003eHeight with mid-level spreader: 79 to 174cm\u003c\/li\u003e\n\u003cli\u003eTransport length: 85cm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eHow much camera weight can the Sachtler aktiv6 system support?\u003c\/strong\u003e\u003cbr\u003eSachtler specifies a 0 to 8kg payload range at a 100mm centre of gravity. Add the camera, lens, battery, plate, monitor, matte box, cables, and every mounted accessory when checking the build.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat is the difference between aktiv6 and aktiv8?\u003c\/strong\u003e\u003cbr\u003eThe aktiv6 is rated to 8kg with three plus zero drag settings. The aktiv8 is rated to 12kg and provides seven plus zero drag settings for heavier builds and finer movement adjustment.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow low and high can the flowtech75 MS system operate?\u003c\/strong\u003e\u003cbr\u003eSachtler lists 23 to 170cm without the spreader and 79 to 174cm with the mid-level spreader. Camera height also depends on the head, plate, and camera build.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat do SpeedLevel and SpeedSwap change on set?\u003c\/strong\u003e\u003cbr\u003eSpeedLevel lets the operator level the aktiv head without reaching under the bowl. SpeedSwap lets the head move to a compatible receiver or slider setup more quickly, provided the other support has the required interface.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere can I buy the Sachtler aktiv6 flowtech75 MS in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada supplies the aktiv6 flowtech75 MS with Canada-wide shipping and Vancouver-based help for payload, plate, spreader, slider, transport, and support planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eBuy Sachtler aktiv6 flowtech75 MS Tripod System from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Confirm the exact signal, connector, power, support, and accessory plan before ordering.\u003c\/p\u003e","brand":"Sachtler","offers":[{"title":"Default Title","offer_id":42487995793667,"sku":"S2064S-FTMS","price":4699.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1602546715_1597835.jpg?v=1645211359"},{"product_id":"sachtler-aktiv8-flowtech75-ms-system","title":"Sachtler aktiv8 flowtech75 MS Tripod System","description":"\u003cp\u003e\u003cstrong\u003eSachtler aktiv8 flowtech75 MS Tripod System is a professional 75mm carbon-fibre video tripod system rated for camera builds from 0 to 12kg.\u003c\/strong\u003e The aktiv8 head adds 15 counterbalance steps, seven drag settings, SpeedLevel and SpeedSwap operation, while the flowtech75 legs, mid-level spreader, carry handle, and padded bag form a complete mobile support package.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThis tripod support package is selected for the exact model and production role named in the listing. Sachtler lists the system at 6.3kg with a 120mm Sideload sliding range, +90 to -70 degree tilt, 23 to 170cm height without the spreader, 79 to 174cm with the mid-level spreader, and 85cm transport length. The aktiv interface lets the operator level from above the bowl and move the head to compatible supports. Add the camera, lens, plate, battery, matte box, monitor, transmitter, cables, and every accessory when checking the 12kg payload and counterbalance position.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003e0 to 12kg Payload Range\u003c\/h3\u003e\u003cp\u003eSupports medium camcorder and digital cinema builds with 15 counterbalance steps and a 120mm Sideload balance range.\u003c\/p\u003e\u003ch3\u003eSeven Drag Settings\u003c\/h3\u003e\u003cp\u003eSeven plus zero pan and tilt drag choices give finer movement control for different payloads, lenses, and shot speeds.\u003c\/p\u003e\u003ch3\u003eaktiv and flowtech Speed\u003c\/h3\u003e\u003cp\u003eSpeedLevel, SpeedSwap, quick-release carbon-fibre legs, a mid-level spreader, carry handle, and bag support fast location setup and breakdown.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose aktiv8 over aktiv6 for the higher 12kg payload and seven drag settings. Choose aktiv6 for builds under 8kg, or a 100mm system when the camera package and operating environment require a larger support class.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/sachtler-aktiv6-flowtech75-ms-system\"\u003eSachtler aktiv6 flowtech75 MS Tripod System\u003c\/a\u003e. Balance the complete 0 to 12kg camera build on the Sideload S plate. SpeedSwap moves require a compatible receiver; confirm the 75mm aktiv interface, spreader position, ground conditions, operating height, temperature, pan bar, case, and transport plan.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eFor documentary, commercial, broadcast, news, education, rental, and cinema crews using medium digital cinema cameras or professional camcorders.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose aktiv6 for lighter builds and lower cost, a 100mm system for heavier packages, a ground spreader for controlled flat floors, or a travel tripod when packed weight is the main constraint.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eSachtler aktiv8 fluid head with Sideload plate and pan bar\u003c\/li\u003e\n\u003cli\u003eflowtech75 aktiv carbon-fibre tripod\u003c\/li\u003e\n\u003cli\u003eMid-level spreader\u003c\/li\u003e\n\u003cli\u003eRotating carry handle\u003c\/li\u003e\n\u003cli\u003eAttachment mount\u003c\/li\u003e\n\u003cli\u003ePadded flowtech75 bag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eSKU: S2068S-FTMS\u003c\/li\u003e\n\u003cli\u003ePayload: 0 to 12kg\u003c\/li\u003e\n\u003cli\u003eCounterbalance: 15 plus 0 steps\u003c\/li\u003e\n\u003cli\u003eDrag: 7 plus 0 settings\u003c\/li\u003e\n\u003cli\u003eBowl: 75mm SpeedSwap\u003c\/li\u003e\n\u003cli\u003eSliding range: 120mm\u003c\/li\u003e\n\u003cli\u003eTilt: +90 to -70 degrees\u003c\/li\u003e\n\u003cli\u003eSystem weight: 6.3kg\u003c\/li\u003e\n\u003cli\u003eHeight without spreader: 23 to 170cm\u003c\/li\u003e\n\u003cli\u003eHeight with spreader: 79 to 174cm\u003c\/li\u003e\n\u003cli\u003eTransport length: 85cm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eProduct Video\u003c\/h2\u003e\u003cp\u003eWatch the manufacturer presentation to inspect the design, controls, mounting, and intended production workflow before purchase.\u003c\/p\u003e\u003cdiv class=\"video-container\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/YCgj7D3C-lM\" title=\"Sachtler aktiv8 flowtech75 MS Tripod System product video\" loading=\"lazy\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eWhat is the Sachtler aktiv8 flowtech75 MS Tripod System designed to do?\u003c\/strong\u003e\u003cbr\u003eSachtler aktiv8 flowtech75 MS Tripod System is designed as a 0 to 12kg professional video tripod system. It combines the aktiv8 head, 75mm flowtech carbon-fibre legs, and mid-level spreader.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat should I match before ordering the Sachtler aktiv8 flowtech75 MS Tripod System?\u003c\/strong\u003e\u003cbr\u003eMatch the exact model, mechanical or electronic interface, dimensions, load, signal, power, and surrounding equipment that apply to Sachtler aktiv8 flowtech75 MS Tripod System. Count the complete camera build and match the Sideload plate, 75mm interface, counterbalance, drag, height, and ground support.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow should the Sachtler aktiv8 flowtech75 MS Tripod System be prepared for a production day?\u003c\/strong\u003e\u003cbr\u003eInspect the product, its mounting or connection points, required accessories, clearance, cable or load routing, and a safe backup plan before using Sachtler aktiv8 flowtech75 MS Tripod System on a job.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of the Sachtler aktiv8 flowtech75 MS Tripod System?\u003c\/strong\u003e\u003cbr\u003eChoose another model when its size, capacity, focal length, mount, connector, output, payload, or working format better matches the specific production package than Sachtler aktiv8 flowtech75 MS Tripod System.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere can I buy the Sachtler aktiv8 flowtech75 MS Tripod System in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada supplies Sachtler aktiv8 flowtech75 MS Tripod System with Canada-wide shipping and Vancouver-based assistance for model selection, system fit, accessories, and production planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eBuy Sachtler aktiv8 flowtech75 MS Tripod System from Filmgear Canada with Canada-wide shipping and Vancouver-based help for fit, configuration, and production workflow planning.\u003c\/p\u003e","brand":"Sachtler","offers":[{"title":"Default Title","offer_id":42502223888643,"sku":"SA_S2068SFTMS","price":5589.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1602546715_1597838.jpg?v=1645562692"},{"product_id":"aputure-barndoors-for-nova-p600c-led-panel","title":"Aputure Barndoors for Nova P600c LED Panel","description":"\u003cp\u003e\u003cstrong\u003eAputure Nova P600c barn doors provide a four-leaf light-shaping attachment made for the Nova P600c.\u003c\/strong\u003e They help crews trim spill, protect nearby backgrounds, and refine beam edges while keeping the fixture or Fresnel in a compact production setup.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eAputure Barndoors for Nova P600c LED Panel are a dedicated mechanical modifier for the Nova P600c. The four-leaf aluminum assembly uses the Nova P600c accessory slot and includes fabric light-leak covers around the opening. Barn doors shape a beam by blocking portions of it; they do not soften the illumination like a diffusion dome and do not replace a projection attachment for sharply focused shutters or gobos. They do not change fixture output, color, CCT, power method, or DMX control, and the modifier should be packed in a protective case when transported.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003eFour-leaf Beam Control\u003c\/h3\u003e\u003cp\u003eIndependent leaves can trim spill from the top, bottom, and sides of the Nova P600c beam.\u003c\/p\u003e\n\u003ch3\u003eDedicated Mechanical Fit\u003c\/h3\u003e\u003cp\u003eThe modifier is made around the Nova P600c interface, reducing improvised mounting and keeping the control surfaces aligned with the beam.\u003c\/p\u003e\n\u003ch3\u003eFast On-Set Adjustment\u003c\/h3\u003e\u003cp\u003eCrews can open or close individual leaves during a lighting change without replacing the complete modifier package.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose these barn doors for fast spill control on the Nova P600c. Choose a softbox or lantern for broad soft light, flags when the cut must be positioned away from the fixture, or a projection attachment when crisp shutters, gobos, or a focused image are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/aputure-barndoors-for-nova-ii-2x1-led-panel\"\u003eAputure NOVA II 2x1 Barn Doors\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/aputure-cf4-barn-doors\"\u003eAputure CF4 Barn Doors\u003c\/a\u003e. Use this modifier only with the Nova P600c interface named for the product. Check that the accessory is fully seated, the leaves clear the yoke and nearby rigging, and the fixture remains within safe operating and tilt limits.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThese barn doors are for gaffers, cinematographers, studios, interview crews, rental kits, and owner-operators who need fast spill control without building every cut from separate flags.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a softbox for broad diffusion, a lantern for wide ambient fill, separate flags for cuts placed away from the fixture, or a projection attachment for sharply focused shutters and gobos.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\u003cli\u003eAputure Barndoors for Nova P600c LED Panel\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eCompatibility: Aputure Nova P600c\u003c\/li\u003e\n\u003cli\u003eLeaf design: four-leaf\u003c\/li\u003e\n\u003cli\u003eFunction: beam and spill control\u003c\/li\u003e\n\u003cli\u003eOperation: manual leaf adjustment\u003c\/li\u003e\n\u003cli\u003eMounting: dedicated accessory interface for the named fixture or Fresnel\u003c\/li\u003e\n\u003cli\u003eConstruction: aluminum\u003c\/li\u003e\n\u003cli\u003eLight-leak control: fabric covers\u003c\/li\u003e\n\u003cli\u003eNet weight: approximately 2.70kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhich Aputure fixture or modifier does this accessory fit?\u003c\/strong\u003e\u003cbr\u003eAputure Barndoors for Nova P600c LED Panel: It is designed around the Nova P600c interface. Match the exact fixture or Fresnel name before ordering.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat do barn doors do on a production light?\u003c\/strong\u003e\u003cbr\u003eAputure Barndoors for Nova P600c LED Panel: They block selected parts of the beam to reduce spill on backgrounds, ceilings, lenses, and nearby set areas while leaving other portions open.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo barn doors make the light soft?\u003c\/strong\u003e\u003cbr\u003eAputure Barndoors for Nova P600c LED Panel: They primarily trim and shape spill. Use a softbox, dome, or diffusion frame when a broader and softer quality is the main goal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I use flags instead of barn doors?\u003c\/strong\u003e\u003cbr\u003eAputure Barndoors for Nova P600c LED Panel: Use separate flags when the cut must be placed farther from the fixture, when a cleaner edge is needed, or when the modifier would interfere with the rig.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy these Aputure barn doors in Canada?\u003c\/strong\u003e\u003cbr\u003eAputure Barndoors for Nova P600c LED Panel: Filmgear Canada supplies them with Canada-wide shipping and Vancouver-based help for fixture, modifier, and rig compatibility.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy Aputure Barndoors for Nova P600c LED Panel from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"Aputure","offers":[{"title":"Default Title","offer_id":42980826251523,"sku":"APB0179A30","price":188.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/Nova_P600c_Accessories_000104.jpg?v=1656458443"},{"product_id":"aputure-rain-shield-nova-p600c","title":"Aputure Rain Shield for Nova P600c LED Panel","description":"\u003cp\u003e\u003cstrong\u003eAputure NOVA P600c Rain Shield uses a waterproof nylon shell and metal side supports to protect the NOVA P600c during upright operation in rain.\u003c\/strong\u003e The supports slide into the fixture accessory slots, hook-and-loop panels secure the cover, and the modular parts fold into the included bag for location transport. Buyers comparing this production lighting accessory should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eAputure NOVA P600c Rain Shield is designed around the NOVA P600c lighting system rather than as a universal fixture accessory. The supports slide into the fixture accessory slots, hook-and-loop panels secure the cover, and the modular parts fold into the included bag for location transport. Crews should check modifier clearance, stand capacity, safety attachment, power-cable routing, outdoor exposure, and packed size before the call so output, colour, CCT, and control needs remain practical for the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003eDedicated Parent-System Fit\u003c\/h3\u003e\u003cp\u003eAputure NOVA P600c Rain Shield is shaped for the NOVA P600c and its named modifier interface.