Choosing LCM215-HDR+ 21.5inch 1500nits Field: Compatibility and Fit for Your Kit

The LCM215-HDR+ 21.5inch 1500nits Field Monitor with Pelican 1600 Case Kit is designed for professional production environments where reliability and compatibility with existing equipment are non-negotiable. Before purchasing, confirm compatibility with your current rig by reviewing the specifications above. For questions about fit with your specific setup, contact Filmgear Canada's team for pre-sale consultation.

New Upgrade 1500nits Ultra-bright Panel

For large-format director's and broadcast field monitor, the LCM215-HDR+ 21.5inch 1500nits Field Monitor with Pelican 1600 Case Kit is the purpose-built solution. LCM215-HDR+ is the new upgrade version of LCM215-HDR monitor with a new upgrade panel, this panel not only has the ultra brightness of 1500 nits, but also has a well performed backlight uniformity. The super 1500nits screen is almost 3-4 times the brightness of other field monitors. This brightness will allow you to shoot outdoors in direct sunlight without any washing-out of the image on the screen, you may not even need a sunhood while using it.

OSEE LCM215-HDR+ Feature 1

LCM215-HDR+ monitor has 2Ch 3G/HD/SD-SDI inputs, 1Ch VIDEO input, one HDMI input and 1Ch 3G/HD/SD-SDI output, with these connectors, it supports most of the audio and video formats. The supported signal formats are detailed in the specification section at the end of this page.

OSEE LCM215-HDR+ Feature 2

LCM215-HDR+ monitor's compatibility makes it suitable for all kinds of applications scenarios, you can put it on a table or use a C-stand adapter to hang it on the rod, it's also compatible with wireless accessories to sending out signals and images to video village.

OSEE LCM215-HDR+ Feature 3

LCM215-HDR+ provides 30 SDR 3DLUTs to convert log mode to REC 709 for most of the major camera brands, including FUJIFILM, GoPro, JVC, Panasonic, RED and Sony. What's more, LCM215-HDR+ also provides 14 HDR 3DLUTs to further convert log mode to REC 2020 for ARRI, Canon, Panasonic, RED and Sony, it will enhance color brightness and clarity and allows users to check how an HDR image will look like at the shooting location.

LCM215-HDR+ allows our user to load their self-making 3D-LUT files by USB flash memory. Once you synchronize LUTs in the monitor, you can easily change them on production. Up to 16 customized LUTs can be stored in the system.

Osee LCM215-HDR+ supports more powerful False Color function to help you get an accurate exposure for your specific camera easily. The exposure indications are calculated for different cameras, there are 17 different log curves including Spectrum/SONY Slog3/SONY Slog2/ARRI LogC/Canon Clog2/Canon Clog3/Panasonic Vlog/RED RedLogFilm/RED RL3G10/BMD/BMD 4K/ARRI Rec709/SONY LC709A/SONY LC709/Panasonic V709/RED G3 and RED G4 for you to choose.

The Zebra function is used to display images on the screen with a zebra pattern to adjust the camera exposure parameter. It will compare the signal luminance with the zebra level and fill the relevant image area, in which luminance is higher than the zebra level with a zebra pattern. LCM215-HDR+'s zebra level can be adjusted from 0 to 100.

The Focus Assist function is used to display images on the screen with intensified edge to help camera focus operation. LCM215-HDR+'s Focus Assist hascolor mode and mono mode. In color mode, you can choose blue/green/red to color the intensified edge. In mono mode, the image is in black and white, that is removing all colors and only leaving the luminance data of the signal.

Peak is also a focusing aid that places a highlight on in-focus edges within an image using an edge detect filter. Its sensitive level can be adjusted from 0-16.

The Waveform is used to evaluate the brightness of your image, regardless of the color, LCM215-HDR+'s waveform has LUMA, RGB and Parade modes, and its size and location on screen can be adjusted.

  • Vectorscope

The Vectorscope can show you how strong a particular color is by the length of the line out from the middle of the wheel. The longer the line, the stronger (or more saturated) the color. It's also a great tool for checking skin tone. The chart position can be changed among 8 locations.

  • Histogram

Histogram assists in judging the distribution of luminance in the image, LCM215-HDR+'s Histogram has LUMA and RGB modes, you can choose different locations on the screen to place the chart.

LCM215-HDR+'s Marker Tool has very rich functions, including Center Marker for enabling easier checking the center portion's focus, Aspect Marker for displaying 2 lines to identify an area with a specified ratio, Area Marker for displaying a rectangle to identify the safety area with a specified percentage andCrossHatch for displaying multiple vertical and horizontal lines to help when the user check the composition of a picture. What's more, there're assist tools likeMarker Fit, Mat Level and Marker Mat to help adjust the outlook of the markers.

Up to 16 Channels of SDI embedded or 2 channels of HDMI audio levels can be displayed with a choice of options including level reference settings and gain.

Time Code is displayed as the format of “HH:MM:SS:FF” at the bottom center of the screen, and if there is no available time code, it will not appear.

Once you set everything in the IMD Display menu and turn on IMD Display, the IMD character in the black bar will display on the bottom of the screen.