\u003c\/p\u003e\n\u003ch3\u003eProduction Light Control\u003c\/h3\u003e\u003cp\u003eThe supports slide into the fixture accessory slots, hook-and-loop panels secure the cover, and the modular parts fold into the included bag for location transport.\u003c\/p\u003e\n\u003ch3\u003ePack-and-Rig Planning\u003c\/h3\u003e\u003cp\u003eIts role is mechanical light shaping or protection, so fixture power, battery or AC supply, stand, safety cable, and any additional case remain separate unless listed.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this cover for upright outdoor P600c work in wet conditions. Choose a fully weather-rated fixture or a sheltered setup when wind, angle, exposure duration, or electrical safety exceeds the cover's intended use.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/aputure-lantern-30-for-storm-80c\"\u003eAputure Lantern 30\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/aputure-light-dome-40\"\u003eAputure Quick Dome 40\u003c\/a\u003e. Match the NOVA P600c, mounting interface, modifier weight, grid or softbox clearance, stand, safety cable, fixture power, and transport case before use.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis accessory is for cinematographers, gaffers, studios, rental teams, and owner-operators using the NOVA P600c who need its specific light-control role.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose this cover for upright outdoor P600c work in wet conditions. Choose a fully weather-rated fixture or a sheltered setup when wind, angle, exposure duration, or electrical safety exceeds the cover's intended use. Check required output, colour, CCT range, modifier size, grid control, power method, case space, and outdoor conditions before choosing.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003ewaterproof nylon shell\u003c\/li\u003e\n\u003cli\u003emetal support frame set\u003c\/li\u003e\n\u003cli\u003ecarrying bag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eCompatibility: Aputure NOVA P600c\u003c\/li\u003e\n\u003cli\u003eBuilt size: 66.7 x 38.9 x 30.0cm\u003c\/li\u003e\n\u003cli\u003eMaterial: high-density waterproof nylon\u003c\/li\u003e\n\u003cli\u003eSupport: metal side frames\u003c\/li\u003e\n\u003cli\u003eWeight: 1.70kg\u003c\/li\u003e\n\u003cli\u003eUse position: upright\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhich light is the Aputure NOVA P600c Rain Shield made for?\u003c\/strong\u003e\u003cbr\u003eAputure Rain Shield for Nova P600c LED Panel: It is designed around the NOVA P600c. Match the fixture and mounting interface before ordering so the modifier or protective part seats correctly.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat lighting problem does it solve?\u003c\/strong\u003e\u003cbr\u003eAputure Rain Shield for Nova P600c LED Panel: The supports slide into the fixture accessory slots, hook-and-loop panels secure the cover, and the modular parts fold into the included bag for location transport. It changes light shape or fixture protection without changing the lamp's colour engine or control system.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes it include the light or power equipment?\u003c\/strong\u003e\u003cbr\u003eAputure Rain Shield for Nova P600c LED Panel: The listing is for the named accessory. The fixture, AC supply, battery, stand, safety equipment, and any item absent from the box list remain separate.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should a crew compare it with another modifier?\u003c\/strong\u003e\u003cbr\u003eAputure Rain Shield for Nova P600c LED Panel: Choose this cover for upright outdoor P600c work in wet conditions. Choose a fully weather-rated fixture or a sheltered setup when wind, angle, exposure duration, or electrical safety exceeds the cover's intended use. The practical decision is spread, spill, softness, output loss, setup time, and packed size.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy it in Canada?\u003c\/strong\u003e\u003cbr\u003eAputure Rain Shield for Nova P600c LED Panel: Filmgear Canada offers Canada-wide shipping and Vancouver-based help for fixture, modifier, grid, case, stand, power, and compatibility planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy Aputure Rain Shield for Nova P600c LED Panel from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"Aputure","offers":[{"title":"Default Title","offer_id":43040475873539,"sku":"APW0179A30","price":141.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1653576619_IMG_1759226.jpg?v=1657840884"},{"product_id":"dzofilm-pictor-zoom-3-lens-bundle-pl-ef-black","title":"DZOFilm Pictor T2.8 Super35 Zoom 3-Lens Bundle 14-30\/20-55\/50-125 (PL \u0026 EF Mount)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm Pictor 14-30 20-55 50-125 cinema zoom lens bundle brings the named T2.8 Super 35 zoom ranges together with interchangeable ARRI PL and Canon EF mounting.\u003c\/strong\u003e The matched housings are intended for narrative, commercial, documentary, studio, and rental packages that need flexible coverage without changing operating style.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm Pictor T2.8 Super35 Zoom 3-Lens Bundle 14-30\/20-55\/50-125 combines 14-30, 20-55, 50-125mm Pictor zoom ranges named in the current product identity. DZOFILM lists the Pictor family with constant T2.8 aperture, a 31.5mm Super 35 image circle, interchangeable PL and EF mounting, parfocal design, 95mm front outside diameter, M86 filter thread, 0.8 MOD gearing, 16 iris blades, 270-degree focus rotation, and 100-degree zoom rotation. The shared mechanics simplify matte-box, follow-focus, and lens-support changes across the bundle.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003eMatched T2.8 Zoom Coverage\u003c\/h3\u003e\u003cp\u003eThe 14-30, 20-55, 50-125mm ranges provide complementary Super 35 framing with constant T2.8 maximum aperture.\u003c\/p\u003e\n\u003ch3\u003eInterchangeable PL and EF Mounts\u003c\/h3\u003e\u003cp\u003eThe family supports ARRI PL and Canon EF interfaces, allowing one lens package to serve more camera bodies when mount fit and back focus are checked.\u003c\/p\u003e\n\u003ch3\u003eParfocal Cinema Mechanics\u003c\/h3\u003e\u003cp\u003eParfocal design, 95mm fronts, M86 threads, 0.8 MOD gears, 16-blade irises, and matched focus and zoom rotations suit repeatable crew operation.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this Pictor bundle when 14-30, 20-55, 50-125mm coverage, constant T2.8 speed, and matched manual zoom mechanics matter. Choose a smaller bundle if one range will remain unused, a Tango kit for longer zoom reach and optional servo integration, or prime lenses when maximum aperture and compact single-focal-length handling are the priority.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-tango-18-90mm-65-280mm-s35-lens-bundle-pl-ef\"\u003eDZOFilm Tango zoom bundle\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pictor-super35-zoom-3-lens-kit-pl-ef-black\"\u003eanother Pictor bundle\u003c\/a\u003e. Check Super 35 sensor mode, installed PL or EF mount, rear clearance, back focus, lens support, 95mm matte-box fit, M86 filters, and 0.8 MOD motor or follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis bundle is for cinematographers, rental houses, film schools, production companies, and owner-operators building a matched manual Super 35 cinema-zoom package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose fewer zooms when the production only needs one range, full-frame zooms for a larger sensor mode, autofocus glass for solo event coverage, or faster primes for lower-light and shallower-depth work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Pictor 14-30mm T2.8 Super 35 zoom lens\u003c\/li\u003e\n\u003cli\u003eDZOFilm Pictor 20-55mm T2.8 Super 35 zoom lens\u003c\/li\u003e\n\u003cli\u003eDZOFilm Pictor 50-125mm T2.8 Super 35 zoom lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount package named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eIncluded zoom ranges: 14-30, 20-55, 50-125mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.8\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: interchangeable ARRI PL and Canon EF\u003c\/li\u003e\n\u003cli\u003eDesign: parfocal\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eIris blades: 16\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003cli\u003eZoom rotation: 100 degrees\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDo Pictor zooms maintain focus while zooming?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor T2.8 Super35 Zoom 3-Lens Bundle 14-30\/20-55\/50-125: The family uses a parfocal optical design, allowing focus to remain stable through the zoom range when the lens and camera are set up correctly.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich sensor format does this bundle cover?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor T2.8 Super35 Zoom 3-Lens Bundle 14-30\/20-55\/50-125: Pictor uses a 31.5mm image circle for Super 35 production. Check the camera recording area before using a larger sensor mode.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan the lenses be used on both PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor T2.8 Super35 Zoom 3-Lens Bundle 14-30\/20-55\/50-125: The product identity includes interchangeable ARRI PL and Canon EF mounting. Check the installed interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo the lenses share cinema accessory dimensions?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor T2.8 Super35 Zoom 3-Lens Bundle 14-30\/20-55\/50-125: The family uses 95mm front outside diameters, M86 filter threads, and 0.8 MOD gears to simplify matte-box and follow-focus changes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this Pictor bundle in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor T2.8 Super35 Zoom 3-Lens Bundle 14-30\/20-55\/50-125: Filmgear Canada offers this bundle with Canada-wide shipping and Vancouver-based help for range, mount, and support selection.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Pictor T2.8 Super35 Zoom 3-Lens Bundle 14-30\/20-55\/50-125 (PL \u0026amp; EF Mount) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43071755321603,"sku":"DZO-7220001B\/2B\/3B-KIT","price":5836.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1650757676_1701859.jpg?v=1658518116"},{"product_id":"dzofilm-pictor-14-30mm-t2-8-super35-parfocal-zoom-lens-pl-ef","title":"DZOFilm Pictor 14-30mm T2.8 Super35 Parfocal Zoom Lens (PL and EF Mounts)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm Pictor 14-30mm T2.8 Super35 Parfocal Zoom Lens is a constant T2.8 Super 35 parfocal cinema zoom with interchangeable PL and EF mounting, built for cinematographers who need repeatable manual lens control and the named 14-30mm field of view.\u003c\/strong\u003e Its 31.5mm image circle, 95mm front, M86 thread, 16-blade iris, 270-degree focus, 100-degree zoom, and 0.8 MOD gears supports narrative, commercial, documentary, tabletop, studio, and rental work according to the lens family's optical role. Buyers comparing this cinema lens should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm Pictor 14-30mm T2.8 Super35 Parfocal Zoom Lens sits in the DZOFILM Pictor family. DZOFILM identifies it as a constant T2.8 Super 35 parfocal cinema zoom with interchangeable PL and EF mounting. Key operating details include 31.5mm image circle, 95mm front, M86 thread, 16-blade iris, 270-degree focus, 100-degree zoom, and 0.8 MOD gears. Before production, check sensor recording area, installed mount, rear clearance, flange setup, rods and lens support, matte box or filter fit, 0.8 MOD motor position, focus scale, working distance, and whether the selected focal range suits the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e14-30mm Cinema Optics\u003c\/h3\u003e\u003cp\u003eDZOFilm Pictor 14-30mm T2.8 Super35 Parfocal Zoom Lens provides the named 14-30mm view with its constant T2.8 Super 35 parfocal cinema zoom.\u003c\/p\u003e\n\u003ch3\u003eMount and Sensor Planning\u003c\/h3\u003e\u003cp\u003eThe lens uses interchangeable PL and EF mounting; match the camera recording area, installed interface, rear clearance, flange distance, and support before the shoot.\u003c\/p\u003e\n\u003ch3\u003eManual Crew Operation\u003c\/h3\u003e\u003cp\u003e31.5mm image circle, 95mm front, M86 thread, 16-blade iris, 270-degree focus, 100-degree zoom, and 0.8 MOD gears, supporting repeatable focus, zoom, iris, matte-box, and motor setup.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 14-30mm range when its framing coverage fits the production. Choose the adjacent family range for wider or longer reach, primes for faster single-focal-length operation, or another sensor and mount family when this coverage or interface does not fit.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pictor-12-25-super35-zoom-pl-ef-black\"\u003eDZOFilm Pictor 12-25mm T2.8 Super35 Parfocal Zoom Lens (PL\/EF, Black)\u003c\/a\u003e. Check camera sensor mode, interchangeable PL and EF mounting, rear clearance, flange setup, lens support, matte box, filters, 0.8 MOD motors, focus scale, working distance, and case dimensions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, camera assistants, rental houses, studios, film schools, production companies, and owner-operators building a manual Super 35 cinema package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different focal range when camera position or framing demands it, another mount or sensor family when compatibility changes, autofocus glass for solo event work, or a lighter lens when handheld balance and support time are the main constraints.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Pictor 14-30mm T2.8 Super35 Parfocal Zoom Lens\u003c\/li\u003e\n\u003cli\u003einterchangeable PL and EF mounting as named in the product title\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal range: 14-30mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.8\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: PL and EF\u003c\/li\u003e\n\u003cli\u003eDesign: parfocal\u003c\/li\u003e\n\u003cli\u003eFront diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format and role does this 14-30mm lens serve?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor 14-30mm T2.8 Super35 Parfocal Zoom Lens (PL and EF Mounts): It is a constant T2.8 Super 35 parfocal cinema zoom. Match the active camera recording area to the family's stated image coverage before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich mount and mechanical checks matter?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor 14-30mm T2.8 Super35 Parfocal Zoom Lens (PL and EF Mounts): This configuration uses interchangeable PL and EF mounting. Check the installed interface, rear clearance, flange setup, rods, lens support, matte box, filters, and 0.8 MOD motor positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should this focal range be chosen?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor 14-30mm T2.8 Super35 Parfocal Zoom Lens (PL and EF Mounts): The 14-30mm range determines framing, working distance, perspective, and how often the camera or lens must move. Compare it with adjacent ranges around the planned shot list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the lens suit a crewed cinema workflow?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor 14-30mm T2.8 Super35 Parfocal Zoom Lens (PL and EF Mounts): Yes. 31.5mm image circle, 95mm front, M86 thread, 16-blade iris, 270-degree focus, 100-degree zoom, and 0.8 MOD gears. Camera assistants should still map focus, zoom, iris, support, motor, and case positions before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFILM lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor 14-30mm T2.8 Super35 Parfocal Zoom Lens (PL and EF Mounts): Filmgear Canada offers Canada-wide shipping and Vancouver-based help for focal range, sensor coverage, mount, support, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Pictor 14-30mm T2.8 Super35 Parfocal Zoom Lens (PL and EF Mounts) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43071898353923,"sku":"DZO-7220003B","price":2361.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1655203840_1701861.jpg?v=1658523231"},{"product_id":"dzofilm-catta-ace-ff-35-80-70-135mm-t2-9-zoom-lens-bundle-black","title":"DZOFilm CATTA Ace FF Zoom 35-80 \u0026 70-135mm T2.9 Lens Kit (PL\/EF, Black)","description":"\u003cp\u003e\u003cstrong\u003eThe DZOFilm Catta Ace 2-lens zoom kit combines 35-80mm and 70-135mm T2.9 full-frame cinema zooms with matched colour, mechanics, and parfocal operation.\u003c\/strong\u003e Available from Filmgear Canada for Canadian cinema, commercial, documentary, rental, education, and owner-operator productions.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe included focal ranges cover 35-80mm plus 70-135mm while retaining a constant T2.9 maximum aperture and cinema-style manual focus, iris, and zoom control. DZOFILM designs the Catta family for parfocal operation so focus remains stable during a properly adjusted zoom move. The lenses share an 80mm front outside diameter, 0.8 MOD gears, 270-degree focus rotation, and 77mm filter threads. This current configuration uses interchangeable PL and EF mount configuration shown in the listing; camera fit, back focus, lens support, and full-frame sensor coverage should be checked before production.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e35-80mm and 70-135mm T2.9 Zooms\u003c\/h3\u003e\n\u003cp\u003eThe kit supplies the 35-80mm and 70-135mm focal ranges at a constant T2.9 maximum aperture.\u003c\/p\u003e\n\u003ch3\u003eParfocal Full-Frame Design\u003c\/h3\u003e\n\u003cp\u003eCatta zooms are designed to retain focus through the zoom range after correct back-focus setup and provide full-frame coverage in the listed family.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\n\u003cp\u003eThe lenses share manual geared controls, an 80mm front outside diameter, and consistent operation for faster changes within the kit.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this pairing when 35-80mm and 70-135mm covers the focal lengths used on the production. The complete three-lens package reduces gaps, while a two-lens kit saves case space and cost when the missing range is already covered by primes or another zoom.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e. Check the exact mount, sensor format, lens support, matte box, follow-focus position, and camera clearance before the shoot.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis 2-lens Catta Ace kit is for documentary, commercial, narrative, event, education, and rental teams that prefer zoom coverage with matched handling.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different two-lens pairing when another focal range matters more, the complete three-lens set when gaps are unacceptable, or smaller stills zooms when autofocus and minimum rig weight take priority.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Catta Ace 35-80mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003cli\u003eDZOFilm Catta Ace 70-135mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLens count: 2\u003c\/li\u003e\n\u003cli\u003eFocal ranges: 35-80mm, 70-135mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.9\u003c\/li\u003e\n\u003cli\u003eMount configuration: interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003cli\u003eFocus: manual, 270-degree rotation\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: 77mm\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Catta Ace 2-lens zoom kit designed to do?\u003c\/strong\u003e\u003cbr\u003eDZOFilm CATTA Ace FF Zoom 35-80 \u0026amp; 70-135mm T2.9 Lens Kit (PL\/EF, Black) is designed for the exact cinema-lens or adapter role described on this page. Its value comes from matching the exact product configuration to the camera, lens, light, filter holder, or support equipment already in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do I check compatibility before ordering Catta Ace 2-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eFor DZOFilm CATTA Ace FF Zoom 35-80 \u0026amp; 70-135mm T2.9 Lens Kit (PL\/EF, Black), compare the mount, physical size, optical format, connector, payload, or accessory standard shown on this page with the corresponding specification on your existing equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with Catta Ace 2-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eDZOFilm CATTA Ace FF Zoom 35-80 \u0026amp; 70-135mm T2.9 Lens Kit (PL\/EF, Black) includes DZOFilm Catta Ace 35-80mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing, DZOFilm Catta Ace 70-135mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing. Optional accessories, alternate mounts, cameras, lenses, lights, and support equipment are separate unless they are named in the selected Shopify variant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of Catta Ace 2-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eChoose choose a different two-lens pairing when another focal range matters more, the complete three-lens set when gaps are unacceptable, or smaller stills zooms when autofocus and minimum rig weight take priority instead of DZOFilm CATTA Ace FF Zoom 35-80 \u0026amp; 70-135mm T2.9 Lens Kit (PL\/EF, Black) when that option better matches your required format, size, mount, focal range, payload, or level of kit completeness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy Catta Ace 2-lens zoom kit in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm CATTA Ace FF Zoom 35-80 \u0026amp; 70-135mm T2.9 Lens Kit (PL\/EF, Black) is available from Filmgear Canada with Canada-wide shipping and Vancouver-based assistance. Check the selected variant and the surrounding equipment requirements before placing the order.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm CATTA Ace FF Zoom 35-80 \u0026amp; 70-135mm T2.9 Lens Kit (PL\/EF, Black) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Review the selected mount, size, filter, or kit configuration before ordering so the product matches the rest of your production package.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43071958483203,"sku":"DZO-FFCATTAA-BLK","price":4008.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1645487242_IMG_1699751.jpg?v=1681510841"},{"product_id":"teris-ts-5-quick-release-plate","title":"Teris TS-5 Quick Release Plate for TCE-CF Tripod","description":"\u003cp\u003e\u003cstrong\u003eTeris TS-5 Quick Release Plate for TCE-CF Tripod is a tripod quick release plate for the Teris TCE-CF support system, giving crews a dedicated camera-to-head interface for repeatable mounting and removal.\u003c\/strong\u003e Filmgear Canada supports Canadian crews with model selection, system fit, and practical production planning.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eA quick-release plate is a small part with a critical safety role: it must match the receiving clamp, fastener, anti-twist arrangement, camera base, and fore-aft balance of the complete rig. The TS-5 is listed for the TCE-CF tripod, so buyers should identify the exact head and clamp before ordering. Check the camera screw, locating pin, plate direction, safety stop, lens or battery clearance, centre of gravity, and total working load. After mounting, lock the clamp, test the safety mechanism, and perform a controlled balance check before placing the camera at operating height.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003eTCE-CF System Fit\u003c\/h3\u003e\u003cp\u003eThe TS-5 is identified for the Teris TCE-CF tripod family rather than as a universal plate.\u003c\/p\u003e\u003ch3\u003eRepeatable Camera Mounting\u003c\/h3\u003e\u003cp\u003eA matched quick-release interface speeds camera removal while preserving the fore-aft position selected for balance.\u003c\/p\u003e\u003ch3\u003eSafety-Critical Connection\u003c\/h3\u003e\u003cp\u003eCorrect screw engagement, clamp lock, safety stop, and camera-base contact are essential before the tripod is raised or moved.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose the TS-5 when the receiving head or clamp is the Teris TCE-CF system. Choose a different plate when the head uses another quick-release geometry, screw pattern, anti-twist feature, plate length, or safety mechanism.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/teris-ts1610cf-q-2-stage-carbon-fiber-tripod\"\u003eTeris TS1610CF-Q 2-Stage Carbon Fiber Tripod\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/teris-tsd20s-tripod-dolly\"\u003eTeris TSD20S Tripod Dolly\u003c\/a\u003e. Use only with the matching Teris TCE-CF quick-release receiver and a camera base that accepts the supplied mounting arrangement. Check clamp geometry, screw thread, locating pin, plate direction, safety stop, balance travel, and accessory clearance.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eFor TCE-CF owners, rental houses, studios, camera departments, and crews that need a spare or replacement plate for an established Teris support package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose the plate specified by the actual head when the clamp is not TCE-CF, or choose a longer balance plate when the lens and camera package needs more fore-aft travel.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\u003cli\u003eTeris TS-5 quick-release plate for TCE-CF tripod\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eModel: TS-5\u003c\/li\u003e\n\u003cli\u003eNamed system: Teris TCE-CF tripod\u003c\/li\u003e\n\u003cli\u003eRole: camera quick-release plate\u003c\/li\u003e\n\u003cli\u003eSKU: TS-5\/TCE\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eWhat is Teris TS-5\/TCE designed to do?\u003c\/strong\u003e\u003cbr\u003eTeris TS-5 Quick Release Plate for TCE-CF Tripod (TS-5\/TCE) is designed for attaching a compatible camera to a Teris TCE-CF tripod head. Review the named interface, dimensions, camera or support system, and working load before adding it to a production package.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat should I check before using Teris TS-5\/TCE?\u003c\/strong\u003e\u003cbr\u003eBefore using Teris TS-5 Quick Release Plate for TCE-CF Tripod (TS-5\/TCE), check the mating interface, fasteners, cable or battery requirements, clearance, balance, payload, and every attached component in the finished setup.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow does Teris TS-5\/TCE compare with another option?\u003c\/strong\u003e\u003cbr\u003eTeris TS-5 Quick Release Plate for TCE-CF Tripod (TS-5\/TCE) is the better choice when the ts-5 quick-release plate made for the tce-cf tripod system matches the job. Select another model when the mount, size, operating distance, power standard, or system role differs.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eIs Teris TS-5\/TCE suitable for professional production?\u003c\/strong\u003e\u003cbr\u003eTeris TS-5 Quick Release Plate for TCE-CF Tripod (TS-5\/TCE) can serve professional crews when its stated role fits the camera package and the complete setup is tested before the shoot. Rental, studio, live, and location teams should document their final configuration.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere can I buy Teris TS-5\/TCE in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada supplies Teris TS-5 Quick Release Plate for TCE-CF Tripod (TS-5\/TCE) with Canada-wide shipping and Vancouver-based help for model selection, compatible accessories, setup planning, and production support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eBuy Teris TS-5 Quick Release Plate for TCE-CF Tripod from Filmgear Canada with Canada-wide shipping and Vancouver-based help for exact model fit, system compatibility, and production workflow planning.\u003c\/p\u003e","brand":"Teris","offers":[{"title":"Default Title","offer_id":43178164289795,"sku":"TS-5\/TCE","price":50.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/Terispricelist2021.V2_16.png?v=1660853118"},{"product_id":"deity-microphones-v-mic-d4-duo","title":"Deity Microphones V-Mic D4 DUO Dual-Capsule Micro Camera-Mount Shotgun Microphone","description":"\u003cp\u003eThe Deity V-Mic D4 DUO is a tiny camera-mount shotgun microphone with two capsules: a forward-facing shotgun and a rear capsule for ambient or interview pickup. Designed to clip into the cold shoe of a mirrorless or compact cinema camera and run the entire day without a battery (powered by the camera's 3.5mm jack).\u003c\/p\u003e\n\u003ch2\u003eDesigned for\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003eRun-and-gun shooters, vloggers and small documentary crews.\u003c\/li\u003e\n  \u003cli\u003eAnyone shooting interview-with-room scenarios where you want both the subject and ambience captured cleanly.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eKey features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003eDual capsules: forward shotgun + rear pickup.\u003c\/li\u003e\n  \u003cli\u003ePlug-and-play camera power (no battery to remember to charge).\u003c\/li\u003e\n  \u003cli\u003eCold-shoe mount with built-in shock absorption.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor bigger, boom-mic-on-a-pole scenarios, step up to a dedicated shotgun. The D4 DUO is purpose-built for camera-mounted use.\u003c\/p\u003e\n\u003cp\u003eAvailable from Filmgear Canada, with Canada-wide shipping.\u003c\/p\u003e","brand":"Deity","offers":[{"title":"Default Title","offer_id":43542035661059,"sku":"DEVMICD4DUO","price":60.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1590679234_1567144.jpg?v=1669201785"},{"product_id":"dzofilm-catta-ace-ff-cine-complete-bundle-pl-ef-black","title":"DZOFilm Catta Ace FF Zoom 18-35\/35-80\/70-135mm T2.9 3-Lens Kit (PL\/EF, Black)","description":"\u003cp\u003e\u003cstrong\u003eThe DZOFilm Catta Ace 3-lens zoom kit combines 18-35mm and 35-80mm and 70-135mm T2.9 full-frame cinema zooms with matched colour, mechanics, and parfocal operation.\u003c\/strong\u003e Available from Filmgear Canada for Canadian cinema, commercial, documentary, rental, education, and owner-operator productions.