LCM215-HDR+ has 4 modes for Blue Only function, red, green blue and mono, once you choose a mode, the screen will only display that color channel. Combine this function and the Internal Signal, the user can do a simple color calibration on the monitor.

The screen menu items are controlled by 6 buttons at the bottom of the screen, and there're 4 more buttons for Function and User Preset. By assigning different tools to different users and buttons, you can pull the tools and switch them on set very quickly.

Fast Menu

The user can always adjust the value of volume, brightness, contrast, saturation, backlight and sharpness quickly in the fast menu.

Osee LCM215-HDR+ Field Monitor: Designed for broadcast engineers, directors, and

Osee LCM215-HDR+ 21.5-inch 1500-nit field monitor for broadcast teams

The Osee LCM215-HDR+ is a 21.5-inch 1500-nit field monitor designed for broadcast engineers, directors, and production teams who need a large-format, high-brightness monitor for field and studio use. Available in a kit with Pelican 1600 case for ultimate protection during transport.

Best Use Cases for the Osee LCM215-HDR+ Field Monitor

Large-format director's and broadcast field monitor

The 21.5-inch display at 1500 nits provides an excellent overview of multiple camera feeds or a single high-quality preview for directors, producers, and broadcast engineers on location or in studio.

Is the Osee LCM215-HDR+ Good for Outdoor Broadcast Production?

Yes. At 1500 nits, the LCM215-HDR+ maintains visibility in challenging outdoor lighting for outdoor broadcast events, sports production, and location video monitoring.

Osee LCM215-HDR+ Field Monitor Specifications

Specification Details
Screen 21.5 inches
Brightness 1500 nits
HDR HDR+ support
Application Field and studio broadcast monitoring
Optional Available with Pelican 1600 case

Osee LCM215-HDR+: Value Assessment

The Osee LCM215-HDR+ is a professional-grade large-format broadcast monitor at a competitive price. For production teams who need a large, bright field monitor with HDR support, it delivers broadcast-grade performance for demanding productions.

Why Buy from Filmgear Canada?

Authorized Canadian Osee dealer

Filmgear Canada is an authorized Canadian Osee dealer. In stock, ships Canada-wide.

Canadian Osee broadcast monitors with local support

Order Osee monitors from Filmgear Canada with fast Canada-wide shipping.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return.

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase. For opened or used items, a minimum 15% restocking fee may apply depending on the item condition.

To start a return, you can contact us at info@filmgearcanada.com. If your return is accepted, we’ll send you instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return-related questions at info@filmgearcanada.com.

Important Notice for Special Order Items

Certain professional and project-based products are supplied on a Special Order basis and are subject to different return conditions. Please review the “Special Order Items” section below before placing your order.

Damages and Issues

Please inspect your order upon reception and contact us immediately if the item is defective, damaged, or if you receive the wrong item, so that we can evaluate the issue and make it right.

For Special Order items, damage or defect claims must be reported immediately upon delivery and will be handled in accordance with the manufacturer’s warranty terms.

Exceptions / Non-returnable Items

Special Order Items (Final Sale)
Certain professional, project-based products are supplied on a Special Order basis and are not regularly stocked. Special Order items are final sale and cannot be returned, exchanged, or refunded once the order has been confirmed with the manufacturer.

These items are ordered specifically for individual projects and may include, but are not limited to:

  • Professional wireless communication systems
  • Large-scale lighting equipment
  • Studio carts and grip equipment
  • Cine lenses and special production gear

Please ensure compatibility and project requirements before placing your order. If you have any questions regarding lead time or suitability, we strongly recommend contacting us prior to purchase.

In addition, we do not accept returns for sale items, gift cards, perishable goods, hazardous materials, flammable liquids, gases, or personal care products.

Exchanges

The fastest way to ensure you get what you want is to return the item you have. Once the return is accepted, you may place a new order for the desired item.

Refunds

We will notify you once we’ve received and inspected your return and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method. Please note that it may take some time for your bank or credit card company to process and post the refund.

FAQ

Is the Osee LCM215-HDR+ Good for Outdoor Broadcast Production?

Yes. At 1500 nits, the LCM215-HDR+ maintains visibility in challenging outdoor lighting for outdoor broadcast events, sports production, and location video monitoring.

Choosing LCM215-HDR+ 21.5inch 1500nits Field: Compatibility and Fit for Your Kit: Which should I choose?

The LCM215-HDR+ 21.5inch 1500nits Field Monitor with Pelican 1600 Case Kit is designed for professional production environments where reliability and compatibility with existing equipment are non-negotiable. Before purchasing, confirm compatibility with your current rig by reviewing the specifications above. For questions about fit with your specific setup, contact Filmgear Canada's team for pre-s

Where can I buy the LCM215-HDR+ 21.5inch 1500nits Field Monitor with Pelican 160 in Canada?

The LCM215-HDR+ 21.5inch 1500nits Field Monitor with Pelican 160 is available from Filmgear Canada, an authorized Canadian LCM215-HDR+ dealer. In stock and ships Canada-wide with fast delivery and Canadian warranty support.