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe included focal ranges cover 18-35mm plus 35-80mm plus 70-135mm while retaining a constant T2.9 maximum aperture and cinema-style manual focus, iris, and zoom control. DZOFILM designs the Catta family for parfocal operation so focus remains stable during a properly adjusted zoom move. The lenses share an 80mm front outside diameter, 0.8 MOD gears, 270-degree focus rotation, and 77mm filter threads. This current configuration uses interchangeable PL and EF mount configuration shown in the listing; camera fit, back focus, lens support, and full-frame sensor coverage should be checked before production.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e18-35mm and 35-80mm and 70-135mm T2.9 Zooms\u003c\/h3\u003e\n\u003cp\u003eThe kit supplies the 18-35mm and 35-80mm and 70-135mm focal ranges at a constant T2.9 maximum aperture.\u003c\/p\u003e\n\u003ch3\u003eParfocal Full-Frame Design\u003c\/h3\u003e\n\u003cp\u003eCatta zooms are designed to retain focus through the zoom range after correct back-focus setup and provide full-frame coverage in the listed family.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\n\u003cp\u003eThe lenses share manual geared controls, an 80mm front outside diameter, and consistent operation for faster changes within the kit.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this pairing when 18-35mm and 35-80mm and 70-135mm covers the focal lengths used on the production. The complete three-lens package reduces gaps, while a two-lens kit saves case space and cost when the missing range is already covered by primes or another zoom.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e. Check the exact mount, sensor format, lens support, matte box, follow-focus position, and camera clearance before the shoot.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis 3-lens Catta Ace kit is for documentary, commercial, narrative, event, education, and rental teams that prefer zoom coverage with matched handling.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different two-lens pairing when another focal range matters more, the complete three-lens set when gaps are unacceptable, or smaller stills zooms when autofocus and minimum rig weight take priority.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Catta Ace 18-35mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003cli\u003eDZOFilm Catta Ace 35-80mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003cli\u003eDZOFilm Catta Ace 70-135mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLens count: 3\u003c\/li\u003e\n\u003cli\u003eFocal ranges: 18-35mm, 35-80mm, 70-135mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.9\u003c\/li\u003e\n\u003cli\u003eMount configuration: interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003cli\u003eFocus: manual, 270-degree rotation\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: 77mm\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Catta Ace 3-lens zoom kit designed to do?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35\/35-80\/70-135mm T2.9 3-Lens Kit (PL\/EF, Black) is designed for the exact cinema-lens or adapter role described on this page. Its value comes from matching the exact product configuration to the camera, lens, light, filter holder, or support equipment already in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do I check compatibility before ordering Catta Ace 3-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eFor DZOFilm Catta Ace FF Zoom 18-35\/35-80\/70-135mm T2.9 3-Lens Kit (PL\/EF, Black), compare the mount, physical size, optical format, connector, payload, or accessory standard shown on this page with the corresponding specification on your existing equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with Catta Ace 3-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35\/35-80\/70-135mm T2.9 3-Lens Kit (PL\/EF, Black) includes DZOFilm Catta Ace 18-35mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing, DZOFilm Catta Ace 35-80mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing, DZOFilm Catta Ace 70-135mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing. Optional accessories, alternate mounts, cameras, lenses, lights, and support equipment are separate unless they are named in the selected Shopify variant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of Catta Ace 3-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eChoose choose a different two-lens pairing when another focal range matters more, the complete three-lens set when gaps are unacceptable, or smaller stills zooms when autofocus and minimum rig weight take priority instead of DZOFilm Catta Ace FF Zoom 18-35\/35-80\/70-135mm T2.9 3-Lens Kit (PL\/EF, Black) when that option better matches your required format, size, mount, focal range, payload, or level of kit completeness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy Catta Ace 3-lens zoom kit in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35\/35-80\/70-135mm T2.9 3-Lens Kit (PL\/EF, Black) is available from Filmgear Canada with Canada-wide shipping and Vancouver-based assistance. Check the selected variant and the surrounding equipment requirements before placing the order.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Catta Ace FF Zoom 18-35\/35-80\/70-135mm T2.9 3-Lens Kit (PL\/EF, Black) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Review the selected mount, size, filter, or kit configuration before ordering so the product matches the rest of your production package.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43738034962691,"sku":"DZO-FFCattaA3-BUNDLE","price":6948.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1673595964_1745340.jpg?v=1676330421"},{"product_id":"dzofilm-pictor-12-25-super35-zoom-pl-ef-black","title":"DZOFilm Pictor 12-25mm T2.8 Super35 Parfocal Zoom Lens (PL\/EF, Black)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm Pictor 12-25mm T2.8 Super35 Parfocal Zoom Lens is a constant T2.8 Super 35 parfocal cinema zoom with interchangeable PL and EF mounting, built for cinematographers who need repeatable manual lens control and the named 12-25mm field of view.\u003c\/strong\u003e Its 31.5mm image circle, 95mm front, M86 thread, 16-blade iris, 270-degree focus, 100-degree zoom, and 0.8 MOD gears supports narrative, commercial, documentary, tabletop, studio, and rental work according to the lens family's optical role. Buyers comparing this cinema lens should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm Pictor 12-25mm T2.8 Super35 Parfocal Zoom Lens sits in the DZOFILM Pictor family. DZOFILM identifies it as a constant T2.8 Super 35 parfocal cinema zoom with interchangeable PL and EF mounting. Key operating details include 31.5mm image circle, 95mm front, M86 thread, 16-blade iris, 270-degree focus, 100-degree zoom, and 0.8 MOD gears. Before production, check sensor recording area, installed mount, rear clearance, flange setup, rods and lens support, matte box or filter fit, 0.8 MOD motor position, focus scale, working distance, and whether the selected focal range suits the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e12-25mm Cinema Optics\u003c\/h3\u003e\u003cp\u003eDZOFilm Pictor 12-25mm T2.8 Super35 Parfocal Zoom Lens provides the named 12-25mm view with its constant T2.8 Super 35 parfocal cinema zoom.\u003c\/p\u003e\n\u003ch3\u003eMount and Sensor Planning\u003c\/h3\u003e\u003cp\u003eThe lens uses interchangeable PL and EF mounting; match the camera recording area, installed interface, rear clearance, flange distance, and support before the shoot.\u003c\/p\u003e\n\u003ch3\u003eManual Crew Operation\u003c\/h3\u003e\u003cp\u003e31.5mm image circle, 95mm front, M86 thread, 16-blade iris, 270-degree focus, 100-degree zoom, and 0.8 MOD gears, supporting repeatable focus, zoom, iris, matte-box, and motor setup.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 12-25mm range when its framing coverage fits the production. Choose the adjacent family range for wider or longer reach, primes for faster single-focal-length operation, or another sensor and mount family when this coverage or interface does not fit.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-pictor-14-30mm-t2-8-super35-parfocal-zoom-lens-pl-ef\"\u003eDZOFilm Pictor 14-30mm T2.8 Super35 Parfocal Zoom Lens (PL and EF Mounts)\u003c\/a\u003e. Check camera sensor mode, interchangeable PL and EF mounting, rear clearance, flange setup, lens support, matte box, filters, 0.8 MOD motors, focus scale, working distance, and case dimensions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, camera assistants, rental houses, studios, film schools, production companies, and owner-operators building a manual Super 35 cinema package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different focal range when camera position or framing demands it, another mount or sensor family when compatibility changes, autofocus glass for solo event work, or a lighter lens when handheld balance and support time are the main constraints.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Pictor 12-25mm T2.8 Super35 Parfocal Zoom Lens\u003c\/li\u003e\n\u003cli\u003einterchangeable PL and EF mounting as named in the product title\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal range: 12-25mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.8\u003c\/li\u003e\n\u003cli\u003eImage circle: 31.5mm Super 35\u003c\/li\u003e\n\u003cli\u003eMounts: PL and EF\u003c\/li\u003e\n\u003cli\u003eDesign: parfocal\u003c\/li\u003e\n\u003cli\u003eFront diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M86\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format and role does this 12-25mm lens serve?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor 12-25mm T2.8 Super35 Parfocal Zoom Lens (PL\/EF, Black): It is a constant T2.8 Super 35 parfocal cinema zoom. Match the active camera recording area to the family's stated image coverage before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich mount and mechanical checks matter?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor 12-25mm T2.8 Super35 Parfocal Zoom Lens (PL\/EF, Black): This configuration uses interchangeable PL and EF mounting. Check the installed interface, rear clearance, flange setup, rods, lens support, matte box, filters, and 0.8 MOD motor positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should this focal range be chosen?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor 12-25mm T2.8 Super35 Parfocal Zoom Lens (PL\/EF, Black): The 12-25mm range determines framing, working distance, perspective, and how often the camera or lens must move. Compare it with adjacent ranges around the planned shot list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the lens suit a crewed cinema workflow?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor 12-25mm T2.8 Super35 Parfocal Zoom Lens (PL\/EF, Black): Yes. 31.5mm image circle, 95mm front, M86 thread, 16-blade iris, 270-degree focus, 100-degree zoom, and 0.8 MOD gears. Camera assistants should still map focus, zoom, iris, support, motor, and case positions before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFILM lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Pictor 12-25mm T2.8 Super35 Parfocal Zoom Lens (PL\/EF, Black): Filmgear Canada offers Canada-wide shipping and Vancouver-based help for focal range, sensor coverage, mount, support, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Pictor 12-25mm T2.8 Super35 Parfocal Zoom Lens (PL\/EF, Black) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43750509510915,"sku":"DZO-7220004B","price":2361.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1676533546_1751652.jpg?v=1676679897"},{"product_id":"dzofilm-vespid-21mm-pl-ef","title":"DZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens (PL\/EF)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 21mm cine lens provides 21mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens uses a 21mm focal length and T2.1 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e21mm T2.1 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 21mm field of view and T2.1 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 21mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 21mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 21mm T2.1 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43750528352515,"sku":"DZO-V02121PL","price":1110.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1658133953_1717552.jpg?v=1676680567"},{"product_id":"dzofilm-vespid-40mm-pl-ef","title":"DZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens (PL\/EF)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 40mm cine lens provides 40mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens uses a 40mm focal length and T2.1 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e40mm T2.1 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 40mm field of view and T2.1 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 40mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 40mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.1\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 40mm T2.1 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43750545293571,"sku":"DZO-V04021PL","price":1110.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1658133953_1717553.jpg?v=1676681015"},{"product_id":"dzofilm-vespid-16mm-pl-ef","title":"DZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens (PL\/EF)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm VESPID 16mm cine lens provides 16mm full-frame framing in a compact manual cinema housing with PL\/EF mount capability.\u003c\/strong\u003e The VESPID family is designed for narrative, commercial, documentary, gimbal, handheld, and rental packages that value compact matched mechanics.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens uses a 16mm focal length and T2.8 maximum aperture. DZOFILM lists the VESPID family with a 46.5mm Vista Vision and full-frame image circle, interchangeable PL and EF mount system, 80mm front outside diameter, M77 filter thread, 0.8 MOD focus and iris gears, and manual cinema control. The compact matched housings help crews rebalance less often when changing lenses.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e16mm T2.8 Full-Frame Prime\u003c\/h3\u003e\u003cp\u003eThe 16mm field of view and T2.8 aperture provide a dedicated manual prime option for full-frame and Vista Vision capture.\u003c\/p\u003e\n\u003ch3\u003ePL and EF Mount Capability\u003c\/h3\u003e\u003cp\u003eThe VESPID mount system supports ARRI PL and Canon EF workflows when the correct mount, clearance, and back-focus setup are used.\u003c\/p\u003e\n\u003ch3\u003eCompact Matched Mechanics\u003c\/h3\u003e\u003cp\u003eAn 80mm front, M77 filter thread, 0.8 MOD gears, and consistent manual layout simplify accessory moves and lens changes.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this VESPID 16mm for compact matched full-frame cinema-prime operation and PL\/EF flexibility. Choose a Vespid2 set for T1.9 speed and Cooke \/i data in ARRI PL, a different focal length for another field of view, or autofocus stills lenses when electronic focus and aperture are required.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-prime-7-lens-kit-v2-pl-ef-mounts\"\u003eVESPID seven-lens kit\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-vespid-cine-prime-35mm-pl\"\u003eanother VESPID focal length\u003c\/a\u003e. Check the installed ARRI PL or Canon EF interface, 46.5mm recording-area coverage, rear clearance, back focus, lens support, 80mm matte-box fit, M77 filters, and 0.8 MOD follow-focus position.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, rental houses, film schools, owner-operators, and narrative, commercial, documentary, gimbal, or handheld crews building a compact manual full-frame prime package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose Vespid2 when a constant T1.9 aperture and Cooke \/i data are essential, a larger or smaller focal-length package when coverage needs differ, or native autofocus lenses for run-and-gun single-operator work.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mount capability named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 16mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.8\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eMount system: ARRI PL and Canon EF capability\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eOperation: manual focus and iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes this VESPID product cover full-frame cinema sensors?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens: The family uses a 46.5mm image circle for Vista Vision and full-frame capture. Check the exact recording area selected on the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan VESPID lenses work with PL and EF cameras?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens: The mount system supports ARRI PL and Canon EF workflows. Check the fitted interface, rear clearance, and back focus before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat front accessories fit the VESPID housing?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens: The family uses an 80mm front outside diameter and M77 filter thread, with 0.8 MOD gears for standard cinema focus and iris control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does original VESPID compare with Vespid2?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens: Original VESPID emphasizes compact PL\/EF flexibility, while Vespid2 adds a constant T1.9 design and Cooke \/i data in an ARRI PL housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this VESPID product in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens: Filmgear Canada supplies it with Canada-wide shipping and Vancouver-based help for focal length, mount, filters, matte boxes, and support.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFILM Vespid Full Frame Cine Prime 16mm T2.8 Lens (PL\/EF) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact mount, focal length, scale, modifier interface, and surrounding camera or lighting package before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43750557090051,"sku":"DZO-V01628PL","price":1388.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1655217367_1679955_70c08402-60db-4e65-a1a4-d70c16ba0858.jpg?v=1676681366"},{"product_id":"dzofilm-catta-ace-70-135mm-t2-9-cine-zoom-lens-pl-ef-black","title":"DZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens (PL\/EF, Black)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens is a T2.9-T22 full-frame parfocal cinema zoom with ARRI PL and Canon EF mounting named in this package, built for cinematographers who need repeatable manual lens control and the named 70-135mm field of view.\u003c\/strong\u003e Its 270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears supports narrative, commercial, documentary, tabletop, studio, and rental work according to the lens family's optical role. Buyers comparing this cinema lens should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens sits in the DZOFILM Catta Ace family. DZOFILM identifies it as a T2.9-T22 full-frame parfocal cinema zoom with ARRI PL and Canon EF mounting named in this package. Key operating details include 270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears. Before production, check sensor recording area, installed mount, rear clearance, flange setup, rods and lens support, matte box or filter fit, 0.8 MOD motor position, focus scale, working distance, and whether the selected focal range suits the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e70-135mm Cinema Optics\u003c\/h3\u003e\u003cp\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens provides the named 70-135mm view with its T2.9-T22 full-frame parfocal cinema zoom.\u003c\/p\u003e\n\u003ch3\u003eMount and Sensor Planning\u003c\/h3\u003e\u003cp\u003eThe lens uses ARRI PL and Canon EF mounting named in this package; match the camera recording area, installed interface, rear clearance, flange distance, and support before the shoot.\u003c\/p\u003e\n\u003ch3\u003eManual Crew Operation\u003c\/h3\u003e\u003cp\u003e270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears, supporting repeatable focus, zoom, iris, matte-box, and motor setup.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 70-135mm range when its framing coverage fits the production. Choose the adjacent family range for wider or longer reach, primes for faster single-focal-length operation, or another sensor and mount family when this coverage or interface does not fit.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-catta-ace-ff-18-35mm-t2-9-cine-zoom-lens-pl-ef-black\"\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens (PL\/EF, Black)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-catta-ace-35-80mm-t2-9-cine-zoom-lens-pl-ef-black\"\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens (PL\/EF, Black)\u003c\/a\u003e. Check camera sensor mode, ARRI PL and Canon EF mounting named in this package, rear clearance, flange setup, lens support, matte box, filters, 0.8 MOD motors, focus scale, working distance, and case dimensions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, camera assistants, rental houses, studios, film schools, production companies, and owner-operators building a manual full-frame cinema package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different focal range when camera position or framing demands it, another mount or sensor family when compatibility changes, autofocus glass for solo event work, or a lighter lens when handheld balance and support time are the main constraints.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mounting named in this package as named in the product title\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal range: 70-135mm\u003c\/li\u003e\n\u003cli\u003eAperture: T2.9-T22\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame\u003c\/li\u003e\n\u003cli\u003eMount package: PL and EF\u003c\/li\u003e\n\u003cli\u003eDesign: parfocal\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003cli\u003eZoom rotation: 100 degrees\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format and role does this 70-135mm lens serve?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens (PL\/EF, Black): It is a T2.9-T22 full-frame parfocal cinema zoom. Match the active camera recording area to the family's stated image coverage before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich mount and mechanical checks matter?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens (PL\/EF, Black): This configuration uses ARRI PL and Canon EF mounting named in this package. Check the installed interface, rear clearance, flange setup, rods, lens support, matte box, filters, and 0.8 MOD motor positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should this focal range be chosen?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens (PL\/EF, Black): The 70-135mm range determines framing, working distance, perspective, and how often the camera or lens must move. Compare it with adjacent ranges around the planned shot list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the lens suit a crewed cinema workflow?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens (PL\/EF, Black): Yes. 270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears. Camera assistants should still map focus, zoom, iris, support, motor, and case positions before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFILM lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens (PL\/EF, Black): Filmgear Canada offers Canada-wide shipping and Vancouver-based help for focal range, sensor coverage, mount, support, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens (PL\/EF, Black) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767695016195,"sku":"DZO-FFA70135-BLK","price":2500.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1645487238_1691717.jpg?v=1677190518"},{"product_id":"dzofilm-catta-ace-35-80mm-t2-9-cine-zoom-lens-pl-ef-black","title":"DZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens (PL\/EF, Black)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens is a T2.9-T22 full-frame parfocal cinema zoom with ARRI PL and Canon EF mounting named in this package, built for cinematographers who need repeatable manual lens control and the named 35-80mm field of view.\u003c\/strong\u003e Its 270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears supports narrative, commercial, documentary, tabletop, studio, and rental work according to the lens family's optical role. Buyers comparing this cinema lens should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens sits in the DZOFILM Catta Ace family. DZOFILM identifies it as a T2.9-T22 full-frame parfocal cinema zoom with ARRI PL and Canon EF mounting named in this package. Key operating details include 270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears. Before production, check sensor recording area, installed mount, rear clearance, flange setup, rods and lens support, matte box or filter fit, 0.8 MOD motor position, focus scale, working distance, and whether the selected focal range suits the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e35-80mm Cinema Optics\u003c\/h3\u003e\u003cp\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens provides the named 35-80mm view with its T2.9-T22 full-frame parfocal cinema zoom.\u003c\/p\u003e\n\u003ch3\u003eMount and Sensor Planning\u003c\/h3\u003e\u003cp\u003eThe lens uses ARRI PL and Canon EF mounting named in this package; match the camera recording area, installed interface, rear clearance, flange distance, and support before the shoot.\u003c\/p\u003e\n\u003ch3\u003eManual Crew Operation\u003c\/h3\u003e\u003cp\u003e270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears, supporting repeatable focus, zoom, iris, matte-box, and motor setup.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 35-80mm range when its framing coverage fits the production. Choose the adjacent family range for wider or longer reach, primes for faster single-focal-length operation, or another sensor and mount family when this coverage or interface does not fit.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-catta-ace-ff-18-35mm-t2-9-cine-zoom-lens-pl-ef-black\"\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens (PL\/EF, Black)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-catta-ace-70-135mm-t2-9-cine-zoom-lens-pl-ef-black\"\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens (PL\/EF, Black)\u003c\/a\u003e. Check camera sensor mode, ARRI PL and Canon EF mounting named in this package, rear clearance, flange setup, lens support, matte box, filters, 0.8 MOD motors, focus scale, working distance, and case dimensions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, camera assistants, rental houses, studios, film schools, production companies, and owner-operators building a manual full-frame cinema package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different focal range when camera position or framing demands it, another mount or sensor family when compatibility changes, autofocus glass for solo event work, or a lighter lens when handheld balance and support time are the main constraints.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mounting named in this package as named in the product title\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal range: 35-80mm\u003c\/li\u003e\n\u003cli\u003eAperture: T2.9-T22\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame\u003c\/li\u003e\n\u003cli\u003eMount package: PL and EF\u003c\/li\u003e\n\u003cli\u003eDesign: parfocal\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003cli\u003eZoom rotation: 100 degrees\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format and role does this 35-80mm lens serve?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens (PL\/EF, Black): It is a T2.9-T22 full-frame parfocal cinema zoom. Match the active camera recording area to the family's stated image coverage before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich mount and mechanical checks matter?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens (PL\/EF, Black): This configuration uses ARRI PL and Canon EF mounting named in this package. Check the installed interface, rear clearance, flange setup, rods, lens support, matte box, filters, and 0.8 MOD motor positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should this focal range be chosen?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens (PL\/EF, Black): The 35-80mm range determines framing, working distance, perspective, and how often the camera or lens must move. Compare it with adjacent ranges around the planned shot list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the lens suit a crewed cinema workflow?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens (PL\/EF, Black): Yes. 270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears. Camera assistants should still map focus, zoom, iris, support, motor, and case positions before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFILM lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens (PL\/EF, Black): Filmgear Canada offers Canada-wide shipping and Vancouver-based help for focal range, sensor coverage, mount, support, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens (PL\/EF, Black) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767701700867,"sku":"DZO-FFA3580-BLK","price":2500.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1645487238_1691716.jpg?v=1677190752"},{"product_id":"dzofilm-catta-ace-ff-18-35mm-t2-9-cine-zoom-lens-pl-ef-black","title":"DZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens (PL\/EF, Black)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens is a T2.9-T22 full-frame parfocal cinema zoom with ARRI PL and Canon EF mounting named in this package, built for cinematographers who need repeatable manual lens control and the named 18-35mm field of view.\u003c\/strong\u003e Its 270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears supports narrative, commercial, documentary, tabletop, studio, and rental work according to the lens family's optical role. Buyers comparing this cinema lens should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens sits in the DZOFILM Catta Ace family. DZOFILM identifies it as a T2.9-T22 full-frame parfocal cinema zoom with ARRI PL and Canon EF mounting named in this package. Key operating details include 270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears. Before production, check sensor recording area, installed mount, rear clearance, flange setup, rods and lens support, matte box or filter fit, 0.8 MOD motor position, focus scale, working distance, and whether the selected focal range suits the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e18-35mm Cinema Optics\u003c\/h3\u003e\u003cp\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens provides the named 18-35mm view with its T2.9-T22 full-frame parfocal cinema zoom.\u003c\/p\u003e\n\u003ch3\u003eMount and Sensor Planning\u003c\/h3\u003e\u003cp\u003eThe lens uses ARRI PL and Canon EF mounting named in this package; match the camera recording area, installed interface, rear clearance, flange distance, and support before the shoot.\u003c\/p\u003e\n\u003ch3\u003eManual Crew Operation\u003c\/h3\u003e\u003cp\u003e270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears, supporting repeatable focus, zoom, iris, matte-box, and motor setup.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 18-35mm range when its framing coverage fits the production. Choose the adjacent family range for wider or longer reach, primes for faster single-focal-length operation, or another sensor and mount family when this coverage or interface does not fit.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-catta-ace-35-80mm-t2-9-cine-zoom-lens-pl-ef-black\"\u003eDZOFilm Catta Ace FF Zoom 35-80mm T2.9 Lens (PL\/EF, Black)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-catta-ace-70-135mm-t2-9-cine-zoom-lens-pl-ef-black\"\u003eDZOFilm Catta Ace FF Zoom 70-135mm T2.9 Lens (PL\/EF, Black)\u003c\/a\u003e. Check camera sensor mode, ARRI PL and Canon EF mounting named in this package, rear clearance, flange setup, lens support, matte box, filters, 0.8 MOD motors, focus scale, working distance, and case dimensions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, camera assistants, rental houses, studios, film schools, production companies, and owner-operators building a manual full-frame cinema package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different focal range when camera position or framing demands it, another mount or sensor family when compatibility changes, autofocus glass for solo event work, or a lighter lens when handheld balance and support time are the main constraints.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens\u003c\/li\u003e\n\u003cli\u003eARRI PL and Canon EF mounting named in this package as named in the product title\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal range: 18-35mm\u003c\/li\u003e\n\u003cli\u003eAperture: T2.9-T22\u003c\/li\u003e\n\u003cli\u003eCoverage: full frame\u003c\/li\u003e\n\u003cli\u003eMount package: PL and EF\u003c\/li\u003e\n\u003cli\u003eDesign: parfocal\u003c\/li\u003e\n\u003cli\u003eFront diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M77\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003cli\u003eZoom rotation: 100 degrees\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format and role does this 18-35mm lens serve?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens (PL\/EF, Black): It is a T2.9-T22 full-frame parfocal cinema zoom. Match the active camera recording area to the family's stated image coverage before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich mount and mechanical checks matter?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens (PL\/EF, Black): This configuration uses ARRI PL and Canon EF mounting named in this package. Check the installed interface, rear clearance, flange setup, rods, lens support, matte box, filters, and 0.8 MOD motor positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should this focal range be chosen?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens (PL\/EF, Black): The 18-35mm range determines framing, working distance, perspective, and how often the camera or lens must move. Compare it with adjacent ranges around the planned shot list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the lens suit a crewed cinema workflow?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens (PL\/EF, Black): Yes. 270-degree focus rotation, 100-degree zoom rotation, 80mm front, M77 filter thread, 16-blade iris, and 0.8 MOD gears. Camera assistants should still map focus, zoom, iris, support, motor, and case positions before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFILM lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens (PL\/EF, Black): Filmgear Canada offers Canada-wide shipping and Vancouver-based help for focal range, sensor coverage, mount, support, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Catta Ace FF Zoom 18-35mm T2.9 Zoom Lens (PL\/EF, Black) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767705927939,"sku":"DZO-FFA1835-BLK","price":3195.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1673595964_1745337.jpg?v=1677190879"},{"product_id":"dzofilm-catta-ace-ff-18-35-70-135mm-t2-9-cine-2-lens-bundle-pl-ef-black","title":"DZOFilm Catta Ace FF Zoom 18-35\/70-135mm T2.9 2-Lens Kit (PL\/EF, Black)","description":"\u003cp\u003e\u003cstrong\u003eThe DZOFilm Catta Ace 2-lens zoom kit combines 18-35mm and 70-135mm T2.9 full-frame cinema zooms with matched colour, mechanics, and parfocal operation.\u003c\/strong\u003e Available from Filmgear Canada for Canadian cinema, commercial, documentary, rental, education, and owner-operator productions.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe included focal ranges cover 18-35mm plus 70-135mm while retaining a constant T2.9 maximum aperture and cinema-style manual focus, iris, and zoom control. DZOFILM designs the Catta family for parfocal operation so focus remains stable during a properly adjusted zoom move. The lenses share an 80mm front outside diameter, 0.8 MOD gears, 270-degree focus rotation, and 77mm filter threads. This current configuration uses interchangeable PL and EF mount configuration shown in the listing; camera fit, back focus, lens support, and full-frame sensor coverage should be checked before production.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e18-35mm and 70-135mm T2.9 Zooms\u003c\/h3\u003e\n\u003cp\u003eThe kit supplies the 18-35mm and 70-135mm focal ranges at a constant T2.9 maximum aperture.\u003c\/p\u003e\n\u003ch3\u003eParfocal Full-Frame Design\u003c\/h3\u003e\n\u003cp\u003eCatta zooms are designed to retain focus through the zoom range after correct back-focus setup and provide full-frame coverage in the listed family.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\n\u003cp\u003eThe lenses share manual geared controls, an 80mm front outside diameter, and consistent operation for faster changes within the kit.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this pairing when 18-35mm and 70-135mm covers the focal lengths used on the production. The complete three-lens package reduces gaps, while a two-lens kit saves case space and cost when the missing range is already covered by primes or another zoom.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e. Check the exact mount, sensor format, lens support, matte box, follow-focus position, and camera clearance before the shoot.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis 2-lens Catta Ace kit is for documentary, commercial, narrative, event, education, and rental teams that prefer zoom coverage with matched handling.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different two-lens pairing when another focal range matters more, the complete three-lens set when gaps are unacceptable, or smaller stills zooms when autofocus and minimum rig weight take priority.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Catta Ace 18-35mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003cli\u003eDZOFilm Catta Ace 70-135mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLens count: 2\u003c\/li\u003e\n\u003cli\u003eFocal ranges: 18-35mm, 70-135mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.9\u003c\/li\u003e\n\u003cli\u003eMount configuration: interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003cli\u003eFocus: manual, 270-degree rotation\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: 77mm\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Catta Ace 2-lens zoom kit designed to do?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35\/70-135mm T2.9 2-Lens Kit (PL\/EF, Black) is designed for the exact cinema-lens or adapter role described on this page. Its value comes from matching the exact product configuration to the camera, lens, light, filter holder, or support equipment already in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do I check compatibility before ordering Catta Ace 2-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eFor DZOFilm Catta Ace FF Zoom 18-35\/70-135mm T2.9 2-Lens Kit (PL\/EF, Black), compare the mount, physical size, optical format, connector, payload, or accessory standard shown on this page with the corresponding specification on your existing equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with Catta Ace 2-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35\/70-135mm T2.9 2-Lens Kit (PL\/EF, Black) includes DZOFilm Catta Ace 18-35mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing, DZOFilm Catta Ace 70-135mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing. Optional accessories, alternate mounts, cameras, lenses, lights, and support equipment are separate unless they are named in the selected Shopify variant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of Catta Ace 2-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eChoose choose a different two-lens pairing when another focal range matters more, the complete three-lens set when gaps are unacceptable, or smaller stills zooms when autofocus and minimum rig weight take priority instead of DZOFilm Catta Ace FF Zoom 18-35\/70-135mm T2.9 2-Lens Kit (PL\/EF, Black) when that option better matches your required format, size, mount, focal range, payload, or level of kit completeness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy Catta Ace 2-lens zoom kit in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35\/70-135mm T2.9 2-Lens Kit (PL\/EF, Black) is available from Filmgear Canada with Canada-wide shipping and Vancouver-based assistance. Check the selected variant and the surrounding equipment requirements before placing the order.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Catta Ace FF Zoom 18-35\/70-135mm T2.9 2-Lens Kit (PL\/EF, Black) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Review the selected mount, size, filter, or kit configuration before ordering so the product matches the rest of your production package.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767714349315,"sku":"DZO-FFCattaA2-BUNDLE","price":4724.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1673595964_1745339.jpg?v=1677191097"},{"product_id":"dzofilm-catta-ace-ff-18-35-35-80mm-t2-9-cine-2-lens-bundle-pl-ef-black","title":"DZOFilm Catta Ace FF Zoom 18-35\/35-80mm T2.9 2-Lens Kit (PL\/EF, Black)","description":"\u003cp\u003e\u003cstrong\u003eThe DZOFilm Catta Ace 2-lens zoom kit combines 18-35mm and 35-80mm T2.9 full-frame cinema zooms with matched colour, mechanics, and parfocal operation.\u003c\/strong\u003e Available from Filmgear Canada for Canadian cinema, commercial, documentary, rental, education, and owner-operator productions.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe included focal ranges cover 18-35mm plus 35-80mm while retaining a constant T2.9 maximum aperture and cinema-style manual focus, iris, and zoom control. DZOFILM designs the Catta family for parfocal operation so focus remains stable during a properly adjusted zoom move. The lenses share an 80mm front outside diameter, 0.8 MOD gears, 270-degree focus rotation, and 77mm filter threads. This current configuration uses interchangeable PL and EF mount configuration shown in the listing; camera fit, back focus, lens support, and full-frame sensor coverage should be checked before production.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e18-35mm and 35-80mm T2.9 Zooms\u003c\/h3\u003e\n\u003cp\u003eThe kit supplies the 18-35mm and 35-80mm focal ranges at a constant T2.9 maximum aperture.\u003c\/p\u003e\n\u003ch3\u003eParfocal Full-Frame Design\u003c\/h3\u003e\n\u003cp\u003eCatta zooms are designed to retain focus through the zoom range after correct back-focus setup and provide full-frame coverage in the listed family.\u003c\/p\u003e\n\u003ch3\u003eMatched Cinema Mechanics\u003c\/h3\u003e\n\u003cp\u003eThe lenses share manual geared controls, an 80mm front outside diameter, and consistent operation for faster changes within the kit.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this pairing when 18-35mm and 35-80mm covers the focal lengths used on the production. The complete three-lens package reduces gaps, while a two-lens kit saves case space and cost when the missing range is already covered by primes or another zoom.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e. Check the exact mount, sensor format, lens support, matte box, follow-focus position, and camera clearance before the shoot.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis 2-lens Catta Ace kit is for documentary, commercial, narrative, event, education, and rental teams that prefer zoom coverage with matched handling.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different two-lens pairing when another focal range matters more, the complete three-lens set when gaps are unacceptable, or smaller stills zooms when autofocus and minimum rig weight take priority.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm Catta Ace 18-35mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003cli\u003eDZOFilm Catta Ace 35-80mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLens count: 2\u003c\/li\u003e\n\u003cli\u003eFocal ranges: 18-35mm, 35-80mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.9\u003c\/li\u003e\n\u003cli\u003eMount configuration: interchangeable PL and EF mount configuration shown in the listing\u003c\/li\u003e\n\u003cli\u003eFocus: manual, 270-degree rotation\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: 77mm\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Catta Ace 2-lens zoom kit designed to do?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35\/35-80mm T2.9 2-Lens Kit (PL\/EF, Black) is designed for the exact cinema-lens or adapter role described on this page. Its value comes from matching the exact product configuration to the camera, lens, light, filter holder, or support equipment already in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do I check compatibility before ordering Catta Ace 2-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eFor DZOFilm Catta Ace FF Zoom 18-35\/35-80mm T2.9 2-Lens Kit (PL\/EF, Black), compare the mount, physical size, optical format, connector, payload, or accessory standard shown on this page with the corresponding specification on your existing equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with Catta Ace 2-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35\/35-80mm T2.9 2-Lens Kit (PL\/EF, Black) includes DZOFilm Catta Ace 18-35mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing, DZOFilm Catta Ace 35-80mm T2.9 full-frame cinema zoom in interchangeable PL and EF mount configuration shown in the listing. Optional accessories, alternate mounts, cameras, lenses, lights, and support equipment are separate unless they are named in the selected Shopify variant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of Catta Ace 2-lens zoom kit?\u003c\/strong\u003e\u003cbr\u003eChoose choose a different two-lens pairing when another focal range matters more, the complete three-lens set when gaps are unacceptable, or smaller stills zooms when autofocus and minimum rig weight take priority instead of DZOFilm Catta Ace FF Zoom 18-35\/35-80mm T2.9 2-Lens Kit (PL\/EF, Black) when that option better matches your required format, size, mount, focal range, payload, or level of kit completeness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy Catta Ace 2-lens zoom kit in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm Catta Ace FF Zoom 18-35\/35-80mm T2.9 2-Lens Kit (PL\/EF, Black) is available from Filmgear Canada with Canada-wide shipping and Vancouver-based assistance. Check the selected variant and the surrounding equipment requirements before placing the order.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm Catta Ace FF Zoom 18-35\/35-80mm T2.9 2-Lens Kit (PL\/EF, Black) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Review the selected mount, size, filter, or kit configuration before ordering so the product matches the rest of your production package.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767722246403,"sku":"DZO-FFCattaA1-BUNDLE","price":4724.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1673595964_1745338.jpg?v=1677191344"},{"product_id":"dzofilm-linglung-20-70mm-t2-9-mft-parfocal-cine-lens","title":"DZOFilm LingLung 20-70mm T2.9 MFT Parfocal Cine Lens","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm LingLung 20-70mm T2.9 MFT Parfocal Cine Lens is a T2.9 Micro Four Thirds parfocal cinema zoom with native MFT mount, built for cinematographers who need repeatable manual lens control and the named 20-70mm field of view.\u003c\/strong\u003e Its cine focus, iris, and zoom gears in a compact two-range family supports narrative, commercial, documentary, tabletop, studio, and rental work according to the lens family's optical role. Buyers comparing this cinema lens should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm LingLung 20-70mm T2.9 MFT Parfocal Cine Lens sits in the DZOFILM Linglung family. DZOFILM identifies it as a T2.9 Micro Four Thirds parfocal cinema zoom with native MFT mount. Key operating details include cine focus, iris, and zoom gears in a compact two-range family. Before production, check sensor recording area, installed mount, rear clearance, flange setup, rods and lens support, matte box or filter fit, 0.8 MOD motor position, focus scale, working distance, and whether the selected focal range suits the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e20-70mm Cinema Optics\u003c\/h3\u003e\u003cp\u003eDZOFilm LingLung 20-70mm T2.9 MFT Parfocal Cine Lens provides the named 20-70mm view with its T2.9 Micro Four Thirds parfocal cinema zoom.\u003c\/p\u003e\n\u003ch3\u003eMount and Sensor Planning\u003c\/h3\u003e\u003cp\u003eThe lens uses native MFT mount; match the camera recording area, installed interface, rear clearance, flange distance, and support before the shoot.\u003c\/p\u003e\n\u003ch3\u003eManual Crew Operation\u003c\/h3\u003e\u003cp\u003ecine focus, iris, and zoom gears in a compact two-range family, supporting repeatable focus, zoom, iris, matte-box, and motor setup.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 20-70mm range when its framing coverage fits the production. Choose the adjacent family range for wider or longer reach, primes for faster single-focal-length operation, or another sensor and mount family when this coverage or interface does not fit.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-linglung-10-24mm-t2-9-mft-parfocal-cine-lens\"\u003eDZOFilm LingLung 10-24mm T2.9 MFT Parfocal Cine Lens\u003c\/a\u003e. Check camera sensor mode, native MFT mount, rear clearance, flange setup, lens support, matte box, filters, 0.8 MOD motors, focus scale, working distance, and case dimensions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, camera assistants, rental houses, studios, film schools, production companies, and owner-operators building a manual MFT cinema package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different focal range when camera position or framing demands it, another mount or sensor family when compatibility changes, autofocus glass for solo event work, or a lighter lens when handheld balance and support time are the main constraints.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm LingLung 20-70mm T2.9 MFT Parfocal Cine Lens\u003c\/li\u003e\n\u003cli\u003enative MFT mount as named in the product title\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal range: 20-70mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.9\u003c\/li\u003e\n\u003cli\u003eFormat: Micro Four Thirds\u003c\/li\u003e\n\u003cli\u003eMount: MFT\u003c\/li\u003e\n\u003cli\u003eDesign: parfocal\u003c\/li\u003e\n\u003cli\u003eOperation: manual geared focus, iris, and zoom\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format and role does this 20-70mm lens serve?\u003c\/strong\u003e\u003cbr\u003eDZOFilm LingLung 20-70mm T2.9 MFT Parfocal Cine Lens: It is a T2.9 Micro Four Thirds parfocal cinema zoom. Match the active camera recording area to the family's stated image coverage before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich mount and mechanical checks matter?\u003c\/strong\u003e\u003cbr\u003eDZOFilm LingLung 20-70mm T2.9 MFT Parfocal Cine Lens: This configuration uses native MFT mount. Check the installed interface, rear clearance, flange setup, rods, lens support, matte box, filters, and 0.8 MOD motor positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should this focal range be chosen?\u003c\/strong\u003e\u003cbr\u003eDZOFilm LingLung 20-70mm T2.9 MFT Parfocal Cine Lens: The 20-70mm range determines framing, working distance, perspective, and how often the camera or lens must move. Compare it with adjacent ranges around the planned shot list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the lens suit a crewed cinema workflow?\u003c\/strong\u003e\u003cbr\u003eDZOFilm LingLung 20-70mm T2.9 MFT Parfocal Cine Lens: Yes. cine focus, iris, and zoom gears in a compact two-range family. Camera assistants should still map focus, zoom, iris, support, motor, and case positions before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFILM lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm LingLung 20-70mm T2.9 MFT Parfocal Cine Lens: Filmgear Canada offers Canada-wide shipping and Vancouver-based help for focal range, sensor coverage, mount, support, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm LingLung 20-70mm T2.9 MFT Parfocal Cine Lens from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767785750787,"sku":"","price":1975.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/DZOFilmLinglunf2070_1.jpg?v=1677193544"},{"product_id":"dzofilm-linglung-10-24mm-t2-9-mft-parfocal-cine-lens","title":"DZOFilm LingLung 10-24mm T2.9 MFT Parfocal Cine Lens","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm LingLung 10-24mm T2.9 MFT Parfocal Cine Lens is a T2.9 Micro Four Thirds parfocal cinema zoom with native MFT mount, built for cinematographers who need repeatable manual lens control and the named 10-24mm field of view.\u003c\/strong\u003e Its cine focus, iris, and zoom gears in a compact two-range family supports narrative, commercial, documentary, tabletop, studio, and rental work according to the lens family's optical role. Buyers comparing this cinema lens should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm LingLung 10-24mm T2.9 MFT Parfocal Cine Lens sits in the DZOFILM Linglung family. DZOFILM identifies it as a T2.9 Micro Four Thirds parfocal cinema zoom with native MFT mount. Key operating details include cine focus, iris, and zoom gears in a compact two-range family. Before production, check sensor recording area, installed mount, rear clearance, flange setup, rods and lens support, matte box or filter fit, 0.8 MOD motor position, focus scale, working distance, and whether the selected focal range suits the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e10-24mm Cinema Optics\u003c\/h3\u003e\u003cp\u003eDZOFilm LingLung 10-24mm T2.9 MFT Parfocal Cine Lens provides the named 10-24mm view with its T2.9 Micro Four Thirds parfocal cinema zoom.\u003c\/p\u003e\n\u003ch3\u003eMount and Sensor Planning\u003c\/h3\u003e\u003cp\u003eThe lens uses native MFT mount; match the camera recording area, installed interface, rear clearance, flange distance, and support before the shoot.\u003c\/p\u003e\n\u003ch3\u003eManual Crew Operation\u003c\/h3\u003e\u003cp\u003ecine focus, iris, and zoom gears in a compact two-range family, supporting repeatable focus, zoom, iris, matte-box, and motor setup.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 10-24mm range when its framing coverage fits the production. Choose the adjacent family range for wider or longer reach, primes for faster single-focal-length operation, or another sensor and mount family when this coverage or interface does not fit.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-linglung-20-70mm-t2-9-mft-parfocal-cine-lens\"\u003eDZOFilm LingLung 20-70mm T2.9 MFT Parfocal Cine Lens\u003c\/a\u003e. Check camera sensor mode, native MFT mount, rear clearance, flange setup, lens support, matte box, filters, 0.8 MOD motors, focus scale, working distance, and case dimensions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, camera assistants, rental houses, studios, film schools, production companies, and owner-operators building a manual MFT cinema package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different focal range when camera position or framing demands it, another mount or sensor family when compatibility changes, autofocus glass for solo event work, or a lighter lens when handheld balance and support time are the main constraints.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm LingLung 10-24mm T2.9 MFT Parfocal Cine Lens\u003c\/li\u003e\n\u003cli\u003enative MFT mount as named in the product title\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal range: 10-24mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.9\u003c\/li\u003e\n\u003cli\u003eFormat: Micro Four Thirds\u003c\/li\u003e\n\u003cli\u003eMount: MFT\u003c\/li\u003e\n\u003cli\u003eDesign: parfocal\u003c\/li\u003e\n\u003cli\u003eOperation: manual geared focus, iris, and zoom\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format and role does this 10-24mm lens serve?\u003c\/strong\u003e\u003cbr\u003eDZOFilm LingLung 10-24mm T2.9 MFT Parfocal Cine Lens: It is a T2.9 Micro Four Thirds parfocal cinema zoom. Match the active camera recording area to the family's stated image coverage before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich mount and mechanical checks matter?\u003c\/strong\u003e\u003cbr\u003eDZOFilm LingLung 10-24mm T2.9 MFT Parfocal Cine Lens: This configuration uses native MFT mount. Check the installed interface, rear clearance, flange setup, rods, lens support, matte box, filters, and 0.8 MOD motor positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should this focal range be chosen?\u003c\/strong\u003e\u003cbr\u003eDZOFilm LingLung 10-24mm T2.9 MFT Parfocal Cine Lens: The 10-24mm range determines framing, working distance, perspective, and how often the camera or lens must move. Compare it with adjacent ranges around the planned shot list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the lens suit a crewed cinema workflow?\u003c\/strong\u003e\u003cbr\u003eDZOFilm LingLung 10-24mm T2.9 MFT Parfocal Cine Lens: Yes. cine focus, iris, and zoom gears in a compact two-range family. Camera assistants should still map focus, zoom, iris, support, motor, and case positions before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFILM lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm LingLung 10-24mm T2.9 MFT Parfocal Cine Lens: Filmgear Canada offers Canada-wide shipping and Vancouver-based help for focal range, sensor coverage, mount, support, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm LingLung 10-24mm T2.9 MFT Parfocal Cine Lens from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767798661379,"sku":"","price":1975.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/DZOFilmLinglunf1024.jpg?v=1677194279"},{"product_id":"dzofilm-linglung-10-24mm-20-70mm-t2-9-mft-parfocal-cine-lens-bundle","title":"DZOFilm LingLung 10-24mm \u0026 20-70mm T2.9 MFT Parfocal Cine Lens Bundle","description":"\u003cp\u003e\u003cstrong\u003eThe DZOFilm LingLung 10-24 20-70mm MFT lens kit combines two T2.9 parfocal cinema zooms for wide through medium-telephoto coverage on Micro Four Thirds cameras.\u003c\/strong\u003e Available from Filmgear Canada for Canadian cinema, commercial, documentary, rental, education, and owner-operator productions.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe 10-24mm and 20-70mm ranges overlap for flexible lens changes and together cover a broad field of view on the 21.6mm MFT image circle. Both lenses use manual 270-degree focus rotation, 100-degree zoom rotation, 0.8 MOD gearing, 80mm front outside diameter, and a 12-blade iris. The 10-24mm focuses to 0.61m and the 20-70mm to 0.79m. Their parfocal design is intended to maintain focus through a correctly adjusted zoom move.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e10-24mm and 20-70mm T2.9 Coverage\u003c\/h3\u003e\n\u003cp\u003eThe two zooms cover wide through medium-telephoto framing with an overlap from 20mm to 24mm for flexible lens changes.\u003c\/p\u003e\n\u003ch3\u003eParfocal MFT Design\u003c\/h3\u003e\n\u003cp\u003eDZOFILM designs LingLung to retain focus during zooming after correct back-focus adjustment on the Micro Four Thirds camera.\u003c\/p\u003e\n\u003ch3\u003eMatched Manual Cinema Controls\u003c\/h3\u003e\n\u003cp\u003eBoth lenses use 0.8 MOD gears, 270-degree focus rotation, 100-degree zoom rotation, and an 80mm front outside diameter.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose the two-lens bundle for broad MFT zoom coverage. Buy only the 10-24mm when the work stays wide, only the 20-70mm for standard and tighter framing, or a larger-format lens family when the camera sensor exceeds the MFT image circle.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\n\u003cp\u003e. Check the exact mount, sensor format, lens support, matte box, follow-focus position, and camera clearance before the shoot.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis bundle suits documentary, education, studio, live-event, compact cinema, and owner-operator MFT kits that need matched parfocal zoom coverage.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a single LingLung zoom when only one range is needed, or a full-frame cinema zoom family when the lens must cover a larger sensor.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm LingLung 10-24mm T2.9 MFT parfocal cinema zoom\u003c\/li\u003e\n\u003cli\u003eDZOFilm LingLung 20-70mm T2.9 MFT parfocal cinema zoom\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLens count: two\u003c\/li\u003e\n\u003cli\u003eFocal ranges: 10-24mm and 20-70mm\u003c\/li\u003e\n\u003cli\u003eMaximum aperture: T2.9\u003c\/li\u003e\n\u003cli\u003eMount and image circle: MFT, 21.6mm\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 270 degrees\u003c\/li\u003e\n\u003cli\u003eZoom rotation: 100 degrees\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 80mm\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is LingLung 10-24 20-70mm MFT lens kit designed to do?\u003c\/strong\u003e\u003cbr\u003eDZOFilm LingLung 10-24mm \u0026amp; 20-70mm T2.9 MFT Parfocal Cine Lens Bundle is designed for the exact cinema-lens or adapter role described on this page. Its value comes from matching the exact product configuration to the camera, lens, light, filter holder, or support equipment already in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do I check compatibility before ordering LingLung 10-24 20-70mm MFT lens kit?\u003c\/strong\u003e\u003cbr\u003eFor DZOFilm LingLung 10-24mm \u0026amp; 20-70mm T2.9 MFT Parfocal Cine Lens Bundle, compare the mount, physical size, optical format, connector, payload, or accessory standard shown on this page with the corresponding specification on your existing equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included with LingLung 10-24 20-70mm MFT lens kit?\u003c\/strong\u003e\u003cbr\u003eDZOFilm LingLung 10-24mm \u0026amp; 20-70mm T2.9 MFT Parfocal Cine Lens Bundle includes DZOFilm LingLung 10-24mm T2.9 MFT parfocal cinema zoom, DZOFilm LingLung 20-70mm T2.9 MFT parfocal cinema zoom. Optional accessories, alternate mounts, cameras, lenses, lights, and support equipment are separate unless they are named in the selected Shopify variant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen should I choose a different option instead of LingLung 10-24 20-70mm MFT lens kit?\u003c\/strong\u003e\u003cbr\u003eChoose choose a single linglung zoom when only one range is needed, or a full-frame cinema zoom family when the lens must cover a larger sensor instead of DZOFilm LingLung 10-24mm \u0026amp; 20-70mm T2.9 MFT Parfocal Cine Lens Bundle when that option better matches your required format, size, mount, focal range, payload, or level of kit completeness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy LingLung 10-24 20-70mm MFT lens kit in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm LingLung 10-24mm \u0026amp; 20-70mm T2.9 MFT Parfocal Cine Lens Bundle is available from Filmgear Canada with Canada-wide shipping and Vancouver-based assistance. Check the selected variant and the surrounding equipment requirements before placing the order.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm LingLung 10-24mm \u0026amp; 20-70mm T2.9 MFT Parfocal Cine Lens Bundle from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Review the selected mount, size, filter, or kit configuration before ordering so the product matches the rest of your production package.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767801676035,"sku":"","price":4139.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1569511343_1507681.jpg?v=1677194572"},{"product_id":"dzofilm-32mm-gnosis-macro-prime-lens-lpl-pl-ef-feet","title":"DZOFilm 32mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026 EF Mounts, Feet)","description":"\u003cp\u003e\u003cstrong\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens is a T2.8 Vista Vision and full-frame macro cinema prime with LPL housing with PL and EF options, built for cinematographers who need repeatable manual lens control and the named 32mm field of view.\u003c\/strong\u003e Its 0.167m close focus and 1.0x magnification supports narrative, commercial, documentary, tabletop, studio, and rental work according to the lens family's optical role. Buyers comparing this cinema lens should match it to the complete working package before ordering.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens sits in the DZOFILM Gnosis family. DZOFILM identifies it as a T2.8 Vista Vision and full-frame macro cinema prime with LPL housing with PL and EF options. Key operating details include 0.167m close focus and 1.0x magnification. Before production, check sensor recording area, installed mount, rear clearance, flange setup, rods and lens support, matte box or filter fit, 0.8 MOD motor position, focus scale, working distance, and whether the selected focal range suits the shot.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003ch3\u003e32mm Cinema Optics\u003c\/h3\u003e\u003cp\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens provides the named 32mm view with its T2.8 Vista Vision and full-frame macro cinema prime.\u003c\/p\u003e\n\u003ch3\u003eMount and Sensor Planning\u003c\/h3\u003e\u003cp\u003eThe lens uses LPL housing with PL and EF options; match the camera recording area, installed interface, rear clearance, flange distance, and support before the shoot.\u003c\/p\u003e\n\u003ch3\u003eManual Crew Operation\u003c\/h3\u003e\u003cp\u003e0.167m close focus and 1.0x magnification, supporting repeatable focus, zoom, iris, matte-box, and motor setup.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\n\u003cp\u003eChoose this 32mm Gnosis for its perspective, working distance, and macro magnification. Choose 32mm for more environment, 65mm for a middle perspective, 90mm for more subject clearance, or a standard prime when macro reproduction is unnecessary.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-65mm-gnosis-macro-prime-lens-lpl-pl-ef-feet\"\u003eDZOFilm 65mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet)\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-90mm-gnosis-macro-prime-lens-lpl-pl-ef-feet\"\u003eDZOFilm 90mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet)\u003c\/a\u003e. Check camera sensor mode, LPL housing with PL and EF options, rear clearance, flange setup, lens support, matte box, filters, 0.8 MOD motors, focus scale, working distance, and case dimensions.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\n\u003cp\u003eThis lens is for cinematographers, camera assistants, rental houses, studios, film schools, production companies, and owner-operators building a manual full-frame cinema package.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\n\u003cp\u003eChoose a different focal range when camera position or framing demands it, another mount or sensor family when compatibility changes, autofocus glass for solo event work, or a lighter lens when handheld balance and support time are the main constraints.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens\u003c\/li\u003e\n\u003cli\u003eLPL housing with PL and EF options as named in the product title\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFocal length: 32mm\u003c\/li\u003e\n\u003cli\u003eAperture: T2.8-T22\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.167m\u003c\/li\u003e\n\u003cli\u003eMagnification: 1.0x\u003c\/li\u003e\n\u003cli\u003eWeight: approximately 1,460g\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat sensor format and role does this 32mm lens serve?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): It is a T2.8 Vista Vision and full-frame macro cinema prime. Match the active camera recording area to the family's stated image coverage before the shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich mount and mechanical checks matter?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): This configuration uses LPL housing with PL and EF options. Check the installed interface, rear clearance, flange setup, rods, lens support, matte box, filters, and 0.8 MOD motor positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow should this focal range be chosen?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): The 32mm range determines framing, working distance, perspective, and how often the camera or lens must move. Compare it with adjacent ranges around the planned shot list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the lens suit a crewed cinema workflow?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): Yes. 0.167m close focus and 1.0x magnification. Camera assistants should still map focus, zoom, iris, support, motor, and case positions before production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere can I buy this DZOFILM lens in Canada?\u003c\/strong\u003e\u003cbr\u003eDZOFilm 32mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet): Filmgear Canada offers Canada-wide shipping and Vancouver-based help for focal range, sensor coverage, mount, support, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\n\u003cp\u003eBuy DZOFilm 32mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based help for product selection, system fit, and production planning.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767829430531,"sku":"DZO-G3228LPLI","price":6253.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1658911675_1719044.jpg?v=1677196406"},{"product_id":"dzofilm-65mm-gnosis-macro-prime-lens-lpl-pl-ef-feet","title":"DZOFilm 65mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026 EF Mounts, Feet)","description":"\u003cp\u003e\u003cstrong\u003eThe DZOFilm Gnosis 65mm macro lens is a T2.8 Vista Vision and full-frame cinema prime with 1.33x magnification, LPL housing, PL and EF mount options, and a feet focus scale.\u003c\/strong\u003e Its combination of macro reproduction, 65mm perspective, and manual cinema mechanics is designed for tabletop, food, beauty, inserts, product work, nature details, and controlled narrative close-ups.\u003c\/p\u003e\n\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eDZOFILM specifies a 46.5mm image circle, T2.8 to T22 range, 0.237m close focus measured from the sensor plane, and 1.33x maximum magnification for the 65mm Gnosis. The lens uses a 300-degree manual focus rotation, 114mm front outside diameter, M105 filter thread, 16-blade iris, 0.8 MOD gears, and an aluminum-alloy housing. At approximately 1,447.5g, it needs an appropriate mount, rods, lens support, matte box, focus control, and carefully planned working distance for precise macro shots.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\u003ch3\u003e65mm T2.8 with 1.33x Magnification\u003c\/h3\u003e\u003cp\u003eThe 65mm combines T2.8 speed with 1.33x macro reproduction for detailed product, insert, texture, and beauty imagery.\u003c\/p\u003e\u003ch3\u003e46.5mm VV and Full-Frame Coverage\u003c\/h3\u003e\u003cp\u003eThe 46.5mm image circle supports Vista Vision and full-frame cinema-camera recording areas when the selected camera mode fits within that circle.\u003c\/p\u003e\u003ch3\u003eMatched Professional Mechanics\u003c\/h3\u003e\u003cp\u003eA 114mm front, M105 thread, 300-degree focus throw, 16-blade iris, 0.8 MOD gears, and PL\/EF\/LPL mount options support repeatable cinema operation.\u003c\/p\u003e\n\u003ch2\u003eHow It Compares\u003c\/h2\u003e\u003cp\u003eChoose the Gnosis 65mm when a natural short-telephoto perspective, 1.33x magnification, and practical subject clearance fit the shot. Choose the 32mm for a wider context and 1x magnification, the 90mm for more working distance and 1.5x magnification, or a standard prime when infinity-to-close coverage matters more than macro reproduction.\u003c\/p\u003e\n\u003ch2\u003eCompatible Accessories and Related Gear\u003c\/h2\u003e\u003cp\u003e\u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-32mm-gnosis-macro-prime-lens-lpl-pl-ef-feet\"\u003eDZOFilm Gnosis 32mm Macro\u003c\/a\u003e and \u003ca href=\"https:\/\/filmgearcanada.com\/products\/dzofilm-90mm-gnosis-macro-prime-lens-lpl-pl-ef-feet\"\u003eDZOFilm Gnosis 90mm Macro\u003c\/a\u003e. Check the installed LPL, PL, or EF interface, rear clearance, 46.5mm image-circle mode, rods and lens support, 114mm matte box, M105 filters, 0.8 MOD motors, focus travel, lighting clearance, and exact working distance.\u003c\/p\u003e\n\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eThis lens is for tabletop and product cinematographers, food and beauty teams, rental houses, commercial studios, effects units, and narrative crews that need more than life-size close-detail capture with matched cinema mechanics.\u003c\/p\u003e\n\u003ch2\u003eWho Should Choose Something Else?\u003c\/h2\u003e\u003cp\u003eChoose a wider Gnosis for more environment, the 90mm for greater subject clearance and higher magnification, a probe lens for access into confined spaces, or a standard prime when macro reproduction and dedicated support are unnecessary.\u003c\/p\u003e\n\u003ch2\u003eIn the Box\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eDZOFilm Gnosis 65mm T2.8 Macro Prime Lens with feet scale\u003c\/li\u003e\n\u003cli\u003eLPL housing with PL and EF mount options named in the product identity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eFocal length: 65mm\u003c\/li\u003e\n\u003cli\u003eAperture: T2.8 to T22\u003c\/li\u003e\n\u003cli\u003eImage circle: 46.5mm VV\/FF\u003c\/li\u003e\n\u003cli\u003eClose focus: 0.237m \/ 9.36in from sensor plane\u003c\/li\u003e\n\u003cli\u003eMaximum magnification: 1.33x\u003c\/li\u003e\n\u003cli\u003eMount options: LPL, PL, and EF\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 300 degrees\u003c\/li\u003e\n\u003cli\u003eFront outside diameter: 114mm\u003c\/li\u003e\n\u003cli\u003eFilter thread: M105\u003c\/li\u003e\n\u003cli\u003eIris blades: 16\u003c\/li\u003e\n\u003cli\u003eGear pitch: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eWeight: approximately 1,447.5g\u003c\/li\u003e\n\u003cli\u003eFocus scale: feet\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eWhat magnification does the Gnosis 65mm provide?\u003c\/strong\u003e\u003cbr\u003eThe DZOFilm Gnosis 65mm macro lens reaches 1.33x maximum magnification, allowing subjects to be recorded larger than life on the sensor.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow close does the Gnosis 65mm focus?\u003c\/strong\u003e\u003cbr\u003eDZOFILM lists 0.237m or 9.36in from the sensor plane, so practical lens-to-subject clearance must be planned with the complete rig.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDoes the Gnosis 65mm cover full-frame sensors?\u003c\/strong\u003e\u003cbr\u003eThe lens has a 46.5mm image circle for Vista Vision and full-frame cinema use. Check the active recording area of the selected camera mode.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhich mount and support checks matter?\u003c\/strong\u003e\u003cbr\u003eMatch the LPL, PL, or EF interface, rear clearance, rods, lens support, 114mm matte box, M105 filters, 0.8 MOD motors, and working distance before the shoot.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere can I buy the Gnosis 65mm in Canada?\u003c\/strong\u003e\u003cbr\u003eFilmgear Canada supplies the DZOFilm Gnosis 65mm macro lens with Canada-wide shipping and Vancouver-based support for mount, matte-box, motor, and lens-set planning.\u003c\/p\u003e\n\u003ch2\u003eWhere to Buy in Canada\u003c\/h2\u003e\u003cp\u003eBuy DZOFilm 65mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026amp; EF Mounts, Feet) from Filmgear Canada with Canada-wide shipping and Vancouver-based support. Match the exact configuration, mount, power, control, support, and accessory plan before ordering.\u003c\/p\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":43767832117507,"sku":"DZO-G6528LPLI","price":6253.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/5972\/7796\/products\/1658911675_1719045.jpg?v=1677196586"}],"url":"https:\/\/filmgearcanada.com\/collections\/professional-filmmaker.oembed?page=33","provider":"Filmgear Canada","version":"1.0","type":"link"}